Entertainment For Lively Minds
Unpromising but splendid musical offerings
Posted by AndyPage on 31 May 2011 - 6:33am.
Last night I listened again to the solo album by the drummer from Razorlight.
That does not sound too appealing to many, I am sure, but 'Sun Comes Up Again' by I Am Arrows is a marvellous record, great tunes that would appeal to fans of Fountains Of Wayne etc. I heartily recommend it.
So, what other classics have come from unpromising origins?
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Dare
"The talent" has fled The Human League. The singer with the hair and the other bloke recruit a couple of girls at a disco and hit the studio. We would have been happy with something less than humiliation.
Instead they deliver an electropop masterpiece so massive people are still quoting it in petrol stations 25 years later.
Deserter's Songs by Mercury Rev
Drug addled "experimental" band, who up till now have been a a stranger to any actual tunes, lose a key member, disappear into the countryside and deliver something lovely.
I was struck...
... by just such thoughts whilst watching BB4 doc on making of Screamadelica by Primal Scream, head and shoulders above their previous offerings, a seas of mediocraty they heartily plunged back into subsequently. Chapeau to Andy Wettheral
Everything Must Go?
The entire solo catalogue of Scott Walker?
Think back to "The Sun Ain't Gonna Shine Anymore"
Then think of "Clara" or "The Cockfighter". Even "Next". Not quite the same. And don't even get me started on "Pola X" or "And Who Shall Go The Ball", two of the most challenging and listener unfriendly records ever released.
Bit topical, maybe
But I remember my friends and I all being shocked thrice over when:
(a) Bernard Butler walked out of Suede;
(b) They recruited a 17-year-old guitarist and a keyboard player who seemed to actually be black-&-white to replace him; and
(c) The ensuing album, 'Coming Up', was monumentally ace.
All good stuff.
Similarly
Bernard Butler leaving Suede, teaming up with David McAlmont, and coming up with one of the singles of the decade in Yes.
"Well, that's them finished …"
said Peter Jenner after Syd Barrett left Pink Floyd. "Not much chance of the rest of them making anything decent."
Pink Floyd did record some rubbish....
... up till Meddle though. I will never forgive them for Alan's Psychedelic Breakfast.
Who would have thunk
That a pop duo formed in 1979, from the ashes of Stackridge, would go on to write, record and release such a classic as Everybody's Got To Learn Sometime. Over the years this has been recorded by a diverse bunch of artists and became a number one dance track for Marc et Claude in 2000. More recently the track has been covered by Glasvegas and Sharon Corr. It featured in the film Eternal Sunshine Of The Spotless Mind, sung by Beck (see clip below). I saw Stackridge at the weekend and James Warren still sings his most famous song. Goosebumps time.
Good call
There is a lovely version by The Dream Academy on Remembrance Days too.
New Order
Linking to another of today's threads and allowing me to bang on about New Order yet again, who would have thought that a band who had lost its lead singer and produced an album as monotone and directionless as Movement, would have gone on to produce three singles as brilliant as Everything's Gone Green, Temptation and Blue Monday (though the clues were there in Procession) and then a groundbreaking album like Power, Corruption and Lies...?
Procession has always edged it for me
over Thieves Like Us and then probably Ceremony, Bizarre Love Triangle, Paradise, Sunrise, This Time Of Night...actually, they are/were pretty good, weren't they?