Entertainment For Lively Minds
The Review Section Mystery
The only section of Word that I think is poor is the CD review section - only the new CDs not the rereleases. May be just me but it seems to miss so many CDs - for example a close competitor UC*N* had Iron and Wine, Derek Trucks, Dave Alvin, Elvis Costello, Sonic Youth, Christy Moore. every month Word starts off with a CDs by people I have never heard of (again could be me) - this month VV Brown, Ebony Bones, Gossip, Florence and the Machine, Lindstrom and Prins Thomas aka the Wizards of Oslo. Nearly certain that there was no review of last Bob Dylan or Bruce Springsteen. Perhaps because others have them and you dont see a reason to do them.
In these days where its almost impossible to find out whats coming out by listening to the radio the review section is important.
Finally i would rather it had stars (controversy!!). Most Word reviews you cant really tell whether the reviewer rates the CD or not once you find an artist that you may be vaguely interested in.
It wasnt always like this when your Hepworths etc. could be bothered to do a review.
Interested in what others have to say. Perhaps like me they now get Word for the first 70 pages and the last 20 and U C**T of the reviews.
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Stars
I know it's a bit lazy, and I know all the arguments against, but I'd like stars too.
Back in the old days
this august organ used to publish more "in depth" reviews of fewer items; that was back when the "At Last! Something to read!!" by-line was taken a bit more literally (fewer picture features - more essays).
The review section is ok but
The review section is ok but the breadth is quite narrow, I don't think the mag actually reviewed the new Decemberists LP but did do a rather gushing feature on them.
I didn't think I'd seen it...
... and was surprised because Mssrs Ellen and Hepworth were gushing the bands praises a few years ago. However, I did notice that the record company's advert for the record did include a very positive "Word" quote. Very strange - unless it was reviewed and I missed it.
The album
Was talked about at some length in a Decemberists feature, which meant a formal review wasn't considered necessary, AFAIK.
Mmm
It just seems a bit strange that an album which is declared the 'best ever' by Mark Ellen does not recieve a proper review.
I honestly
have never heard of any of the beat combos you mentioned.
No, I don't buy music papers.
Uncut certainly do plenty of CD reviews.
It's one of the reasons I stopped my subscription. 256 reviews of CDs where, in a good month, I'd heard of 20 of the bands.
I keep up with what's new or interesting by reading this blog and a few other similar websites. If I want a CD review I tend to go to amazon and find out what the fans think.
Amazon
Deffo the best place to read reviews. Die-hard fans will give a band's new album closer scrutiny and more listens than any time-pressed reviewer/journo.
But...
Most Amazon reviews are written by die-hard fans, and die-hard fans do not generally give balanced reviews. A stream of five-star reviews from people who are uncritically devoted to the artist in question isn't, I suspect, the most reliable source of information. Unless, of course, you're another die-hard fan - in which case the reviews are probably unnecessary.
It's curious
because I like amazon for tech reviews because although self selecting, for things like cameras you do get the pros and cons unlike a lot of camera mags etc. With your frazer on cd's normally too gushing to be reliable.
I'm continually suprised
At how good the technical reviews can be - considering that someone reviewing, say, a new Canon DSLR, probably hasn't spent time with every other alternative on the market.
Agree on the die hard fans
but Amazon reviews are good for smaller or new bands. I gave The National a chance on the basis of the huge number of 5 star reviews for Boxer for example. And it lived up to the expectation set by those reviews.
Actually, Amazon makes the star rating concept work in a way magazines can't due to a potentially larger sample size.
i never start with the 5 star reviews on amazon and i'd
be pretty sure that they're put there by the fanboys and diehards. I tend to dive in at the 3-star mark and see what those folk made of it and get an idea of what they made of it. Then move 'up' or 'down' a star to get a further feel for it.
I will go for 5 and 4 star
if there are lots of them (especially if the band are not that well known). But the 3 star reviews are normally the most helpful on most things.
d'uh...
whilst i like the fact that you can't edit your posts once somebody's replied (so you can't magically change opinion...) my poor subediting skills above make me look like i repeated myself like i repeated myself.
What I like is...
...that you can accept the bias of die-hard fans but there are also fans who may have been disappointed with this particular album compared to another one. 2 star reviews are revealing when surrounded by 5 star ones. You don't tend to get that kind of comparison from magazine reviews.
I like Amazon best for when I go back in time with a band, ie if I missed them first time around.
I know this is a 'no sh*t sherlock' but it's seems obvious that a magazine will positively review an album of an artist they want first interview with. For example, Morrissey's Ringleader of the Tormentors was a disappointing album - you'd never have guessed that from the reviews.
Die Hard Fans.....
.... I think, are more critical. Whereas some of the CD reviews in Word are so short they're not worth writing.
Rob Fitzpatrick concludes a short review of the Sometymes Why record with the sentence "Not the best record ever made, then, but a very long way indeed from being the worst".
I could do that. Gizza job.
Die-Hard fans
In the 'Iggy' issue, Andrew Harrison (for I *think* it was he) began his review of the new Madness album by declaring himself a lifelong fan of the 'Nutty Boys'. Are we supposed to ignore the potential bias in this review because Harrison is an industry professional whereas those who write reviews on Amazon are not?
No
You should just take it into account, like you would with Amazon reviews.
The reverse bothers me more
Giving critics who are Jesus & Mary Chain fans the new Beyoncé album to review is an utterly pointless exercise, but no less common for that in many rags.
I think Mark Kermode's
critism suffers because fo his blind love of horror films, but as he goes on about them endlessly it's not hidden.
Yeah.....
....the last thing you want in a Music Review Magazine is too many music reviews.
Music reviews - the third way
It is hard to review music in print and when reviewers drift off into self indulgent egotism and start to use "seminal", "quintessential", "sophomore set" and other wanky phrases I give up..
It's a bit like singing a song to describe a painting to someone who hasn't seen it.
Lets introduce a graph that has 10 "seminal" well known artists that we all know (to The Word Massive) e.g. ABBA, Black Sabbath and grade the music on the basis of how similar the music is to this.
So then "Definitely Maybe" might score a 6 on the Black Sabbath scale for riffage and an 8 for caatchy melodies on the ADDA scale.
it would never work
unless it showed an affinity rating in relation to Richard Thompson.
Assuming Richard Thompson indexes at 100 - any score under 100 would indicate that it is unlike RT and to what extent. Any score of over 100 would indicate greater contiguity with RT and how much so
So are you saying
That it is possible for someone else to be more contiguous to RT than RT?
tricky
but I think the assumption would be that any RT product would imply instant and unquestioning purchase - so no need to apply an RT Affinity rating to RT himself.
However, Maximo Park may index at 23, whereas Nick Lowe may score 174 - for example
How would The Waterboys rate?
Irish rock or folk.....
In the platonic sense...
...I think it would be possible for someone to be more contiguous to RT than RT. However, any review of said artist/album would have to come with a disclaimer from RT himself, with words to the effect that "It's the record I've been meaning to make all my life!". At that point, I assume, popular music would end.
stars
I like stars too..I also would like the reviews with a bit more depth..they are almost written like afterthoughts.
I don't want stars
as I'm quite happy to trust the opinion of a reviewer whose taste I've learned to appreciate and trust. I'd like a few more reviews though and run them at 500 words not the current sometimes rather cursory amount. And I do miss the feature with what the slebs are reading, watching and listening to.
Yes!!!
That slebs' thing was the best bit. Now we get one page of what the upper echelons of the staff are listening/watching - is this cost cutting or egomania? -
because if it is I don't need to know that Rob Fitzpatrick thinks Paulo Nutini is good (coz he clearly isn't) and a cross between the Faces and Fence Collective - because he's not - he a cross between Chas and Dave and my Dad (who has no muscial talent).
Mark Ellen
Explained the reason's for WOM's demise here.
Maybe it just went for a holiday
rather than expired?
)h
I like yr Dad's early stuff
"It's turned out nice again!"
Especially that one he did about cleaning windows.
That wasn't me Dad!!!
It was me Uncle!
My apologies
I always confuse yr uncle's albums with yr dad's
No problem mate...
..I'm glad you're taking an interest!
I thought
Bob was your uncle? The one married to Fanny?
mum's The Word
and she wants it back
Please, no stars
It just encourages me to skip the review if there are stars. And how many times have you read a 'starred' review and thought the words and stars awarded were out of kilter. Two words - Lay Zee.
I guess it means Word Magazine doesn't get to feature in those ads for albums and movies that list their star ratings like badges of achievement.
Anyway, wasn't the new Costello album reviewed last month?
Didn't they talk about this in a podcast fairly recently?
I'm sure other listeners will remember more clearly, as it featured the dulcet tones of Massive pin-up Kate Mossman. But I seem to recall a discussion both of the difficulty of finding things to say about albums when there was a high word count to fill, and the futility of star rating as this was ultimately something subjective masquerading as something objective.
For my taste the reviews section is perfectly proportioned.
(Whew - managed not to make the obvious 'size doesn't matter' joke...)
I didn't get the massive pin up Kate Mossman.
Was that only for new subscribers?
The male ones, yes.
The lucky laydees got a massive blow-up Mark Ellen.
so we are all
straight round here then?
I don't know about that
But the very idea of Mark Elen as a gay icon? Especially an inflated one.
or Ellen Mark
as she's known at the weekends.
I'm all for the month-later review
although it would mebbes turn the record industry upside down.
Dear The Word Review Persons
Keep up the good work.
Ed.
I too am more than satisfied.
That is all.
If I may address a couple of points...
Elvis Costello got a full page review. The Dylan album got a page and a half feature. The Bruce Springsteen album was reviewed over three pages alongside the U2 album. Sonic Youth were reviewed. Iron & Wine was reviewed. And in the last issue Mr Hepworth provided a full page on Speech Debelle as well as covering the Procol Harum reissues.
As for the other names, we receive several hundred CDs a month, of which about 10% will get reviewed. The albums that get space will, for the most part, be those that are considered to be of most interest - and it may well be that the extremely well-received debut album from Ebony Bones is deemed more worthy of inclusion than Christy Moore's 24th... especially as we like to think that Word readers' passion for music is not purely retrospective.
There will always be records that miss out. Most of them do. Hell, I'm continually buying CDs that aren't reviewed in The Word: although you say "its almost impossible to find out whats coming out by listening to the radio", overall it's never been easier to find out what's being released and to discover new music.
Sister Aoife's Shelter For Impecunious Music Fans
Here at the shelter we are always looking for kind donors of unwanted or unreviewed CDs. The poor wee things who stay with us, bereft of rock, folk or jazz in quantities sufficient to support a healthy life, are only too grateful to hear the music rejected by those for whom 'paying for CDs' is an unfamiliar concept. We promise to say special prayers for you, and to keep you in our thoughts, if you would kindly forward your surplus discs. Young Miss Mossman is always welcome to join us at Vespers.
A stars-free zone please
I see that the Daily Telegraph book pages are now infected by the contagion of the stars system, where a thousand word of subtle analysis and criticism is reduced down to the thumping great fist of Three Stars.
Some carry off such a system well, like Robert Christgau, but most of these systems are not to be trusted. Just observe how Q magazine only ever five stars to the predictable big boys, and when a very high percentage gets four stars every single month it becomes silly.
Plus it would present the magazine to the world as more of a machine and less of a shaggy beast.
No, stick with words please, not stars.
Silliness in the Telegraph
Neil McCormick reviewed Britney Spears's recent "live" show. He thought it was awful but everyone around him was whooping for joy. He explained this in his review. So the subeditor slapped three stars on it, as the halfway point between ghastliness and rapture.
What's the point of that?
No stars - it's one of Word's USPs
I hate to use that acronym, but it seems appropriate here. I rely on the words to do the job of the review. Where's the nuance in a 5-level rating system?
A review's a personal interpretation or impression, even an argument, and sometimes a little artform in its own right. I'd much prefer to disagree with a stated opinion, or with a particular reviewer's terms of reference, than a numeric rating.
fair point
My general rule off thumb is that the last sentence of a review tends to be the wordy equivalent of Stars; you'll get a fair feel of how the album struck the reviewer. (Wasn't Mr H was saying on a podcast about using Twitter to review albums? Slap the last line of the review up!)
However, I'm sick of reviews - and there's been a few - where they've been an exercise in just showing off the reviewers command of the English language rather than trying to shed any light on whether the album is any good or not.
Sure, such a value judgement is ultimately subjective, but one in particular that springs to mind, - the recent review of the Pet Shop Boys new album - still has me scratching my head and wondering of the reviewer 'Yes, but did you bloody enjoy it...?'
Why does it matter if the reviewer enjoys it?
or makes clear whether they have enjoyed it? That would be an alternative star system - I loved it/it was good/it was alright/my ears!my ears!
The reader would have to share/know the taste of the reviewer to know whether it was for them or not.
With someone like the PSBs presumably you know whether or not you like them already so would the reviewer's personal enjoyment have any bearing on your decision to purchase?
I do think you're right about the last line of the review. I tend to start there!
I suppose my point is...
to take this to it's extreme that if the reviewer isn't going to say if they enjoyed it, or isn't going to say it's any good (subjective opinions both!) then is there that much left to say? I mean, obviously the reviewer can tell you what the songs are 'about', but after that, what *is* there to say? Why not just give a URL to a scanned copy of the album credits, personnel and lyrics and be done with it?
It's true that with most other criticisms of art, be it literature or visual art (like stuff what y'see in Galleries!) there's nothing as crass as stars, but you get the impression, at least, whether the reviewer reckons you should spend your hard-earned on sampling it or not. Of course all artistic endeavour is worthy of merit and so forth, but a reviews section, no matter what facet of culture it reviews, should act as some sort of filter. Otherwise, seriously, what's the point at all?
however -
despite what i said earlier i do love a good enthusiastic review. Was it Andrew Harrison who reviewed the new Madness album in the Iggy issue? That *might* make me venture into a territory I thought had little to offer me these days. However, if Mark Ellen enthused long and hard about a new Dr Strangely Strange album - I'd enjoy the reading but I doubt I'd bother investigating further cos I think I know what he likes and I don't like it.
I'm with the KGB
I dont think the Cd reviews are on a par with the rest of the mag including reviews of other media.
i madethis point in relation to the nick cave remasters to ahem, mixed reviews . I think the reviewers should have some knowledge of the artists or similar if they are to review them. If people doing this currently don't have the breadth of knowledge or interests then surely there are a lot of capable writers who can.
This is not to diss the mag
I'm a fan - that's why I'm on this site.
Come on fellas....
Admit it, none of us buy the damn thing for the reviews, it's for the off chance of unusual and quirky articles on stuff uncovered elsewhere, it's the more hit than miss "funnies". Yes, sometimes there is less than more, but, hell, it's our mag, it's our club: we buy it because.
Judging by previous posts many, if not most, buy the competition as well, as well as snapping up any and every other journal going, from Observer Music Monthly to the sadly defunct HMV "Speciality music" thingy. Read them for the reviews, I do. And the worthy but dull 17 page articles on C,S,N&Y at the Cowshed, Toledo in 1948.
But the Word is the only all rounder, lumpy bits and all. Accept and love.
Eh?
As the former editor (but still contributing editor) of "the sadly defunct HMV 'speciality music' thingy", it appears I don't know something you do. Eeek! Actually, almost 50 issues on, the mag is still very much with us. It's gone from its irregular five issues a year down to being published on a (more understandable) quarterly basis, so maybe that's what's caused the confusion. In fact, the new issue goes in-store this week, I believe, and comes crammed with exclusive interviews with plenty of WORD-friendly people like Steve Earle, Tony Allen, Baaba Maal, Devon Sproule, Joan Baez, Hypnotic Brass Ensemble...
Thanks for that
I will pay a visit next week to the HMV at the Fort in B'ham and pick up a copy. No doubt it will be near the small rack devoted to "specialist" music in the small area devoted to recorded music. I may even buy a record if I can find anything left of interest still available in the last record shop in Britain.
i hear you
but the word does trumpet its back to back music mag of the year awards.
I subscribe for the reviews as well as everything else. I love the eclectic and often obscure artists in the compilation Cds.
the Word Massive love the mag, the podcasts , the blog but it doesn't mean that subscriber/reader feedback should be confined to 100% fawning adulation.
Well said
old bean. I could not agree more
NO STARS PLEASE
As someone who writes reviews, I find it incredibly frustrating to have to attach scores with them. People end up focussing on the number rather than the words I've slaved over and I've had feedback along the lines of "I agree with what you've written... but this album deserves more than 5/10."
Be your own reviews editor in five easy steps
1. Here's a star. *
2. Put three of them on 90% of records (most of which actually deserve two).
3. If an artist you really like makes a very very good record give it five.
4. If an artist you don't like makes a very very good record give it four.
5. If you give something just one you probably shouldn't be reviewing it.
I give your instructions 4/5
I'm with you on points 1-4, but what about 5? Why can't you give an album 1/5? Surely there's music out there that's so utterly terrible that it's not worthy of any praise at all?
Why use stars?
Why not a mark out of 100?
Why be so defensive about ratings? A review is merely a long winded rating after all. The very idea of your words not being studied in full seems to be at the root of your resistance, but as mentioned already not having ratings [stars or otherwise] doesn't mean the review gets read in full, just the last paragraph and then a full read if needed.
A bit of imagination and a lot less ego would be nice. After all, it's not about you, it's about the record and the reader.
Marks out of 100
Just curious: how would that improve things? Would you be swayed to buy a CD marked 89/100 and ignore one that scored 88? Or 82?
computer game mags
use out of hundred still arbitarily and also looks like a percentage
The idea
is to mark out of 100 to give the reader a 'quick look' idea of the reviewers opinion. As someone who scans the review section first then reads the rest of the mag and finishes up back at the reviews for a more thorough read it would be useful to me. If an album is well received in enough reviews I'll investigate further. As for your second question, I don't know whether you really believe that someone would behave in that fashion. One would have to be pretty thick to 'be swayed to buy a CD marked 89/100 and ignore one that scored 88 Or 82'
Besides, as someone once said, 'One good review doth not a purchase make'.
did they really say "doth"
?
yeth
ethpethially if they have a lithp
In the other mags
I will probably read the 4 and 5 star reviews, but not those that score less - although I might be curious to read what was so god awful about a 1 star reviewed LP.
The thing with no stars at all is it does force you to read the review to find out what they think...
No stars please
But I'd just suggest less reviews, and make them longer. The shorter ones often just seem to be going through the motions.
Here's a suggestion
Taking Fraser's point above about only 10% of the CDs received getting a review in the magazine.
Why not have an expanded review section here on the website, covering not only the CDs reviewed in the magazine but an extra 20-30 of the new releases?
I picked up the current issue wondering what the review of the new James Grant album would be like, only to find that it's apparently fallen into the 90% that don't make it. An expanded CD review section would allow more albums to be covered and a link in the magazine might "drive traffic" to the website from casual readers.
I don't think there's any likelihood of stars being introduced but my vote's against in case the Wordistas are using this as a straw poll
James Grant
There's a new James Grant album? Why did nobody tell me? I gave up Uncut and Mojo because I thought Word would alert me about such things... I don't mind the absence of stars in reviews, but I do find it odd that some months it seems that almost nothing new has been released by anyone I've actually heard of. Now I see why!
You'll be telling me next that a new Blue Nile album came out in February.
Maybe you could list all the albums that didn't get reviewed.
There's a review
in 'Q'
Q
Well, I'll guess that features a couple of especially fine tracks, some excellent lead guitar, heartfelt and soulful vocals and gets 3 stars.
All the albums that didn't get reviewed
Will be listed in Music Week, every week. Mind you, a subscription to that will set you back £225.
one question why do you re-review Sh*te Films
when they come out on DVD ? When you told us they sh*te the first time round. An expansion of this is why reivew most recent films on DVD other to say they've been released? Does anyone forget what was said 2-3 months ago about slumdog millionaire?
I can see the point of reviewing re-releases of classics for those who don't know about them but new films DVD reviews I rarely read.
perhaps it's like pointing out a dog turd on the path
so you don't step in it
It's more like pointing out
a turd you already missed on your way to shops not to stand in it one the way back.
Agreed that DVDs don't need re-reviewing
A few pull-quotes from the original cinema review would do perfectly well in 95% of cases, though I think that (say) "Slumdog Millionaire" might have deserved a bit more of a revisit after scooping the Oscars, or "Mamma Mia" in the context of (gulp) being the highest-grossing film of all time in the UK. A few month's distance and an overview of why a movie did or didn't capture the public imagination can have some merit...
(Double-post)
(Double-post)
Stars
are lazy and reductive: let's be honest, there's a mutilated handful of genuine 5-star albums out there; a clutch of 4-stars and then yer actual serried ranks of three-star four-good-songs albums. I'd far rather read a witty 'n pithy description and then make up my own mind rather than be guided by a simplistic scoring system
It's a strange
kind of logic, to be against stars on the basis that they are 'lazy and reductive' when the review is by nature reductive and the review [witty n' pithy, hopefully] will still be there.
[One more thing, if you're reading a witty n' pithy description, are you really making up your own mind?]
Hark
at you....erm, a review can be witty 'n pithy about records the rewviews loves/adores/is nonplussed by. My point is that, as evidenced here, people see a three review, par example, and elect not to read on as they consider it unworthy of their precious time. Which is a waste.
ps to be honest, I wouldn't attribute much credence to an album review by someone calling themselves chaosandmorphine. I've done both - one was distinctly better than t'other
Why not
Have five or so a month reviewed by committee... send em away to listen to it.... then write up a joint review....at least then we would be getting not just the opinion of one person...maybe even record the commitee's discussion and play the best one on the podcast.
More than music
I agree with no stars, this leads to you listening to the music and making your own mind up.
However, I think that the CD review section is probably the least important to me. I like the Word because it deals with so much more than the latest CD, and in fact many of the artists I listen to get little or no coverage therein.
The magazine, website & podcast deal with popular culture as a whole, and the inner workings of the music industry in particular, and I have bought more books, seen more TV & films and altered the way I view the world far more through reading Word than actually buying music.
As I recall from the dim & distant past this was the way the stall was set out at the start, with music taking a larger role as time went on.
More review issues
The argument that non-scoring reviews are actually read is true (as I've just read all of them in this month's issue). However, I wish I hadn't bothered because they, particularly the short ones, reveal very little. Can an album be reviewed in 150 words? No. What's the point of that? Better not to review it at all.
"Can an album be reviewed in 150 words?"
yes
'Mariah Carey's Greatest Hits'...
'This is shite.'
There you go, three words and not one wasted or untruthful.
You could have....
....just put "Shite" smart arse.
.
.
I would be pleased if...
The Word reviewers wrote about records after having lived with them for a few months, as was put forward on the podcast a few months back. I don't really care about knowing about what's newly released.
I appreciate this is not going to happen.
Reviews - the difficult one
I rate the longer Word reviews by regular writers highly - usually interesting and entertaining regardless of whether it's music I'm likely to want to own or not, special mention to David Quantick, and Heppo in particular. It's the good writing worth reading for itself thing again. And reissues I like too - how do we feel about this lot now?
The in-brief reviews can be a bit of a slog to get through though, but then the odd one will stand out. I do feel I should give them all a go to get my money's worth as a subscriber, must read cover to cover, but it's hard to care about so many new bands you never heard of. No simple answer to this though - I wouldn't want to lose them, and don't expect more long reviews. In some ways reading reviews of what you already listened to is best. One is more engaged. And I do want to find out what the verdict is on music by acts I do know of. But at the end of the day the verdict somehow matters less to me than quality of the read.
I did feel that the review of the last Doves album didn't really happen, bit lacking. But you always feel that your favourite artists should get more space.
"the last Doves album didn't really happen, bit lacking"
I think that was the general concensus from the music press.
Not so
http://www.metacritic.com/music/artists/doves/kingdomofrust
Personally I like much of it, 'Outsiders' especially, but not as much as some of those reviewers, some of it's a bit ordinary. First album still the best for me. Metacritic - another way of finding out what's new out and what the critical response was. But fairly selective.
Be wary of Metacritic
I wrote one of the reviews on that page...
But with
music easily available to audition online are endless exhaustively review sections necessary?
You need some guidance though
If they are acts that are new to you how will you find them online otherwise?
What about
A listing of new releases, and then more considered reviews of LPs they have lived with for a while.
Don'tcha just hate
the exhortation to "download" three key tracks....? Kind of makes a nonsense out of considering the whole LP, if you ask me.....
Speaking as the man who invented the star rating...
....all those years ago, I can honestly say that I've never felt less like reducing my response to a record to a number of stars. If I put stars on my reviews of Speech Debelle's record in the last issue, what would I be achieving? I wrote 600 words describing what I felt about the record. I hope if you were the kind of person who might have a taste for something like that you might get enough of a flavour to follow it up. If you weren't that kind of person then you would probably stay away while feeling that you'd learned something. Fair enough.
There is too much music today and too many different ways of sampling it - is there anything in a review section that you couldn't whistle up on You Tube or My Space for a quick taste? - that I simply can't see the point of bellowing recommendations in unsympathetic ears.
When reading reviews, you should listen for signals not look for ratings. That's why I wasn't being satirical with my post above about star ratings. Most things to most people are three stars. Three stars means "all right if you're in the mood".
Yeah...but....
... the Speech Debelle review was long and it was clear you liked it (I reckon well more than 3 stars). The problem is the short reviews (do you do the short ones?) which from this month's efforts are clearly all 3 stars - my favourite review being one of Rob Fitzpatrick's where he concluded that it wasn't the best record ever but also not the worst!!!
Maybe if we all followed Frasers requests
and submitted reviews of our own enthusiams for the download page he is always begging for, and I know many have given it a whack. And maybe if they were kept as an archive for reference purposes, as he says he is working on. I know that sort of defeats the object of buying a music mag, to have to do it yourself, but it soon becomes quick to see whose taste is whose. I probably buy as many from this sites bloggers ad hoc recommendations as I do from the mag proper, or it's competitors. In fact, for a "free" resource, this site is costing me a fortune.
Fine as it is!
For me, it comes down to how good the writing is - and Word leads the field hands-down.
I've always felt the Word reviews section to be an extension of the rest of the magazine - not a kind of tacked-on 'bit at the back' - and I welcome the article-style reviews that pick up and explore links between releases. I like the fact that album reviews - which every magazine does, and which recent podcasts have reminded us can be a bloody chore - are treated with that level of respect and intelligence.
There'll usually be a few reviews that don't appeal, but that can apply to some of the 'main' features, too. Overall, though, we get sheer quality throughout - and as Massive members, I think we know it.
I've read the review section in more depth this issue
as a consequence of this debate and I disagree that it's impossible to sum up an album in 150 words. For example, based solely on the reviews in the current issue (I've not had chance to listen to the CD yet) I've decided that
a) I'd probably like: Justin Adams and Judeh Camara; God Help the Girl; The Low Anthem
b) If I get time I'll check out: Sometimes Why;Kid British; the new Tori Amos
c) even though it got a positive review, I don't think I'll like:
Client, The Juan Maclean; Sparrow and the Workshop
Though it will take Rob Fitzpatrick a long time to live down "Not the best record ever made, then, but a very long way indeed from being the worst".
The Low Anthem...
...can be found on NPR's latest "all songs considered" podcast. The song is called "Charlie Darwin".
Also find Zee Avi doing a cover of Morrissey's "First Of The Gang To Die" and a track from Big Star's new remastered album.
Diana Jones does something that reminds me of Gillian Welch. There's something by The Short Wave Set and something st the end described as psycadelia(sp?)by a band whose name I didn't catch.
The Dry Spells are described as being a combination of the rockier side of Fairport and the folkier side of Fleetwood Mac. They remind me of Fleet Foxes. They're there too.
No talking bollocks on this podcast though...just 5 or 6 songs.
How do I remember all of this?
I had a spare half hour on my own at breakfast this morning so I tuned in.
Slight tangent
But the God Help the Girl album is pretty darn good. Not as great as the high points of Belle and Sebastian but really worth investigating.
More reviews - are you mad?
That would encourage you to spend even more time/money seeking out even more music. Haven't you got enough already? Have you ever worked out how long it would take you to listen to your existing collection in its entirety? Have you got that long? Word reviews give you just enough to keep your collection topped up. If you are directed to any more music surely your shelves/hard disk/marriage will break down? I agree with The Hep. There's already too much music out there.
I see
I will follow this to it's inevitable logic of reading no more books, watching no more TV* or films and not looking at any more pictures. There are already a lot, too many almost certainly, of them all that have been made already. In fact I won't bother meeting anyone new either.
*OK, not difficult!
Someone should put out a record
and call it *****
haven't
!!!! already done that?
?????
Perhaps we could go for 5 scoops as per current Now Hear This sleeve. Cherry in reserve for the truly sublime.
wonder did this lot have an eponymous album
Reviews
Are less important now as we can stream most of them from Spotify, Myspace or band sites. All I really need is a list of stuff that's worth having a listen to with some comments around what sort of music it is. Don't tell me stuff is crap, just tell me what the good stuff is.
Too many reviews
is likley to mean an awful lot of chaff that won't be read (Uncut, Q etc). Too much old stuff or re-releases may just get a bit wearing (Mojo).
BUT, a slight increase in the breadth and quantity of reviews in Word would be welcome
No Stars, Noooooooooo
I love the fact there's no stars.
It means the review is a well rounded piece of objective writing with logical conclusions/opinions, rather than finished off with a bold, inprecise star rating.
If stars/numbers were to be used, it should be marks out of 100.
This is a far more accurate way of measuring quality, but still uneccessary.
The only criticism I have is that, at times, some of the reviews can be brief. I'm not suggesting each review gets a half/full page of space, but a bit more depth would be nice.