Lets hang the critics
I quite like Josh rouse and am particularly fond of his EP with Kurt Wagner. I therefore decided to order the 2 cd anthology of the Rykodisc years and eagerly await its arrival through the letterbox.
Yesterday I bought the latest edition of Record Collector and the review of said cd in there said 'will probably be bought by people who don't like music'. These comments somehow offended me and quite frankly the reviewer should be burnt at the stake. Any other critics reviews that hjave pissed you off?
- More from Steve Turner.
- Login or register to post comments








Do record collectors
like music? I always assumed they would like records as objects rather than the music on them.
Don't worry
Steve, the comment says more about the reviewer than about Josh Rouse. It's so stupid it deserves no more of my time.
someone from round here
in the paper on friday used the (I thought) banned phrase "....sounds like michael nyman on acid" very poor
Josh
Chester is a great collaboration with Kurt Wagner. May I suggest you also go and check out Josh's debut Dressed Up Like Nebraska?
Critics? Well..... many in The Word parish found a recent review of The Felice Brothers new album to be a tad ill-judged by comparing the band to Python's Four Yorkshiremen. I was also rather mystified by NME's slating of the Little Jackie album. But then I find most of what NME says these days to be rather mystifying.
Where are my slippers?
But surely.......
.....don't many of us have already pre-conceived ideas of what is and will be good? We thus pick our reviews and journals carefully, to reflect that. You are, I dare say, unlikely to find a favourable review of Cat Stevens in Kerrang, or, dodgy ground here, Daniel O'Donnell, in the Word. So, like horoscopes, if "your" disc is reviewed less well than anticipated, you read further until you find a better review.... OK, this is somewhat extreme, and perhaps only applies to the small proportion, even in Words meagre selection, about which one is sufficiently partisan as to always covet, good, bad or indifferent.
(Actually, to entirely rubbish my argument, for musics I am less familiar with, I will be led by the opinions offered, again, however, dependent upon where I read it, or for the few recognisably named reviewers, their own seldom hid prejudices.)
True up to a point
However Steve says this review was in Record Collector which I always thought was a very broad church covering any music that can be catalogued and valued.
Critics reviews of artists
I particularly like will rarely if ever influence whether I buy the cd or not. Reviews of artists I am in two minds about may swing me a bit. In this particular instance I had already bought the cd. The strength of the comments lead me to think my judgement had been faulty. The cd has now arrived and I am pleased to say I am more than happy with it although anyone that was tempted to buy it but read the review before doing so would surely have been put off.
Here's one...
...of the more bizarre reviews I've read recently, as far as I can see it has absolutely nothing to say about the music itself (though as it's from NME, I shouldn't be too surprised!!):
http://www.nme.com/reviews/seasick-steve/9926
What is glorious is the
47 and counting comments. Seasick Steve wouldn't be top of my purchasing list but James McMahon has dug a wonderful hole for himself there. What a complete bollocks.
And for the record Steve I love Josh Rouse as well. That review is utter bilge and frankly isn't worth yours or my time. Obviously a music journalist who needs to get a job he likes.
Nashville
I only have one Josh Rouse album, Nashville, but it's great and I've been meaning to pick up more. Ridiculous review.
Check out
1972, Subtítulo, Country Mouse City House. Must admit I have nothing pre the 1972 album but have bought everything that was released since and seen him a couple of times as well. Never disappointed.
1972
I might get 1972 next, I've heard Slave Ship which is excellent.
Under Cold Blue Stars
is a cracker and my favourite. But they'll all decent enough.
A great song
I'd also like to give a mention to Marvin Gaye (Josh's song on the Home CD in this instance), Love Vibration (from 1972) and Winter In The Hamptons (from Nashville) which I think are all equally good.