Intelligent Life On Planet Rock
Indie Landfill
Can I commend to the Word massive an article in today's Independent on Sunday which firmly hits the 'what is it with young people of today' button (http://www.independent.co.uk/arts-entertainment/music/features/does-the-...). It confirms my own view that today's indie all sounds the same. There are some excellent quotes from the Word's Andrew Collins as well as recent podcast contributor David Niven ("Scouting for Girls are like the sound of Satan's scrotum emptying").
As I was reading, the article threw up a number of questions, the obvious one being, if the Scouting for Girls album is number 1 in the 'chart', who is buying it (do Word readers have kids that buy it)? The more important question for me though is whether we looking at the 'old' indie through rose-tinted glasses. Of course we can name some great indie bands (i.e. those on indie labels) from the 70s onwards, but there was also a lot of chaff. I always struggled to tell my Inspiral Carpets from my Charlatans and my Neds Atomic Dustbin from my Carter the Unstoppable Sex Machine. Were things in the 70s and 80s really any better than they are for today's indie kids?
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Indie
Nearly all genre names are unhelpful. "Indie" was ALWAYS more weaselly than most. Like "progressive" and "alternative" it was mainly employed as a means of looking down its nose at other genres, which were by contrast "corporate", "retrograde" and "spoon-fed".
I don't go along with the argument that what's wrong with landfill indie is that it doesn't threaten the government. No pop group has ever threatened a government and no pop group ever will.
What offends me about it is that it is characterised by:
* complete lack of rhythmic invention
* weedy vocals
* utter self-absorption
* million of songs about nothing but how *weird* the world is
* having gone on about twenty five years too long
And didn't Andrew Harrison coin the term "landfill indie"? If so, let's invoice!
I'll raise the invoice
I've certainly noticed the term in the Media sections of the IoS and the Guardian Andrew H should sue.
I certainly did coin "landfill indie"
but have given Tim from the Independent and Alexis Petridis at the Guardian special license to "spread the meme". Possibly even more damning is Peter Robinson's concept of "flipchart indie" which tells you all you need to know about the box-ticking that drives these bands.
Never Mind The Buzzcocks episode (from Wikipedia):
"As part of a jibe on the fickle nature and inflated importance of the NME Cool List, a fictitious indie artist named 'Flipchart Hiatus' was initially introduced as Bill Bailey's second guest. Amstell then announced that Flipchart Hiatus had slipped too many places on the Cool List and so had to be replaced."
David Niven?
I'd love to know what the old smoothy's view of The Pigeon Detectives was, but sadly we're only treated to John Niven's in that article...
And to be scrupulously fair to the Indy, on the two occasions that they use the phrase "indie landfill" in the article it is prefaced with the words "Critics have dubbed their sound..." and "this uninspiring, guitar-gelled Polyfilla is now known by some as..." so Mr Harrison would be hard-pressed to sue. :)
Interesting article though.
Apologies to John and David
I guess David was unavailable for comment
I've just checked...
David Niven did say "they sound like satan's scrotum emptying", but he was talking about Amen Corner.
The Kooks are the root of all evil
Only last night, my wife and I were fast forwarding through the BBC's "let's-show-exactly-the-same-bands-playing-exacty-the-same-songs-as-we-did-for-Glastonbury" highlights of T in the Park which gave me the opportunity not only to observe that REM were a damn sight better at Portsmouth Guildhall on the Green tour 20 years ago, but also to note that The Kooks summed up everything that is wrong with the 21st century. My wife gave me her best "Oh do shut up" look, but I feel I was at least partly vindicated by today's article.
Indie landfill...
...gets 120 results on Google. And do the more indie orientated festivals qualify as indie landfill sites?
Indie is a smudged tenth generation photocopy
"right now we're living through a generation of bands brought up on the tail end of Britpop. If it's a time when you're feeding off Sleeper, Gene and Shed Seven for inspiration, it's not going to yield nourishing results."
I have the theory that the reason a lot of new music is bad is because of the diluted influences that are being used.
Rolling Stones are damn good. They were only one removed from the original blues. That is what they listened to and wanted to play.
Led Zeppelin are very good, but by now they're a bit diluted as they're still listening to the blues, but The Rolling Stones are now an influence.
Five years later and a band like Heart or [INSERT BAND FROM MID 70'S] turn up. They barely know the blues. Instead they're influenced by The Rolling Stones and Led Zeppelin. So already things are getting more diluted.
Every generation (ie. five to seven years later) lose an earlier "roots" influence.
The Stones are a copy. Led Zep is a copy of a copy. Heart is a copy of a copy of a copy and so on down the line. So a indie band today is a copy of a copy of a copy x5. A band that has Led Zep as an influence has a better chance of being good rather than a band that has Oasis as an influence, yes?
This is a blanket theory with a million loopholes (eg. why are the blues a better influence than Led Zep?), but I think the underlying idea holds enough water. And of course, if a band has ORIGINAL ideas instead of recycling old riffs, then none of this applies.
True dat...
...but with some exceptions - there are some musicians who do go back to 'the source' for their primary reference points.
A couple of examples - I know The White Stripes don't float everyone's boat here, but Jack White undeniably goes back to the blues for inspiration (ok, with just a touch of Led Zep). More recently, Eli 'Paperboy' Reed goes straight back to the soul sources without any recent 'R&B' filtering.
But the fact they're the only two who immediately spring to mind kinda proves your point I guess...
Good point...
Good point...
Indie copying indie = indie breeding
It's now kind of eating itself in the sense that many new bands are looking back to the start of indie, which was around '78/'79 as in post-punk and coming up with something inferior. Elastica already had a go at that didn't they? Then you've got the likes of Coldplay among others combining U2, Radiohead and Oasis - sort of like in-breeding really - they need some new genes from elsewhere. Not sure that going back to the blues is the answer though - just to end up with a different kind of retro. Maybe if they simply try to come up with a good tune and the rest will follow, and listen to better music - a much broader range of music at that. Was indie better in previous decades - yes, definitely. Like any style though it reaches it's high point then declines. Perhaps it's fair to say it was once something different to the mainstream but has now become the mainstream. So where's the new proper indie in that case?
Grunge is not the most popular genre in these parts but at least it was something different at the time and a genuine culture in itself. Kurt Cobain said he strove to combine The Beatles and Black Sabbath, (and to to copy The Pixies too of course (unofficially)) and thereby produce something fresh. Well that's the kind of thinking you need I feel.