Your Musical Age....What SHOULD I like...?
I write this, my virgin blog entry, on the eve of my 38th birthday. I now, for the first time, actually feel old. Married, two children under 7, mortgage, an overweight sufferer of male pattern baldness and greying to boot....I've started to study malt whisky and Dylan session players in far too much detail than is generally healthy.....if single, I'd be a fabulous catch...
Anyhow...the reason for this entry...The musical bones in my body first started quivering at the age of 11 in the last year of junior school. As a kiddie, I'd liked and jived along to the hits of yesteryear (Killer Queen, Tiger Feet, Blockbuster, Bennie and the Jets were, my Mum tells me were particular favourites!) but music was no more than background noise; the radio playing in the living room as my Dad swore at a particular nasty piece of MFI joinery or as my Mum prepared our dinner whilst I flicked through the latest Panini football album. Sometimes after I'd gone to bed, I'd hear my Dad put on his Cream, Zep and Bread albums at a really low volume so as not to wake me or my brother... all essentially background....
I was on a school journey (my very first week away from home) to Swanage and the whole 4th year were gathered round the tv on Thursday evening to watch Top of the Pops. Memories of the line up remain hazy but Madness was on doing either Grey Day or Cardiac Arrest but nothing matched the colour, sound and explosion of vibrancy of Adam and the Ants premiering the Stand and Deliver video. I mean, this was IT...like nothing I'd heard before, a huge adrenalin rush and the realisation that this music thing stirred things within me. Everything changed. Whilst I didn't consider myself either emotionally or physically mature, my interest in football wavered and for the rest of that last year at school, me and only one other person in our year (hello Sarah!) GOT music....she lent me Dirk Wears White Sox (don't listen to revisionist bullshit - it was bollocks then and it's bollocks now - I was suckered into buying the remastered version...) and I lent her Kings of the Wild Frontier and Journeys to Glory.
In the September of that year, I moved up to senior school. A whole new range of people, with different interests and tastes; more interested in music and more capable of verbalising that interest. There everything changed again and this is where I hit the crux of the blog...
I liked POP music. Music, I thought designed and written to appeal to 11 and 12 year olds like me! This is the time of the Ants, Madness, Duran Duran, Spandau etc....big, bright, loud pop - very visual, hammering differing senses. Through my love of the Ants, I hooked up with a guy called Ed, we again swapped records (Home Taping is Killing Music - don't do it kids - Skull and Crossbones on your Woolies inner sleeves!) he lent me Dare, I lent him Absolutely...eventually got round to visiting each others houses for tea...(I loved flicking through the record collections of anyone whose house I visited - still do - taking over laptops if required)
Aside from the Human League and Ants records, I was left frankly stunned by the records he had and listened to. And, just to verify, these were HIS records, not Dad's or Mum's and he listened to them and put them on tapes...this 11 year old had LA Woman, Station to Station, Scary Monsters, Yesterday and Today by The Beatles - the one with the Butchers cover (probably long since sold on eBay!), Hotel California, Never Mind the Bollocks, Blonde on Blonde and I remember this distinctly because it was played to me, fecking Joy Division- he looked at the cover of Unknown Pleasures in awe, I picked up the cover of Dare and looked at the lyric sheet and thought Suzanne Sulley would be a good girlfriend to have.
How the hell do you get that musically mature at the age of 11!!! I still can't fathom it - Just does not compute...Where is the joy and wonder...I didn't "get" Dylan until I was 32 - When I got into the Smiths at the age of 14, he dismissed them as derivative and hunkered back down to Lola vs Powerman....
As a 14 year old, I assumed 38 year old men were weaned off popular music (in a Logans Run type scenario) and sat in front of a top end spec record deck listening to Chamber Music nodding sagely or, if feeling frisky, a little bit of Mozart. Whereas today, amongst the Dylan, Bowie, Manics and Smiths back catalogues, I can still dig the poppier moments of Rihanna, Justin Timberlake and The Feeling.
I lost contact with Ed after I shipped out to university and he went to work in the local branch of Barclays (can't find him on Facebook or Friends Reunited either). Years later, as a student, I went back to some of those records he'd first played me with an older perspective and enjoyed them. Ed got me into Bowie, for which I'll always be forever grateful. I imagine Ed now as 6ft 5 curmudgeonly roadie for Take That, cursing pop music and demanding that Mark Owen listen to Van der Graaf Generator....
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How...
...did an 11 year old get hold of a Butcher sleeve copy of Yesterday And Today in the 80s? I'm not disputing the fact, I'm just curious. And jealous.
Haven't got a clue....I
Haven't got a clue....I don't think even Ed appreciated its relevance at the time. As his Dad was a pilot for BOAC, I presume it wound it's way back from NYC at some point. I do remember the vinyl felt more "bendy" than my usual stuff
Oh my
He must have been a child prodigy!
I don't subscribe to the 'should' element of likes and dislikes - there's always space for happy dancing music - I have a real fondness for pop such as Booty Luv or Shapeshifters, and they sit happily next to my Sigur Ros, Godspeed You! Black Emperor, Adam and the Ants and King Creosote. I don't see any inconsistency in this, though some might!
I have found that I've grown into some things I thought I'd never get - Dylan being a case in point, I do quite like him now, but not too much at once! On the other hand a couple who were friends of my mum used to have an interminable argument about his merits or lack of, to the point of destruction of vinyl! One of them obviously never grew into him...
Perhaps it's more about what those artists say, what their songs are about and how your life changes to understand the references. My favourite Dylan would be Don't Think Twice (It's Alright), mainly for the line "You just kind of wasted my precious time..." which ended up having enormous resonance with me. And then I understood how he could catch a nerve and be so right about things. Up until then he was stuck in my mind as the Spitting Image puppet singing (with a whine) about cheese.
On the flipside, I never thought I would not listen to the top 40 or that there would be a day when there would be no more TOTP. Or that the things I thought I had left far behind would come back to the fore and have a place on my notPod - yes it's true, I do have Puppy Love on there!
I realised many years ago that I wanted to be like John Peel - still getting excited at new sounds, still hearing things that make me say "what was that, play it again" and still investigating interesting sounds. I don't listen to much mainstream these days because of the "R&B" element that I don't quite get, but there are plenty of new things that really catch my attention - Maps for instance.
But then there's my Mum. Grew up in one of the most exciting musical times of 50s and 60s, enjoyed pop music, and now listens sole to Radio 3. Never revisits the things she loved, never chances a retro station that might have things she remembers and generally is a classical and opera person now.
And that I don't understand at all.....
By rights....
...I 'should' be listening to Britpop or 'indie' rock. I find most of that about as inventive and exciting as watching paint dry, though. I went out and specifically bought Strokes/Libertines/Franz Ferdinand albums after hearing from peers how 'amazing' they were and how 'uncool' the music I loved was. I could not agree; as someone who grew up hearing a variety of weird and wonderful prog rock, alongside my own discoveries of the back catalogues of Genesis/Beatles/Bowie/Elvis/Roxy Music/The Who, an awful lot of the British rock of recent times sounds so appallingly drab to me.
Like some modern bands, though, sure. I like some of Mars Volta and Muse, Porcupine Tree, Elbow, The Decemberists, some Radiohead, Espers, Mastodon, Opeth and I came across that band The Guillemots recently and liked their album on the first play- sounded refreshingly different. But I REALLY do not want to hear another guitar rock act in the Television/Clash mode.
"Television/Clash mode"
Hear what you say, but puzzled you choose these two bands to bracket together.
Given your tastes, I can understand why the Clash might not be your cup of tea, but I would have thought Television would be well worth another listen?
It's not so much grouping them together...
...and I can see why you were misled by my comment. What I meant was that it seems to be these two bands that the likes of The Strokes and Franz Ferdinand (Television, though Alex Kapranos denies it) and The Libertines (The Clash- even down to having Mick Jones produce the albums!) owe the most to, in my opinion at least. I guess the same is true of the debt the likes of The Young Knives, The Futureheads and Dogs Die In Hot Cars owed to XTC (though at least the guy from The Futureheads acknowledged it- I remember reading a funny comment where he said them and Dogs Die... do the whole of the XTC catalogue between them).
I'm not much of a fan of The Clash, true enough, but I respect them and also respect that they mean a lot to people. No problem with Television..
Ah gotcha...
...although I would not have associated Television with Franz Ferdinand I have to say - FF were always more Josef K/Fire Engines for me (and I'd like to see Kapranos deny that!).
Josef K - now there's a band that everyone should love and cherish!
Out of time
I'm actually quite out of synch with the course of modern music.
Members of the 18-21 demographic, apparently, should be more inclined to sample tracks from contemporary genre's Bassline, Switch Bass, Dub-Step, Crod-Roc or New Nu Rave (Nu Rave's premature evolution). I'm still wading through the murky shores of Brit Pop, Jungle, Post-Punk and New Wave. I need to keep in touch.
New Nu Rave
Does this mean we can call the original "Old Skool Nu Rave"? Perhaps someone in the Word office might nip next door and ask the Mixmaggers.
I suspect that young Liam
may be toying with us here, given that the only Google result for Crod-Roc is this page right here.
There's also...
The 'Dib-Dab Blues'' and 'Mini-Metro Techno''. These kids, ay.