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Now, How Sad Is That?
Well it is Xmas and my birthday next week... 59... where do the years go?
Anyroads decided to treat myself to a new guitar, so a (copy) mahogony red gibson SG standard was chosen. It is lovely...got six strings (the thick ones are at the top, folks), it's got four (that's 4!!) dials which do I have no idea what.... unfortunately none of them go up to eleven, but that's no problem here in Geacher Towers, 'cos I do not own a decent amplifier.... well actually make that no amplifier whatsover.... It now sits alongst my two other guitars, a cherry red fender strat(copy) and a black and white fender telecaster(copy). All three guitars are in good condition and are lovelingly maintained, all polished, but I think that the strat has a string a tad frayed, but it matters not a jot, 'cos I cannot play the guitar.
Not one oita.
Not at all.
God knows I have tried.
Took music lessons when I was in my twenties, but the co-ordination of brain/eye/left hand righthand left me totally disfunctional.
My peak was doing the rift from "Love Like A Man".... hey boys, I can play the guitar like Alvin Lee can play it.... yesterday I mucked up "Picture Of Matchstick Men".
Last Saturday I paid three hundred bucks for My New Guitar, which I cannot even tune to any degree of acceptance.
Now, how sad is that?
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A thing of beauty is a joy forever
... so don't beat yourself up Geacher, old mate. In the latter years of my motorcycling I did more looking at my bike than riding it - (a customised Triumph Speed Triple as you asked). It was a lovely thing and when, inevitably, I had to sell it, it felt like my right arm was being torn from my body.
I saw an episode of Grand Designs once where the 'bloke with too much money' mounted a Ducati 916 on his lounge room wall - just to look at - a crime to some, I should think.
it's not
i want a telecaster ... i can't afford one, but if i could i would
Do you enjoy?
If so then who cares? Worth the money if that's the case.
I had a guitar
Never learned how to play it, it looked good though, oh well in another life...
Don't be daft, that's not sad at all!
Happy birthday! Enjoy your new toy and I hope it brings you much pleasure. Keep practising!
Not at all
A beautiful guitar is a work of art. You don't have to be able to play a musical instrument to appreciate how it looks.
Sat next to mrs c's acoustic
I've spent 6 months intermittently learning the chords to "amazing grace" at the ripe old age of 35. The glw bought me my own guitar book for Christmas and have since doubled my repertoire by learning notes e, f & g which I can almost link together if I really concentrate. At the current rate of progress and musical talent by the time I hit 40 I might have achieved my aspiration of being able to play "wonder wall". Therefore you are certainly not sad as I have often thought of getting another guitar despite having little musical ability - although when I mention it I get an indulgent look from mrs c ( she is a bit of a musician yet another reason I worship her) . There are certainly more harmful ways of chucking your cash about. If you are sad we will be sad together!
There is a solution
Teach yourself - and exclusively devote your spare time to - an e shaped barre chord.
Put your first finger across all the strings - its hard to do at first but on an electric should be a bit easier - hold it down hard. Next place your second finger on the next fret on the third string from the bottom. Next place your third and fourth fingers on the fourth and fifth strings on the next fret.
Move it around.
You are now able to play about 90% of every rock and pop song ever.
Enjoy!
Alternatively ...
... Hold down the chord of C; pluck a fretted bass string with the thumb of the right hand and pluck the third, second and first strings altogether with the first, second and third fingers of the right hand.
This is the Staunton Lick!
Brilliant!
Love that tune.
Glad I'm not the only one
I also have zero musical ability which I apply to an acoustic guitar, electric bass guitar, ukulele and Yamaha keyboard. Fortunately all were cheap.
I produce no music from any of them, but I find the noise very satisfying sometimes.
Meant to say
If you have the right sort of hands - long fingers mostly - you can use your thumb to cover the sixth string and play an F chord for the rest.
Whatever you do, do not listen to guitar teachers. They're trying to make you segovia when being a Ramone is enough for most of us.
Honestly, basic guitar is possibly as easy as an instrument can be. Forget open chords and picking. Ignore folk guitar. Luckily, most of our musical heroes cant play it either so their work is quite reproducible by most of us. Another tip - use distortion. It covers up incompetence in a way that acoustic guitars don't. Korg do a brilliant wee amp for about £60 which has an excellent amp emulator on it which will make you sound like a Ramone brother in no time.
Let me know how you get on.
They are all
feckin' gorgeous.
All in their stands, shinely sparkling, one spectrum... no sorry, plectrum, between them.
by fuck they look good, sitting in front of several and many racks of
CDs... to any casual visitor it states "Here abides a muso".
Aye, right....
Goatboy
thanks for the advice.
will post updates as necessary.
now here we go...
Now where ARE the chords to smoke on the water?
Ah!
See,thats where you're going wrong. Its easy for a guitar player but you are not a guitar player. Know your limits my friend. Using the Goatboy method you'll never be able to play that.
You'll be able to play Smells Like Teen Spirit in about 5 minutes tho.
I bought a trumpet 4 years ago
Purely because I'd dreamt the night before that I'd bought a trumpet.
So when I woke up, I bought a trumpet. I like dragging the noumenal into the phenomenal, see. Can I play it? Not at all.
goatboy revisited
chunkachungchungchungkachungchungshung is easier than brangbrangbrang brangbrangdebrang?
You sure?
Yes
Yes it is. With the patented Goatboy method you never have to move your fingers fom that barre chord.
Want pesky d chord? Move to fret 10. An annoying and virtually impossible to the thick fingered A? Your off to fret 5. Want to play Smells Like Teen Spirit then its (from memory) 2 then 7 then 5 then 10 then 9. And you're off. You're every bit the virtuoso Kurt Cobain was.
In guitar playing all you have to fear is fear itself. Make hideous distorted nosie. When you want to move onto delicate finger style pieces give me a shout. Oh, and Jimmy Page should be ignored at this point as he's a genius who'll put you off.
Regards!
By the way
if you want to make the crazy leap to a minor chord (D Minor is the saddest of all the chords) take your second finger off the bar chord.
From henceforth all the barre chords are minor ones!
Its not as a-hard as people like to pretend.
Have fun!
Bert Weedon?
or how's aboot the next time yur doon ma way, I introduce you tae Big Tam (see below). I'll be goin fur a wee beer wae him ramorra and I'll ask him if he'll give you a lesson or two.
I too am a frustrated musician. It's drums with me, probably mainly because Tam, my dear departed brother was a drummer but also because of Buddy Rich, Gene Kruppa, Sonny Payne, Stix Hooper, Billy Cobham (Ah, Kelvin Hall 18/06/73 - 75 pence to see John McLaughlan's wee combo)and Keith Moon. However, My dear friend Sandy Jones - a very fine guitarist himself and who engineered the wee tune below - thought it better that I start off smaller. As I write, the Hohner moothie (GLH - Great Little Harp) and 'How To Play Pocket Harmonica' book that he gave me are sitting on the coffee table where they have sat furra wheen o' years. I do sometimes 'accompany' something on the music machine and do occasionally get in the groove. I did get to page 17 once or twice and had a good go at Frere Jacque.
Anyway, G53, huv a great birthday (you're still the oldest!). And, hey Massive, G53 is truly 'The Californian'.
I have been a guitar addict...
...since the moment, aged 13, that I found a musical instruments catalogue lying around at school. It was almost literally like finding a porno. I studied it in secret and told nobody.
About a year later I went into Aroundabout Sound in Cheltenham with £250 taken illicitly from my life savings (it represented perhaps 90% of them) and bought a Maison bass guitar. A horrible, ugly thing, it was. Great long top horn, tiny headstock, in white with a grey burst that looked like a slug had thrown its coming of age party on the body, invited all its mates and they'd all got arseholed and shat on it. It was a pointy metal bass for playing pointy metal on.
I LOVED it. I thought it looked cool as hell. I bought it not because of how it played, how it felt, its balance - I knew the square root of nothing about any of those things. I bought it because I thought it was lovely.
(Incidentally, I plumped for bass because I was a cellist and I had vaguely formed notions that the strings might be the same. They're not. I switched to guitar when I was about eighteen.)
Although I can play, my love of the sheer look of a guitar has driven me to madness over the years. I've owned something in the order of twenty at this point (I'm 33 and have been in love with the guitar for twenty years). I've bought Les Pauls because they're beautiful. I've bought SGs because they're beautiful. I've bought Jazz Basses, Strats, Teles, Danelectros, old Silvertone Mosrite ripoffs, Epiphones. All because they were beautiful. I own almost none of them now: five guitars still live with me.
Then I discovered the wonder of the offset waist. I won't bore you with what that means in full (in short, it's an asymmetrical body). Since then, nothing has satisfied like the Fender Jazzmaster and Jaguar, but I can't pretend that about 80% of my love of offsets isn't about how they look.
So no, Geach. It's not sad. You just have eyes and a working aesthetic sense. Guitars are beautiful.
Sorry. Enthusigasm ends.
"Guitars are beautiful"
Indeed they are. Especially when made from lustrous, sensuous woods and adorned with the most wonderful, sexy, functional hardwear.
Geacher. My main guitar I purchased because I thought it looked absolutely stunning. It is only as time has passed that I have come to realise how fantastic it sounds. Buying guitars just so you can look a them is what a lot of people do. The fact that they CAN play guitar is a minor distraction. You love your guitars. This can only be a good thing. Enjoy them.
Ha.
Now you're just baiting me.
Personally, I'm a subscriber to function dictating form in guitars. I like 'em simple.
Says the Jazzmaster aficionado.
Bearing in mind, of course..
That you can also get guitars which look like they're made from MDF with hardware picked up from Maplins and Radio Shack on their "Everything For 25¢ Labor Day Special" promotion. But they can, too, be considered beautiful. By some.
But only by some.
And.. Bob..
The fact that the guitar above is worth fifty million squillion dollars is only going to make me put my fingers in my ears and go "lalalanotlisteninglalala"
You can punch me on Friday.
Looking at it...
...I'm going to guess 1962ish with a slab board, clay dots and the original guard (it's that melty swirliness to the celluloid that you don't get with modern printed tortoiseshell).
If it's genuine and all original, it's only about thirty or forty squillion dollars, in fairness.
*drools*
It's almost inconceivable to me...
...that anyone could prefer that blue flamed thing to this. Flame maple makes the baby Jesus cry. Woodstain in any other colour than brown makes him think twice about this whole "redemption" deal. And Floyd Roses make him pick up the red phone to Hell and say "fuck it, you can have 'em all".
*shakes head in utter bewilderment*
*stares at beautiful Jaguar for upwards of an hour*
(I don't really hate Floyd Roses. They work for plenty of people, just not me. But I really do hate flame maple.)
Out of interest
What do all those switches do? Two knobs is more than enough for me.
Heh. Everyone always asks that.
The three on the lower bout are pickup switches, plus what many Jag lovers call a "strangle" switch: a high pass filter which gives a unique trebly sound that cuts through quite hard in a band setting.
The bit on the top bout is the rhythm circuit. When it's engaged, it gives quite a bassy, thick sound. That also exists on the Jazzmaster.
Jaguar switching seems a bit Heath Robinson, but does the job and is a cinch when you know what you're doing. I'm more of a Jazzmaster chap, but I do have a lot of affection for the Jag.
Not in the least
bit sad, makes perfect sense to me. A guitar can be a beautiful thing to look at, if nothing else. I don't own a musical instrument & never have (the neighbours would probably complain), but I do have a lovely Gray Nicholls cricket bat and I'm no Ian Bell.
Sorry dear boy
but you've put me in guitar mode now. Here's my fave JH tune played by Kirk Lorange, a neighbour of my mate John who lives on Tamborine Mountain near Brisbane. Kirk also provides guitar lessons on his website. Just google him.
In the Name of God
dont torment the man with that!
I can play that quite well. Its taken me thirty years. Being able to play isnt necessarily the invite to good times you might think.
I can remember being at a family party some years ago when a friend produced a cheap acoustic guitar. He proceeded to play the worst version of "Mull of Kintyre" I'e ever heard - stopping for seconds between chords, buzzing like a hive etc - to total approval. The room was electric.Huge applause and praise. "If only your Granny was alive" , "Aye but she could play the Kazoo - thats where it must come from". That sort of thing.
He then handed it to me as he'd heard I could "play a bit". Given the age group I went for the fairly complex and difficult to play "Cavatina" or as you may know it "Theme From the Deer Hunter" as I thought they'd recognize it. I played it beautifully, people. Emotion flooded from my twisted fingers and at its climax the room was silenced.
"Ha Ha" said a small boy near me " Look at Mr Butterfingers!" He said. Everyone laughed. No-one was impressed. People tend to enjoy shit guitar playing better than the good stuff. My method is a good one.
Just be able to go "Kerrang!" with lots of distortion and people will think you're a genius. For gods sake dont try using talent.
And his face was shut...
Sorry Geach for suggesting you listen to apparently shit guitar playing. Maybe this will make amends:
Eh?
What on earth are you on about?
I said the absolute reverse. Christ almighty . Oh,I give up.
*shoots self in head with "Its Easy To Play Like Jimi" book/gun.*
...
Sad?
You want sad? I've got a pink guitar that cost me 50 quid off e-bay and I play del Amitri tunes on it that I find on UltimateGuitar.com, to myself, in my bedroom, as long as they don't deviate from chung, chung-a-chung rhythms and include G, C, D, AM and EM, that my friend is sad.
Your post
could almost be a Del Amitri lyric of itself!
No, Dave...
...the SONGS are sad, not you.
We are both right
No shame
Ive posted many times of my love for guitars. I currently have around 14 and love 'em all. Having a few guitars around just makes the world a better place!
As for not playing them, give it some bottleneck. As follows:
Open tune the guitar to open D - low to high DADF#AD
Put a glass bottleneck on your middle finger
Rest your index finger lightly on the strings behind the bottleneck
Whack the open strings.
Slide to directly above the 3rd, 5th, 7th or 12th frets. Mostly hit top 3 or 4 strings
Distortion good too. (Goat Face is right here)
Repeat. Sounds brilliant.
Listen to lots of Elmore James.
Oooh, pants on fire.
Surely you mean 49? You're only a couple of years older than me.
But good luck with the guitar - I went to see Clapton on NYE. It doesn't look that hard.
Sorry Helena
Of course I lied... only 49 as you said, and at least ten years older than you... maybe even fifteen come to that. You were a child prodigy which is why you spent so many years in the same class as me in Fame Academy...did you ever finish that lollipop you used to take to Higher French? I do need to know....
Get a cheap Multi FX pedal
Stick loads of delay and reverb on it, hey presto...Eno-esque soundscapes.
Thats my advice.
A thing of beauty...
Legendarily, Charlie Watts collects coach built cars from the 1930s. He doesn't drive.
Noel Gallagher
also collects cars despite being unable to drive. Just don't mention car or guitar collecting to Neil Young whose guitar collection went up in flames after an electric car he was working on caught fire in November 2010.
Just been clearing out the loft.
Found my dad's old guitar up there. I used to play, a bit, in my teens. I'm going to start from scratch though, with the various tips on here, and start again.
Also, I found a mandolin. Don't know where to start, but I intend to learn that too. Hooray!
Drop me a line if...
...you'd like me to look the guitar over. Although Katy can probably set it up better than I can.
The mando is pitched like a violin, IIRC: from bottom to top, it's G-D-A-E. I love the mandolin. It's one of the few instruments left on my list of must-gets. :-)
Correct
Mando is usually tuned as you say. Some guitarists just tune it like the top four strings of the guitar but that's cheating! I've had one for about 15 years and knew about 4 chords but in the last couple I've been working harder at it and it's a fab instrument. In a bluegrass band the mando takes the part of the snare drum, using the closed string "chopping" technique. It's hard on the fingers though! Like the guitar there are a few closed chord shapes which are moveable which get you a long way. In fact I just started playing with an acoustic country band on mando and square neck dobro with a bit of harp too (there are already three guitarists!!) to try to improve further. Go for it Hannah!
Well, being a cellist...
...I'm alright with the standard shape chords (the cello has the same interval between strings, although it's strung C-G-D-A). There are a handful of "barre" chords that are shiftable up and down the neck, just as on a guitar. That's about all I know about the mando, though! I'd love to learn to play properly.
Mandolins
Simple to play. I play completely by ear, to the extent that I have no idea what the chords are. You just move the same shapes around.
Don't go there
That way lies folk music, beards and all manner of dreadful stuff. Mind you, you could have a supremely tasteless Mandobird! I WANT ONE!!!
This could be you, Bob
Hannah - there's a 4 string version you can string as a uke!! Isn't this fab...
Warren Ellis demonstrates the correct way to play
an electric mandolin, in this example a Fender Mandocaster.
Every single poster in this thread could play that without a moment's practise!
I hope, Twang, that's it's a...
...PROGRESSIVE country band. And that it rocks too!
Mmmm
We'll see. Only played with them a few times. They have a good drummer which is a good start.
How to start with a mandolin.
1) Peel off skin.
2) Separate segments
3) Consume, watching out for pips.
*coat, please*
I picked up my mandolin
for the first time in about two years (never got to grips with it, so put it to one side) this evening as a consequence of this thread.
I have very successfully peeled the skin from my fingers but I'm having trouble with the next bits.
Bring it to the Mingle!
I'd love to have a look over your Dad's guitar, could even effect a nifty re-string if you'd like?
Thanks Katy, thanks Bob
Usually I'd completely take you up on your super kind offer to check it over at the mingle. However, this time I think it'll be going off with the movers earlier in the day (trying to get as much stuff out of the house as possible). But, if I can bring it, I will. It's an acoustic. My sister and I sold his electric guitar and amp in a fit of efficiency. I still regret it :-(
Amplitube
As we're on guitars, does anyone have any thoughts on those gizmos for connecting them to iPads?
I can't actually play but do enjoy pottering about.
I've got an iRig
that I use with Garageband on the iPad.
Purely for farting about with, as I am another essentially non-playing multiple guitar owner. Who knew there were so many of us?
The iRig/Garageband thing is fun, but no substitute for the real thing. I would imagine.
Line 6 have an iPad app called 'Mobile Pod'
replicating their amp/cab/FX modelling technology.
You can select from dozens of modelled 'real' amps, choose a classic cab to put it through, then build a pedalboard from a library of modelled stomp boxes. Plug your plank in to the iPad via a suitable interface (iRig?) then thrash/shred/jangle away.
Want to know what your solo would sound like through a Marshall 100w head and a 4 x 12 cab? One click will tell you.
Now, if only they did the same for drums :-)
Rickenbacker 330
Just the sight of one of those makes my heart beat faster.
They never used to stay in tune properly though. Anybody know if that's still a problem? I think I want one again.
Dano 12
On my list for gratuitous purchase the moment I get a new contract is a black Danelectro 12 string. So cool.
The Ricks I played...
...had no tuning issues, but the neck is a very acquired taste. I've got big old paws and I can't really play them comfortably.
Same here
I've got one of those, I had to have one because ... well it's obvious isn't it? But it hardly ever comes out of it's case because after ten minutes of tuning, it only lasts a few minutes of hitting and it's out again. I haven't played it now for probably 15 years, perhaps I need to look at some videos online to set it up properly.. that dual truss rod is a bit daunting though!
It's really annoying
I had one years ago, and I love the sound, but the tuning thing used to bug me. Whereas my guitar that I have lovingly bashed into submission so that it does what I want is a cheap Squire Strat that hardly goes out of tune at all and plays like a dream.*
*not entirely, it has a funny glitch on the tenth fret, I get some funny harmonic that comes when I hit the G string up there. I know it now, and use it so it's part of what I do when I get there, like a signature, but through the wrong distortion at volume it can sound like I've just killed a bee or something.
A Rickenbacker obsessive writes - a defence
I finally bought the guitar of my dreams in October 2010, a brand spanking new 330/12.
I can report that I've never had a problem with regards to going out of tune easily and incidentally prior to this guitar I had 330/6 and had no problem with that either.
There's absolutely NOTHING like a Rick, all the others are just guitars.
Matter of interest, John...
...how big are your hands? I find Rick necks really uncomfortable: too tapering and shallow by half. My hands cramp up trying to play them for any length of time.
That's a lovely 330. I think Ricks are gorgeous and sound really distinctive, but I hate playing them!
Sausage Fingers
(Falling over drunk)bar(re) chords only on my old Rick, thanks to my Walls bangers of fingers.
Apparently, the reason for my interest in Ricks, Mr Paul Weller didn't use his Ricks in the studio as much as photographic evidence would suggest. According to an old mate of mine who worked in the same studio around the time of The Jam recording Sound Affects the Ricks Weller had would go out of tune really quickly, especially if the rooms got particularly sweaty/humid. Apparently the guitar used more during those sessions was a Fender Strat, some brown or purple thing that stayed in tune no matter what Weller did to it.
I can replicate Weller's sound from those times on my Strat copy. It doesn't 'chime' as much as a Rick would, but it has a very similar tone.
Err, average size I think !!
I can't say I've noticed that problem, I do get the odd ache now and then put I put that down to my age !
You can't beat that distinctive chime on a Rick, although I do get a bit annoyed when some people say that's all there is to them, nothing could be further from the truth.
Like all guitars it's down to what you play them through.
Couldn't agree more.
I like to play Fenders through Marshalls and Voxes. I love the Fender-Fender sound, but it's not my sound. Amp choice is crucial!
I have big hands, and like a chunky neck, so as much as I love the look and sound of a Rick, they'll never be for me!
Fender
I've still got my Fender acoustic, I've had it nearly 30 years and it still sounds great, lovely neck and action on it, I'll never part with it although my daughter has her eye on it now.
I play my Rick through a Fender amp, squeeze the compression up and you get that lovely bright jangly sound.
Jangle
I love that jangle, especially when it gets a bit distorted itself. It's the sound of my youth.
And the feedback
Nice distinctive howls you get from a Rick.
"I grew my fringe, like Roger McGuinn"
Selmer
I'm going to have to dig my '89 330 Jetglo out and use it at my next band practice after reading this. I'm using an ancient Selmer Treble 'n' Bass Mk3 head at the moment which doesn't jangle like a Fender but certainly has some oomph to it.
Go for it Andrew
You know it makes sense
Rickenbacker fans may be interested in this
A tour of the factory:
http://www.premierguitar.com/Video/20111207/1717/Rickenbacker_Guitars_Fa...
I must admit I had no idea they hollow out the inside of the guitar before carving the outside - that was a bit of an eye-opener.
Cheers Malc !!
I'll have a look at that later at home.
Is there any more room in the boat?
I recieved a bass for my fourteenth birthday, because I wanted to be in a band (and I thought it'd be easier to get into one if I had an instrument fewer people played). This never materialised, but I still tried to learn it. In fact, I spent weeks poring over the 'How To Play Bass' books I purchased, 'perfecting' different styles and techniques. I learnt to play the 'Jailbreaker' riff, even though I'd never heard the song.
A few months later, I discovered something. It's common knowlege that the bass guitar is tuned GDAE. However, I'd spent my entire musical career learning to play the bass 'upside down', and because I didn't really know what I was supposed to be playing, I didn't twig until I tried to play 'Day Tripper' one day.
I think I gave up soon after and took the small step to acoustic guitar. I've never learnt scales, or riffs much and all I tend to do is strum along to whatever takes my fancy on ultimate-guitar.com. Pop songs are easy enough, because they dont have many chords in them; but ask me to play something from memory and I wouldnt be able to. At the earliest stages I used to write my own songs simply so I could play some songs.
I bought a 'looksabitlikeaRickenbacker' electric too, I rarely use it.
I have little talent
but I persevere.
I still get a feeling of a major achievement when I manage to successfully change strings, as I has to do earlier this evening.
Try this way of playing instead
Years ago....
I got myself a Spanish guitar from the Embassy catalogue , with the cigarette coupons I saved up - never learnt to play it though!
I gave it to my cousin in the end.
Nowt sad
about that as far as I'm concerned.
Even though I do play my guitars every day I do sometimes find myself just staring at my Telecaster. I think it's beautiful.
My dream is to own an original fifties model.
If you like dribbling
over pictures of guitars like I do (and I always adhere to the four finger rule - respect) then salivate over this site http://guitarz.blogspot.com/
Guitar Porn
Ive got a 52 Reissue Telecaster but dream of owning a genuine 1952 Tele. For me it's the sheer twang ability. Versatile guitar the Tele but it's the twang I love
Strummer/Weller
My Rickenbacker obsession is mentioned above thanks to Weller, but I also have a hefty Strummer obsession. My first guitar was a Tele copy. But my problem with Teles is the weight distribution. They throw me off balance. I can't dance with a Telecaster strapped on, I have to stomp/shake my leg, which actually is what most players of this particular guitar end up doing thinking about it. Annoying.
I love Teles.
But the lack of contouring on the back top bout absolutely kills my arm. I generally play in a t-shirt, and man, it rubs! Same with Les Pauls: that sharp edge knacks! The Strat's contours were one of the best ever ideas in the history of the electric guitar.
Strats
They are a joy to play for an extended period of time. The contours, the weight. But I've never liked them to look at. Too much Clapton and The Shadows for my liking.
Agreed.
That's why I play Jazzmasters. ;-)
Love Strats and Teles
I have a Strat and a Tele and I love 'em both. The corner doesn't bother me but I had to sell my B bender Tele because it was too effing heavy! I'd use the tele for a country gig and the strat for anything else. I've customised the Strat to have a master tone control and the second tone becomes a blender to put the bridge and middle in series which is kind of humbuckery, and the out of phase position 2 also has a bigger quacky sound. This mod takes about half an hour to do, and anyone with a Strat should try it as it is completely reversible and adds two great extra sounds, quite apart from the the master tone which is great for calming down the bridge pickup which normally wouldn't have a tone control.
I have no problem with Clapton or the Shads, and let's remember Lowell George used one!
**Pic of the Doctor opp**