Intelligent Life On Planet Rock
The "what will you give me for a box of flood-damaged Roogalator albums?" podcast
There are some things we'll miss about record shops and some things we won't. In the new issue Fraser Lewry recounts the strange culture of the Record and Tape Exchange, where a mint copy of Sade's "Diamond Life" would get you five pence and flashers went that extra mile. In this podcast David Hepworth, Rob Fitzpatrick and Fraser wonder whether Oxfam have lost their minds in marking up old Elton John albums, how come people expect their old vinyl to be their pension and how the £150-a-week music habit has been replaced by a mobile phone bill. Also in this podcast: travels on Twitter, how Kanye West's publicity agenda intersected with the President's, the Keith Floyd we will remember and the funny things they're teaching in school these days.
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Halleluhwah!
my weekend and week off is saved
cheers chaps
I went for the Can spelling BTW
The Shrink Wrapping Machine
I used to operate one at WH Smiffs which was exciting at first but after you'd shrinkwrapped your watch or whatever for the 40th time, it got a bit dull.
Plus, doing one during the Christmas period meant that you could be sat on it all day and come home stinking of plastic and sweat.
HMV, Oxford Street, 1977
I've no idea what happened to one of them (he was Saturdays-only too, so over-familiarity wasn't encouraged). Another, then undoubtedly Plastic Bertrand's most enthusiastic advocate, is now a successful Lincoln's Inn barrister. The third one is me.
Rock R-S was my section. Yes, including Roogalator. Imagine that: a person was actually employed with the only mission of keeping the shelves stocked with rock and pop LPs and (those infernal new-fangled) 12-inch singles by artists whose names began with just two letters of the alphabet (well, and occasionally mutter "Downstairs" when someone asked for Acker Bilk). Another world, eh.
(To give you an idea of just how long ago that was, my impeccably maintained Bruce Springsteen section - perhaps the world's premier Bruce Springsteen section outside the Jersey Shore itself - had all of three records in it, and the latest was Born To Run.)
HMV Oxford Street
By the time I worked there, almost 20 years after you, everyone's sections had got bigger.
I had Rock A - E, a whole 5 letters to deal with!
The short straw: you got Dylan!
A-E was there in my day too. Sections were allocated more by the yard, I seem to remember - half of one side of a rack each, more or less. My section was so alphabetically limited because it had lots of "big acts" with big back catalogues in it - besides Springsteen, I had the Stones, Rod Stewart & The Faces, Santana, Simon & Garfunkel and the bleedin' Scorpions (a right pain to keep stocked, since they put out an album every six months in those days and were very popular among the mulleted North European backpackers who visited us in Viking-like droves).
Ah tourists..
seemed to be mostly Japanese in the late 90s.
almost all of whom wanted to know how to get to Abbey Road, so much so that we used to keep photocopied sheets of directions including a map at the information desks.
Record & Tape
Bored with my life as a computer programmer in 1979, I applied for a job at the Record & Tape Exchange, as the idea of listening to music all day whilst being rude to the public quite appealed. I was given a music questionnaire to fill in; IIRC I struggled with the reggae questions, but thought I'd done OK otherwise. However, as I still had a job, and wasn't about to jack it in just in case they offered me one, they wouldn't interview me. Sad to report, I'm still bored and in IT.
Quite charming
...that Mr. Hepworth now pronounces the late Larry Knechtel's name according to the misspelled obituary in the mag. ;-)
Things I learned this week
1. Technoflash isn't just a phrase describing ELP ...thanks Fraser for reviving the spirit of the HORA
I sat the legendary Record and Tape 'job application quiz'...
which was about 400 questions long and inevitably featured a question about Quicksilver Messenger Service. After completing it and having it checked, I asked a member of staff what mark I got - he replied in the most unimpressed manner possible "98%". I beamed and looked pleased with myself. He then said "Not that great really, we all got 100%."
I got the job and was later fired for playing Supertramp LPs instead of Butthole Surfers rarities. Probably.
Byrds
A friend of mine went for an interview there which contained the following exchange
Interviewer: So can you name me all the members of The Byrds?
My pal: Um, yes I think so
Int: All 12 members of The Byrds ?
Pal: Oh...
he still got the job though
Hey! I got The Byrds question too!
Stalled at David Crosby, didn't get the job. They didn't seem like very nice people anyhow, so yah boo. Gene Clark!
I got about 90 per cent and
I got about 90 per cent and was sneered at all the way to the door. Awfully humiliating.
Bartering James Last records for a washing machine...
This reminds me of an anecdote about a Fleet Street book editor, who had an arrangement with publishing companies to send him three copies of every book they wanted his paper to review.
One book would go on his own bookshelf, one would go to the reviewer, and one would be sold on to a bookseller in Charing Cross Road. But the ingenious part of the plan was this - the bookseller wouldn't pay in cash, but would instead settle the book editor's tab at El Vino's.
my recollections
I remember Boots selling records - strange to think why a Chemist would do this but they did. And I remember the day WH Smiths stopped selling vinyl - it was seen as the end of the world!
Also do you remember controversial records being sold in brown wrappers. Virgin Records were selling Never Mind the Bollocks back in 1977 on the proviso that it was sold in a brown cover.
I think the closest thing we have to records shops talked about in the podcast are the gaming shops like Game and Playstation. Here you can trade in your second hand games and enquire if a new game will be coming out soon. Plus they have enthusiastic staff - often with pierced noses etc who would not have been out of place 20+ years ago in aforementioned record shops.
We have an Oxfam record shop in Reading - may well visit it this weekend.
yeah strange boots selling
records still not got over them selling butties...
Oxfam Music in Reading
Great shop for browsing (reminds me of Pop Records when that was in the town, but thats probably due to the stack of vinyl to behold).
Beware though, it can be a bit pricey, and I think someone there got the Record Collector Price Guide, because anything approximating a collectable record (re-issues etc) is priced at top-dollar.
Good shop though.
re: Oxfam pricing
I don't begrudge them a shilling and applaud the way they smartened up their act and have properly laid racks in their specialist stores etc.
But I think they need to be canny about selling records, the book price might be appropriate in central london but I was in wales recently and the stock was stupidly overpriced and I walked out with "brass in pocket".
If you fancy a laugh
go into the Camden Sue Ryder shop - 30 quid for a battered copy of 'Rattle and Hum' and 50 for a wafer thin 80's reissue of the Doors debut were there last time I popped in.
Either they are on crack or they hope their customers are
Keith Floyd seems to have been known outside Britain
His passing was noted in the press in India, according to the GLW, who is currently out there. This was in the local press in the southern state of Kerala, not just the national press. I know he did a series about Indian cooking, filmed on location, but I was surprised he was so internationally known - I guess his shows must have been on BBC Worldwide or something similar.
Sorry, granddads...
...but I wanted to hold each of you down and break your punchably jaded noses after listening to the last Word oldlagcast. To be reminded of the smug snobbery that drove me away from independent record shops in the first place was most unsavoury.
I know that The Word demographic is perhaps a little too old for the doe-eyed hyperbole that the NME serves up, but a little enthusiasm for life (and at least some of the cultural pursuits that you hacks don't actually have to pay for) wouldn't go amiss now and again.
If Mark Ellen doesn't turn up on podcast day, then frankly it's all a bit too much like "Last Of The Summer Wine" with manbags.
I would say 'I'm sorry you didn't like it'....
...but I actually think that the beauty of podcasts is that they're just undirected conversations. They go where they will, as conversations do. And I would no more seek to rebut your points than I would waste time having a recap of a conversation in a pub. But I will say two things.
1. We don't hold anyone's age against them.
2. You won't find three people with more enthusiasm for life than the three on this podcast, one of whom has just emailed me from Beijing while another is having a ball at a wedding in Bexhill On Sea, leaving me to comment on this thread.
If you want carefully-calculated, let's-be-fair balance, there's an excellent provider of sound recordings called the BBC which does that brilliantly.
If I might add...
As far as "cultural pursuits that you hacks don't actually have to pay for", that would be none of them in my case. I buy my own food, CDs, DVDs, gig tickets and holidays, and am happy to do so. Nor do I own a manbag.
Beijing is lovely.
OK, OK...
...I sort of recognise now that I came in a little heavy and made a few generalisations that were exceedingly crass and a couple of comments that were, in the modern parlance, ageist.
I recognise also that you probably do the podcast as much for love as for publicity and that it is given and taken freely, and I'll go so far as to confess that it was the quality of such that brought me back to the magazine after a break.
I even felt a twinge of guilt at first that it might have penetrated your steely exteriors and interfered with your feelings somewhat, but then I remembered the ad hominem pastings you've doled out to the wholly undeserving Jo Whiley and thought better of it.
i'm still laughing about the idea of
someone holding me down and breaking my "punchably jaded nose". Good luck.
Man Bags at 10 paces...
steady on chaps, this is all getting a bit un-Word like.
I thought...
Ken might say rotary...
see thread passim
Meanwhile
R and T E used to buy used audio tapes back in the day, I sold them a few myself i.e. home recorded C90s etc. Can Fraser illuminate what on earth they were able to do with them-presumably they couldn't resell them ?
They were sold in batches
i.e. you could buy boxes of 100. I've no idea who bought them, or why they would, or how much we charged, but yes, they were re-sold.
Rob Fitzpatrick in a past life
For quite some time, I've had the slight sensation that I've come across Rob Fitzpatrick before. Rob, if you worked at HMV in Guildford and Beggar's Banquet in Putney, then this seems really quite likely. When were you working there?
Hello Lucas, I sort of know what you mean...
I was at HMV for about a year from Oct(ish) 1988. I worked in the Beggars shop in Kingston from Octish 1989 until 1992 and I co-managed the Putney shop from 1992 until 1995.
Hello Lucas, I sort of know what you mean...
I was at HMV for about a year from Oct(ish) 1988. I worked in the Beggars shop in Kingston from Octish 1989 until 1992 and I co-managed the Putney shop from 1992 until 1995.
Putney and maybe Guildford, I reckon
I grew up in the Guildford area and used to go to HMV a lot. Even when I lived in London I still went to school near Guildford until 1990. I moved to Putney in 1988. Lived there until 1997 and was quite often in Beggar's Banquet, so that fits.
Hmmm.
Me too
Vague feeling that I recognised Rob. And as a Guildford resident for 25 odd years, now I know. Strangely satisfying.
we're all in this together
that's how i see it
You'd have served me or watched me loiter and flick through
I have two strong memories of Beggars Banquet in Putney. First, that I bought REM's Murmur there in 1983, the first album I bought on strength of a review alone (ie without hearing any of it first). Then in 1984 while loitering, listening to two shop workers playing the Like a Virgin 12" and discussing Madonna. Hearing that for the first time was when I realised, as they seemed to, that she was going to be a huge star.
the beggars in putney didnt open
until 1992 (or 1993). Was it maybe the BB in Kingston?
I think........
Mr Fitzpatrick sold me a US Import copy of Free by Big Audio Dynamite and a US Import of Arthur Baker's remix of New Order's Confusion from BB Kingston for the kings ransom sum of £14. That's £14. For 2 12" records.........in 1989......5 tracks in total.
!!!
Man, was I stupid (and had too much disposable income living at home with the folks).
that sounds entirely likely
but two great records!
Deffo Putney...
...clearly not BB, and way before your time, you young 'un. It was at the top LHS of Putney High St on the bend of shops before the bridge. * checks Google Street View * Looks like a Noodle Bar now.
Was a small record shop with intimidating staff, especially for this unstreetwise stude.
that was where Beggars was
it's a chinese medicine place now
i used to love putney
particularly the 8 Bells (Fulham, strictly speaking) and The Bricklayer's Arms which, back in "the day" used to have a fantastic jukebox.
Mark me down as a customer at HMV Swan Lane
I was the customer service manager at the Sainsburys at the top of the high street in 1988. HMV at lunchtime was a haven.
that sainsburys was the
first supermarket ever remember going to (this was more like 1975 rather than 1988, mind)
Its the last one I ever worked in
Had its moments. The drunks from opposite the library used to try and buy sherry or special brew when obviously very under the influence. But still they tried every day. It got to the level of understanding that if I looked at them, they would turn around and go out again. Until I went off the shop floor and then they'd try again.
Running down the high street chasing shoplifters down to the bus station was the other real joy. That and being recognised in Cinderella's as the tall bloke from Sainsburys.
For those unfamiliar with Guildford...
Don't feel left out! You DO know it because High Street Guildford was used for the bookshop scenes in the famous "J R Hartley" TV ad.
I think they should re-shoot this ad with the lead singer of Jimmy the Hoover trying to find a copy of "Tantalise".
Our Price
Worked for Our Price for about four years. Had about as many managers, none of whom liked nor knew anything about music. It seemed to be the policy at OP: If you want to get on, hold music in contempt. I tried, God knows I tried - well, I wished to swell my salary from £9k a year to the princely managerial level of £12,000 - but I couldn't quite manage to suppress my enthusiasm.
Also, Ken Dodd once told me off for not displaying his video prominently enough. He was a right miserable old bugger.
I used to work at a branch of Our Price...
with a bloke called Troy who spent an entire day walking around the shop with a photograph of Stevie Nicks sellotaped to the crotch of his leather trousers. He was the assistant manager.
'Our Price' was the pits...
but I lasted a year. There were a few people who worked there that were huge music fans but we all had to suffer the manager's hideous lunchtime playlist - nasty chart fodder. To be honest, the manager didn't like it much either - he was a decent guy who played in a rockabilly band.
I'll hold you down
and Jo Whiley will finish you off (and not in a pervsome way either),
That's what she said.
(Sorry!)
I'll hold you down
and Jo Whiley will finish you off.
More R&T guff...
I worked at 'Record and Tape Exchange' in Notting Hill in the late 1980s and hated every minute of it! I only lasted for six months before I was fired for not being enthusiastic enough, so defected to 'Our Price' (I think the turn-over was pretty swift, although it also had its fair share of 'lifers'). The whole thing was most odd...paid daily cash in hand, but also having a tax code. If I remember rightly the svengali behind the operation was a guy called Brian, who conducted my initial interview over the phone (e.g. 'name two albums by Poco' etc.). One of the best perks was when record company bods would come into sell their personal promo copies of as-yet-unreleased lps. I can remember snaffling the first NWA lp and a signed copy of De La Soul's Three Feet High and Rising. Fraser was right about the pricing policy, but I'm sure I can remember that records were also divided into a two-tiered hierarchy, with the really shit and/or scratched records being relegated to the basement. Anyway, with a few exceptions, most of the staff were a bunch of c***s who were too cool for school and rude not only to the customers, but also to new members of staff. Highlights include; Van Morrison's semi-frequent visits to the shop; Brian opening the 'Exchange Anything' shop and on the first day a customer bringing in a supermarket carrier bag full of horse meat; watching the 1988 Notting Hill carnival kick off from the relative safety of the shop counter; and extending my collection by pilfering literally hundreds of records. Happy days...hmmmmm.
I remember playing 'Physical Graffiti' in Record & Tape...
when I worked there and the other members of staff looked at me with utter disdain. If you weren't into the limited edition 7 inch by Bongmunch you weren't worth knowing. I hated working there.
Not being enthusiatic?
I thought part of the job description was to be a dull dour miserable arse who only listened to The Fall (and defintely not any of the albums anyone actually bought), hated the world and was in nothing more than mumbling contact with their fellow employees\ inmates.
The feeling of intimidation and the bastards judging you on every purchase you make, never leaves you.
Just remember
you went to parties to have fun and meet women. They went to demonstrate who knew the most band catalogue numbers.
Not working at Our Price
Back in the mid-80s I really wanted to work in a record shop and I went all the way to London for an interview with Our Price. The chap interviewing was portly, in his late 30s and had blonde highlights in his hair. I was made to wait (standing) by his desk while he attended to absolutely anything else other than spend time with me.
After about 30 minutes, I offered to come back a bit later if now was not a good time. To which he replied - aghast - that if I didn't want the job - I could just piss off right now. I convinced him that I did want the job and he eventually (after another silent half-hour) signalled that I may sit down. What a thoroughly nice bloke.
I didn't get the job (well, they didn't write or phone so I presume I didn't), but it put me off entering into the industry. I now know that he was a total and utter prat and you get these everywhere, but in my youth I thought that this was how it was in the world of record shops and I wanted no part of it.
My 1st Post!
I just wanted to stick up for Our Price....I worked there for 9 years from about 1989, loved virtually every minute of it. Admittedly I left because it no longer felt like I was working in a record shop.....with all the games, videos etc appearing on racks.....But I worked with some great, knowledgeable, passionate people. It was everything I dreamed of when I was a 14 year old lad and thought the greatest thing in the world was to work in a record shop......I even loved the snobbery that you got when you went into a record shop (but was far too customer-oriented to practice that myself!) I miss it so much now, and would give anything to spend an idyllic Friday afternoon writing up the new masterbags in preparation for Mondays new releases...........happy days.......
I'm sure you're right
When I worked at HMV we used to pretend that Virgin were useless. People need somebody to feel superior to, it seems.
When I worked in Virgin
We used to muse about how much harder they worked in HMV and got a better staff discount than we did.
The Good Professor might know of...
....EGS Records in Wakefield. Originally in the Bullring, then moved to the Ridings Centre. Pretty much filled the void left by the demise of the Record Bar. I worked Saturdays there from around 1981. When JAT Records opened barely a hefty skim of an LP across the Bullring, there developed quite a rivalry between the two stores. JAT was pretty much chart-fodder and nothing else - at EGS we tried to cater for all tastes. Things got so petty, our gaffer used to send junior staff across the Bullring with armfuls of red EGS carriers to stand outside JAT asking their customers to place their newly purchased copies of Too Low For Zero or Crisis in our record bags for a bit of freebie advertising.
I'm not sure where our vinyl was sourced, but customer returns never seemed to be sent back anywhere. I recall the boss giving me the run of the returns boxes; I'm not sure the words 'pig' and 'shit' have ever been better juxtaposed.
Ooh, there was also the Pop Inn, on the outside of the old Market Hall. Great place for punk 7" IIRC.
Whatever happened to Ken & Betty...
...who used to run the Record Bar? Very nice people, I recall.
Not sure, David, but that
Not sure, David, but that Cheap Trick Live at The Budokan promo display is probably still there. There was always a gasper or two on the go, if I remember correctly. Fond memories of sneaking out of QEGS at lunchtimes, hot-footing it down to that fine emporium to blow pocket-money on Wishbone Ash LP's.
I still want know who Gloria
of '"Gloria's Record Bar" was?
Sorry, that's probably only applicable to South Side Weegies of a certain age.
Dawn of the HORSA?
I'm wondering if this is the beginning of a regular podcast feature:
The Hoary Old Record Shop Anecdote?