Entertainment For Lively Minds
The 5 Most Overated Musical Artists
Posted by magicalex on 20 December 2011 - 5:48pm.
I posted mine on my blog last week and it's causing some interesting debate in the comments section, thought that some here might want to join in.
oh, and for the record, mine were
The Clash
Bruce Springsteen
Eric Clapton
The Jam/Paul Weller
Van Morrison
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Crikey, Alex...
...I think I'd have to agree with all five of those. The only possible addition/jostler-for-position I would suggest is Lou Reed: the greatest of all unclothed Emperors.
Lou Reed definitely
Would agree with the clash too. Dylan does little for me and neither does Kate bush although I would caveat that by saying I'm not over familiar with her work but then neither have I wished to.
How can The Jam be in this list..
given that they're the greatest UK singles band of them all, after the Beatles naturally.
category -Emperor has no clothes -
I'll pay you Lou and at #2 I submit Nick Cave
You've accidentally put The Jam and Paul Weller
When you meant to put just Weller.
Personally I'd add Dylan, but I'm not sure which he'd dislodge.
Here's mine
1. All punk bands except The Clash
2. David Bowie (And Lou Reed and Iggy Pop)
3. Bob Dylan
4. HJH
5. Neil Young
Nothing controversial, I'm afraid.
On second thoughts...
I'll take Bowie off the list, cos his singles were great, and put "everyone from the sixties" in his place. With a special mention for anyone called Jim, James, Jimi etc.
Ooh, my five would be...
1: Elvis Presley
2: John Lennon
3: Frank Sinatra
4: Elton John
5: The Silver Seas ;-)
EDIT: I was being facetious when I put the Silver Seas at no. 5 (even though they truly are/were over-rated) so, after some consideration, I think Kate Bush is fully deserving of being ranked alongside the four others in my list.
My five are
1.Bruce Springsteen
2.Elvis Presley
3.The Clash
4.Lou Reed
5.The Wombles
In no particular order, and off the T of my H...
The Smiths
Tom Waits
David Bowie
Lou Reed
Radiohead
Mine are:
Pink Floyd
Muse
Neil Young
Pearl Jam
Eric Clapton
Over rated how?
Deemed to be "great" instead of "really really good", or "good" instead of "meh. So-so". Is it the whole canon of work, or 'at their peak'?
Because, for my money, your list is so full of wrongness it defies description.
I'll give you post Jam Weller. But that's just because the Jam WERE that great. Weller is simply "good" to their "great".
To use an oft-overusec cliche: Clapton on drugs - great. Clapton clean-crap.
Springsteen is great. This is fact.
Van I swing back on forth. Capable of greatness, but also of sheer mediocrity.
How's about:
Lou Reed.
Tom Waits.
Why is Donovan is the R&R Hall of Fame?
Sinatra is a GREAT call.
OK, I'll play...
Joy Division
The Stone Roses
Nirvana
Oasis
Lady Gaga
Ooh, that's getting close
Nirvana, Oasis, Lady Gaga's previous incarnation Madonna, Prince and - be fair, what has he done since "Captain Fantastic"? - Elton fucking John.
Midlake.
I've nothing else to add.
Having spent a woozy afternoon
delighting in The Courage of Others I can only suggest you've had the misfortune to be issued with cloth ears.
And they kick some serious posterior live.
Ok - overrated but
all come under the category of good but not truly great, although some suggest they are:-
1 Radiohead
2 Frank Zappa
3 The Sex Pistols
4 Nick Drake
5 The Flaming Lips
Ha ha ha ha ha
From said blog:
When i was a kid, Weller was 'it' as far as all my schools chums (male and female i'll add) were concerned. I thought that they were all deaf and blind as i cued up the Thompson Twins latest on my hi-fi.
Sorry, MagicAlex - your opinion doesn't count.
erm...
that bit was a joke...... !!
i was trying to undermine Weller's seriousness. I was listening to The Alan Parsons Project. I know...at 14... what a prick!
I figured you were
being self deprecating ;-)
Always fun
David Bowie
Nirvana
Radiohead
Coldplay
Stone Roses
There's only one that is so overwhelmingly over-rated.....
.....that I'll just name that one.
1. the clash.
The only time the clash ever got to number one (when not, of course, selling out to US Jeans' companies).
Over-rated
Don't like that term, but here are five popular artists that I don't particularly like.
1. Frank Sinatra
2. Bruce Springsteen
3. Amy Winehouse
4. Elbow
5. Cee Lo Green
Alrighty then.
My first choice is the Beatles, because while they did indeed make a lot of wonderful and astonishing music, literally NO-ONE is worth the kind of hyperbolic toss talked about them. (And, in answer to the "too much Beatles" thread: yeah. That all counts as too much Beatles. "Anthology" counts as too much Beatles, so innumerable studio outtakes? *kills self*)
The rest are easier.
- Led Zeppelin
- The Stone Roses (who I like, but come on!)
- All the prog. All of it. Even the bearable stuff is guilty by association. But for the sake of argument, let's go with Pink Floyd.
- My Bloody Valentine
I'm not just upping that -
I'm standing and applauding it.
Oh Bob.
I am disappointed.
Forget the HJH, your opinion makes no odds there; they are the greatest single band in the history of popular music, and their position is unassailable. Fact*.
The inclusion of Zep I could tolerate, while disagreeing.
It's not really fair to include The Roses, they only did the two albums and a handful of singles. It's only the fawning, drooling desperation of a generation of fans who were afraid to acknowledge that they had heard nothing of much value for about a decade, and were therefore clutching at straws, that made them over-idolised.
MBV? Couldn't care less. Probably agree with you there.
No, I'm sorry, but it's the prog statement that does it. Nice to have met you, but the line "let's go with Pink Floyd", especially, just goes much too far. If our paths cross at a future mingle I shall avoid eye contact unless you show contrition and turn up in a Caravan T Shirt. With a pony tail and flared jeans.
You bad, bad boy; go and buy The Yes Album in Fopp for a fiver immediately, and if you honestly don't like it I'll send you the dosh and you can frisbee the disc into the middle of the Serpentine.
Tsk. Young people today.
*Copyright Hyperbolic Toss Inc. 2011
Ha!
Had I somehow not been clear on the prog thing in the past? ;-)
On the Beatles, I agree with you, to an extent. There isn't another band who achieved what they achieved, and I personally love them.
But they're not gods, their records aren't flawless, John Lennon was a twat (albeit a pretty talented one - but, again, nowhere near as talented as his press would suggest). They're wonderful, but not perfect or avatars of all the universe's awesomeness. People talk proper wank about them, and I think it does them a bit of a disservice. They're just a really, really great pop band, better than almost everyone else, but not superhuman.
I also think I might be the only person on here who identifies as a Beatles fan and yet would rather stab myself repeatedly in the balls than go within a bookshop's length of Mark chuffing Lewisohn's "long awaited" borefest on the subject.
not sure twatness
was a crtierion
Probably is..
just to balance the ridiculous deification of the man.
Bobster, your last sentence must surely be...
...lauded as one of the best ever on this forum! And I sort of agree with it too (while having a fascination despite myself at Lewison's absurdly epic work).
But what is it you're trying to say about Prog, Bob?
Borefest
Pop music is inherently childish. People like Lewisohn (and all others who hold The Beatles in stony-faced reverence) just suck the fun out of it.
Toxic by Britney Spears is better than anything on the white album.
huzzah
- I just tattooed your name on my heart
But it just isn't, sorry.
But it just isn't, sorry. Pop stands for popular, let's not forget that. I think we should celebrate how great the fabs are, I don't hold with the stoney faced reverence as such but writers like to analyse the crap out of everything. Just look at how Jazz is written about, very much the 'pop' of its day.
Not sure the Britney version is
But the (gulp) Hard Fi cover might well be.
That Britney Spears comment almost qualifies as trolling
I don't hold los Beatles in "stony-faced reverence", but talent is talent.
The only good thing about Toxic is that it sounds like she's singing "your toxic come slipping under" which, as a former schoolboy, I do snigger at.
Of course, if you'd invoked "Born to Make You Happy"...
So agree, it really fucks me
So agree, it really fucks me off when people say The Beatles are overrated; just stop trying to be clever (an oxymoron) and controversial for its own sake. Don't really rate Clapton, The Clash and can see the argument for Van (without agreeing with it). Weller, leave him be, The Jam great, a lot of his solo stuff pretty good.
You didn't...
...read my post, then. I didn't say they weren't amazing. I said that NO-ONE could be as amazing as far too many people claim the Beatles were.
Also: don't get fucked off. Life's too short, fella. People disagree sometimes. Shit happens.
Do you remember this article in The Word?
http://www.davidhepworth.com/feature.html
I do.
I like the distinction that he makes between writing great songs and making great records, but I still don't recognise any underrating of the Beatles going on, largely because I'm not sure whether DH isn't ignoring some of the frankly insane Beatles idolatry that happens.
There was a post on here a year or so ago in which the OP posited that John Lennon would forgive Mark David Chapman, such was Lennon's holiness and unparalleled wonderfulness.
That's the stuff. Right there. That's the attitude that overrates the Beatles, who were - when all's said and done - the best ever pop group. No more than that, and no less either - important to say that. I'm not minimising their achievements, which were massive. I just think it's still possible to approach and appreciate their work without turning into a wobbling irrational mess about it.
Listening to
The Beatles when I was a lad used to make me a wobbling irrational mess. That's one of the effects their music had on me. Some of their tracks still do that to me and catch me unawares.
Sometimes music hits us at an age before we've learned to use the critical filters and there's little that can be done to change that.
I agree with you on the idolatry. The only point where The Beatles are legends is when I hear their music. Everything else is a sideshow of varying degrees of interest and merit.
Sorry, but my reply was to
Sorry, but my reply was to Vulpes initially and I don't think I read you post before I posted. I do get fucked off about small things, one of the joys about living in a relativley prosperous country. I went to see the Bootlegs last week and they were great, a tribute band who can fill medium sized venues; people love the beatles they are great, the best band ever, no one comes close, end of. Whether Lennon was a twat or not is irrelevant.
It's difficult, nay almost impossible, to understand,
from an experience base that's entirely outside the contemporaneous timeframe, what an impact the Beatles had when they were in full flight. As an 8 year-old pop-picker at the time of She Loves You, I was floored by that and most of their subsequent run of singles; they were so much more interesting (and yes, by the time I was 12, more progressive) than any of their contemporaries. Waaaaay out in front. Only the Stones were within reach of them, and they were for rough boys.
It's the same blindness that prevents me from understanding why so many bands from the 80s and 90s are revered by their fans; I simply wasn't the right age at the right time.
So; which bands are overrated? Probably all of the bands who have passed into some kind of collective, insufficiently critical, hall-of-fame state of suspended animation, forever to grace the covers of certain monthly publications time and again ad perpetuam. After all, it's only rock 'n' roll.
led zeppelin
really are overrated. A brightly burning flame that went out 35 years ago and has been irrelevant ever since.
Overrated?..
Led Zeppelin were second only to Grand Funk in the "hated almost universally by critics" category when they were only in full flight.
It was only us dullards in the public who loved 'em.
My Bloody Valentine?
Overrated? By whom?
I thought everyone accepted they were shit.
Maybe a couple of tin-eared music hacks chasing whatever was trendy for about five minutes got a bit excited..
Ha
I think that Loveless is one of the best albums I own! One of the best live shows I've ever seen too
Loveless
One of the most disappointing things I ever bought. Each to their own, eh?
Me too.
God, it was talked up on my previous internet haunt (an indie-schmindie guitar forum) to such an extent you'd think it was some sort of inspired, ecstatic noisegasm, rather than the sound of a man having a wank over some effects pedals in a swimming pool for an hour.
Then someone told me to check out "Isn't Anything" instead, but being a little wary I just downloaded the MUCH praised "Feed Me With Your Kiss" single as a taster. Fucking hell. Sounded like the same swimming pool, recorded from a bit further away, but this time with only one effects pedal: a broken fuzzbox.
Bye bye.
Bob, man.of.soup
You're wasting your time. Chimney can't hear you. He's seen MBV live.
Bob, man.of.soup
You're wasting your time. Chimney can't hear you. He's seen MBV live.
5 for consideration
Prince
Bob Marley
Stone Roses
Kings Of Leon
Kasabian
Bob Marley
post Island Records is a good call. (Like his earlier stuff though.)
This alone does not make him
This alone does not make him overrated.
"post Island Records"
Which over-rated albums did he do during that period of his career?
I’m confused
wasn’t he on Island Records when he died?
Yeah
And he's done nowt since.
Bob Marley
I’ve nothing against Bob Marley or his music but he seems to attract the admiration of the type of people who like the idea of Bob Marley but don’t know anything about his life or his music. It’s as if his image that has propagated after his death has led to him being over-rated by association as opposed to the difference between the actual and perceived quality of his music. I’ve not seen this type of relationship with any other artist.
Exodus
is all the proof I require to know that you are wrong.
The La's
Above average retro pop group achieve mythical status by dint of taking too many drugs and not recording anything. See also - Stone Roses.
'there she goes'
is excellent. merits their status.
Just 2
Radiohead
Coldplay
springsteen is pop's
wittgenstein. There is the early work and the later work referencing the early work. Two entirely different things.
The boss is the boss.
pseud's corner awaits ..
Now I feel as proud as a Dad at his kids' nativity play.
Only this far down and my three favourite artists all present and correct.
"Overrated" is indeed a difficult category. This is how I rationalise it:
I'm baffled by the high regard in which this rubbish is widely held - Nirvana, Queen, Oasis for example
I wouldn't be so quick to fault it, it just means nothing to me - ABBA, AC/DC, The Doors for example
Dont foam it's just for fun
Joni Mitchell (too up her self plus irritating vocal delivery)
Zappa (apart from Hot Rats, smart-arse wankery)
Springsteen (over wrought mostly)
Bob Marley (kind of inane)
Elbow (just so dull)
Marley, inane?! Trying not
Marley, inane?! Trying not to foam.
I bought that live album once
Just seemed a bit simple-minded and full of platitudes yet people spoke of him like the second coming.
His proper albums are great
His proper albums are great though, paricularly 'cach a fire'.
Let's see.
Oasis.
Noel Gallagher.
Liam Gallagher.
High Flying Birds.
er, that's all.
You forgot...
The Tony McCarroll Experience and The Bonehead Band.
I've got everything they ever recorded.
*sniggers*
so you like ...
... Beady Eye?
The first five that come to mind are...
Smokie
Lindisfarne
Bucks Fizz
Incredible String Band
Rush
Yes I know...
How I recall this section of an incredibly complimentary review of Hemispheres by Rush:
I mean they're great and everything, but that was going a bit far...
"What FUCKER said that?"
Seriously, though - who was that? Because matey can't have listened to a tremendous proportion of "all musical endeavour on the planet thus far", can he?
This f**ker said that!
I made it up.
Haha
Goddammit. I so wanted that to be real!
So did I...
Rush and good reviews were never exactly cosy bedfellows, except perhaps in Sounds.
But who rates them anyway?
.
er
me
And
Me
ISB excepted
that's the most sensible list so far
it was written ironically
But with hindsight I might be on to something (Rush excepted).
Easy.
Elvis Costello
Elvis Costello
Elvis Costello
Elvis Costello
Elvis Costello
I nearly put Elvis Costello...
but I have this strange feeling that at some point in the future I will stop thinking of his music as "overly-verbose meh" and start to really appreciate it.
Patrick...
... I have occasionally wondered the same over the years, but then I see his smug face and wonder why on Earth I should even think about giving him a break.
My general problem is the man himself - after every single interview with him that I have read, I have come away thinking he is utterly charmless, disingenuous and fraudulent, egotistical and devious. Even when I can see that he's possibly quite sincere about something, it comes over as calculated to add to the construction of Elvis Costello As Legend. And, here's the crunch... it's all done ENTIRELY HUMOURLESSLY.
It ultimately means that I am unable to invest even one iota of trust or goodwill in his music.
Having said all that, any man who can pen Alison and Oliver's Army (two of the finest singles known to man) must have 'something'. Freak monkeys and typewriters scenario?
He is a charmless artist.
Takes himself far too seriously (or used to anyway) and makes the classic error of confusing his undoubted artistic talent with having a better unserstanding of the world than the mere mortals that buy his stuff. Pop stars and politics don't mix.
I'm almost with you...
... but I think pop and politics can mix quite happily, quite constructively.
Heheh.
There's always a feeling that I should be "appreciating" EC more than I do, but then my bolshy side kicks in - the part that tells notions of "should" in pop music to fuck off - and I'm fine again.
I own My Aim Is True, Imperial Bedroom and Get Happy!! I love MAIT - it's funny, acerbic and tuneful as hell. The other two are fine, but I really do recognise what you say in your post. I'm not at all motivated to check out anything else: IB and GH!! are just not interesting enough to me, and seem terribly sledgehammer "important" and "serious", even when he's being "witty".
Oh, and that cover of "She" by Charles bloody Aznavour? Piss off!
Jesus, DogFacedBoy will kill me...
Wot?
No "Armed Forces"? No "This Year's Model"? Cripes.
I'm sure they're lovely.
It's just that when I own three albums by an artist, and only one (the first) really grabs me, I'm not overly motivated to explore further.
I honestly think you'd love them
(risky thing to say, I'll grant you...).
TYM is a wonderfully intemperate, snarly stropfest of an album (opening line of opening track: "I don't wanna see you, I don't wanna touch/I don't wanna kiss you cos I don't miss you that much..."). The Attractions sound crazily energised on it, like a 60s garage band that can actually play, and all want to kill someone right now.
AF is the sound of Elvis and Steve Nieve indulging an ABBA fixation - very polished, lots of keys, more of an overtly "pop" feel. It's the one with "Oliver's Army" and "Accidents Will Happen" on it (the latter one of my favourite EC singles).
But I bet you knew all that. Anyway, they're both worth a try.
Snarly Stropfest...
...isn't that a character in Dickens? If not, why not, Soupmulator!
Right then
Led Zeppelin
Pink Floyd
Guns 'n' Roses
Tom Waits
Prince
i'll have a pop
That mob Colin is always writing about.
Bellowhead
The Stone Roses
Suede
Prince
Would have definitely put RT a while back but then I heard "Dimming of the Day" and for that alone he's not on the list.
Surely, Croutmeister, you can't mean...
...Quintessence?
them an' all,Colin
but i was limited to five.
Very...
...good! :-D
(* but wrong, obviously)
*yawn*
Does it matter?
*yawn*
No. So why rouse yourself from your slumber to ask the question?
This
thread did not wake me from my slumbers... it made me want to sleep.
Lists.... who cares?
The OP mentioned he/she thought Springsteen was overated... fair enuff... but why does OP think that Brucie is so?
Is he/she of the opinion that Bruce is very good as opposed to exetremely good, therefore overated?
Or does the OP think that BS is a mound of stinking poo?
Lists are tedious... we all like different things, let's live with it.
Hold on.....
.....didn't you just:
1. List
2. All
3. Those Points.
.....or was it just:
4. Me?
5. I'll get me.
6. Coat.
Nice thread
But it's always funny to see how people think their tastes are in any way "right" and disagreement with them "wrong". I'm as guilty of it as anyone. My immediate reaction is "How can you not like Pink Floyd? You're either just saying that for effect or you don't know them! Smartarse or fool, you are!" But, of course, that's not the case. As far as art is concerned, subjectivity and context are as important as any intrinsic value. I know I'm not saying anything new here. Just thinking aloud really.
I think Level 42 are ok
so I'm not really in a position to judge, nice thread though
I'm afraid I'll have to disagree with you there, Dave...
...but only because it says so on my Word Blog membership induction material:
Rules For Colin H:
1. You must always disagree with Dave Amitri
2. You must periodically restart the argument about arpeggios
3. You must never, under any circumstances, refer to the Mahavishnu Orchestra
Touch wood, I think I've managed to follow those rules so far.
Your forgot:
4. You must never give anyone a nickname ending in either "...meister" or "merizer".
But I'm sure you've followed that one, Colin...
(;-)
Bugger.... (panics, turns page on memo for first time)...
...I hadn't spotted that one, Soupmeistermerizer!
Same here Colin
1. You must always disagree with Colin H
2. You must periodically restart the argument about moon landings
3, You must never, under any circumstances, refer to Del Amitri
I think I'm doing ok, or at least nobody seems to have noticed.
I feel the need to post a Level 42 song from our Venn diagram centre. How about this
Level 42 "Something About You"
The World Machine Album,
The World Machine Album, really good, rest bobbins.
Now and venn...
...it's possible to wake up imagining you had a dream in which whole minutes were spent agreeing with Dave Amitri! :-D
Listening to that mellow L42 track and the high-voiced soulmerizing of the geezer on keys in particular I found myself thinking they'd do a decent version of this relative rarity in the MO canon: karmic soul ballad 'In My Life' from their final LP 'Inner Worlds' (1976), with Narada Michael Walden on vocals:
On the other hand, here's L42's Boonmeister (a man whose guitar strap never seemed quite long enough) breaking cover in 1983 and revealing those 70s fusion influiences that the 80s pop kids were blissfully unaware of:
I makes you wonder doesn't it?
most of these blokes are top, top musicians who know their way around their instruments and almost make them talk. After that it's just opinion isn't it? Level 42 are widely viewed as musical lightweights, to me they have made some phenomenal tunes full of musicality and talent but because they are tagged 80's and they favoured jazz funk as their style they are not taken seriously. Ok, Mark King his thumb and his mullet didn't exactly lend themselves to be taken too seriously but even time doesn't seem to have done them any favours. Oh well what do I know? King, Lindup, Gould and Gould are possibly as talented a bunch of musicians as many much more feted, very few have made me smile as much anyway.
This by the way is the first line of entry from Wikipedia
1979–1980: Formation
Mark King and the Gould brothers (Phil and Rowland, the latter generally known by his nickname "Boon") were all brought up on the Isle of Wight and played together in various bands during their teenage years. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Both musicians found that they shared musical heroes: Miles Davis, John McLaughlin, Keith Jarrett and Jan Hammer.
"Most of these people know their way around an instrument..."
...I hear what you say, Dave. At the end of the day it's a mix of art and entertainment, to which everyone must respond as their heart, head of feet demands!
Sooner or later, Dave, you may wake up in a cold sweat and realise that, having blissfully enjoyed eighties funk and soul records by Jan Hammer and Narada Michael Walden (amazing, isn't is, how not one but two ex-MO '70s fusion heads mopped up Grammies and global pop hits in the 80s?) and by closet fusion devotees Level 42, you are now - thanks to repeated exposure via the Word blog - being dragged down the Rabbit Hole towards an appreciation-despite-yourself of the source: the Mahavishnu Orchestra, no less!
Actually, your comment about knowing one's way around an instrument reminded me of this (frankly, scary) 1975 interview with John McLaughlin from 'Guitar Player' magazine. His knowledge and dedication is frightening. Madness, really. I disagree with the subtext - that music isn't any good UNLESS you know your way around the instrument to that level - but one can only admire the dedication behind his personal approach. And it did, certainly, make him an at least unique musician then as now:
"Playing speed is all relative, really. If someone thinks I play fast, they should hear John Coltrane. I mean, he just rips up and down that horn, and the notes fall out like a cascade. It’s all just a feeling, and I’d like to be able to articulate that feeling on the guitar. You can do anything, with work. Anything is possible, and it’s up to you. If you’re willing to spend hours working, devoting and dedicating yourself to the articulation and execution, then sooner or later you’re going to come through.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together? There are several reasons for learning scales: One, the knowledge will unlock the neck for you; you’ll learn the instrument; second, if I say I want you to improvise over Gmaj7aug5, then go to Ebaug9b5 then to Bmaj7b5 well, if you don’t know what those chords are in scale terms you’re lost.
I used to lock myself in my room with a little cassette recorder, choose chords and analyze them to find out what they were. Like why certain notes sounded certain ways in a major seventh against a particular note. And you have to know many scales in many positions – you have to be able to move. In classical terms there is the Dorian, Aeolian, Lydian, lonian, Lochrian; then you’ve got the synthetic scales – Hungarian minor, Neopohtan minor, super Lochrian, the symmetrical, the major-minor. And there are all the harmonic progressions, too. And you’ve got to know them. You can go to school, and maybe get there faster, but I didn’t have a school to go to. All I had was chords, and I had to unlock them. It’s not all that difficult, but you have to be ready to apply yourself, to do some homework for at least a year – longer, actually. I went through a period where I wanted to play everything in chords, so I had to find out substitutions and inversions and all that. You discover a lot of things when you do that.
Not only do you have to know scales, though; you have to know rhythm, because rhythm is of supreme importance. It’s hard to say how you learn this – you can practice with a metronome or, preferably, a drummer. I used to use a cassette player, and write down random sets of chords, then play them rhythmically– 6/8, 4/8, 3/8, 7/8, 5/8, 9/8, 11/8, 13/8,21/8, anything you want. Just write out some sequences and improvise through them. Eventually you start finding chinks in your knowledge, and then some lights in the darkness.
The joy of music is like the joy a runner gets from running, and, musically, I’m running. If music doesn’t carry any deep emotion, then what’s it for? You find notes that are more joyful to you, and you play them at a fast tempo, and people will get something from it."
Very impressive
this year I am going to learn how to play an F. "Clangggggg"
..
Florence and the machine
Foo fighters
Nirvana
Elbow
Red hot chili peppers
That'll be all for now
Yes!
I forgot how much I loathe the chilli peppers. Whenever I have met someone who likes them I have thought 'really? do you really like them? Really?' Although when I have seen them interviewed they have come across 1000x better.
Foo Fighters and Nirvana absolutely. I was a late teen in the midst of grunge fever and it was shit. All of it. Pearl Jam especially. Sonic Youth are kind of part and not part of all that so I don't count them as grunge.
Forgot to mention
The silver seas
can you be over-rated
when only 3 or 4 people like you?
Yes
If Danny baker says they are the best band In the world
.
Coldplay
Keane
Snow Patrol
Muse
Travis
5 bands that heard "The Bends" and thought "we can do that".
I agree with that but the
I agree with that but the moment Muse decided to splice the Bends with A night at the opera I like them.
Written elsewhere that although I loathe Travis, Snow patrol and Colplay I can't see them being overrated as never having read anything that really praises them. They sold loads but thats not the same.
Errr... You seem to be suggesting that "loads" of people
bought albums they didn't like? Surely, if an artist sells "loads" then the implication is they're popular and, consequently, liked by those tt bought the album?
OK, then. Here are five
Björk
Janis Joplin
Radiohead
The Doors
James Brown
I was going to say The Doors.
My strenuous dislike of them has been rehearsed on threads passim. But as it turns out, the critical and popular adoration that I remember from my teens - thanks to that bloody film - seems to have waned quite a bit. You see far more people willing to put the boot into The Doors than you used to. And quite right too!
Wrongity wrong wrong wrong.
See me after school, Robert.
:)
I agree with...
... The Doors, but slam one in your face at mention of Bjork.
She's fantastic - Post is a modern classic (great tunes, fabulous singing, highly emotionially charged, despite the electronica) - though the wilful left-of-leftfieldism of the last couple of albums has been, I concede, for the Seriously Interested only.
Seriously interested
Medulla: a contender for the best album of the century to date.
And neither I nor my opinion are in any mood to be humble over the matter.
I love Björk.
I love that she exists, even when she produces work that I'm not as keen on. Debut and Post are two of my very favourite albums by anyone.
An interesting selection
I would go with you as far as the Doors are concerned. And I would add that the Red Hot Chilli Peppers are the modern day Doors. Nasty, aggressive, bombastic, misogynistic and fascistic . However, Bjork's Vespertine is one of the loveliest records of all time and the world would be much duller without her.
Radiohead are always going to be divisive but for me OK Computer is possibly the best record of the nineties.
Janis is a bit of a screech - fair play BUT James Brown???? C'mon ... do you not realise how many times that man braved complete exhaustion, with just a cape placed protectively on his shoulders, in order to bring mojo to the masses?
The Doors just got in with the wrong crowd.....
....the dire 1980s.
Now it's OK to like them 'cos all the 60s dodgers have moved on to XFactor and re-evaluated madonna and discovered the clash.
The 'When You're Strange' film is wonderful.
Genuine question, ranger.
What do you mean when you say "60s dodger"? I'm familiar with your fundamentalist 60s thing, I just don't understand that phrase. Is it people who don't agree that the 60s were a pinnacle? Or people born too late to have been there? Or what?
Genuine question - I'm not being snarky. It's just you say it a lot, and I'd like to understand.
"you say it a lot, and I'd like to understand"
...let's hope Rangerover's not a question-dodger. I'd like to know what he means too!
James Brown!!!
Are you mad? Is he not the cornerstone for a whole swathe of other influential people? Prince among them. Not seen Prince mentioned here. Good.
Agree with the other choices though!
Oh hang on. He has been
Oh hang on. He has been nominated a few times. Prince cannot be overrated.
My Five.
(Note This Is Not The Usual User Of This Account, It's His Son)
1.Arctic Monkeys.
2.The Beatles.
3.Oasis.
4.The Libertines.
5.The Vaccines.
ha!!!
i meant for people to comment on MY blog and drive traffic there. Oh well, i agree with Elvis Costello though. Boring, whining, nothing to say, none-melodic BORE!
Non-melodic
Now here's one where you gotta be kidding.
Easy...
Oldies...
1. Bob Dylan
2. Springsteen
3. Bowie
4. Prince
5. The Clash
Current...
1. Florence...simply awful
2. The Vaccines...staggeringly ordinary
3. Muse
4. Radiohead
5. Mumfords
revisionist crap
tall poppy syndrome
etc etc
The Clash
Proper s&@t
Stop
Trolling! ;)
Couldn't
Resist.
;)
Oldies?
Too many of the "overrated" bands, have too much longevity to be given that verdict so it comes down to personal taste.
I agree more with the newer bands, it's up to them to prove us wrong, I've never knowingly listened to Florence, Vaccines or Muse but having seen Radiohead live a few times, I disagree (personal taste).
Overrated?
To choose, we have to think about who's doing the rating in the first place. For example, I would imagine your average NME reader rates The Libertines, when they are a load of old tosh, as many people on here would probably agree. So I'll pick 5 that are rated by the good people of the word blog, otherwise there's no point. And I'll pick acts that I think I understand, because the fact that I don't like Tom Waits, whereas a lot of people on here think he's great, doesn't mean I think he's overrated, it just means I don't get him. Similarly, I don't like Bob Marley, whereas a lot of you will, but that's because I don't like that type of music, etc. Enough rambling...
1 The Who
2 Led Zeppelin
3 The Clash
4 Nirvana
5 Elvis Costello
But the most overrated thing of 2011 has to be Smile by 'The Beach Boys'. A couple of good songs and a load of old nonsense. We've all been told how great it is for so long that people are scared not to hail it as a work of genius. And why is it that only people who went bonkers are declared to be genius anyway? If Brian Wilson is a genius, what does that make Lennon and McCartney?
Chancers
1. Florence a t m
2. The Foo Fighters
3. The Manic Street Preachers
4. Madonna
5. Eminem
Thanks for that
I couldn't believe I'd got so far down the page without somebody nominating the execrable Who.
'You had to be there' they say, or 'you should have seen them live'
They were just really, uninspiringly, ordinary.
Show me a better collection of tracks
that fit on one 40 minute album than Meaty, Beaty, Big and Bouncy, and I'll be astonished.
"Uninspiringly ordinary"? If you'd have said that of them in 1971, you'd have probably got a fat lip or astonished looks at the least; sorry, but you really did have to be there.
I can only assume that you judge them from their output post Squeezebox or thereabouts, which is where the rot set in.
I'm heading up to the Smoke tomorrow...
and I'm on a mission to find a vinyl copy of Meaty, Beaty, Big and Bouncy. Your post has only made me more determined to get it.
Simple as this
If you don't like the Who, you don't like rock 'n roll.
Oh no!
There was me thinking I liked rock 'n roll, but now I find I don't. DAMN. That's really discouraging.
Well
You do like Rihanna so I guess you don't. My suspicions were aroused by your dismissal of Led Zeppelin as boring (boring!!??). You have now confirmed my diagnosis; but don't be discouraged. A diet of the Who should set you on the right track. You never know. You might even start to like Prog.
Well...
I think The Who are ace (certainly up to "by Numbers") and Led Zep were incredible dullards who lucked out. You can trace the start of The Who's leaner years directly to the point where Rog thought it would be cool to nick Percy's hirsute stylings.
Maybe I rock, but not so much of the roll...
Mark Radcliffe would like you.
I think he said much the same thing once, so you're in good company, but I don't really get why people think their taste represents any sort of objective standard. Meh. To each his own, I say.
Well
Of course you're right, Bob. I wasn't entirely serious. I do realise that my taste is not in the slightest bit objective. As you say, each to his own. Vive la difference and all that. It's that difference of opinion that makes this site so compelling.
Yeah, I like Rock and Roll
But not bombastic bilge.
"Bombastic"? Consult a dictionary!
In reverse order
The Smiths
The Clash
Radiohead
Miles Davis
Sinatra
If I was stuck on a desert island
and had the complete works of those artists, I would be a happy man.
If I was stuck on a desert island
I wouldn't dare play any Radiohead; I'd probably be swinging by the neck from the nearest palm tree within minutes.
On the off chance
that we're both on the same island, I promise to wear headphones when I'm listening to them. As long as we can have the others on really loud.
It's a deal.
Make sure you let me hide all the sharp things before you put the cans on.
Frank and Miles
would keep me swinging for months and months. And I don't mean from a rope.
Frank and Miles
would see me braving shark-infested waters to escape Miles's parping and tootling and Maf's ring-a-ding dinging.
Overrated by The Massive?
As pointed out above, it really depends on who does the rating. On this site, the likes of Lou Reed, Oasis and Coldplay could hardly be considered overrated.
So then, five who may be considered "Overrated by the Massive", purely on the basis that they almost never receive any negative comment here and that no-one is so good that they should be beyond criticism:
Nick Lowe
Stevie Wonder (apart from one song, which is not overrated)
"RT"
Jeff Beck
Otis Redding
4 out of 5
No time for Beck but I love the others. I do like the one song of his (the one that the plebs like)and little else. OK I'll give you all his Mickey Most/Rod Stewart era but nothing after.
The Clash. Absolutely.
White Stripes. Music hacks working themselves into a mutually-reproductive frenzy over an average guitarist and a shit-awful drummer who together made a briefly interesting racket.
Lou Reed. Yeah. Wevs.
Arcade Fire. Like White Stripes. But with more people. And less tunes. If such a thing is possible.
So many more..
We forget the truly awful ones which many a tin-eared scribbler got all excited about.
Remember. Music writers are employed because they can write. Not because they can listen.
NME Hype
An incomplete list of nougties bands that would change our lives:
Terris
Fischerspooner
Starsailor
Andrew WK
Yeah
Remember Gomez? Mercury Rev?
And one more nominee for overrated - The Verve.
Remember them?
I still listen to them.
I don't think Mercury Rev or Gomez were generally overrated either. Maybe they were by the NME in 1999 or thereabouts but that's what the NME does - and why I don't read it - shout very loudly about, say, Kasabian for ten seconds then move on to a new flavour of the month.
Using the NME as your basis for overratedness leads to listing every band they've ever championed, because no artist merits their absurd level of hyperbole.
I agree with Sir Leonard of Law
Arcade Fire are dire. In fact, I would rather listen to Dire Straits "Walk Of Life", which is the worst record known to Mankind, on endless loop
Other windswept and interesting types I would give the aural heave ho include
Primal Scream, The White Stripes, REM, Fleet Foxes and The Smiths
I know this sort of stuff can lead to blog punch-ups so please accept that it is said in an air of joshery and japery as befits the season. Oh and you can take Bon bloody Iver with you too
sorry -
keeps repeating. Must have been that M&S mince pie
C W Stoneking
+ Crowded House
+ Tom Petty
+ Ian Dury
+ Richard Thompson
Nil by mouth please.
What about Mozart?
Woody Allen - Manhattan
Here's mine
5. Arcade Fire (too similar for my liking to...)
4. Springsteen (in good company with the late Peel there)
3. The Doors (pub singer vocals - aaaaargh!)
2. The Clash (dull dull dull dull dull)
and I seem to be the first to mention this lot
1. The Rolling Stones. They've never done anything for me. Jagger's swagger leaves me thinking "you, sir, are a buffoon".
But then, I have HJH written all the way through me like a stick of rock. Fact: when the midwife had to break my mother's waters in order that I might barge in on the party we call "life", she suggested that they sing "Yellow Submarine" together to help take her mind off the whole thing. Not sure "Paint It Black" would have had the same effect.
I genetically inherited my mother's love of the Beatles and her dislike of the Stones, and nothing I have seen or heard has ever changed my opinion.
Could only think of one
The Libertines
but then I remembered The Strokes
Both a pleasant enough listen, but they're not the messiah ...
Hmmm
Stereophonics
Radiohead
Richard Thompson
Crowded House
Dumpys Rusty Nuts
Stuff I don't like that others seem to...
Elbow
Elvis Costello
Eric Clapton
Elvis Presley
Elton John
...and that's just the E's.
Oh, and the Silver Seas...come off it, own up, that is just one big wind up isn't it...?!
The Disappointment Choir
I dunno, one song and they think they're Christmas.
(I jest, of course...downloaded and humming it ever since)
Haha
Katy, in particular, has become insufferable. She'd reply, but she's currently busy spitting at a waiter in the Groucho Club.
It's all relative
but Joy Division, Jesus wept !
I quite like The Silver Seas
Oh go on, then...
I really tried to resist this:
1. L*d Z*p
2. The Cl*sh
3. The Stones after 1972
4. Bob Marley. I love late 60s and early 70s ska, dub, lover's rock, etc. Marley's just DULL. And that goes for all of the other ponderous Rasta nonsense (Black Uhuru and their dope-befuddled ilk) of the late 70s.
5. Has no-one mentioned the execrable Pr*mal Scr*am yet? There's something about Bobby Gillespie that always makes me want to punch him. Or, in his absence, anyone who even looks a bit like him.
"Black Uhuru and their dope-befuddled ilk"
...I had to re-read that. For a moment I got excited and thought there was a Rasta Moose involved, but sadly not.
Have to agree about Bob Gillespie: a man with no apparent talent whatsoever.
Primal Scream - *great* shout!
They aren't even that bad, as far as I'm concerned. It's just the ludicrously over-inflated esteem in which they're held in certain sectors of the rock press.
That's a lot of my faves chucked out with the rubbish then
So I'll do my bit of character assassination and wazz on...
Michael Head - I saw Shack in 1999 having never heard any of their stuff but being aware of all the praise being heaped on them. They were alright, nothing special, I was a bit pissed but not incapable of recognising a great tune, I didn't hear one. Still the plaudits rained down on them without ever converting into record sales so I bought HMS Fable and picked up a magazine with a covermount CD on the same day (possibly Q). Got home and decided to play the covermount as a bit of background while I cooked. "Streets of Kenny" came out of the speakers - the most godawful lyric ever I have ever heard, torturous juvenile rhyming about buying drugs - "Who the f**k is this?" I looked at the tracklist of the cd for the first time, looked at the display on the player, back at the tracklist then I picked up HMS Fable in disbelief and saw "Track 7 - Streets of Kenny".
I tried, I played the album a few times but just couldn't get over my initial reaction.
It always makes me shake my head in disbelief when he is hailed as a genius on this site.
Still, I like Elvis Costello and having read all the posts above it looks like I'm well outnumbered.
1. Michael Jackson
1. Michael Jackson
2. Robert Plant
3. Eric Clapton
4. The Beach Boys
5. Tom Waits
Actually, the only one I really feel strongly about being "overraated" is Michael Jackson.
Have an up for your No 1
King of pop my arse.
OVERRATED ARTISTS.
Agree about jacko, a great dancer, that's all but Robert Plant and Tom Waits continue to make consistently good records. E Clapton stopped being a "bluesman" years ago and turned into a MOR bore.Since only Brian Wilson continues to be creative can we really call the Beach boys now a band rather than the nostalgia act they are
MJ
May I venture to suggest that you are wrong about Michael Jackson. If anything I would contend that he is underrated as a singer and as a writer and as an interpreter. Indeed, his dancing is perhaps the least original and astounding of his gifts.
It's a bit like saying Elvis was just a good dancer. I would further contend that it is a peculiarly Anglophile perspective that fails to recognise not only his gifts but his importance in Pop. The only comparable parallels are Elvis and The Beatles and Jackson arguably reached a greater number of people in more areas of the world and with equal if not greater impact
Absolutely.
Absolutely absolutely. Couldn't agree more.
Off the Wall
My favorite MJ solo album is Off the Wall. Excellent excellent album. He peaked at Thriller, which has has 4 or 5 great songs on it that distract you from the rest of the songs which range from OK to weak. And after that fame began to destroy him and his albums became increasingly mediocre.
I love the early Jackson 5 songs, I love Off the Wall, and Thriller. But the rest? I don't think his body of work merits "king of pop." That's what I meant by overrated -- not that he sucks, not that he wasn't an important pop phenomenon who played a key role in breaking the racial barrier in music forums like MTV. I mean that he did some great work, just not that much of it compared to the meh stuff he produced. And certainly the quality of his albums over all do not compare to the consistent greatness of the Beatles.
Mm...
I agree with your comments on the early solo stuff and the slide into mediocrity. But breaking the racial barrier? How? By transforming himself, via cosmetic means, into a white man?
IIRC MTV played nish music by black artists in the beginning
When Thriller dropped they had to play it. And that was a foot in the door for everyone else. (I'm printing the legend but I believe it corresponds closely to the truth).
Wasn't 'Beat It' the first Michael Jackson video to get
widespread MTV rotation, and that because of the EVH guitar solo?
Oooo....
My five...grenade released but isn't this a bit like harming something soft and furry? OOAA, of course and I'm feeling kinda grouchy today.
1. Brian Eno - so you can fiddle with a few knobs and make music that isn't music (1/1 time sig - you GO Bri!!!) - big deal
2. The Flaming Lips. My pet hate. The Emporer's New Clothes in excelsis. There's nothing there. Nothing about them whatsoever.
3. Jim Morrison - 6th form poet extraordinaire. Yes, we know about Oedipus Rex, now go away.
4. Eric Clapton - Blues bore and (whisper it softly) couldn't hold a candle to Mayall, Page, Green or Beck.
5. PJ Harvey - what's the fuss?
Springsteen and Weller appear popular on this list. Wrongity wrong. Weller, in particular, hugely underrated - esp on the blog here. Certainly not the "Dadrock plodder" of popular conception.
1/1? Are you sure about that?
;-)
Contentious
I could list many popular artists that I personally don't like, but for the sake of argument here are some who I consider generally overestimated by critics:
Madonna: subject of endless 1990s cultural studies seminars on postmodernism (I was there), but really just another successful, cynical pop star. Eventually joined the English gentry.
The Sex Pistols And The Clash have been turned into a bigger event than they really were by baby-boomers who want to take credit for changing history in the 70s. Punk is interesting, but needs a different story.
Nick Drake: I am not denying that he's a great singer-songwriter, but the adulation of his (sadly) slim volume of work has got out of hand. Tim Hardin wrote better lyrics.
Beach Boys: It pains me to say it, but however talented and heroic BW is, they are haven't been truly influential for decades.A rock-critic's fetish.
Elvis Costello
Otis Redding - Very good but held in too high esteem by people who know nothing about soul music
Pink Floyd - every song is two chords repeated and they have the only drummer in the world who seems to slow down instead of speed up.
Tom Petty
Jay Z
I would have said the Clash but I'm under the impression that the concencus here is that they're crap
I love The Clash.
Or rather, I love "The Clash", and about half of "London Calling". When they were good, they were astoundingly good.
No such consensus, Jim
- earlier this year White Man in Hammersmith Palais was voted the best song ever - here, on this site. Doesn't mean they're not over-rated, just that they are better than the Beatles. We proved it.
It's consensus Jim
but not as we know it - all we've ever proved is the consensus here is that there is no consensus here
So...
...pretty much everybody, then?
I'm heartened
to read that so many of you agree that Bruce Spingsteen is hugely over rated. I thought I was in a very, very small minority. It appears it's not so small.
The Beatles
The Rolling Stones
both have a few decent foot tappers in their respective canons but nothing that warrants the almost universal adulation they receive.
Paul Weller - wouldn't cross the road to see him if I had a complimentary ticket with a backstage pass that included access to the free buffet.
Oasis - 'nuff said.
I think you can get away with naming The Beatles
in this context. When some people discuss them they depart so far from any rational assessment that no matter how great the Beatles actually were they could never live up to the claims made on their behalf.
Yep.
Completely agree. That's what I was trying to say, but I did it, predictably, with far more unnecessary words!
I just don't buy that
I just don't buy that argument. You will always get cranks who claim Lennon is like Jesus etc but that is irrelevant to the simple fact that they are the greatest band ever. As a band they are not overrated. Ultimately it is the music on which they should be judged, on this front I do not see how they can be overrated. I could probably make an argument for the 'Stones' though.
Yes, they are so overrated
that 40 years after they split up, there are bands galore around the world that make a living impersonating them.
How many acts since could make a similar claim?
No but no but no but...
Nobody's saying they're not amazing. I don't think anyone's particularly disputing that they're the best band ever, even. It's just that being the best band ever STILL isn't worthy of the plaudits that get heaped upon them, especially when it comes to musical innovation and/or sophistication and/or genius. I do think they innovated - possibly to the point of genius - in the area of making records, but I get a bit uncomfortable with the genius thing, because I think we're still too close to it to judge objectively (there was a thread about this recently).
Even when someone's the best at something, it's still possible to overrate them.
Paul Weller
I consider myself "a fan" in that I have his entire officially released studio output somewhere on my hard-drive and love portions of it, but his was one of only two concerts I have ever walked out of. It was during his smug-yet-Spinal-Tap-hair phase about four years ago. You have to draw a line somewhere.
The other I walked out of? Elvis Costello - see my thoughts on EC further up the thread.
Pet Shop Boys
No-one's mentioned them yet. Word writers and other music journos love them. They are dire disco at its worst, say I.
My five:
1. Lou Reed
2. Lou Reed
3. Lou Reed
4. Pink Floyd
5. Stone Roses
I think there's a couple of typos there, Kit...
...4 and 5 should, I think, be spelt 'Lou Reed'...
Have you heard 'Metal Machine Music', though?
It's one of his more listenable ones.
Public outcry
Protests have been reported in major suburban sprawls across the globe following the Official Rating of REM as a '4 out of 5 stars' band. Crowds hoisting placards bearing slogans such as "NOT IN OUR NAMES", "How can XTC be a 3?" and "REM? **** OFF!"
The threat of riots as pro-REM supporters clash with those opposing the official rating has been described by interpol as "unlikely". A spokesman added "a lot of those guys have steady jobs to hold down and kids to support. These aren't the types to want to get their corduroy pants torn. They know they're outnumbered, and intel suggests they like it that way."
The all-important U2 ranking is due to be completed by the International Pop Ombudsman next week.
Easy-Peasy
Arctic Monkeys
Franz Ferdinand
Bob Dylan
Silver Seas
Back To The Planet
Nice
thread to obliterate any chance of goodwill to all men breaking out anytime soon.
You can't change people's minds by shouting louder or force of numbers.
Unless labour camps or compulsory imprisonment are an option.
Where to start ..
• Chris Rea - the archetypical career motivated Musician. If you want something interminably dull to do for living mate try a career in Banking. You would probably have been "Driving Home for Christmas" in an even better car.
• The Pet Shop Boys - what happens if you take a music Journo and an engineering nerd, both clearly not cut out for it, and allow then to get away with openly commercial, vaguely amateurish sounding Pop for 25 years?
• Springsteen - three or four chord, dumb peoples music. Peculiarly uninventive and derivative. Every cliché rolled into one heap. Rock music for people who never understood Rock music.
• T Rex - the "classic" band that never really were classic. One half talented bloke surrounded by three bricklayers does not a band make. Like someone playing the wire loop game, it's all very subtly and annoyingly off time.
• Crosby Stills Nash and Young - What was Neil Young doing with this firm of Accountants is anyones guess. Sure they could actually play (unlike a few of the other nominations above) but what they chose to play .. uniquely dull.
I like your style Marky
You've nailed T.Rex exactly there. Marc knew how to play at being a star and he had one of the all-time great rock haircuts, but oh dear, his music was lacking in so many ways.
Even worse is the early acoustic stuff when they were a duo. I recently dragged out the first Tyrannosaurus Rex LP My People Were Fair...... etc. I seem to recall loving it when I was 18, but dear god, it's dated to the point of being unlistenable now. And those lyrics! In fact I had to turn it off midway through side one.
Never mind about the old “you had to be there” maxim, I WAS there and I’m here to tell you it’s sphincter-tighteningly twee.
John Peel’s sleeve notes are almost as bad as the music, too.
3 out of 5 ain't bad
I'm not a huge fan of PSB, but can appreciate the quality of what they do.
But on Springsteen I think you're very, very wide of whatever mark you were aiming for.
I'm not sure I would put Tom Joad, The River, Born to Run and Tunnel of Love into the same bucket at all. That you would do so (and label it, and therefore me, as dumb) suggests the following possibilities:
You haven't actually listened to very much of his music at all. Fair enough; but if you haven't, don't pronounce
You have a reductive approach to life. Again, fair enough.
You have a lazy big picture approach to writing.
He has, in fairness, produced some really average work. But his overall canon of work contains range. To deal with your 'cliche' tag more directly is a bit difficult because it's right. But in a good way. Particularly in his earlier work, he is writing about an American experience that did, and to a degree still does, exist. "The River" is a story that still gets lived out in small town, blue collar America. Don't forget cliches are usually rooted in truth.
I never realized I had to 'understand Rock music' - I'm a good student, so can you send me the memo so that I can understand where I've gone wrong and misunderstood. Because I was laboring under the misapprehension that there was meant to be this blend of music and words that I find appealing; nothing more, nothing less. Maybe my approach is bit simple. You know, me being dumb an' all.
Not worth worrying about, Si.
I'd rather be thought thick by some people.
Most over-rated?
By whom?
As musicians:
Oasis (wannabe Fabs)
Michael Jackson (unremarkable without the dancing)
Frank Zappa (believe me I have tried)
Karl-Heinz Stockhausen (very clever, but fails on 100% of the basic requirements for 'music')
The Clash (yeah, punk was great, but it was 34 years ago folks and can we all just move on a bit now?)
Great thread
Everyone's prejudices coming to the fore (including mine, of course). I read some comments and think to myself, how could anybody be so dismissive of the Boss, or Dylan, or EC or even, the Who? Now, Amy Winehouse - great call; or Bob Marley, some good songs but not worth all the critical hyperbole. So great entertainment as my views are confirmed or challenged.
Fleet Foxes
Yawn.......
Reminds me of Nigel Tufnel inspecting a rogue vol-au-vent from the Tap's rider.
"What's in here? Nothing."
And to sum up
As a service to the Massive, and because it was a job that clearly needed doing, as we all like lists, don't we, I have done a bit of 'five-bar-gating' to summarise the above posts, up to 09.00 on the 23rd.
Any act that gets mentioned gets a count of one. Multiple mentions of the same act by the same blogger do not. That means @tippywooder and @KitHogue trolling Elvis Costello and Lou Reed doesn't count (it hardly needed to). There is a debate to be had, but preferably not, about whether some bands can be truly overrated. Indeed, to be overrated, they have to be rated in the first place. To be rated, you must have heard of them in the first place - @spart, who are 'Terris'? It is also relevant to mention that it's taken Sinatra decades to get 4 overrates, while The Silver Seas have got there in minutes.
But, enough! As the gorgeous lovely with the improbable legs sashays over to the microphone to open the crispy envelope that, strangely, has never been sealed, here are the Top 10 'Most Over-rated Acts' as squabbled over by the Word Massive. In reverse order of course.
Joint 10th on 5 - Clapton, The Doors, Dylan, Zep, Floyd
7th= Bob Marley, Nirvana, Stone Roses - 6
Sharing 4th Elvis Costello, Oasis, Lou Reed - 7
On the podium! Radiohead and Bruce Springsteen - 8
But the far and away winners are
The Clash - 12
Hoorah!
No, I'm not going to go and do the same on the 5 most underrated artists thread, as the answer is obviously going to be XTC.
If you did a poll on The Word
of "best bands", I'm pretty sure the list would look pretty similar to that!
Lou Reed may well be a prat,
a fool and a pretentious miserable sod, BUT he was once fantastic and has written more brilliant songs and produced more brilliant albums than just about anyone bar a select few. The cliche about people buying the Velvets' album and forming bands had a ring of truth about it. Most of the punk movement came from that place. He has a knack of writing amazing songs with minimum chordage. Sunday Morning, Sweet Jane, Caroline Says, Who Loves The Sun, Perfect Day, Walk On The Wild Side, Satellite Of Love etc - do you lot really not like these songs?!
His influence is massive. Not just all the punks like Patti Smith, Blondie and The Ramones but just about any alternative 80s music - Echo & The Bunnymen, REM, The Smiths... plus Bowie (ok it was a two-way thing but The Dame was as much influenced by Lou as vice versa)..I could go on.
A great deal of the complaints on this thread about him (and Lennon) seem to be because he's a miserable git. Are you all so sensitive you want everyone to be like Peter Andre and Chris Martin for god's sake appearing on Loose Women and hanging out with Philip Schofield?
And as for those citing Prince as overrated too...give your heads a shake!
Well said
Lou isn't really overrated anyway - large swathes of his solo work have been panned by the critics over the years. Berlin was reappraised and is now generally admired. Later he had a bit of a comeback with New York and Songs For Drella but not so great after that. A lot of flack has gone his way over the years, though the Velvets period remains up there and rightly so and not just when Cale was in the band. I agree about the personality thing too. I'm interested in the records and am not put off by twattish behaviour. I don't think less of Cézanne's art because he was an awkward, misanthropic, miserable git. There are numerous such characters throughout cultural history who nevertheless produced outstanding work.
Of course this thread shouldn't be taken too seriously and there will be those who think the Velvets are overrated. OOAA etc.
Well said (again)
I haven't enjoyed Lou's solo work for decades, but the records he made with the Velvet Underground were massively influential and their importance can't be overstated.
For that alone he can never truly be dismissed as overrated.
Lou Reed's solo stuff
Neatly encapusalted in my favourite and defacto "go to" clip for all occasions...
Take it away Sick Boy...
Definitely agree
Both Berlin and New York are among my favourite albums.
At the risk of humiliation on my first ever post:
Bob Dylan
The Beatles
Radiohead
Springsteen
Tom Waits
That should just about alienate 90% of the readership in one fell swoop.
I cannot stand Oasis, but not sure over-rated is the correct term? They had third rate anthemic pub rock down to an art form which pretty much does exactly what it says on the tin, but not necessarily over-rated?.
Welcome
I was going to give you an up for Radiohead, but then deducted it for the inclusion of The Beatles and Dylan.
well, as someone once said...
it's a funny old game
You are correct Mr bonkers
Although some of the above are great they are all overrated. (And entre nous especially around here). Keep posting!
you are bonkers
;)
It's got to be:
1. Richard Thompson since about 1984
2. Elvis Costello after Armed Forces
3. Kanye West
4. Nick Drake
5. LCD Soundsystem
Oh God
The more I read the thread, the more I become Mr Angry Ranty sitting on the corner with his pint of mild.
1. Mock Tudor is brilliant and stands up to anything else he's done. The Old Kit Bag is high quality too. I've seen him live more than anyone else, and can't speak highly enough of him. Except that 930Club gig. That was merely average.
4. I heard Northern Sky years and years ago for the first time as a kid on a compilation album my Dad had ("Back on the Road" I believe). I have collected everything since. And I can honestly say I love his music without reservation.I don't pay attention to the 'tragic musical boy poet" backstory. The music speaks for itself.
Hmmm now let's think...
1. The Beatles
2. John Lennon
3. Paul McCartney
4. Oasis
5. Elvis Presley
Genuinely,
I would be interested to know your favourite artists. It may aid in understanding your (to my ears) rather idiosyncratic choices.
You don't fool me
Noel.
The Applejacks
Those guys have had WAY too many Mojo covers. AND they had a girl on bass!
Over and under
Overated - Foo Fighters
Underated - Queens Of The Stone Age
Why QOTSA arent filling stadia the size of FF and Grohl and co tying the laces on their stage shoes, is one of music's crueler outcomes.
.....and anyone thinking they're cut from the same cloth needs to see an ear specialist pronto!
overrated?
It seems to me that this discussion can only be a subjective one. To say that, for instance, Bob Dylan is overrated seems to be entirely subjective. His influence on songwriting cannot be over estimated eg no Bob Dylan no Beatles later work. Whether you like hin or not is fine but overrated? I just don't see it.
I don't like The Smiths or The Beach Boys because they don't move me not because I think they are overrated. I can apply the love I have of artists to the love that others have for those groups even though I don't share it.
Five? Who needs five?
How about one? AC effin DC. Absolute sh1te. What do you lot seen in 'em? I had the misfortune to see them once supporting the Who. Aural torture - it gives me a headache just thinking about it.
Not to be left out
I'm pretty shocked that there have so few mentions of the Grateful Dead! Not one decent vocalist amongst, and they go on, and on, and..well you know. Here's the rest
The Beatles - ugh!
Radiohead - slap round the head, and, 6 months in the Marines, that'll sort them out
Sting - The Ego, the ego
Billy Joel - Delusions of adequacy (I know its not original!)
Well I can tell you why I for one didn't mention the Dead
It is because I love them and their music dearly.
Captain Beefheart.
Sodding awful racket, much-beloved by They Who Dictate What We Should Like.
Pfft
Bet you can't listen to this all the way through without getting the urge to dance.
That is
one of the most horrible things I've ever heard.
Swiss Toni writes
Like many of the finer things in life the Captain is an acquired taste. His music does not reveal its inner secrets or true beauty with just a casual flirtation.
Look at it this way. No Beefheart equals no Tom Waits and a lot of other cool stuff.
Listening to Trout Mask Replica...
...is a lot like making love to beautiful woman. Who happens to be dressed as a sea urchin in calipers.
DANCE?
How? How many legs have you got?
You're missing out
if you haven't given 'Safe as Milk', 'Clear Spot' or 'Ice cream for Crow' a listen. Much more accessible.
If it was 1989, this would be easy
Deacon Blue
Texas
Del Amitri
Wet Wet Wet
The Proclaimers
Yes, they are all Scottish, but it's not BECAUSE they're Scottish. It's just that in '89, when I was first attempting to discover music by listening to Radio 1 (I know, I know), I couldn't understand why there were so many appalling Scottish bands that we were forced to listen to. And still don't. I can only assume there was some sort of quota in operation, because no other explanation makes sense. Oh, and I forgot Simple Minds.
PS I like Runrig. And Amy Macdonald. And SOME Annie Lennox.
But as it's 2011, the answer actually is...
U2
Kasabian
Rihanna
The Happy Mondays
Jay-Z
The first three Mondays albums are brilliant.
Don't judge them by the fourth.
I realise you're
relatively new and all that but, outside now! Only joking, welcome along and apologies in advance the constant reminders!
Absolutely great list - and all spot on
Awful classic 80's acts, all hyped far beyond their natural abilities. Suffering one and all from the very self conscious "let's do it like ..." problem. There's a difference between influences and self conscious, opportunist plagiarism.
I see
The Proclaimers presumably plagiarising all those other Scottish identical twin folk duos who sang about the industrial clearances?
Yes, The Proclaimers I would make concession on them
- at least they could do a tune that sounded like it wasn't a kind of freeze dried Aretha Franklin B side.
Texas
The first two records (Southside and Rick's Road) are pretty inventive and interesting pieces of the poppier side of bluesy rock. Before "I Don't Want a Lover", you had to look pretty hard to see a steel pedal slide in the upper echelons of the Top 40. Completely out of step with what was going on around them but none the worse for it.
Disappointed really that Sharleen then took the easy route down the soft soul/Motown plagiarsm and very mannered and targeted stylings to hit pay dirt. Don't begrudge a bunch of good musicians a decent pay cheque but disappointed that the more innovative side of the talent was allowed to slide. One of Scotland's lost bands (see also Wet Wet Wet - oh, what could have been)
Not a patch on Forgone Conclusion though.
Simple Minds in 1989 were absolutely shocking. Belfast Child. And a song with another fave in this thread, Laughing Lou. Jim, remember Chelsea Girl, The American and Love Song? Remember what you were. Why, why, why, why, why? What were you thinking man?!
Texas were terrible
She has a halo just came on the work radio. Rubbish.
Always irritated me when they got big with that song that stole from Sexual Healing and Love thy will be done by Martika. Splicing two songs together to resurrect a career is pretty poor.
One of my pet subjects
is how almost all music that comes out of Scotland is crap.
One of the rare exceptions is Mike Scott, and he's to all intents and purposes an Irishman.
Surely the good outweighs the bad?
Adamson, The Reids, Boaby, Collins, Frame, the younger Ure, ditto Kerr and Burchill and Spiteri, Grogan etc
They must level out Pellow and Lennox no?
Yeah and it's bad enough carrying the stigma of Bono's lot
and Dolores O Rhyming Dictionary without taking the blame for Mike sodding Scott's drippy hippy Raggle Taggle Gi-bberish as well!
There were two albums of
There were two albums of raggle-taggle (and they were excellent, but I accept that they weren't to everyone's taste). There are also about ten other albums most of which are stupendous.
I'll give you
a point for Frame.
Somewhere in My Heart is just about the perfect pop song.
The fact that you've included Grogan in the list shows just how much barrel is being scraped (which is also a noise more preferable to listen to than all that lot)
And you left out the Rollers, Aneka and Darius Danesh...
The Beta Band
Belle and Sebastian
Blue Nile
All excellent.
And that's just the B's.
Teenage Fanclub
Along with Roddy Frame more than balances out the shite.
Not many more though, Beta Band, Proclaimers are good live, I'm struggling now...
Talking Heads!
Sort of.
Mogwai
Nazareth (under-rated, IMO)
SAHB
Aberfeldy
Camera Obscurant
And this is without getting into the folky region.
Three small additions:
Arab Strap
Ballboy
Idlewild.
Christ on a bike
Am I allowed to stay in the Massive?
I have Deacon Blue's greatest hits. And Raintown.
Southside was excellent - it helped get me through a Gap Year
I have everything Del Amitri produced. Over rated? They're the definition of under rated. Seriously. Look it up.
And the Proclaimers? Were they ever actually 'rated'? Don't confuse 'comedy Scottish accent' (also known as: singing authentically) with comedy songs. Musical quality, with political and social messaging.
I'll give you WWW. They were shit.
Si, I'm with you
on that
We expected...
...no less!
The Proclaimers are good
I think they've written enough classics to overcome the novelty of them being bespectacled twins.
'Letter From America' is a big widescreen song with widescreen sentiments. It's like 'Born To Run' but with less kitsch value.
Hugely overrated Amy
Hugely overrated
Amy Winehouse
Adele
Pete Doherty
Oasis
The Libertines
Hugely Underrated
Stars
No Joy
Wild Flag
Gemma Hayes
Mary Timony
Radiohead Bruce
Radiohead
Bruce Springsteen
REM
Teenage Fanclub
Suede
I would say Colplay but I can't think of anyone rating them highly. More successful than they deserve to be? Goes for Snowpatrol and Oasis.
If Lou Reed includes Velvet Underground then its impossible to overrate them in my book. Same with Bowie. His music just keeps on giving.
The La's
The brief interview with Lee Mavers in the current Mojo made me realise The La's have been seriously overrated. And as I said elsewhere on this site I was good friends with a very talented musician /artist who was obsessed with The La's so trust me. Nothing is as good as he was making them out to be. Morning noon and night with the album, the b-sides etc. Hearing about Cammy, John Powers et al.
I mean their best known song was pretty much a lift of this:
oooh ooh
got another one. The Beastie Boys.
The Beastie Boys
I kind of like the idea of them, but by the second track I'm already remembering how much I hate their whiny, brattish white boy vocals and two tracks later the CD invariably gets rudely turned off.
The problem is, I love that track of theirs which samples (or should I say lifts wholesale) a chunk of The End from Abbey Road, but can never remember the title*, so I find myself flicking all the way though Paul's Boutique trying to find it.
*Yes, I remember it's called The Sounds of Science NOW, but it's odds-on I'll forget by the next time I pull the CD out.
I completely adore Beastie Boys.
That is all.
A great shout
They're quite amusing at times and they have done the odd good tune (Intergalactic, Sure Shot, Sabotage) but they have the whiff of being music for grown men who collect Star Wars figures about them. Too preoccupied with being cool to make great music, and when they do try to take themselves seriousy on 'To The Five Boros', utterly boring.
A band tailor made for the 'stuff white people like' blog
Edit: I do kind of like the first record though and the first single off the last record was very good
Disagree...
...but agree on TTFB. A dull record. But they're all about the fun, the Beasties, and Hot Sauce Committee was one of my albums of last year. They're always surprising and danceable and I don't think they can really be blamed for some of their more irritating fans (although I think you're wrong about that too!). I don't think they're that concerned about "cool" as much as they are with having fun and sounding like they are.
Love them.
Fair play
to you, but I always find that their records promise fun but rarely deliver. I have bought most of their records on a wave of enthusiasm that 'this might be the one that makes good on the promise' but haven't got one that does yet - see also The Charlatans. Away from the singles, I find the Beasties pretty dreary.
Yes!
I forgot about them. Although I like a broad range of music my response to TBB has always been that it just sounds like noise with little musical content. Intergalactic is the worst of the stuff I have heard. Loud and shouty in the worst possible way with annoying noises sprinkled throughout. Horrible.
"It just sounds like noise."
Amazing. Sorry, wm, that really made me laugh. It's exactly what my dad used to say when TOTP was on.
All together now.... meeeeeeeeeeehhhhhhh!
;-)
ha ha
ha ha. I was going to say in my original post 'this sounds like the sort of thing an old geezer would say' but somehow missed it off! So you got me.
I can't really see why the BB come across as noise to me when I like similarly banging stuff like Ministry, Add N to X, Babes in Toyland and even have a fondness for Beefheart's skwonking free jazz.
Similarly bemused by the BB track 'Sabotage' which has an irritating hipster video to go with it which only heightens my dislike of them.
I'm with you
They're shrill, whiny and shouty like mature men acting as spoilt teenagers who should have grown out of it. For some reason this annoys me with them when it doesn't with other acts. Might be the hipster thing plus it's just not an interesting noise. Loved by those who think it really matters that you wear the correct trainers.
I'm wearing brogues.
They're also loved by people who think they make a wonderful noise. I can understand not liking them, but isn't it enough to critique the music without being unpleasant about the people who happen to like them?
Fair point
Sorry about that.
I guess with a thread that's about over-rated artists, it does lead you to think who they might be over-rated by.
Guess so.
Anyway, I was on a cold station platform feeling grumpy when I typed that post. Probably overreacted. I just bridle a bit when people helpfully tell me the reason I like something isn't because I like it, it's because of an inferiority of mine which they don't share!
As a side note, ever noticed how "hipster" is the world's most versatile insult? It's great. I think its exact translation would be "person who likes something I find unfathomable, but whom I can dismiss because they don't really like it and are just trying to look cool".
How do I feel about my shoes?
Just a flippant, smart-arse, trying to be funny, comment of mine, but based on personal experience regarding the trainer/hipster-BB interface aspect. I am sure there are plenty who genuinely love their music - I did not suggest otherwise I believe.
Hipster
I didn't realise it was an insult. I thought some people called themselves hipsters in the same way as Goths call themselves that.
Definition of a Hipster
Read the wikipedia entry. Many of the definitions apply to me!
It kind of is an insult
I think of hipster as someone who assumes a certain superiority for liking the right cool music and wearing the right clothes, which is a bit pathetic of course, yet being discerning and seeking alternatives to the mainstream can be a positive thing too. The issue would be where it is a pretence and snobbish attitude. Then again these days maybe it has become a style like you say - the nerdy look and all that. My idea of it is probably a bit '90s when I worked in a London record store and it was all too apparent among those who were into dance and hip-hop and often seemed to look down on anyone who listened to the wrong records - it was rife there. Kind of colours your view of that music negatively. But ultimately it was just another kind of conformity and sheep-like following of others' lead. Clearly though not everyone who likes those kinds of records is like that. I probably got a bit caught up in an equivalent hip world for a time around the time of new wave and all that. You ultimately grow out of it, though a residual element perhaps remains and rears it's ugly head now and then.
Definition of a Hipster
Read the wikipedia entry. Many of the definitions apply to me!
I shall avoid the easy targets
Therefore:
1. Robert Wyatt (sounds like a pissed bloke singing badly in an East End boozer; apparently this is known as 'unique vocal interpretation')
2. Kirsty MacColl (astoundingly average; has a vocal style reminiscent of yawning)
3. MC5 (I like the idea of this band, I just don't like listening to them)
4. The Fall (I won't repeat the oft-repeated cliché, but it's correct)
5. Lloyd Cole (I've really tried, but it's just not happening)
There is some leeway regarding 3-5, but 1 & 2 are non-negotiable.
Jack White
Ever since I read in an interview him saying something like.."Nothing worse than being around idiots on drugs"...He came across like some self-righteous Christian rocker...I've been around idiots on drugs but I've also been around great people on drugs...anyone calling themselves an artist has to be a little more open minded in my view. Ever since then his music sounds contrived and heartless to me....an exercise.That's my rant....lol
Nah.
I think I'm sort of with Jack on this one. I'm not a massive fan of his, but I'd rather have a pint with him than with any of the famous rock n' roll drug hoovers I can think of.
And what might "lol" mean this time?
Laughing Out Loud or Lots Of Love?
Either way..
What an absolutely ..
.. ill-informed and old fashioned viewpoint. I know what you THINK you mean, but man are you wrong.
Didn't mean to be harsh..
It was an interview with Jack and Brendon Benson and they simply came across as elitist and completely dismissive of a certain type of awkward fan...which let's face it is your average young music fan.I was in a band that had lots of young fans and if they wanted to know what brand of guitar strings I used I was happy to answer...we never made a cent but a fan is a fan.I've seen The White Stripes live a couple of times and they were good shows...but I simply think he's been built up a little too much.Just a dumb opinion I realize..Cheers.