Entertainment For Lively Minds
Podcast 100: recorded live at Abbey Road!

It took us a while to get a shot of members of the Word team crossing the celebrated Abbey Road zebra. Mark Ellen had to take his shoes off. Fraser had to stand in the middle of the road with his back to the oncoming traffic. We had to hold up the cars a bit. Most of them were very patient, including Martin Fry out of ABC who hooted and waved, which made it all seem like a scene out of an Austin Powers movie. All we needed was a few chimney sweeps with thumbs in their braces to complete the effect.
Anyway that was after we'd recorded a special centenary podcast with contributions from Mark Ellen, Andrew Harrison, Kate Mossman, Fraser Lewry and returning by public demand Matt Hall. We set up our Heath Robinson recording kit in the 72-track splendour of Studio Three at Abbey Road. This is the place where Pink Floyd recorded Dark Side On The Moon. The magnificent steam-driven Bakelite recording desk is still in the control room. We played with the faders, of course, tinkled on the Lady Madonna piano in Studio One, mooched around the Yellow Submarine echo chamber and had our pictures taken in Studio Two (below) where the Beatles made the majority of their records. 
Thanks very much to David Holley, Kris Burton and all the people at Abbey Road for making this happen. Among the burning ishoos debated were:
* The names of the bands we made up when we were kids
* Seriously, will Michael Jackson's shows at the 02 ever happen? And if they do will Michael Jackson actually be there?
* They've taken away the Birdsong channel and are replacing it with non-stop unsigned bands. Step forward or step back?
* First look at the Beatles Rock Band. Is this going to be bigger than an actual record?
* Kate and Fraser go Sacred Harp singing in Newcastle.
* The HORA - slite return
* Your taped messages
You can subscribe to the weekly Word podcast here or stream the latest one below.









Who's
the little lad with the back pack at the front? Looks a bit like Angus Young.
I was just thinking the same
I bet that bag is stuffed full of toffees.
I thought it was
Sandi Toksvig, chuckling in infectious fashion. Rather like swine flu.
You look like a bunch of Social Workers....
... on the way to another irrelevant management-arranged meeting about improving team-building (whilst some poor child falls below the radar in another part of town) - only joking - you look like the Beatles - especially Kate, who has mastered Harrison's (George not Andrew) gait. Why's Ellen doing the moonwalk?
Looks more like.....
.... Kirsty YOUNG.
Find a space
The interior shot puts me in mind of "Music and Movement" ..."now you're all going to be trees... start small like a seed"...
Look at them...acting like children
I'm NOT jealous in the slightest... but still look forward to listening when I get home.
I'm sure you won't be jealous, then,
to see Reviews Kate and the mixing desk on which 'Dark Side Of The Moon' was created...

And one of Mr Harrison at the controls
Olympic
There's one of these desks (or something very similar) in Olympic studio 2 - at least there was the last time I was there. It's all in good working order apparently, but what amazed me was the lack of lights on the thing. You'd have expected it to be lit up like a Christmas tree, but it was pretty much devoid of all whistles and there were no bells in attendance.
Great podcast BTW. Still listening as I type!
Set The Controls For
The Heart Of The Bun.
Ouch!
.
Orbital go analogue!
Orbital go analogue!
Time travels.
" ...but when did you find time to visit THE TARDIS?"
I think the uranium inside the console
is effecting you phone
Just how small
is David Hepworth?
Naah
It's an optical illusion. Matt Hall, Mark Ellen and Kate Mossman are all well over six foot six.
I thought stripes made your
body look longer? ;)
Let's get the old band together one last time!
Well that was fun. Like an old overcoat, or riding a bike.
re; the crossing photo. Frazer was using a fish eye lens, which is why the people furthest from the centre appear smaller in the photo. Or something.
Yes I am actually 7ft tall.
And built like a docker.
Did Ellen bagsie the McCartney role?
And is there another picture of him going back to get his shoes?
Nah...
he was wearing shoes of the finest cowhide but ditched them as he saw Chrissie Hynde heading in his general direction sporting a less than happy expression...
Is
Andrew Harrison playing the part of Pete Best? Sneaking in at the back.
Play it again
Mark should have taken his guitar and re-recorded the theme music.
They should have got 'facilitator' Dave Holley on there
to say hello. The last time I saw him was drenched in sweat (his sweat on him, not his sweat on me) at The Specials' show at Brixton Academy last month.
I am also writing to express my utter DISGUST that no Norn Iron representatives were invited to mark the CentenaryCast. Myself and Barry would have halved our usual fees to be there and thereby prompt long threads either asking what we had said or 'poking fun' at our "unique" accents.
Yours in eternal disgust,
S. Forward
p.s. well done on making it to 100.
hes an exceptional fellah
and danced beautifully to said specials
Congrats all round folks,
here's to the next century.
See you on the darkside...........
Gongrats too........
Great podcast
Which got even better when David Hepworth came into the same room about halfway through.
I had to chuckle
Even in Abbey Road the Word lads managed to get a dodgy sound.
Be fair
There was a deliciously warm natural reverb that they've never quite managed to achieve at the Power Plant, Upper Street.
I also much appreciated Fraser's subtle homage to Abbey Road's trademark mid-Sixties stereo separation, when everyone suddenly switched channels after the first 15 minutes.
Dodgy sound...
just made it all sound more 'authentic'.
I'm waiting for the original mono remasters
Well done on getting to your ton. Now as Boycs would say the thing is to get your head down and concentrate on the next hundred.
Too easy to let the acclaim, the euphoria of being at Abbey Road (near Lord's), the sense of relief - make you play something airy through midwicket or waft at one outside Off stump.
No need to try and go all New - stick with Beatles, Beards and HORAs.
This is Test Match Music not 20:20. If the Kings of Leon are still here in another 100 - maybe think about a piece then.
It's a Big Ask - but Take the Positives From The Game - and Get in the Zone.
Yeah? Ok Finger Touch High Fives.
Beware
The corridor of uncertainty
Heppo's a bowler
he'll keep it - off-stoomp just outside back o' a length
If Abbey Road had been produced to this standard
There may well be a track, recorded on the same duff channel as David Hepworth in the podcast, that nobody's ever heard. Some poor session kazoo player is still bitter to this day, and nobody in the pub believes he played on Abbey Road.
Great content, as ever, but the dodgy sound is really frustrating, and more than a little dangerous: I was driving along the M8, rewinding the iPod and fiddling with the sound system settings, trying to hear the quiet bits.
Doesn't one apply compression to an audio track to bring the quiet bits closer to the volume of the loud ones?
Compression
Is applied. What we don't do is give everyone headphones so they can self-monitor, because we think it would sap the energy from the recording. If you say to someone "right, that sound is perfect, now don't move an inch for the next 50 minutes", you're not going to get the best results - especially from live-wires like Messrs Hepworth and Ellen. What's more, we don't have a control room - whoever is engineering the 'cast is generally contributing as well, monitoring the whole thing on a 1cm digital bar meter readout which isn't terribly accurate (headphones don't help much, because you're hearing two things - the live conversation and the recorded conversation at the same time, from two different sources). The recording can look OK on these meters, but if someone moves six inches away from the point where they started out, they may sound like they're in the next room without it showing visibly.
In the end, variable sound is the price paid for the energy that's one of the reasons the podcast is so appealing in the first place. Having said that, we're always trying to improve - we've had a "proper" engineer come in and check the set-up, but it's not easy: the engineer at Abbey Road agreed it was really hard to do what we do every week. And this week I've spent £100 on a pair of closed-back headphones in the hope that it makes monitoring more accurate. Will it work? Buggered if I know.
It is free you know
I'm willing to put up with David Hepworth sounding like he's down the corridor for the sake of the content.
Of course I'm willing to put up with it
I put up with it every time, but no harm, is there, in trying to make it even better?
No harm at all
And that's exactly what we try to do.
Lapel mics
cheap as chips from Tandy. Just the job.
Yeah
That's my next step.
A question...
Is David Hepworth mimicking Bruce 'Brucie' Forsyth's pose at the start of The Generation Game in the photo above? And if not, what precisely is he doing?!
Thanks for the podcasts... never before in the field of human endeavour have erudition and bollocks coexisted quite so happily.
Stunned
to hear the non-existent band thread discussed on the cast.
In Abbey Road studios.
My life may now be complete.
'The Mode' I like that. It could still happen. No Sleep til Retford.
Magnificent stuff! Loved
Magnificent stuff! Loved the Abbey Road photo, made all the better by knowing that Martin Fry is just out of shot in his gold lame driving coat.
Congratulations on reaching 100 podcasts. One of the highlights of my week. Long may you continue.
I've been on The Word Podcast
Stunned to hear myself as the first listener message on the podcast and very weird to hear what you actually sound like to others although I was trying not to sound too Aberdonian.
I'll have to get a t-shirt printed up with "I've Been On The Word Podcast".
Here's to the next 100. Well done.
Podcast Gold
Another brilliant podacast! As have been the previous 100 odd.
(Pedants note: the counting only started when the podcasts went weekly, didn't they? the first 10 or so were monthly, and weren't numbered - so we actually reached the 100 mark a while back. Ah well.)
Great to hear a retelling of Ellen's masterwork, the Hynde Anecdote. It's like discovering a bootleg live version of one of your favourite songs - familiar, yet different.
Keep it up!
Andrew Harrison, Kate Mossman and Mark Ellen...
...clearly went to some kind of finishing school. Look at that deportment! Posture like that only comes from years of walking round balancing books on your heads.
Nothing more to add
except to say congratulations on reaching your century. It's been thoroughly enjoyable to be a listener - here's to another 100!
I know it's free and all, but is there going to be a "Best Of" podcast available...?
In the spirit of the DIY
nature of the thing you could always get a copy of audacity and make your own :)
I was there yesterday too...
but missed the fun by a matter of minutes I'd guess! Boo! Still, congrats and keep it up, etc!
A mention and a phonecall!
Bribery works!
good work fellas and ladies
no suggestions or carping from these quarters just more of the same but different please.
But who is the final mystery caller?
???
Not me, squire
I was banned.
Wasn't it Retro (pronounced Reetro, brilliantly)?
Apparently AT&T have found a way
to reverse-engineer voice-synthesised messages. My suspicion is that it's really Stephen Hawking.
I think it might
be Kraftwerk's pa
Sugar Plum Fairy, Sugar Plum Fairy
Excellent pod and, indeed, cast.
Thanks for including my fatuous remarks :-)
It is my sorry lot in life...
...to sound like a former record company press officer with Alzheimer's, who has recently taken a powerful tranquillizer.
All the conversation, music and ambient noise in the Abbey Road studios is digitally recorded by microphones which are scattered unobtrusively around the property. At midnight a computer incorporates the day’s recordings into a giant ball of sonic plasticine, whose turbulent kernel is the orchestral cacophony that concludes The Beatles’ - A Day In The Life.
Every year this ball of sound is broadcast from the roof of BBC television centre to an orbiting satellite, which in turn beams the signal into space.
What....
was the name of the cuckoo artist again? I didn't quite catch it, and she sounds worthy of further investigation. (That's a roundabout way of saying "write the damned thing up".)
I didn't catch it either
I also didn't catch the name of the caller from Birmingham with the wonderful (French?) accent. I'm originally from Birmingham and I've never heard anyone from there talk like that.
Her name is Innell.
I created her to capitalize on the trend towards virtual pop stars that probably began with Pinky & Perky and continues to this day with the likes of Gorillaz.
Innell's about as virtual as you can get, in that she doesn't make any music or have any real world presence. She's more of an urban myth than a real pop star.
If you press rewind on track one of the new Pony Tour album - there's supposed to be an Innell song called Dopey, but it only works on some CD players, and itunes have blocked it from the digital release of the album because of licensing issues.
I'm confused Backwards7
do you actually exist?
Innell?
I hesitate to ask what her first name is...
Cat
would be nicest, I think.
Not a chance...
Snowballschance
I think her first name is
Medice.
“Paul Cann-ell”
Anyone remember the terrace fun to be had when Newcastle has a forward called Paul Cannell?
I do
my favourite football chant- possessed of a jejeune repetitive rhytmic intensity and a wonderful economy of content
Jasper Carrott
used to refer to him if I'm not mistaken
Who was minding the shop?
While you lot were swanning around Abbey Road you could have missed Lou Reed or Liam Gallagher nipping in for a friendly chat and cuppa tea.
Hugely entertaining as always
Often it's the throwaway remarks that do it for me.
The one glove lost property remark from the very amusing Matt Hall had me laughing out loud (note full spelling).
And Michael Jackson sitting by the stage doing a crossword while others perform his hits from Mark Ellen....
And it's free you know.
Wonderful.
Was it my imagination
or was Mark Ellen really faded out for a few seconds, partway through his re-enactment of the Chrissie Hynde HORA? Of course, he may have simply been leaning back expansively in his chair, lulling the listeners into turning up the volume as they strained to hear, prior to his lunging back towards the microphone bellowing at full volume, as is his eardrum-shattering wont.
Anyway, congratulations on making your first ton of pure pleasure. Looking forward to far more in the months to come.
A Pedant Punches The Keyboard With His Fat Fingers
Prolapse are no more. They split quite a few years ago. Spookily, Autocade by Prolapse was the first song to play on my player after the podcast finished.
100 not out!
Congratulations and thanks for all the chat.
The 200th Podcast
Might I suggest for the 200th Podcast you do it over the Tannoy at Paddington station, sure to get better sound especially if you make Mark Ellen stay down on the platform. I loved it though.
David Holley is the only person I know who will openly admit to supporting Grimsby Town.
Nice shot of the team in studio 2, I had the honour of watching Kate Bush record from that very aspect.
You are malcolm hill
and i claim my fiver!
Abbey Road Crossing
Nice picture - who's the guy at the back? I thought Don Estelle was dead.
"Sing, Lofty"
Sing "Whispering Grass".
Matt Hall
Podcasts are great but forgot how good Matt Hall was. Can we not get him back as special surprise guest every few months?