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Just how the hell did they do this?

David Hepworth's picture


2
matthew | 17 August 2010 - 5:29am

Off Topic

Once had to go to a party in an "Irish" pub in barcelona. There was a singer/Guitarist billed as doing "Traditional Irish music". 10 minutes in he tried to get us to singalong to this by asking us to do the "oh oh oh the sweetest thing bit".

0
Sour Crout | 17 August 2010 - 8:54am

How did they do it?

Lots and lots and lots of practice. And a couple of mirrors and a very long piece of string.

0
Billybob Dylan | 17 August 2010 - 5:52am

40 takes

The take that you have seen is the very last take we did at 8pm on the last day of the shoot. Take 40. The tension as we watched Robert do this take was unbelievable. It was such a good take at every stage and so the longer it went on without any fluffs the greater the pressure grew for nothing to go wrong. When he got to the end and I got to call cut there was this huge roar and applause from the crew and agency and I knew we had it.

Full story here.

0
Fraser Lewry | 17 August 2010 - 6:56am

My guess

Drink was taken.

0
Leedsboy | 17 August 2010 - 7:18am
tiernan | 17 August 2010 - 8:18am

Like this ?

Posted this before but well worth seeing. Notice above how you never actually see Robert Carlyle's legs apart from the first and last bits.

Stargate Studios Virtual Backlot Demo from Stargate Studios on Vimeo.

0
Sour Crout | 17 August 2010 - 9:06am

A shot wrung out

The 2002 film "Russian Ark" was one sumptuous 96-minute continuous shot. I'm surprised you don't see at least one of the 2000+ actors cracking under the pressure and running off screaming.
Here's the trailer:

And here's a sample:

1
Nick White | 17 August 2010 - 9:01am

I love this film

The best way to view it is a) watch it without reading anything about it, then b) read the film's Wikipedia entry, which details all the historical events reflected in the movie, then c) watch it again. It's brilliant. Well, apart from the final few frames, which I think are clumsy.

I've wanted to visit the Winter Palace ever since.

0
Fraser Lewry | 17 August 2010 - 9:07am

Here's the Daddy of them all

8 minute single shot plus more references than you can shake a stick at.

1
clivetemple | 17 August 2010 - 10:38am

Can't let this thread go

Without posting the amazing 3m30s opening shot of Orson Welles' Touch Of Evil.

1
drakeygirl | 17 August 2010 - 10:58am

How did they do it? I'm just guessing here, of course..

They got Bob Carlyle to walk along a road and recite a script whilst someone filmed him using a Steadycam, by the look of it. Various props were set up along the road to coincide with relevant bits of the script. Every time they tried a take, something went wrong. Let's face it, there were lots of things which could have gone wrong. Eventually, it all went right, and everyone was happy.

But perhaps I know nothing about these things.

1
Lenny Law | 17 August 2010 - 1:11pm

The achievement is Carlyle's

I've done enough amateur acting and professional pieces to camera to know that what he did - walking really quickly along a road towards a load of technicians while speaking five minutes-worth of unbroken script - is awe inspiring. Most of us couldn't remember thirty seconds-worth of script so we'd never get far enough through the day enough to know how physically and mentally exhausting it must have been at the end.

0
David Hepworth | 17 August 2010 - 1:43pm

A hend-bairg?

DH in shock am-dram confession!

Rosencrantz? Willy Loman? Caliban? Stanley Kowalski? The MC in Cabaret?

1
Archie Valparaiso | 17 August 2010 - 2:00pm

I'm putting my money on

I'm putting my money on Rocky Horror....

3
gribbles | 17 August 2010 - 2:06pm

With respect, David..

You're not an actor. You're a journalist who has done some broadcasting. Remembering a long tract of script and then reciting it is what actors train to do. Robert Carlyle is a fine actor and can, presumably, do this with a greater degree of facility than most. He probably just thinks he's doing his job. I marvel at people who can effortlessly rattle out 1500 apposite words of finely-reasoned observation and debate on any given subject at the drop of a hat. You probably think of it as just doing your job and can't see what I'm going on about.

0
Lenny Law | 17 August 2010 - 3:39pm

Presumably he used the various props as

milestones for the script to ensure the timing was on.

0
stimpy | 17 August 2010 - 3:19pm

He also walked quite a long way

At a fair lick, whilst talking and not in the slightest bit getting out of breath.

0
clivetemple | 17 August 2010 - 3:31pm

Yeah its not the whole

Yeah its not the whole story. Glassworks were involved, which pretty certainly means there was some element of CG. I don't know about you, but getting that bull to stand in one position … 

0
Marky | 17 August 2010 - 3:38pm

A load of bull

Exactly. That would account for the "Animal Wrangler" in the credits. These things are enormously complicated. If the light goes, if the actor hits one of his marks too early or two late, if he stumbles slightly (because he can't afford to look down, like a normal person walking). Add to that the tension created by the various executives, hangers on and other unexplainable presences on such a major shoot. He makes it look easy. It's not. And yes, it IS difficult to recite a five minute monologue and make it look natural. I tend to wear a hat - and I'm taking it off to Mr C.

0
Kerry Shale | 17 August 2010 - 4:14pm

He'll have really done a five minute walk reciting the script..

and it may have been on a mountain road - problems with a location shoot being the weather, RAF, midges, green laning buffoons in 4X4s, cyclists in klingy lycra, so it PROBBALY was done somewhere else and dropped in but in any case its an example of his craft. There will have been some props/lines to help him hit his marks but the uncanny emergence into shot of background things at precisely the right moment - and look again exactly to the heart beat precisely - has to be CGI.

Bear in mind trained actors do this sort of thing (I'm not one) in all sorts of films - even the Jane Austens - nowadays

Some things he interacts with would have had to really be there but not that many, and as an earlier poster points out you rarely see his feet so he could have been blue-screened and reading it off a prompt. But if so he still has to make it convincing and he's a certainly good enough actor to have really been on the road walking along - though in reality with hardly a prop in site. Hats - or possibly tammies - off to him and to the technical crew - fine work (not too keen on the numbing corporate copywriting though, as opposed to the design and the 'idea').

0
FakeGeordie | 17 August 2010 - 4:56pm

No, its not all trickery

No. most of it was done for real as this article shows …

http://www.shots.net/article_detail.asp?atype=1&id=9071

Certainly the monologue is real, and the location is real. But the fact that they are even talking about cheating and dong some of it in post, means that there must have been markers, and mapping (allowing accurate placement of CG elements) placed along the route. At the very least these have to be digitally painted out frame by frame. But the fact that Glassworks (a major Soho post production, and CG house) were involved AT ALL, means that some of it is probably not real. Just my reading.

0
Marky | 17 August 2010 - 6:33pm

Let's be charitable

It needn't necessarily have been green-screen-type cheating. Much CGI work is simply to remove pylons, power lines and other spoils-the-nice-view detritus from the landscape. (Or maybe they simply stuck some moving images on that bank of TV sets.)

0
Archie Valparaiso | 17 August 2010 - 6:39pm

There's also Hitchcock's Rope

A whole movie in 8 single takes :

0
dai | 17 August 2010 - 2:05pm

And this recent loving homage

Psychoville, (aka 2/4 of The League Of Gentlemen*), episode 4, which was filmed in two 14-minute takes, with a blink-and-you'll-miss-it edit in the middle.

*Although in this episode Reece Shearsmith & Steve Pemberton are joined by fellow LoG-er Mark Gatiss.

1
Cadabra | 17 August 2010 - 3:31pm

What about this then?


0
Norwegian Blue | 17 August 2010 - 4:42pm

I would rather have listened to

that beautiful bagpipe than the endless speech about the dull adventures of mr Walker, but I know I'm in the minority.
Wonderful instrument.
"Shut it!" No, YOU shut it, you rude little man.
Ah, the bagpipes...it's only rock'n roll, but I like it!

0
Locust | 17 August 2010 - 4:59pm

I think you just have to accept...

....that the standard of craft skill in any area is higher than you think and that some people are even better than that.

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David Hepworth | 17 August 2010 - 10:02pm

We were, weren't we?

The craft isn't in doubt, the actors and/or the crews - just the copywriting...!

0
FakeGeordie | 18 August 2010 - 5:53pm

A great piece of film making

What a pity the current owners of Johnnie Walker (Diageo) plan to close the Kilmarnock bottling plant in 2011 with the loss of some 700 jobs. Thus ending a 189 year link with the whisky brand and the town.

It kind of makes Robert Carlyle's fine words ring a little hollow.

It was a wonderful performance, though.

http://en.wikipedia.org/wiki/Kilmarnock#Johnnie_Walker
http://www.wsws.org/articles/2009/jul2009/walk-j29.shtml

0
mojoworking | 18 August 2010 - 1:44am

Goldfrapp

"Happiness"

0
Mousey | 18 August 2010 - 7:21am

Johnnie Walker Blue Label

one of the different blends mentioned in the film (which I'd never heard of until Leo drank some in The West Wing), can be bought for around £140 per bottle.
You can put your order in now for a bottle of the King George V edition, which won't be available until May 13th 2013, at a shade under £360.
There is a story that Pope John XXIII was known as Johnnie Walker for his habit of slipping out of the Vatican via a back door to find small non descript churches where he would celebrate a mass for the ordinary Roman people.

0
Carl Parker | 18 August 2010 - 5:28pm

The Audio Quality is outstanding...

On a computer no less,digital 'n aw that.So there goes your Analogue V Digital argument.Down the drain...

0
bricameron | 20 August 2010 - 5:25am
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