Entertainment For Lively Minds
U2 documentary on BBC1
Posted by Uncle Wheaty on 9 October 2011 - 10:40pm.
As I type this 5-10 minutes into the programme Bonio has already reinforced his major twat credentials.
But I love this band and especially this album (Achtung Baby) so I will keep watching.
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I'm shocked by those shots
outside Hansa Studios. I paid homage to the place in 1995 being a big Bowie \ U2 n Cave fan and remember sitting outside this bar next door in this drab untarmaced street looking at the bombsite apposite with the wall still there. Just now it looked like any old city street.
Went there myself in March
Was a bit too nervous to go in, so got my photo taken outside. I went for the Bowie / Killing Joke / Conny Plank reason.
Er...
I think you came to Nick Cave quite some time after that me old pooch!
Nope
got into him n Henry's Dream in '92. Couldn't you text me this nonsense?
Just turned it on.
Looks better than I thought it would. Feeling very nostalgic now for 1991 - looks like a date with the iplayer must be set and I'll watch it properly.
"Who's Gonna Ride Your Wild Horses"
I loved that song. At the time the album came out I was involved in a dubious affair, a doomed fling of a thing with a mad Irish girl whose dad owned race horses. That song fit the times, especially as it was everywhere that winter.
You're dangerous 'cause you're honest
You're dangerous, you don't know what you want
Well you left my heart empty as a vacant lot
For any spirit to haunt
You're an accident waiting to happen
You're a piece of glass left in a beach
Well, you tell me things I know you're not supposed to
Then you leave me just out of reach
Who's gonna ride your wild horses?
Who's gonna drown in your blue sea?
Who's gonna ride your wild horses?
Who's gonna fall at the foot of thee?
Blimey they're crap lyrics.
Hadn't listened that closely to
the lyrics. Is that last line for real? If so it makes me cringe soooooo much.
Cringe is the word
I hadn't listened to that song for about a decade at least, and I'd completely forgotten the words. Reading up on it tonight even U2 weren't too keen on it. But it's a good tune.
Yeah
one of the singles off the album not to get regularly aired on the Zoo Tour. I think it was one of the first ideas they came up with for the album (it features on the infamous stolen bootleg tapes) but Bono forgot to write decent lyrics to go with the tune.
2 minutes
is all it took for my GLW to say that her opinion of Bono had cahnged from a prat to a self centred pretentious twat. We didnt watch any further.
I wish I could find that Viz cartoon
Bono: The Little Twat with the Big Heart
Why do U2
always walk in slow-motion?
Cos
they still haven't found what they're looking for
That's because
The Streets Have No Name.
Cos Bono does
and the rest decide 'I Will Follow'
I like them complaining about
Rattle & Hum making them look like a miserable bunch of bastards as there is plenty of footage of them mucking about and actually enjoying themselves but that hit the cutting room floor and ended up on boot DVDs. As they took over the edit they only have themselves to blame. There is a great film to be made out of the rejects.
Good documentary
Awful music.
Pompous anyone?
Over the years I have come to find U2 intensely irritating. Having said that Achtung Baby is still their best album.
Bono is the Mother of all Twats though...
Thoughts
Can anyone figure out what the Alan Yentob introduction was all about then? I'm baffled why the BBC flew him to Berlin to film a pointless 2 minute introduction to this. Was it to pretend that this was a BBC film? (It's not, it's from, the new Actung Baby Anniversary Edition.) Or just for a free holiday? Odd.
The film itself: suprised to see them being so negative towards Rattle And Hum for it's earnesty, this new film was rather earnest itself. There were some interesting moments and I particularly enjoyed Edge doing a solo version of Love Is Blindness. I would have been interested in more song-by-song detail though, given that it's about an album several of it's songs appeared to go without mention.
What struck me the most though was how strange their method of songwriting seemed to me. Having written songs both alone and with other people, I can't imagine going about it the way they do (playing a simple musical phrase for ages while their singer mumbles wordlessly looking for a melody). It obviously works for them though and it's still an excellent album to my ears.