Entertainment For Lively Minds
New Issue arrives
Posted by Humphrey Plugg on 30 November 2009 - 12:33pm.
Mine just dropped through the letter box. Haven't even opened the plastic cover yet, but there is a distinct lack of beards on the cover, although there is a rather too big photo of Whiny Alehouse
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Dubstep
"We've played Burial and various Hyperdub releases more than any wispy fellow with an acoustic guitar," says Word Magazine.
Any chance you could reflect this interest in Dubstep in the actual content of the magazine? Some of my favourite albums of the year have been Dubstep, none of which have been featured in Word, and if there's ever been a Dubstep track on the CD then I've missed it. Plenty of acoustic guitars, though.
We had Pinch on the CD
and Burial twice, plus a full-page album review. Major drawback with the 'step is that it doesn't produce many "characters" - everyone's very reticent about their profile - which does not lend itself to lots of WORD-style interview coverage.
Hey, thanks for the reply.
Any and all coverage of Dubstep and Electronica is appreciated. I can certainly see the difficulties, though.
What is it?
I have no idea what it is. What is it?
UPDATE Just listened to the tracks Andrew mentioned. So that's what it sounds like!
Is it shit?
I'm scared to try, in case I find myself at odds with a Word fash.
It's ok
Dubby soundscapey with little sound effect clips popping up. It has that crackly record effect they use a lot on this paste-it-together-on-a-Mac stuff. Innocuous but not exciting in summary.
That sounds like a description of early Orb to me
It may not surprise you to learn
that Twangothan's description, while no doubt made in good faith, bless his doe eyes, is as inaccurate as it is dismissive, simplistic, reductive and shit. In fact, I have my suspicion it's based on a single listen of one Burial track, probably on iPod headphones. It may turn out that you agree with him, of course, but please check it out for yourself first, Dubstep accounts for some of the best new music out there at the moment.
"Little sound effect clips". I ask you!
How would you describe it?
One listen each to the tracks from the Word CD actually. Given the dancing about architecture problem, how would you answer Vulpes' question?
Does it change key?
Are there middle-eights? Is there contrapuntal harmony? Does the time signature vary during the course of a piece?
Crikey
I'm getting wood just reading that post. You must have had a fine old time writing it.
Check out the Wiki page. All the info is there I'm sure. http://en.wikipedia.org/wiki/Dubstep
Which I interpret to mean
no.
Bless.
Sigh
yes there are chord changes and contrapunctal harmony. Not middle eights on the whole, although these occur occasionally too - but hey, would you ask for "a middle eight" from Shostakovich? No. Stop being so patronising please.
think VV's
just being funny isn't he? I think he realises that Dubstep doesn't contain the musical structures he outlines and is probably lampooning types who may view it in that way which may include some of the fine fellows that gather here.
He likes Burial after all.
I tend to agree with him that dubstep is unlistenable for sustained periods as it is kind of bleak. Which is not a bad thing in itself. But it's like an endless walk in an underpass at night.
apologies if I missed some nuance there
- admittedly I can be a little over-sensitive about this topic, but that's only because there ARE still so many people who rely on arguments about electronic dance music analogous to slagging off apples for not being hexagons.
Oh, that's a bit confusing then.
And apologies to VV for not getting your irony. Sheev's "it's like an endless walk in an underpass at night." is a fine description of *some* dubstep, and like any new musical genre, it did sort of bunch together around it's most successful act (Burial) for a while, but Martyn and Joker show there's more to it than just a walk on the darkside.
Nope
It is 4 bars in a sequencer repeating over and over again with little samples popping up saying things like "I love you" here and there. And don't think dub as in reggae, which has a groove and light and shade - this is 6th form Garageband stuff.
Must say
I do like a bit of all this dubstep malarkey. It is genuinely innovative and redolent of the inner city it emanates from - unsettling, scary, dark, humourous, vibrant, tense.
On shuffle recently - a bit of Kode 9 came up juxtaposed next to Davy Graham - it worked serendipitously well
Me too, I bought the Burial album
and enjoyed it for what it was. It's just that as a genre it seems rather limited; ultimately it's too bleak for me, a bit like the environment from which it emerged.
Mogwai
No idea if Mogwai is dubstep (probably not...) but I like for similar reasons - quite spooky and unsettling. "Come on die young" is the one I have.
This
is BLEAK?
To the patronising gang, as with so much other great electronic music, I say: you do better. Produce me a beat that grooves like this, that has this emotional impact, show me how easy it really is and THEN we can talk.
Best of the Decade CD
A decent collection of tracks, but all (bar one) familiar to me. Would rather have had new music, and a link to the Noughties Spotify playlists. But that might just be me. Looking forward to delving into the mag after work.
I'm out of touch
The only 2 tracks I know on the CD are Nick Lowe and HMHB, so it looks great for me.
Of the 15 tracks on the CD
13 are from albums recorded post 2005. Does this mean that if you can remember the early noughties, you weren't there?
Maybe it just means that
if you can't remember the early noughties, you didn't miss much.
re:best of decade
The fourth plinth Anthony Gormley project was a load of crud. I went past a few times and never saw anything remotely interesting let alone anything that could be called "Art". Most of the time it was some chippy type from Gloucester banging on about nose cancer or some such(inaudibly) while throwing sweets at confused Swedish tourist and a handful of their raggle taggle of supporters (fresh from Paddington all of whom wondering when they can slope off to Selfridges).
Most people who raved about this probably only saw the web feed which was filmed up close but seeing as this was about outdoor public art and not video installation that was pointless too. The whole thing was woeful.Love the idea of rolling changing theme for the plinth though.
Most of the rest of the choices are spot on except Banksy who's shit.
Letters
Just got the mag too and - get me - I'm in the Inbox bit.
Granted, I'm being a bit of a bitch about Ben Goldacre, but hey, I got published in my fave mag (this has not happened since I got something into an issue of Smash Hits when I was 12!).
Chuffed!
ben Goldacre
I guffawed in agreement with your sentiments
Thank you v much, sir. I'm a
Thank you v much, sir.
I'm a tad torn. I had been planning a blog entry on the prevalence of snark in online discourse. Oh well....
You & Me Both
I too was surprised and delighted to see my name in print on the letters page as part of the Ben debate.
Hats off to all at The Word for fostering the readers' community! Hooray!
Oh for the love of God
Lily Allen is the decade's prime pop star.
What is Word's hard-on with this girl?
We, er, like her records?
And we think she's fun.
Each to their own
And it is your mag so I won't go on about her because I am boring myself now never mind anyone else.
I do feel I have to issue an apology to Rob Fitzpatrick. I previously accused him of writing a puff-piece about Ms. Allen. By the hagiographic standards of this current article his most definitely wasn't.
Lily Allen "is the decade's prime pop star"...
... acccording to The WORD.
Good God!
It does explain Rob Fitz's unhinged piece last month though.
who would you
choose otherwise?
Winehouse.
better songs, better star.
which is why
she gets a page as well :)
Better star?
How? Sexier? Sassier? Cuter? Cleverer?
Taking armloads of drugs and self-destructing in public view doesn't make you a star. And Back to Black is only the album it is because of the firm hand of Mark Ronson.
I'd take Uncle Keith's daughter every time. If she'd let me..
Well
she can sing for starters. Or is it that in the fab world of modern pop maybe that no longer matters (ref C Cole et al). Lily does flash her arse a lot I suppose (see last issue) if that's your thing.
Lily Allen is to The Word...
...what Kristin Scott Thomas is to Top Gear.
Isn't the right answer
Beyonce?
I'd say
Good call for Beyonce, but from a UK perspective I would have thought it was Robbie Williams seeing as
a. he has actually been around for the full decade
b. has sold rather more records
c. Like Ms. Allen he also writes his own lyrics and gets others to do the music but his words are slightly less 6th Form back-of-the-excercise-book
d. equally good for a quote and aware of his own contradictions
e. less likely to spout celeb-tells-us-mortals-how-to-live-our-life shite
But on the other hand....
....his records are absolutely God-awful.
Maybe true...
but I don't see much difference between Robbie Williams and Lily Allen really and arguably he has been the bigger "star" of the decade.
Both are more "celeb" than musician, living their lives in public, you see more of them in the tabloids than you do in music magazines.
They are also both making (or other people are making it for them) manufactured and quite cynical pop music - fine for that market - but I don't quite get the Lily Allen fixation thing either.
Now, a fixation with Nina Persson - yes, I could understand that - some super albums with The Cardigans and A Camp, surely a cover in 2010 beckons?
Sorry Mr Harrison,
but I disagree.
As I said, both Williams and Allen rely on songwriters to support their home brew lyrics. Are you saying Word favourites Guy Chambers and Stephen Duffy are crap ?
I have to admit the chorus of The Fear is verrrrry catchy but for the most part a droning Allen, obviously very pleased with herself for rhyming Tesco with al fresco, is less varied and to be honest, lyrically less interesting than Williams and I don't regard myself as a fan of his.
Must we throw this pop filth at our kids...?!
It's that cringeworthy line on one of her hits something about "laying in the wet patch in bed after giving head"...yeuch!
Oh, I'm coming over all Daily Mail...
Well
you said it.
I think we've reached the "each to their own" stage now.
All I can say is that we play Lily Allen's music a lot in the office, and really enjoy it, whereas anyone putting Robbie Williams' music on would be subject to a final written warning. I cannot tell you how torn I was when he did some tracks with the Pet Shop Boys. Cognitive dissonance did not begin to cover it.
LA's recent single is really good
it seems to be based on her real life and yet has some poetry and heart about it. It descibes a story/life one of my female friends might recount. The video with Elton look a like in it is rotten though but I like the late night drowsy sexy feel of the song.
On the other hand I've never taken to Robbie Williams he always seems to pretending to be a pop star. It's always jokey and post modern. Real pop stars don't look like they are trying to hard Robbie does.
Had a quick flick
through before coming to work. Never been a fan of end of year issues of music mags, but sure there will be something different than the usual lists/nostalgia. Must admit, not even finished last one yet
"Had a quick flick before coming to work."
You'll go blind if you do that.
Nice
one. Made me laugh, anyway...
All I've looked at so far is the letter
Confused by the 'warning' about the CD having different packaging this month. It looks the same to me.
I noticed that as well.
Can't see any difference from last month.
"When was the internet?"
Eh?
If we're being literally and historically accurate
The internet was, from after October 29 1969, when the first connection from UCLA to Stanford was made. But I think I know what Mr H means.
Take this woman, Jeanne Calment (http://en.wikipedia.org/wiki/Jeanne_Calment). When she died in 1997, she was the world's oldest woman. At that point we had the internet and the (digital GSM) mobile phone. However, this woman was born before the invention (or discovery) of:
the telephone
the Edison phonograph
Swann and Edison's patents for electric lightbulbs
Benz's first car (there had been other of a sort before)
powered flight (i.e. the aeroplane)
cinema
radio
television
quantum mechanics (on which most modern semiconductor technology depends)
relativity
antibiotics
the Internet
the World Wide Web (which is, of course, slightly different)
DNA's double helix structure
nuclear energy (and bombs)
space travel
All this (and more) in one person's lifetime. Scary, isn't it?
An open challenge
Guess the list of the top 20 inventions in the life of a future centenarian born today ...as a kid, having read this
http://www.infinityplus.co.uk/nonfiction/profiles.htm
in a 1970ish Pan edition (lovely cover)
http://www-users.cs.york.ac.uk/susan/bib/nf/c/covers/2394.jpg
would have had no problem-now would find it hard ;-)
Hurrah
I've only had a quick glance at the contents but it looks great. On the CD you have 'The Ride' by Joan as Policewoman that's worth the cover price on it's own for those who haven't got it. Well done.
yes but
Can I add that I think this issue has been lovely. Dipped into it on the 07:16 into Manchester this cold and frosty morning. And by jove it warmed my cockles.
Have to say I feel a bit sorry for 2009
It's waited patiently all year to get a good end of year review and when it drops through the letter box it has been usurped by all manner of albums, films, artists etc who have already had their day in the sun earlier in the decade.
Obviously I base this comment on a cursory look through the mag and will retract if there is a special 2009 section hidden away.
It is my imagination ...
... or are you posting out the issue earlier every month? Still November and I now have the January edition.
It's your imagination
It's only this month. Normally the magazine is in the stores on the second Thursday of the month, with subscribers getting theirs a few days earlier. This month, it's the first Thursday.
I think I'll be giving this issue a miss...
...and I'm a subscriber, for goodness sake. I flicked through every page this evening - usually a ritual in which I spot lots of things I'll have some degree of active interest in reading and a few that may reward a bit of effort (that said, I haven't yet brought myself to the point of giving half an hour of my life to the Flaming Lips thing in the last issue so I doubt I ever will, ditto their music).
But this issue, apart from Heppo's column and one or two other short bits near the front I found nothing - nothing! - that fitted the 'oh, I'm looking forward to reading that' bracket. :-(
I'm putting a lot of that down to the format - personally I hate end-of-year type stuff, let alone the even greater excuse for a load a twaddle that an end-of-decade brings (the same with those awful what-to-buy pre-summer and pre-Christmas book sections in newspapers). It's just a waste of space that seems, to the reader (to this reader, at least), to be a lazy option, bitty and self-indulgent, even if it probably requires as much work as a 'proper' issue.
But I can forgive one turkey out of 12.
Nothing personal lads - but I'm looking forward to the next issue already, I'm afraid.
Me too, I'm afraid
As in:
1) "Me too" - I'm not impressed after my initial flip-through either, and
2) it's sad to see our pals having to put out a "Me Too" end of the decade review. Isn't Mark Ellen always saying that one of Word's key editorial criteria is that no-one else is writing about any given topic?
My side issues would be
a) Why all these end-of-decade reviews in 2009? I accept (and agree) that this year is the end of this decade (and that 2010 is the start of the next one), but there was none of this in 1999.
b) Lily Allen? Again? Christ...
Me three...
The 'end of year/decade/millennium/age of aquarius' issues have never appealed to me.
I also seem to remember Mark writing that Word was going to be 'different'
Agree ...
bit of a groan when I saw the composite cover featuring Amy Whitehouse and Lily Allen - come on, leave them to the tabloids please. I'd just prefer to see pages filled by more unusual and interesting subject matter than wasted on these "celebs".
But most upsetting of all was that I didn't get my letter from Mr Hepworth this month...now I know I like Punk Rock but there's no need to pick on me Mr H!
Not that I'm doubting the sincerity of your opinions...
...but the end of year composite cover is one of very few "bankers" that we always KNOW will sell. It's just a fact of the trade. If you put Joni Mitchell or Iggy Pop or Foreheads In A Fishtank on the cover, you interest only the people who are interested in that person. If you put the whole of rock and pop on the front, as you can in December, you potentially interest everybody. It's just good business and frankly, in today's climate, we'd be mental to act otherwise.
I am reminded of Yogi Berra talking about a restaurant: "Nobody goes there any more. It's too crowded."
Fair enough...
but do you have to put quite so much 'best of the decade' stuff INSIDE the magazine? :-)
Do the Word staff always have to
come on here giving sensible and informative answers to our rants?!?
How dare they...
edit: insert smiley thing here :-)
Have you tried...
...putting Quintessence or the Mahavishnu Orchestra on the cover?
It might just be the banker the industry doesn't know about because it's never tried it....
It would be interesting
to know by how much the Beatles / Bono / whole of rock and pop "bankers" outsell the Iggy / Wyatt / Lips covers. Personally I love the latter, but does the commercial director burst into tears every time you say, for example, we're going with John Martyn for this one?
In fact, are sales directly attributable to the cover? In which case, was 'Jarvis on Ice' the lowest-selling issue ever?
Dido
apparently, according to Mr Hepworth some time ago.
It's not very often...
... that I let the cover of anything influence me, but I'd never even noticed The Word until Joni was on the cover a few years ago. I bought it and have been hooked ever since.
Worked for me
also-if I had noticed it before I certainly hadn't bought it
Strewth Andrew,
I haven't got home yet to pick up my copy, but from the iddy biddy jpg I can see up there (points up and to the right) all I can say is, if that's 'the whole of rock and pop' then we are fucked.
It's got an iPod on the front
therefore it cannot be denied that literally the whole of rock and pop is on our cover, as well as some bad holiday snaps and out of date phone numbers. QED.
Cover Star.......
Prefer to see La Allen or Winehouse on the cover rather than the recycled Zimm, HJH, NY, Floyd and Springsteen covers that rotate on similar magazines.
I don't think anyone can deny that Winehouse and Allen have made a crunching great stomp on this decade both musically and in the gossip columns. Whether your personal preferences don't run to these two (mine does), there is much justification, not just a sales boost, in putting these two prominently on the cover.
*APPLAUSE*
Not only are they worthy of our attention for their own records - "IMHO" - but they are brilliantly representative of a dramatic sea change of what a pop star is. This was a decade when pop music ceased to be a boys' club and FINALLY started to represent the demographic that bought it, and if there's a fault with this issue it's that it didn't address that - oh and that Dizzee Rascal wasn't on the cover, indeed the only black face on the cover is from the Wire.
Diagree
I'm working my way through it rather than getting an early night. Captivating me, even if I disagree with several of the opinions.
The Seldom Seen Album
Have I missed Elbow's release from a mention in the magazine or have The Word?. Not only was it my record of the decade but the Live at Abbey Road was my record of this year. About 12 months ago, there were very few songs on the album that weren't in the Massive's Festive 50. I wonder about the omission. As I am unable to hum a song from most of the decade's Top Ten am I out of touch?
Manchester recoils...
I noticed that too. And no Doves. And The Royle Family. And the ommission of Tony Wilson from the "lest we forget" bit. Or did you send me the London edition by mistake?
Time please
Don't forget 'Early Doors'. One of the best sit-coms of all time never mind the last decade. Or maybe they forgot that as well.
FIVE people
Knowing nothing about the magazine industry, I was surprised to see that Word is put together by a mere five people.
I guess the Hepster just sits at the end of the office in a big chair and counts the money :-)
Hepworth On Vibes
Nice...
Only five people?
That would explain it.
Not Really
He turned out a superb piece on social networking in this issue and has become a regular contributor to the Spurs Show (with Phil Cornwell) podcast. Busy man.
Stop moaning!
Some of us haven't got ours yet.
Song names on Itunes
Please can I plead with the Word publishers to ensure that the track names which get loaded when ripping to Itunes are ready on the CMDB database (or whatever it is called) at the time when subscribers get their copies and not a week later.
All I get is track1, track 2 when I load them onto my ipod. Surely its simply a timing issue to get the details to itunes quicker than now !
We always add them
And they're always added well before the magazine ships. Why they don't appear right away we don't know, but it's a source of enormous frustration for us as well as you.
Andrew Collins
Anyone else notice Andrew's interesting stance as regards the 9/11 conspiracy theories?
No
.
Yes.
but I'm still exhausted after starting a thread in response to his 'new atheists' article a couple of issues back. Someone else can have a go ;-)
Wise point.
We'll just let it ride. Don't feed the trolls and all that.
I'm not 'starting anything' here but
I thought he stepped around it, rather than took a stance. Although that might be a stance I suppose. I agree with his main thrust re info overload / head-in-sandedness. I'm 'guilty' of that - if indeed it is a thing to be guilty of. I think 99% of people on our edge of the planet are pretty much muddling on in ignorance of some kind (blissful or willful). Only the very brave can stare fully into the abyss. It was ever thus, I suspect.
I've found Andrew's style to be:
Charming, nostalgic reminiscence about everyday suburban upbringing – wry comment about changing media landscape – witty review of latest poptastic release – HOMEOPATHY WORKS AND BIG PHARMA ARE KILLING OUR CHILDREN - Charming, nostalgic reminiscence about everyday suburban upbringing – 9/11 WAS AN INSIDE JOB / THEY HAD IT COMING - wry comment about changing media landscape – THE FUNDAMENTALISTS ARE RIGHT AND DAWKINS SHOULD BE BURNED AS A HERETIC - witty review of latest poptastic release...THE SKY IS FALLING AND WE’RE ALL DOOMED UNLESS KYOTO/COPENHAGEN IS IMPLEMENTED NOW - charming, nostalgic reminiscence about everyday suburban upbringing…
Still, as I’ve commented on here previously and on Andrew’s own blog, he’s very much in tune with middle England.
Anyway, anyone remember Spangles?
Far be it from me to say
FNORD?
*heads straight to Google*
.
yep
A very articulate dissection of the artist as lightweight meeja whore
Lucinda Williams
I was ever so pleased to see World Without Tears as on of your albums of the decade.
I think for a while she was seen by some people as an artist to tout as one of your favourites; the moment passed and it seems now she's almost forgotten. (I don't think she made Uncut's top 150).
But not in our house where she's as big a favourite as she was when she released Sweet Old World. Its heartening to see that the habitués of Word Towers still has a bit of time for her too.
Just to say Word staffers...
... that I am off work this week due to a minor op, and the past two Word of Mouth CDs have been exceptionally great ways of soundtracking a convalescence.
Also good on you for consistently singling out The Aliens for praise. I have deeply loved both their albums and sometimes feel like a voice in the wilderness regarding them.
an even beta band
Same here. They're a fabulous act who rarely - if ever - receive much in the way of praise.
Really enjoyed...
...the Aliens track. I popped the CD on in the car and it fair leapt out of speakers. From never-heard-of-them to quite-a-fan-of within a few bars.
Enjoyed the Best / Worst of the Noughties. Excellent as ever.
great issue again
this one's a keeper, not only because my letter is in there.
The Aliens - Luna
Listen to the album if you haven't already. It's what all those bands in 1967 were trying to do.
I still don't have mine, after today's post.
Should it have arrived in Godalming around now or should I just be more patient? :)
round ups/lists/best ofs /overviews
Perplexed at some of the comments above...
Isn't that what we buy magazines for so Word doing it is what I'd expect, enjoy and appreciate because their range of writers have better, different, new, funnier insights into these types of formats ?
And with the longer pieces I loved Mark Ellen on Attenbrough, Hepworth on socialnets, Andrew Collins on the decade and Eamonn Forde's Harry Hill piece....
My only quibble. Loved all the decade stuff. but missed all the lists, overviews, best of 2009 stuff for which presumably there wasn't room :(
Off to buy one now!
Have just seen that you've included The Howling by The Phantom Band on the best of the decade CD and on that basis alone I shall now be renewing my subscription. The worrying thing is I'm not joking!
Amy Winehouse
has now appeared on the cover of 3 of the last 4 January editions of The Word.
COINCIDENCE?
A pedant speaks
A decade runs from 1 to 10 not 0 to 9.
Expected better from The Word.
Cheers all!
Blimey
So 1970 is part of the 1960s? Who knew?
I disagree.
That's not my experience, and wikipedia (for what it's worth) agrees with me.
If what you are saying is true, then the 1980s run from 1981 to 1990, and this bbc page on the 80s is shifted by a year :
http://www.bbc.co.uk/cult/ilove/years/80sindex.shtml
I would normally use "The 80s" to mean 1980 - 1989.
And as 2000 was the start of the new millenium, I would think of that as the decade boundary too.
Oxford Pocket Dictionary has :
Common usage
I was one of the saddoes whose teeth used to grate went 2000 was accepted as the first year of the new millennium, when clearly a small amount of maths would indicate that it was the last year of the old one.
Tricky isn't it. If you go back to the year 0, then the first decade did indeed end 31 Dec 10. So either it changed somewhere along the line to be the year ending 9, or 'decade' is, by common usage, always the 0 to the 9.
You can make a pretty good conceptual argument for saying the 60s did indeed end in 1970 - break up of the Beatles, last Simon & Garfunkel album, death of Hendrix, Joplin etc.
But then it's so clearly the start of the 70s - first Black Sabbath album, Floyd's Atom Heart Mother, Elton John's eponymous breakthrough album, Deep Purple In Rock.
Anyway, as discussed on the Meridian 1970 thread, a great year.
Good Lord People!!!
Don't you get excited when the mileometer on your car rolls from a 9999 number onto a 0000 number? I know I do!
Pedant Unbowed
So the Year Zero was when exactly?
2000 to 2009 is a ten year period, but not the first decade of this century.
Cheers again!
Year Zero =
1976.
Go figure.
or 1966
or 1956
depending on your age
Precisely.
In inexactly.
Or summat.
or more sadly 1975
in Cambodia
Indeed.
And far from a joking matter.
But it highlights the man-made arrogance behind the way we measure time. I mean we have to have an extra day every 4 years due to our imprecise units! And what about that Gregorian/Julian malarkey? In non-Christian countries other ways of counting are deployed. Who are we kidding - 2009 wobbly measures post what? Jesus was probably born in the summer, in about 4AD.
Happy New Year everyone!
Enjoy the passing of the 00s & the birth of the 10s!
Have we decided
how we're going to pronounce it yet? I'm going with 'twenty ten.'
I'm going for
'Two zero, one zero,' 'double figures' or 'this year.'
That won't annoy anyone, will it?
and what follows
The Noughties? The Teenies? Seems a bit premature for that.
I remember
"Cyeptin" Helen Mirren's eventual tiredness at having this film
described as "Ten Past Eight" ...
If you're an astrophysics geek
You may hav ecome across the use of January 0 as a date
(http://en.wikipedia.org/wiki/January_0).
Freaky, non?
A Civil Servant writes
I love summaries me.
If we have to have summaried articles on the state of popular culture (even if I'm not sure that we necessarily do) over a certain period then who or what better to do so than The Word?
I just got my copy today and I'm pretty much fully engaged with it. Re-visiting old albums, looking with great intrigue at the best books list (This Thing of Darkness - how had I missed that?), and disagreeing vehemenly with the Best of the Noughties list. 'Come Dine With Me!? DFO.
For me it's shaping up to be the most enjoyable issue for a few months because it's considered appraisment on a grand scale. And I wasn't particularly disappointed in any of the previous ones.
Finally, who could gripe at any issue of The Word which includes two seismically wonderful puns in the reviews section; Carrion Screaming and Pre-Fabs Lout. I ask you?
Fawning ends.