Entertainment For Lively Minds
What moves you?
I've just finished Haruki Murakami's 'After Dark' - highly recommended.
It contains a definition by an amateur musician of what is required to 'play really creatively' :
"You send the music deep into your heart so that it makes your body undergo a kind of physical shift, and simultaneously the listener's body also undergoes the same kind of physical shift. It's giving birth to that kind of shared state ...".
As a listener, and non-musician, I'd be interested to know if this resonates with any musicians out there. It pains me to admit that I could indentify maybe only three or four pieces of music that, for me, consistently produce that kind of physical reaction:
Blue Nile - 'Saturday Night'
Van Morrison - 'Rave On John Donne'(from Live At The Grand Opera House)
Rick Danko - 'It Makes No Difference' (from The Last Waltz
John Martyn - 'Solid Air'
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Is it not as often a particular sound.
Or sometimes just a chord change, often from/into a minor key, whatever they are.
I find a slow skirl on pipes, uillean or highland war, or a lonesome steel can transcend a good song into the sublime. Or, muted trumpet breaking thtu' the background
My moments of the moment........
1, The bit in the first selection on Home Ground, where the bagpipes suddenly burst thru', with background synth chords.
2, Oft mentioned, BJ Coles embellishments to Country Feedback on REM on Jools Holland (a full "in concert" type show on the telly, about 8 years back)
3, Miles Davis' solo on O Patti, by Scritti Politti.
Sublime. There seem to be lots of specks of dust flying about this room, what?
I am in total agreement with you on BJ Cole's...
performance on 'Country Feedback'. It is by far the best version of that song I've heard. Cole's masterful playing seemed to push R.E.M. to new heights, and Stipe gave an incredible performance. I haven't seen it in years...
Woops, Home Ground = Live Battlefield Band LP
;-)
Pre McCusker, with Brian McNeill and Dougie Pincock still in th efold.
I have a bootleg CD I acquired at a record fair of the REM show in its entirety. It is really as good as you recall, Patrick. Gives me hope for the old codgers as they draw increasing flak from our cohort.
I love Murakami
And am being moved by the similar, if more gonzo "The Raw Shark Texts" by Steven Hall at the moment. Well worth a listen.