Entertainment For Lively Minds
Sorry, but I have to get this off my chest...
I was rung up last week by your sales department to remind me that my subscription to The Word had lapsed. I happily stumped up the cash but if I'd have read this month's cover story at that time, I would have hesitated. It was by some large margin the worst article ever published in the magazine.
What exactly was the point? The idea that we're only going to be concerned about world issues because famous people tell us we should, felt condescending even back when Sting was "saving" the rainforests. Admittedly, there's a place occasionally for "me and my famous mates" type-articles, but despite the amazing access that the writer had, there are practically no decent quotes from any of the participants. All we get from Jarvis is a homily on climate change (thank you Professor Cocker) and Martha Wainwright saying she's going to write a new protest song. Well, phew, that's the environment saved!
And the quality of the writing was dire - all that gushing praise to "effervescent Vanessa", "(Laurie Anderson's) timelessly wise voice". If I wanted to read this sort of stuff, I'd pick up the Sunday Express magazine in the doctor's waiting room.
I've read The Word from the beginning, because the quality of the writing has always been excellent - it can usually interest me in stuff I wouldn't normally go near (the prog section is a joy, and no amount of revisionist thinking is ever going to stop me from a pure loathing of prog rock). But this was a serious lapse of your usual high standards. You got a cool cover shot out of it, but nothing else.
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Totally agree..
...I was REALLY pissed off when I read that article. It was patronising about the issues it was trying to address - in exactly the way Sting was 20 years ago - and, the specific participants aside it could have been written by some trashy celebrity magazine.
Substitute a load of Z-list celebs for Martha, Ryuichi etc al and it'd make a great Heat article, as it is it was more suited to a Sunday colour supplement.
Re-read your own strapline guys - "INTELLIGENT life on planet rock". We don't need to be 'educated' about climate change and world events by a bunch of musicians.
That 6 pages aside, it was a cracking issue - but stick to the music.
I approached the new issue with a bemused air
The polar ice cap article was potentially interesting but was written in a particularly non-engaging way. It couldn't have been more 'holier than thou' if the Pope had written it. I had less interest in the subject after I had read it. A bad sign.
The big prog section was off putting but, like many articles in Word that cover things I'm not particularly interested in, I have really enjoyed it. I even had some thoughts about investigating early Genesis (which is very odd for me). So big thumbs up for that (sometimes Word mag is like the older brother's music knowledge I never had access to).
I like the cover as well - thought Jarvis had joined Oasis....
Hear hear
The magazine is faultless, almost all of the time. The right thing at the right time for the right audience. But this was bloody awful - heartfelt whittering with no purpose. And to put it on the cover! Did the "writer" have pictures of Ellen indulged in some unspeakable act with The Incredible String Band or something?
It appears...
...that the writer is Robyn Hitchock's "partner". Knowing of Mr H's closeness to Word, did this have something to do with the article getting such prominance?
Oh....
I thought it was written by Peaches Geldof.
Sorry, guys
But all this above is true. The mojo (woops) seems to be continuing to slip. Even the lightly praised prog articles were a little less substanced than upon first glance and expectation, with Steve Howes remarks appropriately lambasted. Thankfully Unshod and Q remain way worse, but watch out for Slomos seeming return to form over the past few months. I took out my Word sub as I cancelled one for them. Which way will I next turn? I want to stay loving the Word, and all this web bollox clearly delights me, given the inordinate number of posts I make. Please see this as the remarks of a "critical friend" as parliamentarians say, on giving post resignation heavy arse-kicks to their esteemed colleagues.
Didn't David Hepworth
list 'middle aged comedians presenting travel programmes' as one of the dumbest things in entertainment?
It's the most minor of shifts to alter this to 'middle aged rock musicians fronting documentary articles on serious issues.' In neither example does the conjnction tell us anything worth knowing about the theme or the protagonist.
That coverline...
'Ten musicians, one vanishing ice cap' - unintentionally (?) hilarious.
Still love The Word, though - and thanks for all the prog.
Haven't got it yet
but I'm confused - how does 10 musicians visiting the ice caps do anything other than more harm?
I like the Word more than the alternatives, but there's been some really bad cover features this year.
It's a small piece in the overall magazine....
Unfortunately has a cover shot when maybe a nice Genesis era shot of Garbriel would have done the job given the huge Prog feature.
An error in the cover shot, not necessarily the article itself, though would be interested to know of the carbon footprint emitted by 10 touring musicians plus entourage, whose presence was totally and completely ephemeral to everything but their own egos. You can always skip those 4 pages and 2000 words.
I wondered
if maybe some sort of deal was done, because I've not read about this anywhere else or heard about it at all. It's like something you'd find in The Observer magazine.
Like everyone else it seems, I'm not interested in celebs saving the world.
A prog cover would have been far better. As a subscriber you only get the one image on the cover, and to be honest I'd rather have the non-subscriber one with the other stuff on it. It's far more exciting. My heart sank at this one.
It is not the best issue
that's for sure...hope the new podcast with the holy trinity of Hepworth, Ellen and Hall makes up for it!
I gather the podcast is recorded on a Wednesday...
...so we won't have the grovelling apology for the 'condescending eco-feature' until next week's podcast :-)
I'd gladly have the globe melt to the...
..size of a Malteser than have to suffer any more preaching from pop singers (or anyone else in showbiz, come to that)
I'll gladly listen to any number of climate scientists when they all stop pushing their own particular political wheelbarrows.
Yeah, but...
You wouldn't really, would you?
It was clearly originally going to be a Prog cover...
... but I can only assume the guys got cold feet (geddit?) at the last second and put an unrecognisable Jarvis Cocker on at the last minute...
As intrigued as I am at the idea that JC would be such a reader magnet on the newsstand, I can't believe Prog was thought to be such a deterrent, yet to simultaneously warrant XX pages of coverage...?
And yes, very poor celebs in the arctic feature, though to be fair it was only the attending cover that made me take offence at it...
Anyonne who buys it on the strength
of the Jarvis cover is in for a shock! I was hoping for a lengthy interview with the great man - turned straight to the 'bit before reviews' section where the cover story usually is....and smelt the ghastly stench of prog!
As it turned out, I quite enjoyed reading some of the prog stuff although I dislike the genre with a passion, but it meant I got through the magazine quicker than I would have liked - there's only so much reading about music I don't like that I can take...
Imagine how I feel then...
..when Mojo does its tri-monthly re-appraisal of punk, or again tries to ram the ghastly New York Dolls down our throats.
To be fair
Pink Floyd get quite a lot of covers too....
I don't like much punk either. The New York Dolls were dreadful. Apart from some of the Clash, the Sex Pistols, some of the Buzzcocks and Wire, I can do without it.
Should also point out that I don't mind the prog stuff as there's obviously loads of Word readers who really welcomed it.
Weller
Surely not as many as Paul Weller? Mojo and Uncut seem to give him at least 3-covers-per-year each, usually accompanied by a 'best of Mod' cd.
I don't often buy either magazine but the site of PW is enough to stop me even picking them up, which may be a shame as the cds are probably OK.
Yes, he's on magazine covers all the time
Can't imagine how this attracts anyone to pick the magazine up?
That cover
Good people: WHATEVER we put on the cover, my Inbox soon fills with complaints. In this instance the Arctic piece was not originally intended to be the cover story and was switched at the last moment as I felt we simply couldn’t give the prog rock story the right amount of impact on the newsstands (which is where the majority of our sales still take place). Here is the rejected cover. I’m sure you’ll prefer it!

Ooooo...
The subscriber edition would look especially tasty!
Although, to be fair, I can see that the "Jarv rocks the Steve Hackett look" cover would have more impact on the shelf
Phil Collins had a beard
so he would have made a good Word cover star.
i definitely think
The Jarvis one looks better.
any chance of a full interview with him soon?
"erog" lives? Funky fonts,
"erog" lives?
Funky fonts, eh? Tsk.
The beard was the better call.
Erog?
Didn't I see them 12th on the bill to Uriah Heep at Reading in 1973?
it isn't...
Prong then?
that's what I thought it was and wondered how some 80/90/00s (delete as applicable) American metal/industrial band merited such prominence
I'd have crossed the road to buy it
....which I probably wouldn't for the Jarvis cover, mostly because I didn't realise who it was when the subs copy dropped through the letter box. I can only echo previous posts about rock stars and the environment/any other cause. I haven't read the feature yet...
I loved the prog features though - well done for getting Ian Anderson in there - he's always good value, and the reissues of "Thick as a brick" and "Aqualung" have extra tracks including interviews with Ian and other band members which are effectively podcasts and are splendid.
I like a nice cover
but I buy it because it has The Word at the top. I can't remember why I bought my first copy (which has to have been 3 or so years ago) but it may have been the cover. It will have been where it is on the shelf (next to the other mags of that type which I am drawn to) most likely.
The Jarvis cover was better. Faces (even beardy ones) work on magazines and it was an interesting shot of Mr Cocker. The icecap article was poor but the other stuff was pretty good.
Some editions are exceptionally good, the rest all eminently readable. The Peel cover edition was exceptional because you had a story everyone (or nearly everyone) had some interest and empathy in.
Couldn't you have got Roger Dean...
...to put one together for you? You know the sort of thing, perhaps a unicorn (with a beard, of course), a starship and a few twisty trees. Much better than Jarvis in his Raybans.
But if Roger Dean had done it
...it wouldn't have said Erog!
True...
...but it would have had a bearded unicorn.
or...
a bearded rainbow...
I still don't see the fascination with that Cock is Jarver bloke. He can't sing for toffee, naff lyrics, drab looking band and then there was that embarrassingly weak stage invasion. He always looks such an English teacher and I don't mean that in a nice way.
see what I did at the very start of my post/rant?
and yes, drink is being taken
Lose some, lose some
I sympathise, Mr E, really I do, it is a no win. I do see that the newstand is still going to be the biggest draw; jeepers, that's why I picked up "Classic Rock" (sic) yesterday, based on there being a John Mellencamp article within. (See elsewhere for detail) Don't worry, it presented no threat, but us ugly and awkward old gits, aka loyal subscribers, are always going to bemoan the tastes of the hoped for casual reader over our idiosyncrasies that beguile and bother even ourselves. Nic eto see you venture to the keyboard tho'.
For what it's worth,
speaking as a subscriber who absolutely loved seeing a big Prog feature in my favourite mag, I care not a hoot that you put Jarvis (looking uncannily like Gordon Freeman from the 'Half Life' game - see post elsewhere) on the front instead of a Prog splash.
As the cover matters little to me, I hadn't even stopped to consider the fact that Jarvis was only briefly mentioned inside, but had been honoured with a full face front cover fizzog shot.
I'm sure that the naysayers bemoaning the well heeled eco-tourists' arctic jolly would be much happier if these overpaid entertainers took their hols in Las Vegas or Sun City; then they wouldn't have to waste their valuable time, better spent learning about and publicising man's destruction of the environment, writing rather self righteous blog posts to the editor.
My "self-righteous"
My "self-righteous" complaint was not that said entertainers went to the Arctic. It was that the resulting article was crap.
You asked what the point of the article was.
Yet you obviously missed it. Maybe the article's main flaw was that it didn't spell things out in BIG ENOUGH LETTERS.
It seems to me that the text from about two thirds the way down page 17 to the end of the first column on page 18 sets out the stall pretty well - it's about raising awareness of the Cape Farewell initiative; the Word angle being that a bunch of musicians have got involved in this particular trip.
What on earth is wrong with writing about this in Word? Methinks you thought you saw something in this article that simply isn't there, and reached for the bottle of blog rant juice without any further ado. Get a grip man.
have got
?
Gets the bottle of blog rant juice back out of the recycling...
Nothing wrong about writing about musicians in the Arctic - as long as the article is well-written. This one wasn't, and that is my over-riding complaint.
To repeat my original point, this article lacked any critical distance about what was going on - there's an extremely interesting article to be written about creative folk having a jolly at the icecaps. But that requires a certain amount of journalistic skill and critical distance, qualities which the author seems to have left in the customs lounge. She was so star-struck she forgot to ask any interesting questions, and all we got was a stream of gush and a "gosh isn't it awful what's happening here" piece.
The reason this article stuck out is that the quality of writing in The Word is usually so consistently good. To echo the old saying, I buy this magazine for the articles. If the articles are rubbish, then what's left? It's always been about the quality of the journalism, and if we the readers don't hold the magazine to its own high standards, then what's the point of this blog?
I care not where pop stars take their holiday...
...but I do care when a badly written article takes up 6 pages of an otherwise quality magazine.
When I want to read about environmental issues, I'll read an appropriate organ - one that writes about them in as balanced, considered and informed a way as Word writes about music.
Geography, National Geographer and the New Scientist fulfill this role admirably for me; I don't need Jarvis Cocker and Word to waste my time and space with a badly written article about a subject they are no more qualified to discuss than I am.
Very admirable
But perhaps the whole point of the trip and the feature (which I have not yet read) was to publicise the problem for those people who do not read those no-doubt-excellent journals?
If this were Heat or Hello...
...then I'd tend to agree with you.
This is Word - 'Intelligent Life On Planet Rock'. If the magazine is going to take the 'intelligent' stance with any conviction, then it should assume it's readership also have a certain level of intelligence.
Assuming that their readers will gain their entire view of world affairs from a music magazine - no matter how good it may be - and writing articles accordingly, does no-one eny favours.
It's not necessarily the existence of the feature I'm arguing about (although I *do* think it was irrelevant and condescending) but the appalling level of journalism it contained.
Sorry stimpy,
but you are being pompous and self righteous about an interesting little article that introduced me, at least, to the Cape Farewell initiative, which I judge to be a worthwhile effect of having read it.
I disagree with your scathing judgment; furthermore you haven't explained why you found it to be patronising, and you haven't explained why it was 'more suited to a Sunday colour supplement'.
Maybe I didn't understand that accusation because I don't read Sunday colour supplements. But I can't say I remember reading about Cape Farewell in Geography, National Geographer, the New Scientist or What Quantum Mechanic either. But then, I'm just a poor simpleton who can't understand the long words in those magazines anyway.
Goodness knows why I buy Word magazine, after all, it promises to only be attractive to intelligent people.
try
H&E next time Mr. Fox
That'll be
"Haughty and Elitist" then.
Words strapline DOES...
explicitly say that's it's trying to be more intelligent than the run of the mill music magazine. That suggests that it's going to credit it's readership with a modicum of intelligence.
As for the magazines I quoted, I read them as they relate to my professional interests.
Poverty’s bad
war is bad
racism’s bad,
Well done, have a biscuit
I suspect it was a more tax deductable
kind of trip to most than a holiday would have been. Bet those travel expenses, warm coats, beard trimmers were all legitmate business expenses in the pursuit of bringing art and ecology closer together.
More Andrew Collins!
Last month's mag was a belter; this one's notwhere near as good. Half of last month's copy seemed to have been written by Andrew Colins. Is more of Mr Collins the key to a good edition, or was he on a hot streak last month?
I haven't read the "Jarv Arcticle" yet. Don't think I'll bother based on what's been said above. And as for the covers, I think the late switch was sensible. The "Erog" one does nowt for me.
Dear Mark
Poor Mark. You can't please all of the people all of the time...
I have said elsewhere, the gist of the Arctic piece made me want to be there, especially when the musicians played together. The photo of Jarvis is not the best but, I suspect, the best you had to hand. A photo of Steve Howe (the Crypt Keeper to his friends) would have seen you banned from the stands forever. Thankfully you did not run with the original cover.
Next month, dress up a celeb in a Santa suit, stick Kate on his lap and everyone will be happy. Job done.
Spot the difference...
That's easy
The one on the left has a missing tooth.
The one on the right
used to be in Yes?
Disappointed of Leicester
I've been a subscriber since the start too, though the last time I renewed it was as much through habit as desire and the issues since haven't really changed my feelings, with this one being the worst by far.
The prog section was always going to polarise opinion - I'm on the hate side of the fence - but did it really need to be 21 pages? Add the Arctic puff piece, the picked with a pin tribute songs, the continuingly unnecessary Word Of Mouth, a sycophantic Frank Skinner interview, David Hepworth's increasingly odd rants, Andrew Collins (ugh!) and there's precious little to actually read, particularly when there are only 50 new album reviews. Time for a rethink perhaps.
I rather like a Hepworth polemic
They are entertaining and it saves me having to do it.
Seconded
I actually enjoyed this issue's rant more than most, probably because I agreed with every word... horses for courses I s'pose.
And it's only this cover controversy which has made me take notice of how much space the CD takes up, as it really limits the options (as a subscriber I never notice.) For what it's worth I'd have used a Roger Dean artwork for an "Erog" cover...
I'm a fan of his rants too
And I like Andrew Collins. He's always got something useful to say.
Mr Hepworth's rants...
...are consistently one of the highlights of the magazine for me
21 pages!
I'm going to buy my first ever copy of The Word tomorrow!
I don't need to listen to the CD do I?
Mon Dieu
I haven't picked my copy off the news stand. Can it be possible that 27 pages are given to Prog (which I loathe) and pontificating pop stars? EEK
However I must say I'm looking forward to seeing where Word goes with this prog article. Seeing that I hate the genre so much.
Well next month is the annual lists issue so normal service resumes in January.
Oh and a PS
I thought the rejected cover was brilliant.
Just think of it
as articles and interviews with musicians who have been around since the early '70's. Admittedly not as long as Dylan, Cohen, Clapton, Beatles or Stones but longer than Elbow and Girls Aloud and with a lot more tales to tell. Oh, and they all seem to have little to say about ELP. Except Sinfield perhaps.
Greg Lake has written with Dylan, recorded with Gary Moore and toured with Ringo but that counts for nothing these days.
And that actually
is a very fair point. It's just that I'm still getting over the YES Directors Cut which seems to be shown round the clock on Rock-on-tv Sky Channel 260. Mentioned before, gave them a chance (to hang themselves as it turned out)and watched about 2 hours of it. Utter baloney. I had to pull out The Ruts "Babylons Burning" just to get over it.
I noticed that too
ELP were bigger than just about any of the others in about 1973. How come nobody seems to admit to liking them (then) even if they shudder at the thought now?
I did notice that almost
everyone in the article held them up as being the perfect example of bad prog.
I liked 'em...
and saw them live several time. For many years, I'd have rated 'Welcome Back My Friends...' as a favourite album.
Listening to their albums now, it seems like there wasn't any substance there - all surface flash and widdling. There's still a few choice tunes but I really don't think they aged well.
No rock stars
have aged well. Except Tony Banks and Mark Ellen (see how I did that to cheer him up). However I suspect they have portraits locked up in the attic.
I was referring to ELP's music...
(although you're SO right about ageing rock stars)
Having a bit of a nostalgia-thon today - no Girls Aloud allowed - working through the complete works of ELP in chronological order.
Jeremy Bender from Tarkus playing as we speak
When you finished that
You really should listen to Jordan Rudess "The Road Home" and his version of Tarkus + Dance On A Volcano (Genesis) and Soundchaser (Yes).
Sound clips here http://www.magnacarta.net/releases/jrtrh.html
Follow that with the ELP tribute album Encores, Legends & Paradox
http://www.magnacarta.net/releases/elpTributeText.html
What, 27pps now!?
I'm off to my nearest Tesco immediately.....
And no mention of Van Der Graaf Generator at all!
Surely "A Plague Of Lighthouse Keepers" (from "Pawn Hearts") is one of the sine qua non touchstones of Prog?
No VdGG
trip to Tesco on hold
'All You Need Is Love' and Prog
Did you see the recent edition of Tony Palmer's 'All You Need Is Love' on More4 at the weekend? Through my rose-tinted glasses I thought this was wonderful series when it was first released in the 70s, whereas now it looks badly edited and very dated. In particular, I found it interesting that a programme investigating the rise of progressive music included lengthy clips of Black Oak Arkansas, Baker Gurvitz Army and Stomu Yamashta. I'd advise against buying this boxed set as a Christmas Present
Stomu Yamashta was
as progressive as they get! Not sure the kids of today would call it 'Prog' (dreadful term though it is) but the 'Go' album was an essential purchase in 1973
Go LIve
I can recommend too
A fellow traveller
I recently transferred "Crossing the line" (all 14 spacerocky melodramatic minutes of it) from "Live in Paris" to digital - it is one of my lifelong "earwigs" - though everyone I have played it to hates it - Steve Winwood, Al Di Meola and Mike Shrieve on drums, what's not to like. (can, urr, make a copy available if you need it..)
Al Di Meola
Saw a recent picture of him in a mag a month or two ago - he has a full head of hair! After decades of baldness, bandanas and the worst combover in rock!
That's out on CD as well, Twang.
I found it a few months back on a little label called "Raven". It's playing as I type; I'm having a progfest day.
Impeccable
..as ever Vulpes
I played it last week.
On 12" vinyl at 45rpm. Superb.
Blimey yes there was a live album as well...
Haven't heard the studio 'Go' for about 20 years - just downloading them both now.).
This will either be the re-discovery of a long lost favourite or one of those horrible moments of realisation that the past is very definitely the past
All You Need Is Love...
...having watched it on More4, Am glad I didn't pay £40 for it.
Thought it was a little
bit of false advertising, having Jarvis on the cover. As soon as I saw his face I was giddy with excitement - as a lifelong Pulp disciple, the thought that he was back! Back! BACK! with a new album, and a hearty, in-depth interview with The Word weakened my knees considerably. Discovering that it heralded merely a fluffy bit of pap about F-list "celebs" tossing around on icebergs, without even a sentence spoken by the man himself, was an enormous anti-climax. Oh and what's this? Half the mag devoted to prog rock? Ah well, there's always next month... [insert sad smiley face here]
I'd say
that if you feel your 20-page feature isn't strong enough to carry the cover, you'd want to have a Plan B of some sort.
On ice
Could have had Rick Wakeman and his organ on the arctic ice (since he has previous experience of performing on this surface)- 2 birds with one stone.
I'll read about any music so prog is fine - it's not as though it's been in the mag much before so that's fair enough. Featured bands not my cup of tea but I find music of that era entertaining to read about generally due to the ludicrousness factor. So much of rock is absurd (and in a few cases simultaneously great). That's why it's good a subject to read about and so many of the other stories of rock are too familiar but not so much this.
No strong feelings about Jarvisgate. There's much else of worth to make up for what was a valid piece that was admittedly just not up to usual standard of writing.
I can't understand
why a cover featuring a pop star who peaked 13 years ago and has been in commercial and artistic decline ever since, should be deemed more saleable than one featuring Yes or Genesis, two bands who have appealed to a lot more people in their time than Pulp ever did.
I love Word
But this edition was pretty thin on content. Was everyone on holiday?
is this a good time
To moan I haven't got my copy yet? Or should I wait a bit?
Dancing With the Moonlit Knight
Sod the environment and the cover, I'm still cross about this Genesis track being called Dancing With The Moon At Night in the Steve Hackett article. Bunch of amateurs! Did Magna Carta die in vain?
I'd be surprised if the Jarvis photo gained many extra sales if any, but a decent Prog cover (maybe Genesis related as there is a fine new box out) might have pulled punters who find their favourite genre unrepresented in the other monthlies.
I agree - twice
The "...Moonlit Knight" error was presumably the guy making the phone call to Steve Hackett mishearing the taped telecon. Can't have been Steve's error can it?
And yes, a cover shot of Genesis c1974 would have brought in a whole new readership. More than the rejected cover. Would an unrecognisable Jarvis Cocker really add to news stand floaters?
Mea Culpa!
Was indeed my fault. Certainly, no blame attached to Mr Hackett.
Such a heated debate ...
I can hardly wait to see the actual magazine which I expect should be arriving in Belfast any week now! (I know, I make this comment every month. Sorry!)
A compromise?
Tales from Topographic Arctic
Damn Fine Work
Sir/Madam!
but where's the beard?
There is a beard...
...A Beard of Stars, as mentioned in the title of Tyrannosaurus Rex's fourth album, although in this case it's more of a light stubble.
After digesting this months Issue
and reading the above comments I have to agree with the apparent consensus that it wasn't the best issue. Prog is of little interest these days - it was of its time and has not aged that well. I was completely in to it from around 1971 until around 1977 and my formative record collecting years coincided with its popularity but I have little interest in the revisionist views of it now. Very little Prog music stands the test of time in my humble opinion - possibly only VDGG and Gabriel era Genesis are of much interest to me now.
MOJO has regained some of its attraction in recent issues and I think you need to buckle down and get back the winning formula.
By the way I love Word of Mouth and its one of the first things I turn to so i guess we don't all have the same view - therein lies your problem.
And yet...
most of the criticism in this thread was aimed at the eco-tourism article rather than the Progressive Rock section which, in general, seemed to go down well.
I agree about Mojo though; they do seem to have found their (errr...) mojo again recently and I find myself awaiting the delivery of the new Mojo with more excitement than for the last 12 months or so.
Doubt anyone will still be reading way down here but
for what it's worth...
I liked the issue. I have little interest in prog but I like reading interviews with musicians who're lived a bit and who's stories i'm less familiar with. As for the cover story - bit of a missed opportunity as Jarvis is a top interviewee and always has something good to say. You could have done something on Tony Christie's album and bulked up the Sheffield thing instead. Or even put Genesis on the cover. Value for money anyways, though if the nepotism charge of the iceage writer is true, it sticks in the craw a tad. Do we want Word to be written by us lot on the blog though? Maybe you should ignore us moaning minnies.
Good call
That Prog cover would have killed the issue stone dead.
I thought the issue was terrific, and re-subscribed immediately. And I don't like Prog. And am not particularly interested in Jarvis.
I agree with dannyboy300 - ignore us moaning minnies. We have the blog to keep us busy. You need to sell the magazine to the passing customers.
The Jarvis goes to a glacier
The Jarvis goes to a glacier piece didn't offend me, I wasn't interested so I skipped it, same as I skipped about the first third of the mag this month. I've nothing against Amadou and Miriam, I just didn't feel like reading about them. I had no idea who Jonathan Meades was and still don't as I couldn't work up the interest to find out.
The prog piece however - that's 20 pages of pointless coverage of annoying nonsense that I'll never get back. Gave it a try, got bored half way through Genesis, was it an (extremely successful) attempt to replicate the rambling piecemeal nature of the music itself?
Great piece on the god like Jeff Stelling though.
(ps. Scallies and prog - easy answer, big bags of weed and their older brothers' record collections, Marillion were gods to a certain section of Liverpool, most of us were happy to let them get on with it, they deserved each other.
The prog piece was great
Growing up as a prog fan through the 80s (a trip up to Liverpool Royal Court to see Marillion a particular highlight) this felt like redemption after years of sneering coverage of what is without doubt some of the most uniquely British popular music.
Considering the sheer amount of records that Prog sold in the 70s and 80s I can't think of a form of music that gets LESS coverage.
I also liked the...
prog feature, even though I don't listen to the music! After reading it I really wanted to listen to some prog, so I put on 'The Compact King Crimson' on my ipod and skipped straight to their early stuff. Only lasted about two minutes before I had to turn it off! Still a good read though!
Is this month's Word Cover a total cop-out or what?!
Look, I know that The Word is a commercial concern and that "stars" are needed to sell copies but this month's edition was a real disappointment wherein a thin Jarvis cocker news story took pride of place over the -admittedly, very lovely- prog special. I expect more of The Word frankly than this very obvious bow down to the marketing department. I buy The Word because its different, single minded and argumentative not because it has a famous face on the cover.
Detention for you Messrs Ellen and Hepworth; see me after class...