Entertainment For Lively Minds
Pete Best Conundrums
Or should that be 'conundra'? For some reason Pete Best came into my mind this evening - a friend interviewed him a couple of weeks back and thought him a thoroughly decent chap - so I've just been browsing his MySpace site: http://www.myspace.com/thepetebestband
What must it be like to be a man whose entire life has been overshadowed by the perception of being somehow a failure, or inept? I think it's a great credit to the man that he seems to have dealt with such a unique and potentially life-destroying millstone with such dignity. In a way, was he the first 'reality star'? An individual famous for being famous - a kind of ignominious fame without the money or the kudos, a subject of ongoing voyeurish media interest. Obviously, the 'Anthology' releases gave him, at last, financial security as some kind of belated reward - or, to my mind, compensation for the burden of having been 'Pete Best' for the previous 30-odd years.
Now that he has the luxury, after a 70s/80s of trying to be anonymous, to accept his position as an ex Beatle - and I don't say 'trade' on his Beatle connection, as no doubt many others have, because (a) in a way he has almost no choice and (b) he now doesn't need the money - and make some music, I'm glad to see his tale drifting on into a gentle happy fade-out.
On a lighter note, though, his entry into the English language (ie in the sense that everyone knows what you mean when you describe someone as the 'Pete Best' of a successful band/organisation/situation etc) throws up an interesting with regard to his current outfit, the Pete Best Band. It has TWO drummers - Pete and his much younger brother Roag (whose father was Apple supremo Neil Aspinall - the mind boggles there, doesn't it?).
So... does that mean that Pete's NOT GOOD ENOUGH TO BE THE DRUMMER IN HIS OWN BAND? Or does it mean, if Roag is eventually dismissed or opts to leave just before the PB Band have a surprise huge hit, that HE will then be saddled with the moniker of being 'the Pete Best' of the Pete Best Band (even though it would still HAVE a 'Pete Best' in the form of, er, well, Pete Best)? And, in less speculative fashion, if you read Roag's bio on the MySpace site he refers to having written a No.1 hit in 18 countries in his teens, without seeing any of the money or glory (he doesn't mention what it was or who had the hit - anyone here know?). Doesn't that kind of terribly bad luck ALREADY make him a kind of 'Pete Best' figure?
Still, however bad the Bests' luck has been, I wish them well. And, though it may be in rather poor taste to repeat a quip I heard recently that 'the Beatles are dying in the wrong order', it's not impossible that in the end (the) Best will be last. There may, indeed, come a time when Pete Best can play a concert and call his band, with whomever else in it, 'the Beatles' - a time when there may be no-one left alive (and maybe no EMI left in existence) who could legitimately deny him the right to do so. And if that time and vagary of mortality transpires, who could begrudge him?
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The Peteles?
I don't think Pete Best will be allowed to use the Beatles name while Yoko is alive. For some reason, I think Yoko will outlive us all - she's that type. Think Zelda in Terrahawks.
His 60's album Best of The Beatles
may have accidentally been a teeny-weeny cash-in on his association with the biggest band in the world. Or just an unfortunate coincidence.
I don't think...
...it was necessarily his decision though, to be fair.
No chance
Even if John, Paul, George, Ringo, all their wives, ex-wives, kids and grandchildren died, there is still not even a nano-chance that Pete Best could trade as The Beatles.
Dhani seems to be stepping up the plate
as the latest 'protector of the cash cow' (oops, sorry, I mean 'legacy')
I can there being an 'alternate Beatles' in a few years - Yoko, Mary, Dhani and, err...
I'm not saying that he would...
...in fact I'm sure he wouldn't, but I am saying that he probably COULD. That it would be his moral right, certainly; his legal right perhaps more questionably. I'm really pondering this in abstract/philosophical terms, not laying odds on people's likely longevity.
But for precedence (on a non-abstract level) we need think only of the sacked bass player from the Bachelors who seems to be gnawing away at the lives of 'Con & Dec The Bachelors [see nearby thread]' with his dastardly alternative Bachelors, let alone all those 50s/60s/70s acts with one or indeed NO original members left - merely with people who replaced people and who are now left with the name eg. Dr Feelgood, Smokie, loads of doo-wop/Motown soul acts... and Thin Lizzy seems to be Scott Gorham plus a bunch of guys who maybe played with Lynott solo in some vague capacity for a few weeks and now have big windows in their diaries...
As for Pete's immediate post-Beatles years (the mid 60s)when his record label lumbered him - rather ingeniously, you must admit - with an album called 'Best Of The Beatles', yes, he/they were 'cashing in', but that was for a couple of years when the wounds were raw, after which Pete left music and tried to get on with life painting/decorating and civil servicing (civilly serving...?).... until more or less his Anthology windfall. He's back playing music because clearly that's what he likes doing, and good luck to him (I hesitate to say 'Best of luck to him' !).
Really, I can't imagine anyone else placed in his circumstances would have coped or conducted themselves much better. Once bitterness sets in, it's a bugger to shift. I once interviewed, 25 years after Woodstock, the drummer from Canned Heat: now there was a man consumed with bitterness based on the view that (a) Heat were the best band at the thing but (b)some kind of sinister conspiracy had meant they weren't included in the original film and hence their career was torpedoed. Even if this WERE true (let's not even start...), it was a lifetime ago - you can CHOOSE, for the good of your sanity and health, to let things like that go. And 25 years is more than enough time in which to do that...
His moral right?
On what basis? He was gone by the time the Beatles meant anything outside Liverpool or Hamburg.
He may be a lovely bloke, I wouldn't know, but he would have no moral right to bill himself as The Beatles. The idea's just prepostorous, even on an abstract/philosophocal level.
slightly related
a long time ago (81/82) I saw Roag Best's band play at Kirklands in Liverpool - on keyboards? Mr Craig Charles of Coronation Street fame. No relevance to anything really
But a fascinating observation...
...nonetheless!
Preposterous? No...
No, I don't think so. Look at it this way: if you and a bunch of school mates - all the rest of whom went on to be successful public figures, publishing great books, becoming PM, whatever, for sake of argument - are the 'Class of '62' (or any other year) and the rest all pass away, there comes a point where you alone represent the 'Class of '62'. It doesn't matter that you went through life as an underachiever and everyone else became celebrated - nothing can ever take away from the fact that you were part of that illustrious year. And if, say 60 years on, the school wants to celebrate the achievements of its most famous year and you're the last man standing, your stock will be higher for that very reason: you'll be feted, guest of honour at the do, you will BE, to all intents and purposes, the 'Class of '62'.
Still not convinced? Think then of the centenarian Harry Patch (army) and his two companions, poignantly from the navy and air force, who are very last living UK veterans of WWI. It doesn't matter a jot that they were all low ranking, utterly anonymous (till relatively recently) 'footsoldiers' among a load of Admirals and Generals whose names are now in text books - THEIR names are now in text books and THEY are in the positions of greatest honour as leaders and highest representatives of the phalanxes of armed services people who take part in Remembrance Day.
If anyone had said to any of the big-noise generals who survived WWI during, say, the 40s or 50s, 'See that guy there, Private Patch? One day he'll be most hallowed and venerated soldier in the land, leading the rembrance of the nation on November 11...' those generals who have probably said 'Him? Preposterous! What right would he have to do that?' His 'right' is that he's the last man standing; he was 'in' something (the UK land forces in WWI)that not one other soul left alive was in. And if Pete outlasts Ringo and Paul, he WILL be the last Beatle. And if that's the case I can't see who could possibly have the moral authority to say, 'Here, you - you can't go out as the Beatles!' (As said above, look at all those people - not EVEN one original member among some of them - going out as Dr Feelgood, Smokie, Thin Lizzy etc.)
Now, it MAY be the case that because the Beatles are such a huge business there might be something enshrined in contracts specific to the name in this case to prevent this - completely abstract, you understand - eventuality from happening. Certainly from happening while the others, who became the successful version of the Beatles, are still 'in business'. But after they're gone...? I think - if Pete really wanted to push it (and nothing about him suggests that he would) - there would be, at the very least, a day or two in court to be had.
I'm SURE there must be some similar-ish precedents out there, maybe not in terms of bands but other successful institutions/names revived by 'lesser' figures who can claim some kind of moral right to continue the 'brand'. I'm just thinking out loud here - any suggestions?
You really think that...
Apple/Yoko/Dhani/Macca/Ringo/EMI/Sony/etc etc will let Pete Best go within a gnat's of even implying that he's anything to do with The Beatles over and above his documented historical connection?
(shakes head in amazement)
Sorry
but I think the analogy with WWI veterans is inappropriate and ludicrous, as if pop music is that important.
Really, who cares that much about Pete Best? That's life, get over it. Far worse things happen to people.
MAY?
"Now, it MAY be the case that because the Beatles are such a huge business there might be something enshrined in contracts specific to the name in this case to prevent this"
-----------------------
There's no MAY about it - it's a cast iron certainty! If they can take Steve Jobs to court just for using a picture of an Apple I think Pete Best would be in court quicker than Usain Bolt!
Yes, but...
...I'm talking about what happens to the issue of rights - moral and otherwise - AFTER a hypothetical situation wherein Paul and Ringo (and, if it makes the argument cleaner, Olivia and Yoko too) predecease Pete. Now, come on, detach yourselves from the notion that 'hey, this is THE BEATLES' and imagine its any other band. One original member remaining. You don't think he has a perfect right to the name if he wants it?
Or look at it in a more pragmatic/21st Century business way: the Hendrix estate (run by his half sister) have been wheeling round on tour an act or show called 'Experience Hendrix' featuring a couple of surviving musicians associated with the Hendrix Experience - the late Mitch Mitchell and Billy Cox - and no doubt a bunch of anonymous people who can play the Hendrix ouevre on guitar. ANYTHING to keep the brand alive.
Now... IF the hypothetical situation I speak of with Pete transpires AND there is still an official 'Beatles machine' in operation (if the music business hasn't completely keeled over and died by then, in which no one would give a toss) then wouldn't it be perfectly conceovable, indeed LIKELY, that the people running the machine would do anything they could to co-opt the last member of the Beatles into fronting an 'Experience The Beatles' band or somesuch? Really, it's not remotely as ridiculous as some of you seem to think...
And I stand by my WWI analagy AS an analagy (it shouldn't be interpreted as a 'Beatles bigger than Jesus' thing just because I'm using an extra-musical metaphor with a delicate subject).
Based on current events
Sean, Dhani and Mary appear to lining up to take over as guardians of the flame.
I strongly suspect the industry would prefer to have them onside than Pete Best.
It's difficult to compare The Beatles to any other band simply due to the nature of the business dealings around them. They were the first major group to start taking control of their own destiny and are still the major shareholders of Apple. If that Apple shareholding is passed on to the second generation Beatles, then the power will remain in the hands of a Lennon, a McCartney and a Harrison at the very least. There doesn't seem to be a Starkey offspring taking an interest in Apple Corps.
Not sure how 'moral rights' come into the equation at all. This is business and one of the key organisations in the equation is owned by the Beatles and/or their descendants and, I suspect, will remain so long after Yoko/Olivia/Paul and Richard have shuffled off this mortal coil.
Brass bands...
You may be right.Perhaps 'the Beatles' will become like a brass band - a reputation, a repertoire, positions filled generation after generation from within a tight-knit community...
Obviously, I'm only joking. Sort of. But I believe Ashley Hutchings' son has expressed an interest in taking over/keeping going the 'Albion Band' brand when the time comes, if there's enough interest... Not a million miles away from Frank Zappa's kids doing tribute shows with their dad's music...
I think the key difference is...
The Beatles are never going to be a musical group again but they ARE still very much a working business, and will continue to be for a very long time.
Forget music, and think of the Beatles/Apple Corps as a very successful family-controlled business. BMW or SC Johnson would be a better comparison.
Pop combos/Car manufacturers...
...both dicey businesses to be in these days! Pete Best may yet outlast both the music and automobile industries...
Ian Stewart: the “Pete Best” who genuinely does deserve sympathy
Surely most successful groups have a sort of “Pete Best”, i.e someone who left or was booted out just before they got rich and famous. Don’t have much sympathy with them on the whole. Pop groups are gangs - if you don’t fit in you don’t fit in and that’s all there is to it.
Apart, perhaps from Ian Stewart, the “Pete Best” of the Rolling Stones, booted out because he had a face like a bulldog chewing a wasp but who, nevertheless, remained fiercely loyal to the group, contributed to all their major records, did lots of donkey work etc. and was much loved and respected by all the group, Now he really does merit some sympathy and respect in a way that Pete Best doesn’t really. He may be a nice fellow and all that but I don’t think he’s entitled to dine out on the success of The Beatles.
Why?
At least the Stones looked after Stewart: when the Fabs were presented with an excuse to get Pete out and Ringo in, they didn't hesitate and McCartney seems intent on following Harrison in going to his grave without displaying any contrition (unlike Lennon).
If I recall correctly, Keith and Charlie have both
said that The Stones was always Stu's band. Allegedly there was always a spare piano on stage in case he fancied wandering on and playing when he'd finished 'the day job'.
Why?
Because if Pete Best had been booted out of Derry & The Seniors it wouldn’t be an issue. Fact of the matter is he played no part in the group‘s subsequent success. The same isn’t true of Ian Stewart which is why he was “looked after”. I don’t really know what Macca is supposed to be “contrite” about. Pop groups have more in common with primary school gangs than proper grown-up working environments where issues such as “unfair/constructive dismissal“ come into play, no matter how much revenue they subsequently generate.
and, remember, with the release of Anthology,
Pete Best did eventually get some compensation for his time in the Beatles which more than covered his contribution to the band's post-Pete success.
THAT was more than he ever got from Derry & The Seniors (OK, I don't know if he ever was in Derry & The Seniors and my copy of Pete Frame's book isn't to hand)
Derry & the Seniors
Now we're really entering the realms of fantasy - those D&TS guys are WAY too wealthy and influential in the world of music: their lawyers would never let Pete use the name in a million years... (Obviously, all those posters you see for 'Derry & the Seniors' down the Accrington Working Men's Club on a Tuesday night must be for a tribute act - couldn't possibly be the real thing...)
No chance...
D&TS split for good in (I think) '64.
Freddie Fowell the vocalist went on to greater success having changed his name to Freddie Starr.
Howie Casey, the sax player, went on to greater success as a session player including, in a neat twist, playing on several Mott The Hoople tracks as well as part of Wings' horn section. Macca liked to recruit local lads :-)
The Big Three...
Your knowledge of Merseybeat minutiae certainly (Mersey)beats mine, Stimps. But going off on a total tangent (well, not totally - as Beatles bores will certainly spot the erstwhile Beatle drummer connection) can I recommend The Big Three as THE best Merseybeat act that never made it past the Mersey. The original power trio who made but a handful of records - some schmaltz, some so-so ballads and a few blistering slabs of beat group brilliance ('Cavern Stomp', 'Some Other Guy' come to mind)that comes closest to representing their true sound.
Johnny Gustafson (bass) pops up here and there in other bands in the 60s/70s, not sure the guitarist did much else and Johnny Hutch (drummer) - rare among Merseybeat types - turned his back on music, emigrated and has never tried comebacks or cabaret and almost never given interviews about the 60s. And yes, he's the bored looking bloke sitting in with the Beatles (John & Paul hamming it up for the camera) in that famous pic from their Johnny Gentle audition. I suppose, in a way, he was a 'Pete Best' of the band before even Pete Best. Now THERE'S something to put on your business card...
Totally agree with you there...
The Big Three were, without a doubt, the best of the Mersey Beat bands.
If anyone's interested in the nuts and bolts of Mersey Beat, can I recommend Pete Frame's 'The Beatles And Some Other Guys'. It's a collection of family trees covering everyone who ever picked up a guitar in Liverpool between 1955 and 1964. A staggering piece of research...
http://www.amazon.co.uk/Beatles-Some-Other-Guys-Sixties/dp/071193665X/re...