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Love that song. Don't have a clue what it's saying.

Lucas Hare's picture

I was in the car yesterday and Casino Boogie by The Rolling Stones came up on the iPod. My initial feeling was of joy at how much I love this song; and then I spontaneously tried to sing along to it. And you know what? I couldn't manage more than a few words. This is because, no matter how much I love this song, I do not have the faintest clue what the song is about or of what most of the lyrics are. And it got me wondering: are there songs out there that you love; that make you grin from ear to ear; and yet ones that you don't have the faintest idea what they're banging on about?

1

Me Neither

So I Googled it. In all these years, I had no idea it contained the C word.

0
Seamus | 13 February 2010 - 12:09pm

Close up boogies

The only line I ever remember is "Judge and jury walk out hand in hand", which is a pretty cool line.
Although "Exile..." is probably my favourite album of all time, there are about six or seven songs ("Casino Boogie" included) that I still have trouble naming when they come on - unless I hear the title in the lyrics themselves.

0
Nick White | 13 February 2010 - 12:28pm

Bloody hell

Colour me well and truly shocked. Doing what in Cannes?

0
Lucas Hare | 13 February 2010 - 4:51pm

doesn't really

sound like that do, does it? No idea what it is though?

0
Pat Carty | 13 February 2010 - 9:18pm

Nick, seconded

Its pretty much my favourite album, if push came to shove. Yet, I havent a clue what they're on about in most of the tracks. Given the the fun that was had during its recording, i don't think anyone particularly cared -I always thought its an impressionistic fug of random debauched imagery and scenes and evocations of the 1930s/1940s Delta, joints being ripped, casinos, dice, diamonds, diseases, turds on the run, non-functioning ventilators and that hypnotic, ghostly voodoo plea, 'just wanna see his face!'

0
Slotbadger | 14 February 2010 - 12:32pm

On the money so to speak.

Slotbadger, I think you have arrived at the perfest description of the greatest Rock'n'Roll album ever.

0
Ger The Boptist | 14 February 2010 - 8:08pm

Cheers, Godon

am delighted you think so - I rather agree it is pretty much is the greatest rock n roll album of all time!

0
Slotbadger | 17 February 2010 - 1:49am

Philistines on Main Street

And yet there are people, even on this site I'm afraid to say, who claim that it is:
a) a great single album buried inside a so-so double album;
b) the sound of the Stones beginning to coast on their popularity; and
c) in need of a good producer

Tsk. Some people.

0
Nick White | 17 February 2010 - 9:56am

Tsk indeed!

Really. Some people, eh! I'd roll up my sleeves and say this to them, although they will quite understandlably scoff at the demented ramblings of an 'Exile..' obsessive.

a) Some may feel inside, a slimmed-down album is screaming to get out of a bloated, messy sprawl. I'd counter that the entire album is greater than the sum of its parts, it's a bright, colourful chaotic narrative over four sides, full of bumps and dips, lovely bounces and soaring heights. Like the White Album!

b) Whilst the Stones have never shied from coasting on their popularity and indeed have done pretty much just that post '74, 'Exile...' predates that slide into the murk. It's not too focused or disciplined, but I reckon it stands as a great artistic document in itself, where the process and evolution of the work is is part of the overall experience. It's stylistically enough of an about-turn from the dark, slick sheen of 'Sticky Fingers' to merit a degree of artistic credibility. It's nothing quite like anything they recorded before or since. I really think it marks the culmination of the stylistic progression that began on 'Beggars Banquet', that heavy dry groove propelled by raw blues. On 'Exile...' that blossomed into a heartfelt tribute to all the primal sources that inspired them and is in many ways, their farewell to that too. Never again would they essay country or blues with quite the same fervent conviction. I mean, compare 'Shake Your Hips' to 'Faraway Eyes'...

c) Jimmy Millar was a great producer! Listen to 'Satanic Majesties' and then 'Beggars Banquet' back to back and count the ways... I mean, that run of albums from '68 to '73 just wouldn't have turned out half as good, if at all without his guidance. Again, look what happened when those Glimmer Twins went it alone on the desk!

1
Slotbadger | 17 February 2010 - 11:37am

Almost anything by The Sleepy Jackson

I love love love passionately their Personality album, but while I can work out what words they are saying, I have no idea what they're on about.

Sample lyric from You Needed More:
Is that your brother in undercover?
All through the summer, to slip at winter
It's unreturning, you don't deserve me
You don't confirm me

This interview doesn't clarify matters much either:

0
daddyorchipsblog | 13 February 2010 - 12:12pm

Good Dancers....

...is a bit of first rate nonsense. And what a tune.

0
Bob | 13 February 2010 - 10:32pm

Everything by Sigur Ros

..ever. And I'm not being facetious - I love their stuff and having some idea what they're singing about would be nice, (though I imagine Pixies and glaciers feature largely). See also The Cocteaus.

0
Prestonia | 13 February 2010 - 1:12pm

A Whiter Shade Of Nonsense

I guess it would have to be Procol Harlem's A Whiter Shade Of Pale, haven't really a clue what it's about, but it still moves me very time I hear it.

0
David Wright | 13 February 2010 - 1:47pm

I'm really sorry...

I know it's not good form to point and laugh, but I really had to chuckle at the renamed 60s progsters, Procol Harlem!

We skipped the light fandango, motherfucker...:-)

3
Black Type | 13 February 2010 - 3:45pm

Top quality gibberish from rock's year zero...

...What's "mean" got to do with it? ;-)


1
Pax Romana | 13 February 2010 - 3:20pm

Top quality gibberish...

...about bumming. Fact.

0
Bob | 13 February 2010 - 10:31pm

I'd guessed it might've been about

or*l s*x with l*dies, but bottom fapulation is even more exotic...

0
Pax Romana | 13 February 2010 - 10:35pm

It's about avial smuctation...

...of lewd young men in bumclubs. God bless his cotton socks.

1
Bob | 13 February 2010 - 10:44pm

Reminds me of KYTV

Neoplitan Ice-cream on the way.

Apparently in the uncyclopedia of rock

0
Los Aromas | 14 February 2010 - 8:01pm

Original lyric included...

"Tutti Frutti, Good Booty,
If it don't fit, Don't force it
You can grease it, make it easy"

0
nicktf | 14 February 2010 - 8:38am

Tumbling Dice

is probably one of my favourite songs of all time but to this day - I haven't got a clue what Jagger's on about

"No show bitch are fishin'
Harbour feet a-twitchin'
Douchebag mice in a row"

Or something?

0
Sheev | 13 February 2010 - 5:40pm

Wasn't it the case that on

the Nellcote recordings for "Exile" Mick and Keith took some of Mick's lyrics outside, shot at them, and then reassembled the fragments to make up new lyrics?

0
Pax Romana | 14 February 2010 - 11:25am

Their version of the "cut up"

That would be the aforementioned Casino Boogie - see Tony Sanchez' Up & Down with the Rolling Stones. Apparently it was all that crazy Anita's idea - still, she was, perhaps, the brains of the out-fit through their greatest years.

1
Redlands | 16 February 2010 - 11:33pm

Thank you.

0
Pax Romana | 17 February 2010 - 12:33am

Pretty Persuasion

by R.E.M. off Reckoning is up there with the best of their catalogue, which makes it pretty much perfect, but have I got a clue what the words are? I have not.

Neither does Stipe, apparently. True.

0
Bob | 13 February 2010 - 4:40pm

R.E.M.

I think pretty much everything in R.E.M.'s back catalogue could find a place here. I'm nominating How The West Was Won And Where It Got us as being another one of the most obscure.

The story is a sad one, told many times
The story of my life in trying times
Just add water, stir in lime
How the west was one and where it got us
Aaaaaaaaaaaaaaaaaargh

0
Gareth Owens | 13 February 2010 - 7:25pm

The later stuff...

...while great, doesn't count when it comes to "obscure Stipe" - you can hear what he's singing. That's cheating. :-D

0
Bob | 13 February 2010 - 10:30pm

9-9 from Murmur

was a series of grunts and squeaks that were designed to sound like obscured words, even though they weren't. The only phrase that can be heard is "conversation fear" at the end, because the song is supposed to be a metaphor for social anxiety.

Or something.

0
Pax Romana | 13 February 2010 - 10:40pm

Tons of...

...Chronic Town and Murmur is completely indecipherable. Apparently Wolves, Lower and 1,000,000 were recorded with Stipe wearing a bucket on his head to obscure the sound.

Also, if you listen carefully, you can hear Mills and Berry playing pool on Perfect Circle.

I am a geek and a fanboy and a worthless human being.

2
Bob | 13 February 2010 - 10:46pm

Similarly

on the 'Let It Be' album, you can clearly hear an off-mic McCartney say 'fuck this, I'm off to form Wings'.

0
Tom | 17 February 2010 - 10:36pm

the perfect beautiful mystery

Michaelangelo by Emmylou Harris


Last night I dreamed about you
I dreamed that you were older
You were looking like Picasso
With a scar across your shoulder
You were kneeling by the river
You were digging up the bodies
Buried long ago
Michelangelo

Last night I dreamed about you
I dreamed you were a pilgrim
On a highway out alone to find
The mother of your children
Who were still unborn and waiting
In the wings of some desire
Abandoned long ago
Michelangelo

Were you there at Armageddon
Was Paris really burning
Could I have been the one to pull you
From the point of no returning
And did I hear you calling out my name
Or was it forgotten long ago
Michelangelo

Last night I dreamed about you
I dreamed that you were riding
On a blood-red painted pony
Up where the heavens were dividing
And the angels turned to ashes
You came tumbling with them to the earth
So Far below
Michelangelo

Last night I dreamed about you
I dreamed that you lay dying
In a field of thorn and roses
With a hawk above you crying
For the warrior slain in battle
From an arrow driven deep inside you
Long ago
Michelangelo

Did you suffer at the end
Would there be no-one to remember
Did you banish all the old ghosts
At the terms of your surrender
And could you hear me calling out your name
Well I guess that I will never know
Michelangelo

Last night I dreamed about you
I dreamed that you were weeping
And your tears poured down like diamonds
For a love beyond all keeping
And you caught them one by one
In a million silk bandannas that I gave you
Long ago
Michelangelo

1
goosefat101 | 13 February 2010 - 8:09pm

I absolutely

adore this song - it's the one that got me into Emmylou, heard it first on a covermount CD from Q, I believe. Went out and bought Red Dirt Girl (in Vancouver, memorably)and the rest, as they say... Don't know what it's about, apart from That Voice in excelsis - doesn't really matter, does it?

0
Black Type | 13 February 2010 - 8:30pm

if we knew what it was about

it would ruin it.

0
goosefat101 | 13 February 2010 - 9:14pm

This is for you Mikhail. You might like it, you might not.

Please dont think Im giving it 'The Big I am'. Im not, but the following is true...

About 5 or 6 years ago, I was very fortunate to interview Emmylou (over the phone from New York) for a magazine that I wont name. I had been scheduled for 20 mins max by her 'people'.
I sat in my poky flat in Hackney with my recordable 'mini disc'! plugged into a phone 'bug' and sweaty palms.
After a few false starts, I got through. She was in a Network studio, about to do a major talk show, having her hair/make up done as as she was speaking to me.
An HOUR later, with various factotums screaming in the background, the interview ended with her singing 'Happy Birthday' to me (it was) and thanking me for 'such a good talk'.

We had talked about Gram, Steve Earl, Johnny Cash, the Iraq war and more.

At the end, I asked her, after all that she had achieved, the people she had worked with, and the awards that she had won, what she was most proud of.
'You know what' she said ...'Im a real good rhythm guitar player'

I put the phone down and stared at the bins outside my window.

1
D.Green | 14 February 2010 - 2:00am

You jammy git

:-)

0
nigelthebald | 14 February 2010 - 8:49am

No, not bothered at all

Move along. Nothing to see here.

(sniff)

0
Black Type | 14 February 2010 - 11:50am

Michelangelo

Beautiful song. When I saw her do it in the Royal Albert Hall in around 2001, she made it sound like it was about Gram Parsons. Or Elvis. Or both.

0
Lucas Hare | 14 February 2010 - 8:41am

Love this track

I gave Wrecking Ball a go some years ago and liked it, but this track cemented it later for me. Ethereal, melancholy and, yup, impenetrable.

'My Antonia' is far easier to understand, but no less lovely.

0
daddyorchipsblog | 14 February 2010 - 11:53am

Wish they'd made more of these

In the 80's Maxell used this concept as the basis for an ad campaign. Very funny, I thought.

2
Nick Duvet | 13 February 2010 - 10:25pm

Stevie Nicks - what the hell is she saying?


(Apologies - I know I've posted this before.)

3
Nick White | 13 February 2010 - 11:09pm

Tears of laughter

I remembered the "Israelites" parody, but clean forgot "The Skids". What a hoot, my nose is still running!

0
policybloke1 | 17 February 2010 - 9:45pm

and another evocative mystery


First We Take Manhatten - Leonard Cohen

They sentenced me to twenty years of boredom
For trying to change the system from within
I'm coming now, I'm coming to reward them
First we take Manhattan, then we take Berlin

I'm guided by a signal in the heavens
I'm guided by this birthmark on my skin
I'm guided by the beauty of our weapons
First we take Manhattan, then we take Berlin

I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those

Ah you loved me as a loser, but now you're worried that I just might win
You know the way to stop me, but you don't have the discipline
How many nights I prayed for this, to let my work begin
First we take Manhattan, then we take Berlin

I don't like your fashion business mister
And I don't like these drugs that keep you thin
I don't like what happened to my sister
First we take Manhattan, then we take Berlin

I'd really like to live beside you, baby ...

And I thank you for those items that you sent me
The monkey and the plywood violin
I practiced every night, now I'm ready
First we take Manhattan, then we take Berlin

I am guided

Ah remember me, I used to live for music
Remember me, I brought your groceries in
Well it's Father's Day and everybody's wounded
First we take Manhattan, then we take Berlin

0
goosefat101 | 13 February 2010 - 10:40pm

Pretty self explanatory to me !

!!

0
Larry Bee | 15 February 2010 - 12:19am

Almost everything..

..by Steely Dan is, to me, impenertratable.
I know it's kinda hip, I know it's sorta cool, but what's it all about?

0
shane pacey | 14 February 2010 - 1:14am

But that's the point

with Steely Dan, they are trying to be obtuse. But at least there is some meaning, even if it's a bit cryptic.

Imagine what 'Tie me kangaroo down sport' means to the average American. :-))

0
Nick Duvet | 14 February 2010 - 3:46am

I'm sure they are trying to be obtuse...

..not sure there IS any real meaning, to Americans or otherwise.
It doesn't really spoil my enjoyment of the records, I was just making an observation.
I don't really know what (if anything) "Desolation Row" means either, but I still love it.

0
shane pacey | 14 February 2010 - 4:34am

examples?

well, which songs in particular are you referring to?

I agree with you on Desolation Row

0
Nick Duvet | 14 February 2010 - 5:28am

I don't really know..

..what ANY Dan song is "about", but as you say, that's probably the whole point.

0
shane pacey | 14 February 2010 - 7:04am

every Dan song is about the same damn thing...

So Donny's fucked up and he's fucked off cos the dude he thought he was fucking over fucked him and fucked his chick too and now Donny wants to get fucked up but the dude who got the smack fucked off taking the smack and Donny's chick with him.

And now he needs to make it sound perfect

3
Sheev | 14 February 2010 - 7:14pm

Hi Sheev.

You should edit Steely Dan's wikipedia page with that post. I have never heard their ouvre described so perfectly!!

Good Man.

I'm off to listen to Aja.....

0
Iainso | 14 February 2010 - 7:26pm

that is genius

very funny and accurate description of Steely's work!

0
simon kumar | 15 February 2010 - 2:14pm

What about 'FM'

'no static at all' ? Pretty self explanatory I thought.
And 'Babylon sisters, shake it'.
Nah, you're right. Bodhisattva.

0
Harold Holt | 17 February 2010 - 1:00am

Steely Dan vs. The Eagles

1
TheAwesomeSound | 17 February 2010 - 3:33am

Lay me place and bake me pie...

...I'm starving for me gravy

Of course...answer...Bowie..etc

What a great song, though.

1
nicktf | 14 February 2010 - 8:41am

First heard that song when I was 12 years old

it put the shits up me then and it puts the shits up me now. Genuinely disturbing stuff, genius is an overused word, but...?

0
heshofcheese | 14 February 2010 - 10:16pm

'Quicksand' runs it close

and probably wins the Pretentious Psychobabble Award

0
Nick Duvet | 15 February 2010 - 12:22am

With an honourable mention for

'Zane, zane zane, ouvrez le chien'

0
Slotbadger | 15 February 2010 - 11:28am

It don't have to be about anything

to be great.

0
masked tortilla | 14 February 2010 - 11:34am

Thanks..

Yoda.

1
shane pacey | 14 February 2010 - 12:28pm

Talking of Yoda....

Was listening to Pigs (Three Different ones) by the Floyd last night

"Big Man, Pig man, Ha ha! Charade you are!"

Perhaps the first example of Yoda in rock?

0
nicktf | 17 February 2010 - 5:20am

The meaning of Rock'n'Roll

Even if you cannot understand the words the meaning is always - sex.

0
Ger The Boptist | 14 February 2010 - 8:09pm

What?...

..even "Close To The Edge"?

1
shane pacey | 15 February 2010 - 12:06am

Ladies & Gentlemen, I give you the brilliant...

John Martyn. First few 'folk' albums, no real problem. But from Bless The Weather onwards, what the hell was he saying? This isn't a criticism because I love his style of singing and really miss the anticipation of another album coming out. The positive thing is that we can all sign-along-a-John, even if we don't know the words.

0
Axekeith | 15 February 2010 - 12:18pm

Joe Cocker..

this is rich, folks..

1
Declan | 15 February 2010 - 12:45pm

Bring them back

Someone needs to resurrect that old Maxell adverts idea. "Go and get a loaf of my bread" had me in stitches.

0
Nick Duvet | 16 February 2010 - 1:55am

Oh liver!

Oh liver!

0
daddyorchipsblog | 18 February 2010 - 8:19am

Phtttt!

Better than the original lyric by a mile.

0
shane pacey | 16 February 2010 - 12:44am

Counting Crows

The first album, August And Everything After. Love it to bits but I've no idea what most of it's about.

0
Baron Counterpane | 17 February 2010 - 10:34am

I dearly loved

"Complainte Pour Ste Catherine" off the McGarrigles first album when it was played on Radio One in 74-75 whenever.
I hadn't a clue what the words even were or what it was about until I became possibly the last person ever to get connected to the the www.interwenbnet.
Having had a peek, I think it's about hookers in Montreal. I hope so anyway
Does anyone still have that "Exile" flexidisc the NME gave away? I have but it's in a lock-up in Blackburn, or rather it probably isn't now as I gave up paying the standing order

0
Preston74 | 18 February 2010 - 8:51pm

THE CLAW!

“THE CLAW! THE CLAW! THE CLAW! THE CLAW! YOU KNOW WHAT THE CLAW IS FOR!” bellows Lemmy Kilmiister at the conclusion of The Claw - a characteristic pedel to the metal Motörhead track that rises from the smouldering pig iron of the Orgasmatron album.

The trouble is that I don’t know what it’s for. I am like the man in the song who, having failed to comprehend the power of The Claw, comes off second best to the weather-beaten, mutton-chopped front man.

Looking at it logically, The Claw implies some kind of hand or foot-like appendage, capable of a grasping or rending action - a weapon of some kind perhaps.

Maybe it’s more ceremonial - a lucky charm like a rabbit’s foot. Or in this case, a dessicated demon talon that reaches down from the leather chord, binding it around your neck, and guides your motorcycle to Valhalla, while you recline on the seat and drink the blood of your enemies from a goblet fashioned from a wolf’s skull.

The song ends with Lemmy and an unnamed lady performing the “horizontal dance”. It is possible that The Claw is a sexual position, or some implement of carnal pleasure. I live in fear that a sexual partner will ask me to perform The Claw on them and I won’t know what to do, and will be asked to leave their bedroom in disgrace, naked apart from my socks.

Once I broached the possible subject of The Claw with a friend, hoping that he would be able to provide some hitherto undiscovered insight. He scoffed derisively as if I was unworthy of the knowledge. Later I realised that this was a ruse to cover his own ignorance. Like stonemasonry and butter churning, the traditions of The Claw have been reduced to a quaint folk art. I am but one of a whole generation of men have forgotten its power. Heaven help us if there’s a war.

1
backwards7 | 19 February 2010 - 7:07am
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