Entertainment For Lively Minds
Paranoid android
Posted by Specs_Beard on 5 March 2011 - 10:06pm.
This is quite possibly one website where I really am the last person to realise that the Hitch-Hikers theme began life as an Eagles instrumental. But just in case I'm not - and as it's brilliant -
(Intrigued by the idea of the Eagles of all bands getting into a studio and saying, 'Hang on, let's do one without any singing...')
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No, I did not realise this, either.
I'm a HHGTTG fan, but not an Eagles fan.
Props to the Hotel California Hitmakers for penning a great tune, and to you for bringing it to our attention.
Agree
and it's made me go out and order the BBC audio books of the radio show.
Remember, the Eagles came from a background of
bluegrass playing. Check out the original line up, Bernie Leadon's banjo is everywhere.
I love the banjo on this...
This is, like, cosmic bluegrass...
It's a Bernie Leadon tune
but back to the OP - the questions is *how*...*why*?
Every time I hear this
I expect to hear Peter Jones' voice come in to tell us about Zaphod Beeblebrox's last meal; how he escaped the Ravenous Bugblatter Beast of Trall; where Ford Prefect left his towel; and why Arthur is stuck on a spaceship with a lot of chatty doors.
Another theme with a surprising source
Mad Men's theme comes from an unexpected source too, given the style of the show. The music was originally a backing track for the rapper Aceyalone. RJD2, the record's producer, later released the instrumental version of the song under his own name and that was the track that the TV show's producers bought (publishing and all).
However, the hook comes from a song a lot closer to Mad Men's era: the strings were sampled from "Autumn Leaves" by Enoch Light (1966, I believe).
I hadn't realised
that the original version of "Sorcerer" was used for the radio series but a re-recorded one for TV. I suspect that was down to copyright or such issues. There's some detail here:
http://en.wikipedia.org/wiki/One_of_These_Nights
What always surprised me is that the piece was written by Bernie Leadon, who quit after the LP with this track was released. Leadon was the main country influence in the band and was/is a highly talented multi-instrumentalist. When you consider that The Eagles are usually thought of as a 'soft rock' group, it's quite ironic that "Sorcerer" and another Leadon song, "Witchy Woman" were written by the man who quit because he wanted a more country sound than the rock direction the rest of the band wanted to take!
Then again, it could be another example of a band thriving on creative tensions but unable to keep those tensions in check for long.
Bernie Leadon
also wrote one of my favourite songs from the Desperado album.
Perfect for a Sunday morning
Bluegrass banjos? We gottem
It's that man Leadon again.
And
there's another version again from the film version. With horns and 80s drums.
I'm a massive fan of the film, but I suspect most of the Massive prefers either radio or TV. But in my viewpoint, having only read the book before, and already being a fan of Mos Def (Ford), Martin Freeman (Arthur), Alan Rickman (Marvin), and the League of Gentlemen (the Vogons), with the book voiced by Stephen Fry, it was always going to appeal to me.
So many little quirks in it that I love. And am not ashamed. No one is going to convince me otherwise.
If you haven't heard the original radio series,
you must try and find a copy. For me, every other version/spin-off was second-rate when compared to the ur-HHGTTG.
(although the Infocom 'interactive fiction' game was pretty good, and was, so I gather, written with considerable input from Adams)
The BBC CDs
are an almost complete copy of the radio series-apart from the omission of Shine on You Crazy Diamond and the great line "did you know your robot can hum like Pink Floyd" ...
I liked the film too...
You have to see it as yet another version - each one has something new to love.
I think that DA had a hand in the screenplay, and approved quite a few of the ideas / changes before he died ... good enough for him, good enough for me.
The radio series, books, TV series are there for us to enjoy forever. I don't think any of them represent a 'best' or 'definitive' version. I suspect that DA enjoyed the chaotic, ever-evolving nature of his brain-child. For me, it's all about the TV show as that was how I came to it originally.