Howling feedback madness!

Listening to Comfortably Numb the other day, I was interrupted by my beloved exclaiming that she couldn't see the point of guitar solos.

Normally, I tend to let her dismissal of Pink Floyd ("too much noise and a load of lights" was her description of one show) wash over me. But this comment set me wondering: what is the point of a solo? Do they add something indefinable to a song, or is it just a bit of showing off? I think it's somewhere in between - to me someone like Steve Vai is just a skilful poser in search of a good tune, whereas Dave Gilmour or Mark Knopfler create real mood and emotion with just a few notes.

Q once described Neil Young's Arc as "howling feedback madness". Has there even been a better, more evocative description of a rock show full of guitar solos?

Personally

I wouldn't give it much thought. Hand her her handbag put on some Girls Aloud and let her off around the kitchen doing the X Factor Boogie. Then put on your ipod go back to Comfortably Numb speed forward to the guitar solo and enjoy.

Springer Bell | 11 October 2008 - 5:58pm

Thankfully, she can't stand

Thankfully, she can't stand Girls Aloud and we stop watching X Factor once they kick out all the freaks. But still, my iPod is my musical saviour...

MrLovegrove | 11 October 2008 - 6:10pm

The best guitar solos...

are an integral part of the song and add to its overall mood...

For example, George Harrison on 'Something', James Honeyman-Scott on 'Kid' and, yes indeed, David 'Dave' Gilmour on 'Comfortably Numb'.

Patrick Crowther | 11 October 2008 - 6:20pm

Lowell George...

...said it all in one brief glissando in 'Long Distance Love'

stimpy | 12 October 2008 - 7:01pm

That...

is another *great* guitar solo (apologies to Mr Hepworth for nicking his trademark use of *)

Patrick Crowther | 12 October 2008 - 7:14pm

A connosieur writes...

Clearly mankind is yet to invent a more exciting, passionately expressive sound than the electric guitar at it's best. So the point is it moves you. I think many women would agree in fact. And if it seems it's going on too long well then it's a not a very good example of the art - and I'm not interested in technique for technique's sake. I like all kinds and styles but sometimes you can get too much of a good thing and need to take a break from it, but it always comes back. And when it all starts to sound a bit corny (too Dad rockish) you can always find a more out there, less predictable, intelligent alternative - like Adrian Belew or something.

It's good if it's a vital part of the song but it's also OK for it to be just to be about the sheer exhiliration of playing. Must go now, X Factor is on.

Sven | 11 October 2008 - 6:35pm

Plank spanking

The best ones are totally integral to the song to the point where they're just incomplete without them. To whit; Comfy Numb, Hotel California and Telegraph Road, all of which are examples of pure genius... And, of course, a truly great guitar solo will involve gurning with eyes closed and a wrist action on the tremelo arm that only men truly get the knack of...

markstay | 12 October 2008 - 7:50pm

what about that guy

on the Carpenters "Goodbye to Love"???
Come on somebody throw it up on You Tube.

Bang Em In Bingham | 12 October 2008 - 3:53am

This one ?

You mean this one ...?


about 1.40 in. Who is this guy ? I want his solo album....

chrisf | 12 October 2008 - 7:35am

Tony Peluso...

and a very fine piece of axesmithery it is too...

Patrick Crowther | 12 October 2008 - 8:18am