Entertainment For Lively Minds
Most over-rated band?
Posted by Humphrey Plugg on 15 June 2009 - 12:45pm.
What is the big deal with St Etienne? Forgettable early 90s pop, (what the Massive might describe as landfill electronica), famous mainly for that pretty awful Neil Young cover, yet apparently are able to sell out venues on nostalgia tours, release a Greatest Hits album every three weeks, etc. The cynical reason for their longevity is having an extremely attractive singer, despite her very average voice. But other bands can claim the same, so what makes them stand out?
Explain them to me, or nominate your own over-rated band/artist
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Elbow
I anticipate slings and arrows from the Word Massive but just when did it suddenly become OK to worship Elbow?
Nobody mentioned them for years and yet now they are apparently the saviours of British Music. Extremely dull with not a shred of charisma (the band's name is entirely apt), the most dirge like, dreary drag you down music.
I mean bands like Coldplay, Keane and Snow Patrol get a (deserved) kicking on these pages so why do Elbow escape unscathed?
No, no, NO, Retro!
There may have been a pretty big shift in public opinion following the release of Elbow's last album, but they've always been great.
The reason they escape unscathed from the Coldplay, Keane, Snow Patrol abuse is that they're in a different league. They're not dull and lack of charisma is possibly the last thing you could accuse them of.
I agree about them having a rubbish name though...
I have tried believe me.
I mean the Word Massive's music taste is usually spot on so if I see a band raved about I do generally try to give them a listen.
BUT sorry, Elbow did not work for me at all...admittedly I have only seen them live on TV but I'm hard pushed to think of a duller group! Sorry Joe, I did say I expected a few arrows my way!
You are not alone
I bought the award winning album of the year and have mostly not tolerated it to the end, after a good number of tries. I did put some of the more promising sounding tracks on my MP3 player, but they had to go. I waited for some fire and excitement and it never came. It just plodded along. There may be fine, clever words that have been lovingly honed, though they seem a tad self consciously contrived for my taste, but lyrics come second for me anyway, in fact I can happily tolerate poor lyrics if the tunes are pleasing. I have expounded on this subject before and may do so again.
Radio show better than band
I can't see the fuss about Elbow either - it goes completely over my head. However, Guy Garvey's 6 Radio show has a mainly good, sometimes great (and very Word) playlist.
+1
Turgid.
Smiths
Dull,dull,dull,dull,dull.
..Oh and Radiohead..
Smiths, yes. Agree.
Radiohead I like.
Pavement
and their ilk. Sebadoh etc. What's the word I'm looking for. No, not "over-rated". Oh yes - "rubbish". That's it.
Agree about Elbow - not a patch on Cherry Ghost who do a similar line in melodic miserabilism
I must admit I quite like Saint Etienne. I think they essayed a dance/pop schmeer before Daft Punk and Air and the like made it all the rage
Saint Etienne
I'm a huge fan of the Ets. Nearly twenty years of music (their tours are far from nostalgia for an early 90s dance pop outfit), a beautiful mix of styles, including an amazing soundtrack album (what have you done today mervyn day?)that manages to fuse Eno with The Beach Boys. They manage to mix great pop tunes with a huge sense of nostalgia and are one of the great London bands, (which might be enough to put some people off). They really are a cross between The Kinks on Village Green and Kylie. And, it's not all dance pop. Yes, electronics are a huge part of what they do, but there's plenty of so called 'real' instruments involved.
PS: I'm not actually the biggest fan of Sarah Cracknell either. She sometimes veers too closely to sugar rather than soul. But when she's great she's brilliant.
You forgot to mention
David Essex Simon.
I've loved pretty much all of their stuff over the years. Wiggs & Stanley would always be welcome in my caff.
The Stone Roses
I'm sorry but they are! Only one substantial album which isn't really as good as folklore says it is and has aged hideously to boot.
Tend to agree
I listened to their first album the other day. Apart from the odd song, it did seem overated & dated. I think the same could be said for Primal Scream - some good songs but mainly patchy.
Oh yes
As others have pointed out, the Beatles changed the entire foundations of world music and broke up in the time a bunch of four drugged up Mancs considered acceptable as a break between two albums. First album - promising - second album - not really worth it though some OK stuff and FIVE F**** YEARS?
Radiohead
Emporer's. New. Clothes.
The Nolans
"1970s girl band the Nolans are reforming for a 15-date tour of the UK"
Don't care.
But would Radiohead have done *this*?
I think St etienne and elbow
are fairly soft targets for abuse they are hardly war criminals and are the last to put themselves forward for being anything other than what they are. I think you may all be breaking butterflies on various wheels.
I increasingly get tired of this "over-rated" business when most of the bands discussed have barely regisitered on the radar of the general public; the odd music mag cover is hardly blanket coverage. You may not like a band that doesn't mean they are "over rated". You may not understand their appeal that doesn't mean they "over rated".
As far as I can St etienne and elbow have left he world a slightly better place for them being in it which it seems is an overrated acheivement.
I feel the need to have a go at Elbow
It makes me feel a bit better when we get the inevitable and predictable attacks on Radiohead who are always getting it in the neck, but I know Radiohead are one of those marmite type acts. In any case there was a bit of an excessive lovefest a while back for Elbow, critical and Word blog acclaim, which was in need of an alterative 'we don't all feel the same by the way' compensating viewpoint. I'm sure they are lovely people though. Overrated is usually meant in relation to critical acclaim, is it not, as in the supposed canon and assumed music press best of all time/best of this or that year?
Of course a lot of this is about 'not getting it' - but then if we all said 'well, it's all subjective, each to their own' we'd lose a lot of the threads on this site.
As the original poster
I think this reaction is a bit OTT. There are a number of bands I don't like - Pink Floyd, Radiohead etc - who I can appreciate however did something new and different, and have been influential on subsequent pop/rock music.
St Etienne on the other hand, to my ears at least, produced some fairly bland electronic pop, not substantially different to other bands of the same era (Morcheeba and Portishead are two that spring to mind) which hasn't aged well.
I've tried several times to listen to Foxbase Alpha and I don't leap to turn the radio off when a St Etienne song comes on. But I don't understand why they seem to be cited as some sort of seminal pop group, with a reputation and influence which doesn't seem to borne out by the music.
Could be explained by the fact that.......
Key member is a music journo with a Bobby Gillespie-esque encyclopaedic knowledge of "cool"........
Aretha vinyl still shrink wrapped and the like.....
NB - St Ettienne's best moment was the pre-Cracknell version of Only Love Can Break Your Heart bw the St Ettienne 1990 World Cup Theme (j-j-j-j-j-j-j-j-john barnes!)
"Bobby Gillespie-esque encyclopaedic knowledge of "cool"
isn't the thing about Booby G is that his encyclopaedia of cool is a slim pamphlet with a page on the Mc 5, a page on iggy and a bit of blurb about the bader meinhof gang singing with the crystals he's not widely read.
the only encyclopaedic knowledge booby has is of his own navel oh and of the local planning laws with repsect to noise polluiton from licence premises.
Precisely...........
The perceived notion of cool from gathering vinyl that you have no intention of ever listening to but looks great for visitors to your chi-chi flat.....and in interviews to gullible young NME journo's
Agree
Nasty Brighton lightweights
butt...
Bobby did run an essential Sunday night gig at the 46 West in Glasgow known as Splash 1 (the name alone got me checking).
I saw Wire, Sonic Youth, TV Personalities, The Fizzbombs, World Domination Enterprises and the Mighty Bogshed there.
Price of admission- £1 - 1.50, he even ran the box office (ie. stood at the front collecting the money) in a rather grim grey suit, floppy greasy hair and faded crimplene Paisley pattern shirt. He came across as an awkward child.
still, it was a very fun club with an excellent soundtrack... can I get a witness - Sr. Malo?
si, es veridad
all what Mr Blast says about Bobby G's club is true.
It was a cool rockin' hangout where you could hear The Sonics, The 13th Floor Elevators, etc and see leftfield rockin' bands.
Bobby G's quite alright by me
I just think he's a huge music fan
living out his rocknroll fantasies, nothing wrong with that, at least Primal Scream can "rock".
Would any of us not want to be able to get the old leather biker jacket down from the loft (or in my case be able to zip it up), wear shades after dark, sing songs about "Jailbirds", Johnny Guitar and getting your rocks off and then declare that Luton Airport is not rocknroll enough to land the plane at?!
The problem is
he's narrow music fan he's got aabout 2 lps all made before 1971 it's all just tired act now.
Looks like we disagree on Bobby G
I think he's got more than 2 lps all made before 71.
He is a magpie, he lifts loads of ideas from other bands (Suicide, 13th Floor Elevators, Stones, Clash) but I like him, even though I'm not that keen on his more recent albums.
He is a big music enthusiast, whether it's James Carr, Lee Perry, the MC5, Gram Parsons or Tav Falco.
If you don't like him, c'est la vie.
I like a lot of the music, even if his 'singing' leaves a lot
to be desired, but the one time I made a massive effort to go and see them play live (Glasto, back in the day, on the 'NME Stage'), the berk turned up late and so wasted he couldn't have hit a note the size of a barn door with his own forehead. They were shite, I was gutted, and after two and a half numbers, me and my mate Henry went back up the hill to get some more chai and roll a big one with the tepee people. What an absolute arse Mr. G can be sometimes, unfortunately.
Mmmm
The Primals can be hit an miss.
In the Mid Ninties (around the release of Vanishing Point) they were one of the best live bands I've even seen. Absolutley fantasic captivating band.
However that last few times I've caught them they were quite disapointing...
Respect to Bobby G though - he's a rock star and there's not too many of those about any more
The Primal Scream
have never been my thaang, I just respected Boab for his Splash 1 club, it was a big part of my music life and I honestly never had a bad nicht there or saw a duff band.
Res'pec is due!
If I say U2
it could everyone going again about Bono and his crappy sunglasses / singing voice / failure to abolish world poverty
(Not) For The Roses
Despite occasional periods of ‘is it just me?’ self-doubt regarding my enduring belief that Guns ‘n Roses are/were no more than a Carry On Up The Betty Ford Clinic comedy rock band cobbled, Frankenstein-style, from various scrag-ends of Zeppelin, Aerosmith, the Stones, the Pistols and the NY Dolls, I nevertheless shelled out for Stephen Davis’ G’nR biog, Watch You Bleed, in the hope I might gain some insight into their appeal, cultural significance, etc. Apart from the fact that the book is, by some distance, Davis’ dullest effort to date, it contained nothing to convince me I wasn’t right about them all along. It certainly didn’t persuade me to revisit their records with fresh ears.
As for the Stone Roses, you can keep the voguish re-evaluations of The Second Coming – I wasn’t buying it then, and I’m not buying it now. Furthermore, I maintain that their debut album has largely attained its ‘classic’ status due to it being inextricably linked with the first drug experiences of an entire generation of music journalists and music fans. I mean, it’s good, but it’s not *that* good. Perhaps it’s because I’ve never been able to square the Roses myth with my early experiences of them as a Manchester circuit band in the mid-80s, when they looked like goth scooter-boys, sounded like garden-variety C86 jangle pop, and were notable for two things; the frequent kick-offs at their gigs, and for spraying their name on just about every listed building in the city centre of Manchester.
St.Etienne
Dont have a strong opinion about them one way or the other but I do think Morcheeba who are similar did it much better and were far more interesting.
For me the biggest over-rated tosh was and is Meatloaf. For Gods sake what is it with Bat out of Hell that he has reprised it about 5 times? It wasnt any good in the first place.
Meatloaf?
Terrific songs. Just superb. You may not like the delivery, but the material is really strong.
Meatloaf / Elbow
I've never been able to get into anything else he's ever done (and believe me I have tried), but Bat Out Of Hell remains one of my all time favourite albums.
As for Elbow, I've never forgiven them for stealing the Mercury prize from Burial, but do conceed that this is not their fault, and that The Seldom Seen Kid is alright.
The Top 3 Overrated Bands
3. Manic Street Preachers. 5th form lyrics, grade 1 (pass) drums, shouty singing, ridiculous image.
2. Pulp. They had ONE great song and about 3 OK ones. For the column inches you should have delivered more than that.
1. The Clash. Laughable 'shhtreeet' claims; awful image; ugliest band ever; juvenile lyrics; only good song a cover version. One merit: a versatile drummer who presumably turned to heroin to take playing the songs supplied by Jones and Strummer.
What?
Rock The Casbah was a cover? Who'd have thought it.
True.....
Complete Control and London Calling were, in fact, written by Screaming Jay Hawkins and the Xenophobia team respectively. Little known fact that.....
there are indeed some of us
who prefer the Nolans' original of White Man in Hammersmith Palais.
wasn't in the original Nolan's version
White man at the Blackpool tower ballroom?
You sir...
...are very perspetive.
All crap of the highest order. Especially The Clash. I just don't get the whole 'punk' thing that follows them about. They weren't punk, they were a rubbish pub rock band.
Mannix
Was going to nominate them myself. What is it all about with them? As East End Nan would say, "What a load of old shit"!
Ordinarily
avoiding such inflammatory subjects, I'd venture my opinion this time, but it's initially unnecessary.
Hat's off to you, sir
'Ordinarily avoiding such inflammatory subjects'
I take it this is ironic, or have you used up all your anti-Radiohead and Oasis bile? Surely not. Say it isn't so.
Acrostic, innit?
Ordinarily Avoiding Such Inflammatory Subjects. He's really Dan Brown, you know ;-)
D'oh!
How could I miss that.
but Oasis rarely play acrostic sets
LOL
Excellent!
Guns n' Roses
What was the point of them?
The point of G&R was the video for November Rain
I am, of course, assuming the whole thing is a spoof, *especially* the bit with the guitar solo from 4m in
This turned me off
When I was 13 this song made me think that sex, drugs and rock n´roll was the worst thing that could happen to you. I almost became a fan of Cliff Richard´s just to avoid any loud guitars.
The Who
probably the only one of the 'big bands' of the 60s and 70s i just don't get. absolutely none of their songs does anything for me. just can't see it at all. the acapella bit on that song they do during ROCK N ROLL CIRCUS is okay...and then they start playing.
You beat me to it
Although I rate Pete Townshend as possibly the greatest rhythm guitarist ever he absolutely honks at writing consistently good tracks...
I reckon I could scrape together enough songs to make ONE absolute killer album...the rest is just Flim Flam
I feel the same about Cream.
Other vastly overated are The Clash, Muse and Radiohead ( although OK Computer almost gives them immunity for it's god-like brilliance)
Won't Get Fooled Again and Baba O'Reilly
Surely those two tunes at least must get the blood flowing?
Or on a more pop level "Substitute" and "Pinball Wizard" are great pop songs.
I agree ..
they would definitely make tracklist for the ONE killer album that you could compile
don't get me wrong..when they're good they're prob the best...just a lot of filler in between classics for me
Barring "Pinball Wizard" and "See Me" practically the whole of Tommy is guff.
I agree with you
They did have a lot of rubbish tunes but when they are good they are probably the best band in the world.
may I add...
Outstanding! live only and matched by The Clash?
oh.. I think I will
But the rest of the album is
But the rest of the album is not that great. Also, the lyrics are generally crap.
I think Elbow are quite
I think Elbow are quite good, not brilliant, but an interesting B-list band. Sadly the reason for their rise in popularity seems to stem from the lack of a decent alternative. I happened to catch some of the Isle of Wight festival on T.V. and was appalled to see The Pigeon Detectives do an unplugged version of one of their 'hits'...I had never heard the original version, but they are pretty piss-poor nonetheless. Is this what young people listen to now?!?!If Neil Young and Simple Minds can impress the kids still, there must be a dearth of decent bands!
The Kinks
There. I've said it.
Apart from Waterloo Sunset, of course, which is in my all time top ten songs (today's all-time list, anyway) but I never really 'got' them despite trying desperately.
Maybe they are a bit too London-centric for my provincial tastes, but they just leave me completely cold.
I shall now get my coat and bid you all fond adieu.
Point of order
Is not 'getting' something the same as thinking they are over-rated? I'm not sure. I couldn't give a tinker's about Springsteen, don't own any of his records, and probably never will, but I'm not sure I think he is over-rated.
Just not rated by me.
You're probably right
But I keep hearing The Kinks being spoken of in the same breath as The Beatles, The Stones and The Who.
And to my mind they are not even close.
Even if The Who did steal their clothes to record I Can't Explain.
It´s actually the Stones that are not even close
:)
Yes, they were streets ahead
weren't they?!
:)
You got me...
Does this mean I have to listen to Dirty Work on repeat all day?
I'll accept "Get yer ya-yas out"
given Sheevs affectionate reminisce thereof.
I don´t mind
That´s a nice record. "Charlie´s good tonight, inni?"
Don't you mean
You Really Got Me'?
It didn´t occur
To me until it was too late. Slow day. See what I did there?
Try Village Green Preservation Society
Not London-centric, and should appeal to the more provincial tastes.
If you still don't get the Kinks - fair do's )
Theres a ton of stuff that people I know rave about, but I just can't see it
Thanks Rigid, but I have.
And all I get is this image of thumbs tucked behind braces, knees up (Mother Brown) geezerishness that sits poorly with me - ref recent adverts of the telly for something or other.
And don't get me started on Lola and Apeman.
PS: By 'provincial' I really meant the mean streets of Birkenhead...not really 'Village Green' territory!
Kinks - fantastic
From "Something Else" right through to the "Lola" LP - every one a winner. Then they went a bit shit...
The Incredible String Band
Weren't.
And Nick Drake? Sad story and all that, but wasn't he just the 60s answer to James Blunt?
AC/DC? Bloody rubbish.
All the grunge bands who weren't Nirvana, who I have a soft spot for, inexplicably. The rest a noisy racket, especially the hooting of Eddie Vedder.
Blur? I wish they were.
All those Arctic Fratelli for Girls claptrap. EE-NUNC-IATE, you cloth eared oiks.
More will no doubt come to me.
I'll be in my bunker.
Now just a minute...
Agree on AC/DC (I pondered over offering them or Gn'R above). Eddie Vedder: agreed. ISB, Arctics etc: agreed. But Nick Drake?!?!?
Sorry, Retro, but that is beyond the pale. The guy was magical. Absolutelybloodymagical. It's sad he's attracted the pedantic, turn up at his grave and visit the old house brigade but that's not his fault: he was astonishingly good. And he never really deserved to be mentioned in the same context as AC/Fratelligurlblurblurb!
Oof
i almost winced in pain at that Nick Drake comment.
Have you heard PINK MOON?
Yup.
I even bought it, spun along by the yarn of his wondrousness. Then I stoppped listening to it, mainly cos it was dull and I didn't like his voice. OK, I confess to a little trollery in deliberately invoking him, knowing how hallowed is his name, but I got away with my last dissing of him, so thought I'd try again. And I'm sick of my usual Gilbert O'Supertramp targets.
But, again, Drake is dull and does have an annoying voice.
Go for "Bryter Layter"
it's one of the best albums of all time. Honest. Give it a go.
Got it.
Unloved upon the shelf. I had a big Joe Boyd/pink label island fetish at one time......
(I don't have 5 leaves later, so expect someone will be along to commend that too, in a minute)
Yeah...
The others were crap - 5 Leaves Later is *SO* much better :-)
Nick Drake - overrated
Pink Moon is superb, but the other two LPs are so so. Those "easy listening" muzak intrumentals on "Bryter Later" - lovverly (not).
ISB
"oh yes they were"
Aging Clash fan says
Beatles.
Don't be so stupid! Best
Don't be so stupid! Best band ever simple as. The Clash? Not all that really.
Libertines
I like 'em - well I can listen to the albums periodically.
They were just another of the bands built up by the media as "the saviours of Rock & Roll", basically because they were doing something different and had no competition
Arctic Monkeys? Same story - something new and no competitors
And loads more - but I can't remember them at the moment
I'm glad it's not just me.
I never understood why the music press waxed lyrical about a second rate pub band and Pete Doherty, 'the people's poet'. I always thought of them like a bunch of sad callow herberts (like The Strokes in fact) who had interesting record collections but not very much to say themselves.
Arctic Monkeys are
Arctic Monkeys are everything they are made out to be, simply brilliant. Libertines, i could not recall a single song of theirs so difficult to say.
everyone
probably.
Apart from
Denim.
And...
Dumpy's Rusty Nuts.
If I want to sound part of the 'in crowd'
do I call 'em 'The Nuts', or 'The Dumps'?
Finally someone
who agrees AC/DC are complete cack. Also Iggy Pop - can someone explain the attraction? There are a few more like that - MC5, Patti Smith (except dancing barefoot), Bjork(except half of debut),
Phil Collins - definitely, Michael Jackson - never saw the talent even before he went loopy,
You are so wrong
on some of them. But I'm not saying which ones...
He he!
AC/DC are ironic not cack
Are you American?
Iggy when he's a cartoon..
.. but not when he is channelling it. 'Loose' live at Brixton in the late 80s is the single most terrifying and wonderful thing I have seen live apart from Guy Garvey thanking my wife personally from the stage at the end of an Elbow gig at the Sage last year (honestly you should have SEEN her afterwards). Only consolation is he is also 12 feet tall and scruffy
Nobody
Its all a matter of opinion
What a bunch of miseries!
Not a big fan of Elbow or St Etienne myself but they're not exactly bad and I respect their right to keep on making half-decent music.
As for the rest...pshaw!
Nick Drake is magnificent - great songs, unbelievable guitar playing.
AC/DC and even Meatloaf are brilliant at what they do.
The Kinks are so good I feel dirty passing comment here. One of the best lyricists, classic songs in many different genres (Days? Sunny Afternoon? You Really Got Me? etc etc).
I can see people dissing the Roses as Oasis tarnished their imagine but that first album was huge for a good reason - choc full of blinding tunes.
Meat
Loaf (two words)
I must admit his version of "Oh What A Beautiful Morning" below makes me cringe, scream with laughter and cry at the same time. YOU HAVE BEEN WARNED!
Uh-Oh
Find myself having to take issue with Retro again.Nick Drake and James Blunt?You're just stirring it surely.
Oddly,detest The Smiths but like a lot of Morrisey's early solo stuff.The Stone Roses have been completely lost on me,but Radiohead's "The Bends" hits the spot.Simple Minds=shite.
Me?
With my reputation?
Blur
can someone point me at anything worthwhile they've produced?
There's No Other Way
Was a good song. After that, though, I'm right with you. I do wonder how Damon Allbran managed to make such interesting music with Gorillaz when he failed to do so with Blur.
In small doses
For Tomorrow
Chemical World
Starshaped
Popscene
Girls and Boys
The Universal
To The End
Beetlebum
Tender
This is a Low
Music is My Radar
most of Think Tank
Thankee!
I'll Spotify and report back.
Blur are ace....
....and Think Tank is the best new album I've heard in the past 10 years. Truly marvelous...
Odd
I was always for Blur in the great Blur v Oasis war of 96.
But, listening to a few bits pieces to coincide with the recent Britpop blog - I have to concede the sneermeisters' stuff has stood up rather better.
Odd.
Belle and Sebastian
Just awful. Misguided, fey, art-school ponces who assume that attaching clodhopping nursery-school melodies to their oh-so-self-reverentially whimsical and supposedly ironic lyrics makes something jolly and fluffy and wonderful. It doesn't. Take them all outside and beat them with a stocking full of diaorrhea.
And The bloody Fall. Yes, yes.. Mark E. Smith, wayward poet for a generation. Cobblers. Atonal unlistenable kak suitable only for spotty introspective teenaged types who would listen to John Peel under the duvet and use their knowledge of obscure bands no-one else liked or had heard of as a prop for their deficient egoes. The fact that so many of these social cripples ended up in music journalism has been the only reason why tripe like The Fall continues to make column inches.
And don't get me started on Arcade Fire. Or the White Stripes. Look - an emperor. And he's got no clothes on.
The "Svefn - g - Englar" hitmakers
Didn't we do this sort of thing years ago with the Cocteau twins?
Icelandic castrato over quasi-classical, seemingly never ending chord progressions - all very kooky but actually - what's the word - oh yes - "boring"
I'm not standing for that
I bow to no-one in my love of the sublime B&S.
I'd argue there's a lot of depth in their lyrics and part of their appeal is pairing dark stories with the happier melodies. It's not all nursery-rhyme stuff at all. Listen to Your Cover's Blown, it's a swaggering funk monster! (copyright Word Magazine)
(minor point: stocking full of diarrhoea would end up adversely affecting the distributor as well as the recipient, I'd wager)
Seconded
Hearbreakingly brilliant...
MUSE
a bassline, wailing vocals and some effects pedals ..rinse and repeat
seems to be working for them though!
swap the effects pedal for a school uniform and you've got acdc.
you'll also..
...never see them in the same festival as Pendulum.
Definately Muse, also Kasabian.
Awful band.
Kasabian are dreadful as well.
That's unfair!
Stop picking on the slow kids.
Why has nobody mentioned Suede?
Loads of hype, a few good tracks, and a Bowie wannabe. I bought the first four albums on their release day before I realised I was being duped.
Actually, that probably says more about me than it does about Suede.
Bernard Butler
that's why
That boy's guitar playing blew me away - best since Townsend?
oo-er, there's another thread: English White Boy Guitar Hereos
I must second that
Butler, Marr and Coxon are the reasons why certain bands deserve their plaudits.
This appearance is still staggering - for so many reasons
so true
that performance is breathtaking, just look at BB at the very end he can't stop playing
even as his guitar slowly drifts out of tune :-)
problem?
I see nor hear one, Punk Rock innit?
great single
I was not a fan of the thin Bowie-isms of Suede so I was surprised that this was such a great single. I remember it was head and shoulders above the rest of the album.
Were any of Bernard Butler's solo records any good ?
I've the first one
and played it as I was learning to play the guitar so I've a considerable attachment to it. It's better than John Squire's solo albums but not as good as Graham Coxon's.
People Move On
"People Move On" is an excellent album, though I own his second solo LP "Friends & Lovers" and wasn't quite as grabbed by it.
seconded
People Move On: wondrous
Friends and Lovers: a bit lacking in spark
Brett Anderson
I am not a huge fan of his voice but I do think his solo work has merit
This acoustic version of "Song for my Father" is quietly moving. Quietism not being a quality normally associated with his work
http://open.spotify.com/track/2ZFzC6CTG1P3MXIOkkvijh
I haven't read the rest of thread but
Richard Thompson, Mott The Hoople, Faces, and King Crimson are the usual answers.
Is that OK?
Isn't it strange...
...how we spend far more time talking about music we don't like than music we do. I certainly do-it's much more fun. The Doors and Nirvana for me.
Handsome? Ear of the bloody beholder, mate!
OK, the Handsome Family are one of those names that crop up on coverdiscs in Slomo/Unshod and in critics unsung faves lists. And, on what exposure thru' that I have had, and their cameos with the Oysterband some years back, I have quite liked. So e-music let me have a go at their latest, Honey Moon, a celebration, apparently, of their 20 years of marriage. Well, first the good news, I liked 5 of the songs. But the rest is well nigh unlistenable, to the extent that when the family asked what the strange noise was, and would I take it off, like immediately, normally high praise to my odd ears, I had to agree. Am I missing something? Utter tosh. No wonder they are still married, no-one else could stand to be near his offkey keening and lowing. Talk about moo.......
I found myself nodding to a lot of the names on here
but the Handsome Family made me nod most.
Completely unlistenable, every session I've heard has been as tuneful as wailing dogs. I tried a couple of their albums after being mithered by a mate.
I had to go out for a long session at the local to recover from the Trauma.
Genesis and The Who definitely fall into the category.
Dylan's last thirty years.
Agree about the Stones, should've stopped after Exile really, but what would The Beatles sound like now?
Lennon's solo stuff.
Brian Wilson solo stuff.
In fact every band who I don't like.
The Handsome Family
Forget the albums, see them live, then retract that statement.
Kajagoogoo
One great single then nothing - completely over rated!
I agree...
...it was one less than Lieutenant Pigeon, and who considers them now? Mmm? Inspired by that great Delta Blues Star, Mrs Mills, they were the cutting edge of something or other, I think.
If anyone thinks...
...I am being silly, retropath2 started it.
Nick Drake overrated my hoop.
Would it be contraversial to say
Nirvana.
In fact I felt just about all the Seattle grunge (and all the copyists that followed) to be over-hyped and one dimensional.
Sonic Youth and The Pixies aside, that whole genre of American Music was just a bit overdone.
Heaven Up Here
Pixies are much more overrated than Nirvana. Pixies are Nirvana without the tunes.
Come on lets be a bit more iconoclastic:
Most overrated band in the world? The Rolling Stones. They had a nice run of singles in the sixties and then morphed into their own very bad tribute band. The last song I can even contemplate thinking about - never mind playing - is Start Me Up, which is well over 25 years old. While people are debating whether the genuinely talented singer and dancer Michael Jackson will be able to cut it live at the age of 50, these guys are still touring and recording without a question raised - duh, why? My God, Mick J has all the charisma of a two week old rotting dead fish and isn't he just beginning to look like that too. WHAT IS THE ATTRACTION??
Runs for the door to avoid the missiles from the Massive
No missiles, just agreement.
Although "Don't Stop" that was issued as a bonus track on the 40 greatest hits thing a few years ago was a pretty respectable song. Apart from that, you've got to go back to "Some Girls" to find a good RS album.
Some merit in this point
Although if the Stones had stopped in the seventies (1980 at the latest) I don't think that there would be any doubt that they would be there with the absolute top bands (whoever they might happen to be)
Most over-rated
THE BEATLES - nobody else is even close. There, I said it.
Don't be so silly, one of
Don't be so silly, one of the daftest comments I have ever heard.
depends -
if we're speaking from a purely personal point of view then I agree with Gary. I know they're good and I know what they did and why they're important, but I find very little of their music particularly engaging. I probably need to try harder, but life's too short.
Don´t agree, but understand
They are my all time favourite band, but I don´t really understand the "try harder"-part of liking a group. If they don´t get you going just listen to something else. You don´t HAVE to like The Beatles.
There are groups I should probably like, groups that friends have tried to turn me on to, but it´s just not my thing. How many chances should I give The Smiths or Pixies when they just don´t do it for me?
I´m not saying there aren´t voices, groups and albums that take some getting-used-to, but then there was at least something I liked even from the start.
Should one really have to try hard to like something?
Ultimately it is all down to
Ultimately it is all down to personal taste (or lack of) but to call them over-rated is just plain silly. Come on what more do a band have to do?
it's nice when things 'click'
straightaway,on an instinctive, intuitive level; but some things are worth working at. I wasn't keen on the Fall or Cathal Coughlan's stuff (with Microdisney) when I first heard them - love them now, play them frequently and still get plenty from them. With the Beatles - I know it's me, that I'm missing out, and I know the reasons I give are poor reasons but - their music never excites me, i don't like John's nasally voice, a lot of their stuff sounds like novelty songs, I don't like the psychedelic nonsensical lyrics - again, I know that it's my loss, but if I were to list my top 1000 songs - probably more - I doubt the Fabs would feature.
A lot of the HJHs stuff *is* novelty songs
Remember that, in 1963, they stated that they were going to make a conscious effort to write what they called 'comedy songs'
Threads like this one...
...represent the downside of internet culture. They really do seem, perhaps via their shield of anonymity, to encourage a certain mean-spiritedness. Nick Drake as James Blunt? I'm sorry but that's just ridiculous, and I am going to do my very best to erase its mean-spirited sourness from my memory. Now, on the other hand, if you want to talk about Sonic Youth...
Opinion as a definer of character?
Wanna think that thru? Why ridiculous? I don't like either of them. One is a hugely popular world wide name, the other not, even if party to a partisan cult listening audience. If you cast aside your blinkers for a second, perhaps the rose tinted ones, you will see that there are musical similarities, beyond the singing with guitar obvious. Is it just that we are "told" one is good, the other bad?
Sorry if this seems uncharacteristically bilious for this site but I resent the idea it has anything to do with my using a nom de plume. I admit the trollery of putting up a avowedly much loved icon for revision: I think it healthy that dogma be re-evalued.
I'm off for a cold shower.
*supports Retropath2's rights*
It would be different if he had only posted that one opinion and gone away.
Just because I am unlikely to be introduced to someone socially and realise "Hey, that's the same as the username of the guy I disagree with on the Word messageboard" doesn't mean that opinions expressed on here are anonymous.
All the stuff that we say here adds to our online personas, so whether you have a Bud Neill-Spanish name like me, or a username constructed from traditional British first-names and second-names, it is all part of "you".
So while I disagree entirely with his opinion on Nick Drake, I don't think he is hiding behind anything.
Indeed... within the constraints of this forum
some regular posters have, to me, a certain character. The name they use is irrelevant to that.
Would it make any difference to the forum's perception of me if I posted under the name Clive Rowlinson? After all, that's not my real name either but does it necessarily confer less anonymity than Stimpy?
Was there really a Mr & Mrs Valparaiso? A Mr & Mrs Blast? A Mr & Mrs Wonderful? A Mr & Mrs McGillis? Does it matter?
Aaaaah, warm glow
Thanks, Guys, in an entirely ambiguous usage of the word.
"Joplin good, Drake bad...
Joplin good, Drake bad...Joplin good, Drake bad..."
No, however I say it, I can't make it make sense
Which reminds me - Janis Joplin.
Well, it surprised me too
Yup, I've checked back, The Pearl(incl live tracks from Toronto, which go on a bit, it's true)/JJ=good, Bryter Layter and Pink Moon, duller now and my pink moon if you don't like that.
SIR!
Mr. Rowlinson are you questioning my parentage!? ;)
I may be sad.........
but my favourite part of any discussion or article is when you get a fan chipping in with a "how dare you say that about x?"
It's been with us forever and dosn't get any less enjoyable.
As for trolling, I certainly don't think you can accuse Retro of that.
Using names or phrases instead of your own is an internet forum thing and it's largely from past experience of people who take things too far.
No, not at all
To say that a stated opinion is ridiculous is not to say that the holder of that opinion is a ridiculous person. But come on, to draw an unsupported provocative parallel between an artist you know a good portion of The Word's readership, for reasons varied and personal, reveres--an artist whose body of work, I don't think it's hyberbole to say, forms a pillar of the very sensibility on which a magazine like The Word is founded--and a present-day pop punchline, is an approach so full of holes that tagging that opinion with the 'r' word is something I'll stand by.
Nick Drake's reputation grew for many years in the most genuine and organic of ways, through word of mouth; when his profile increased dramatically through the (rather tasteful as these things go, I thought) use of one of his songs in a car ad, it wasn't a case of mass brainwashing but merely the acceleration of a process already well underway. The case of James Blunt could hardly be more of a contrast: a clearly industry-groomed figure with large sums of money behind him being forced down our collective throat through blanket worldwide airing of an anodyne, slickly produced song (a song whose arrangement and vocal bears no discernible resemblance to Nick Drake but plenty to, say, Chris de Burgh) and video. So no, I would argue, it's not that we're "told" Drake is good and Blunt is bad. Give us a little more credit! I'll stick my neck out here and predict that thirty years from now Drake's standing will have kept right on growing while Blunt will be, at best, a trivia quiz answer in the one-hit wonder category.
As for the anonymity issue, let me clarify. My comment was not meant to single out Retropath2, nor to cast aspersions on the integrity of anyone else on this site. In fact, it wasn't even about names per se. What I was doing, perhaps a bit clumsily, was venting on a phenomenon that surely I can't have been the first to notice: that the simultaneously spontaneous and distancing effect of internet communication can foster a certain (forgive the next word in this context) blunt recklessness. Call me old-fashioned, but I do think that, face to face in a pub for example, or via the more deliberate medium of a drafted, sealed and posted letter, we're likely to choose, define and defend our arguments more carefully. The name question is really neither here nor there. Yes, I use my real name here, but as one whose favorite fiction writer is Saki, and whose favorite music figure is Bob Dylan, I really don't care a hoot what a person chooses to call him/herself.
Another point, small perhaps but still important: I did not use the word "troll" nor any of its variants. For me--and I can't really explain why--it carries unpleasant connotations beyond the purview of a site where music buffs exchange views.
Finally, music is an emotional thing. We like the music we like because it expresses or identifies or affirms emotions we feel. So when music we care about is described in ways that strike us as cavalier, well, we just might respond emotionally. (Lord knows, I myself may well have deeply hurt some poor James Blunt fan out there.) But to make that response is not to impugn the character of the person with whom we're disagreeing.
Relaaaax, Ian, it's only a blog
I used the troll word first, anyhow, seeing as I live under a bridge.
BTW, give a listen to the rest of Major Blounts output, aside from the ghastly single and you will catch my reference a little more easily. It will be hard work. It is still not my cup of tea and nor is Drake.
But...
...if someone's going to launch his career, and make his fortune, with something as ghastly as You're Beautiful, I'd say I'm well within my rights not to listen to the rest of his output. There was a brief time when the man's work was simply in the air and inescapable, and I can't say there was anything in it that made me want to do anything but run fast to somewhere far away. The one other song I could name, Wizemen, was every bit as ghastly in its own way, and every bit as thoroughly unDrake-like to these ears,as YB.
Face to face, in a pub
I'd hope we could all be as spontaneous and blunt as we are here.The alternative (spouting a load of Jeremy Vine-esque claptrap) is too frightening to think about.
Retro
is an avant-garde folk dancer with a medical bent so who are we to question his proclivities?
I love me some Drake - but I found the Retropathic analogy to Blunt quite amusing and and an observation with an unexpected fecundity.
Both are silver spoon weaned with pronounced fey tendencies.
One has become a revered Thomas Chatterton, nay Shelley, in our appreciation - whereas the other is reviled as a platinum
selling consort of supermodels.
A simple twist of fate and perceptions of said parties *may* have been different. So, a question that might be asked is how popular does Nick Drake have to become before the knowing musical classes turn against him?
And I wouldn't take Retro too seriously - he likes Runrig - who I'm sure I heard described as a right bunch of Celts.
You mentioned 'The Scottish Band'
I prophesy disaster...
I thought that was Hue & Cry
Oh No! Not again! Curses
*grits teeth*
Please, don't get me started on them.
What was wrong with the 80s ? Self-important red-faced soul boys who believed that because they had a band they knew better than anyone else about everything, including "The Future Of Our Nation" will do as a starter.
a grumpy underpant
nicht Sr.?
Ru... "The Scottish Band" were far more dreadful, I mean really made me embarrassed tae be a Jock. Labour of Love is such a great tune I can forgive Heid thi Baw.
no! no! no! no! no!
I have had long debates with friends from further north (Fort William, Lewis, Inverness, Alness, Springburn) on the Teuchter Line - it's like the Highland Line, but it defines the line north of which people are teuchters. Once it was held to be at a roundabout on the way north out of Perth. Later analysis suggested that this was too heelan, and in fact Argyle St defined the line - The Park Bar on the Northern side was the starting point for teuchters.
Further analysis concluded that in fact the Broomielaw is a more reliable line of division.
And I would still welcome hearing any of Runrig's oeuvre - Loch Lomond, whateffer, before hearing "We've got a book about semiotics and we're going to use it" again.
south is the bawbag line
.
Fat Bobs yer uncle.....
Post Donnie Munro, when they lost much of the 80s bombast. Lyrics are often better in the gaelic, I feel.
That was just Hue
or was it Cry? Which ever, it was just the singer.
"and all who sail in her...."
He stood by and let it happen, so that is at least a sin of omission.
The only funny thing they were ever near was when Q offered them £100 to split up.
*and breathe*
It's wrong to assume
That someone using a nom-de-web is more likely to troll. There are plenty of legitimate reasons why someone would want to remain anonymous, and some of this site's most valued regulars do just that.
There are loads Fraser.
We can list them all if necessary.
I use one for a number of reasons, it links in with other things I do, trolls in the past and basic internet security are just three.
I know quite a few people on here and vice verca. I'm quite happy to take any fall out off list and discuss it there.
The fact that the majority of people use an alias is not out of fear or maliciousness, it's good practice.
Sorry, I'm lost...
what's "trolling"?
As in the FAQs
Do not feed the trolls
Oh I see...
I hope you didn't think I was "trolling" with my Elbow comment on the "overated bands" thread Joe!
God, this Forum would be very boring if every post was just "yes I respect your opinion to like so and so"...of course that goes without saying but music is full of irrational hatreds and wildly differing opinions and it's damn fun to debate them.
I have a pseudonym (yes, it's true...) on here but mainly because on the only other web-site where I am active I am there under my own name, Steve and everybody takes the piss out of me for that!
Just because I post under a silly name (errr, Retro Man, not Steve) I'm quite happy to defend my right to dislike Elbow and if anyone is offended and "wishes to take it outside" as a private email then fire away! "Hold me back, Garvey's not worth it etc etc!"
Hang on
this is the over-rated bands thread! This forum seems remarkably and pleasingly free of trolling (except for topics concerning a certain Mr Lamb from time to time).
I used to have a pseudonym and the only reason I changed it is because I got a mention on the podcast once and realised how silly it sounded! I think, especially on this site, all comments carry equal worth, whether you're called Steve or xXxBaby_Princess_KissesxXx. I just wish someone hadn't stolen the user name Joe, grrr...
Oh, and with regards to Elbow, you're wrong and I'm right, so nyer nyer ;-P
Is it really?
Oh dear, I write so much crap and I don't even know which thread I'm writing it on!!
Good point about the user name Joe, it would be a dream to be recognised on the podcast or have a letter printed in the mag but then nobody would know it was really me.
Plus
if ever there's a Word messageboard trip to the pub (which I think is a great idea, by the way), it could get confusing to call everyone by their pseudonyms or try and learn a whole host of real names.
You'd really be stuck, since the sensible thing to do would be to abbreviate your name to "Retro," but then it'd be confusing if Retropath2 were there as well.
As you can tell, I've put too much thought into this (but we're still agreed I'm right about Elbow? Ah, good).
Team Word T's
with names on the back should do it.
AKA
I use this name on The Sisters forum and I have made a great many new friends (that I see in the flesh, regularly) that I'm more commonly called James as opposed to my actual name John Michael, so much so even The Mum calls me it!
I had a very bad time at work about 5 years ago, the online persona of James Blast was quite liberating, he was a happier Dude than I was. Now I'm fortunate enough to have combined my online/in the flesh selves and I'm a better chap with a larger CD and wardrobe collection for it.
IMO the internets is a wonderful thing
Has a Word regulars meet-up ever been organized or attempted?
I must confess the idea kind of appeals to me, we could have a competition - no T-shirts or lapel badges - but a similar thing to the line-up game they have on Never Mind The Buzzcocks - match the forum identity with the real person!
Well
us auld 46 West/Splash 1 regulars have been in touch via a table tapping weekend in Bognor, and it's not out of the question.
Thing is, it'd be in 'that' Glasgow and not Londres.
other venues may be available
I'm in Birmingham quite a bit, too - it would be nice if I could avoid being in Birmingham for the Glasgow meetup and then in Glasgow for the Birmingham one. (See many tours over the years missed in several cities because of work, including The Gun Club where I was 1 night away for 5 dates.)
The Gnu Club
I have some choice items by them you may not have Sr. Malo
Hacienda vid (semi pro)
another vid (semi pro)
Las Vegas Story + Ramblin' JLP
someplace in Amerika Death Party
all guid stuff
ta : will check archive and compare notes
I also have a bootleg of The Gnu Club at Strathclyde in Oct '83 - sadly without the Primevals support slot. Must rip that from cassette.
The cover of "Eternal Hotfire" was shot backstage before that gig, fact fans.
Flippin' heck!
Mickey Rooney, wasn't it, used to work in Listen?
Glass~gow's own Gnu Club
yes it is / was.
He's a darlin' man.
Some years after that gig we formed a plot to make money as a tribute act - The Scottish Gun Club -
Jeffrey Lee Pearson
Kid Bingo
Patricia Morrison
Terry Graham.
I believe you also know the gentleman on the left hand side.
How
far
over
to
the
right
hand
side
can
we
get
this
thread
?
a little further I think
This happened on the Andy Kershaw thread and I had to go next door to read it.
Surely not much more?
Wait for it, gently, just a little bit.
hold steady
My next door neighbour is complaining about photo spill onto his monitor.
It might take a few more to get it into the next room entirely
Are we next door yet?
?
it sure feels like it
the furniture and record collection (not necessarily in that order) are meringue
could well be
My next door neighbour has asked if I'm on one of those stupid threads again, just because I had to use his monitor to read what we're saying here.
He doesn't really mind - although he is wondering why Mr Blast has meringue-coloured furniture
you'll have
to ask The Mum, I take no fashion decisions in this house, or is it your next door neighbour's house?
either way, not my call
sorry, a misunderstanding
He'd like to know where you got the meringue-coloured furniture, as he is thinking of this as the kind of re-styling he would like.
New Order
Total rubbish. Also the Pet Shop Boyszzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
Wrong.
And wrooooooooooooooooooooooooooooooooooooooooooooooooong.
I'd forgotten about those two
thankfully
Takes deep breath...
Led Zep.
Mostly because many, many Led Zep fans assume EVERYONE must be a Led Zep fan.
And because rock hacks of a certain age hold them up as the Holy Grail of, well, 'rawk.' (Whatever that is.)
And because of Robert Plant's silly screechy voice.
And Jimmy Page's ridiculous double neck geetar.
And because they seem to be virtually melody free.
And because they probably stole most of their 'classic riffs' from old blues men.
And, as the evidence above shows, I like Belle & Sebastian and you are never going to get a fey, weedy, introspective type like me to approve of a song about having one's lemon squeezed.
Just an opinion. Many will disagree. That's fine. You aren't going to persuade me. It's a prejudice.
Nope!
that's jist meringue
IMO of course
Of course you are entitled to your opinion...
...I just wish I understood what you mean...
hehehehehe
forgive the colloquialism, I just happen to be on a Zeppelin 'tip' at the moment* and I find them a quite astonishing band - one that does not disappoint the memory of long unplayed vinyl
*it helps when you've been given a loan of the Complete Studio Recordings boxset
Fairly do's then...
I'd never stand between a man and a treasured box set.
It's an Andy Cameron joke, AFAIK
Man walks into a bakers, points in the window and asks "is that a Donut or a meringue?"
Baker "no, you're right, it's a Donut".
works best in a West Of Scotland accent
Thanks!
I get it now.
I am quite Southern as it goes. I have read a bit of Irvine Welsh though, does that help? Oh, and I once went to the Edinburgh Festival. And I like Teenage Fanclub. (Who aren't over-rated.)
To explain...
to our Southern Brethern....
Baker then sez "Naw, you're right, it's a donut".
you guys
have spoiled the magic
laff oot loud
**** ***
whatever you say, Mr B.
aaaah!
the gallus Glesga banter :)
aye, right
But we can only do this with our pals, because some people panic when the banter shifts up a gear - "is that what you're wearing?", or - the all time classic ....
Scene : A Transit Van, summer 1979. Cast - 9 young men, mostly from Glasgow, driving to a gig their band is booked to perform in Dundee. Two of the party have been bickering at a simmering level for some time, and are packed in the back of the van with drums, amps, guitars, 4 other people.
Danny (to Tony) - So, apart from you and me, who else in this van has shagged your sister ?
fantastic fight breaks out
I expect the full tale
complete with 10 x 8s with the circles and the arrows when we finally meet for 'a couple of the cups that cheer' Sr. m ;D
OOPS
Sorry, missed earlier post!
Saint Etienne are very good at what they do...
...which certainly isn't "landfill electronica". I get the impression the original poster can only remember the one single, and that because it dared to cover an artist from his or her era. (I am happy to be corrected on this.)
Threads like this paint the Massive in a poor light, they really do. Ignorance presented as worthwhile opinion.
I think using "ignorance" is a bit harsh
Do you really expect someone to listen through the whole back catalogue of a band before they dare pass comment?
Be fun if someone dares to slag off The Fall or Guided By Voices, have you seen how many albums they've released?
You can listen to one song and just not fancy a band, a dislike could be irrational even before you get to the music - the singer's face, the way the guitarist has his guitar under his chin, clothes etc. Yeah, it's not mature but it happens.
I take it you are a fan of St. Etienne, I'd rather see someone who knows a band well recommend a certain album and maybe the antagonist will be open minded enough to check it out and may well change their opinion.
Agreed...
...that we needn't have an inside-out knowledge of an artist's catalogue in order to state an opinion. Although there are exceptions. Apparently we do need to spend some quality time with the oeuvre of James Blunt before we can state with certainty that he isn't the reincarnation of Nick Drake.
(Yes, I'm the troublemaker Drakehead from earlier in the thread.)
Glad you've come round to my point of view, Ian
;-)
I'm Happy To Correct...!
I've listened to Foxbase Alpha several times and found it unoriginal and tedious, although I quite liked "He's on the Phone" as a pleasant but ultimately forgettable pop single. I'm not suggesting that they are "crap", just that their reputation as a band is overrated.
And I'm far too young for Neil Young to be an artist of my own era!! (Well, about 5 years too young anyway)
*doffs cap*
If you still have the petrol in your enthusiasm tank, give "So Tough" a go - it really isn't landfill electronica, but tastes do of course vary.
I'm just mystified by all these "I don't like x" threads.
It's all opinion Aunty B
No such thing as incontrovertible fact in this arena.
I am quite often staggered by the the knowledge possessed by The Word family of all sorts of artists and bands and their meisterwerks.
As a result, I have - sometimes - revised my opinion or - better yet - found new avenues of aural pleasure.
As for opinions expressed here, there is a bit of jostling and pushing and shoving followed by a calm down, calm down we've all had a drink type comments.
But it's all done generally with a bit of banter and good humour. It would be a far less entertaining read if we all agreed with each other about everything.
Having said it's all opinion - there is one incontrovertible
fact: Queen are pants.
Oh and Abba are over-rated.
See how these things start?
Little Angels farewell single was called "Overrated"
and included the lines:
"This song is overrated"
"This band is overrated"
and
"This job is overrated"
Otis Redding..
..I mean he was alright but definitely overrated. He's just someone everyone's heard of.
I beg to differ - he was the King of them all, y'all!
Fair enough..
He was a great performer, the Monterey performance is truly great. But, I still think he is overrated. It's not his fault, it just seems to me that over the years he's been namechecked so much it's like he's become a token soul act to quote. I'm first and foremost a lover of black music, there's so much out there I just think that Otis gets more than his fair share of accolades. I'm not "dissing" him in any way. But you can't tell me that Dock of the bay is naot a bloody annoying song.
It's our old friend - an early death
at least in part anyway.
And in Otis's case it was not a partially self-willed oblivion as in the case of Morrison and Hendrix and many many in the Soul/R&B field - but the intervention of fate and bad weather for planes.
So, it's always hard to disinter the myth from the reality. That he had a great Soul voice and a raw magentism is undeniable but is he any "better" than Solomon Burke or James Carr or O.V Wright - or my all-time Voice - David Ruffin?
So, in the sense he tends to be thought of more highly than others who had comaparable or arguably greater talent - he could be said to be "over-rated".
Four words
Oh. Yes. I. Can.
(This refers to the statement that I can't say Dock Of The Bay isn't a bloody annoying song.)
That Hendrix
He was OK.
(Yes, it's a cheek/tongue interface)
no he wasn't
he was rubbish mate.
Coldplay, and Oasis. Please
Coldplay, and Oasis. Please stop worshiping them as if they were Gods. Thank-you.
There are loads...
...so where do I start?
Oasis are a third rate Beatles, who as in their on right were easily the most over rated band in history and therfore are nothing to aspire to.
The Stones have had the odd moment but are nowt to write home about either when you listen to the real stuff. They are now changing outrageous amounts to see them going through the motions.
U2 are just shite. No need to explain anything.
But in my opinion the most over rated artist is not a band but an institution. Elvis Presley can't sing for toffee and nicked his whole act fromm struggling black musicians from teh deep south who were a whole lot more talented than him. Okay he made a couple of decent records over his twenty odd year career but it was mostly third rate cabaret rubbish and which if he hadn't had made such a name for himself (with the help of a somewhat pushy manager) would have been dismissed as complete tosh (which it in fact was).
Never been one for the main stream me.
Elvis
Read Guralnick's 'Last Train From Memphis' and your view of Elvis may well change. It's a cracking read about one of the pivotal figures in modern music.
2 out of 3
I disagree completely on Elvis - from the first lip curl through to the very end, he made great records all along the way.
If all he had done was make records that I think still stand up today as some of the greatest ever made (Don't Be Cruel, Heartbreak Hotel, Suspicious Minds, In The Ghetto, Long Black Limousine, Hurt), then I'd think that was a pretty good achievement.
He also blazed a trail for rock & roll : he had a big part in inventing it, by synthesizing the music he and many others in the south grew up on, but the biggest thing he did was turn the world on. Look at any interview where members of the Beatles, Stones, Zeppelin, talk about their early influences and Elvis is always a principal one.
Not all his records were great, few of his films were, but the great body of work is still there, waiting for people to discover it for themselves.
Elvis is The King
Agree about reading the Guralnicks - top books, and a fascinating insight into the greatest artist of the last century. Dismiss him at your peril!
I like Oasis. A great live band.
There, I've said it.
They have never proclaimed to be anything more than they are i.e. a Manchester rock band clearly influenced by The Beatles. Their first two albuims will stand up against any other proclaimed great bands from the 1960s to today.
They are a fantastic live band and have got to the point in their career where, as long as each new album delivers 2-3 great tunes to add to the live set, who cares.
I rest my case.
Arcade Fire
Al this way and no-one has mentioned the most hyped band of the last 3 years - ooh I find them dull.
Kasabian, Oasis, U2, Coldplay, in fact most bands whose audience jabs collective fingers in the air in time to the click track usually bore me with their predictability and air of self-importance.
I appreciate what people say about Nick Drake but no thank you.
There are lots more bands/artists I choose not to listen to but there's the rub, I CHOOSE not to listen to them. Life's too short to get so inflamed about bands we don't like and it doesn't matter how much anyone shouts at me I'm unlikely to change my mind about any of them. Likewise if you are so dead set against my faves it won't make any difference how often I bang on about them, in fact it'll probably have the opposite effect. So I won't. So there.
Angry me..
Why didn't I think of Arcade Fire? More terribly earnest terribly atonal shouty tripe hyped by tedious tin-eared hacks who spend their lives being terified of missing the bandwagon.
Sacred Cow Time
What is it that gets people about Roxy Music? The most soul-less art school twaddle ever produced, and then that t*sser Bryan Ferry ululating over the top of it. I mean if that's a 'lounge lizard' then I'm definitely staying away from the Galapagos...
they were just great
that's all
regards from
the sunny Galapagos
PS. weather and beaches are fantastic... there's a thought
The Beach Boys are totally overrated, I'm off for a massage and a sundowner, g'night
KISS!
Kiss off! THE most overrated band in history.
Absolute drivel with no artistic merit. If they showed a little bit more skin it would qualify as porn.
Rolling Stones should have retired after Tattoo You. So, post 70's I think they qualify.
Meatloaf ........ Nails on a blackboard and if he and his writhing com padre Steinman influenced anybody please don't play it whilst I'm there.
Bollocks to Bruce Springsteen too. Ok, perhaps he's not overated, I just hate it!
Sod it, I'll show conviction ......... overrated.
My name is Wayne behind the nom de web and this is my humble opinion.
The Who - lumpen
Led Zep - moribund
Manic Street Preachers - wafer thin
Lambchop - dull
Nirvana - monochrome
Not dull
Lambchop are thought provokingly good
Count me in hating Arcade
Count me in on hating Arcade Fire. All their stuff sounds like a hits of the 80's cd and 80's alternative mix cd playing at the same time to me.
Need to see them live
Astounding!
way overrated
the Grateful Dead - interminable noodling
Love - boring
Bob Marley - one song - different words
Arcade Fire - last album was unlistenable