Entertainment For Lively Minds
Here's a question....
Posted by David Hepworth on 19 October 2010 - 12:24pm.
...triggered by a remark in the X Factor thread below.
What's the difference between "rock" and "pop"?
- More from David Hepworth.
- Login or register to post comments










Rock
Rock has hymn-like structures and often pentatonic scales, Pop is less constrained.
Beatles rock = Let It Be
Beatles pop = the better stuff
Rock is
solid, monumental, grained, stratified, meant to last.
Pop is giddy champagne sparkle.
Both can be enjoyed.
This will get shot down I'm sure...
Pop - singles
Rock - albums
I agree
and was about to say the same.
Agree
pop has catchy obvious singalonachoruses. Rock records generally don't. Unless they are singles when they might e.g. "All right now".
Hmmm but aren't
all the best bands pop or rock are singles bands. Even V'zep are best known for individual tracks like stairway and whole lotta of love .
In my head...
... rock bands can manage great pop singles more often than pop bands can manage whole albums.
I am aware that things like The Lexicon Of Love disprove this. But I do think they are exceptions to a not too strict rule.
Rock BAND
Pop group
Don't think so
Zep never released any singles officially. I think a few got released in the US against their wishes. The best rock bands rarely had hit singles and when they did it was an aberation (e.g. "Black night" etc as mentioned by Carl). It's obviously not a hard and fast rule of course. I think the idea that the single is the perfect construct is a pop thing. Which is why most rock bands had few if any singles hits. Blimey even the mighty Tull had a few hit singles, but were certainly not a pop band. I'm going round in circles here...
Led Zeppelin
had a strict "no singles" policy in the UK designed specifically to distance themselves from the (as they saw it) disposable pop bands of the day and establish their "serious" rock credentials.
Even the popular/well-known LZ tracks were much too long to be considered for singles or daytime radio play anyway. For example, their "no singles" rule didn't apply in the US, but when Whole Lotta Love appeared there it was stripped of its orgasmic middle section in order to fit on a seven inch.
Back in the 60s and 70s British pop was defined by the song writing teams of Roger Cook/Roger Greenaway, Chinn-Chapman and Tony Macaulay/Barry Mason who between them virtually controlled the UK charts for a decade or more, in the same way that the Pop Idol/X-Factor masterminds do now. They wrote songs for a stable of (mostly) disposable bands/artists and in doing so, pulled the strings of their careers.
At the other end of the spectrum were the "serious" bands like Deep Purple, Cream and Black Sabbath, many of whom did enjoy the odd hit single or two, but they wrote their own material and their real focus was the album and live performance. They were in it for the long haul, in other words.
The Beatles, of course transcended the entire pop/rock debate. They not only held the pop singles chart by the throat for eight years, but also virtually invented the concept of the rock album which previously had been just a collection of singles and B-Sides, padded out with a few cover versions. Almost alone in popular culture, the Beatles' appeal crossed all age groups and social divides. From young children and teenagers at one end to grannies at the other, with a fair sprinkling of university music professors and dope-smoking hippies in-between, simply everyone loved the Beatles.
The Combined Services
One of the Barbican's mighty roster of boozers in the late 60s and early 70s, was famed for its jukebox, which sported a well worn copy of Whole Lotta love and many other rock classics on 7 inch vinyl, mostly acquired courtesy of the unofficial import channels afforded by its being frequented by numerous matelots of a colonial persuasion.
Sixpence a spin, or three plays for a shilling. Courage Best, straight from the barrel, and delivered by horse-drawn dray from the superb Courage brewery about two miles away, was 12 pence a pint when I was in the fourth form. Happy days.
Guitars and jauntiness
Rock is dominated by heavy guitar, pop less so. Rock pods, pop has a spring in its step.
When something is described as pop rock it usually means moderately heavy guitar played jauntily
What he said
.
Soul vs. Pop
I know that soul records that crossed over from R&B charts to pop tended to have strings, percussion and backing vocals - some sweetening. This was seen as a qualifying factor.
This probably doesn't help.
Drugs
Pop is ruined when drugs turn up. Rock isn't (at least not straight away).
There's always an exception
But that's rock.
Beatles Red album is pop. Beatles Blue album is rock.
There's our dictionary definition!
Pop = Red album
Rock = Blue album
end of thread
How have you got 9 up arrows
by agreeing with me when I only get 2?
*sulks*
Heh, it must have been the general sense of certainty
and 'job done, thread over' about my post.
Have a consolatory Karma Error from me :-)
EDIT: the difference is now a mere four ups. Well done
I'm forever on your tail
I'm going looking for Eddie G's post and give him an arrow as well.
All you need is love (is that a rock song or a pop song?)
poor eddie g
who said it first has only got 2 now!
'One's blue and stops in 1970.
The other's red and stops in 1966.
eddie g | 19 October 2010 - 1:34pm'
see below...
I suffer silently for my art
whilst others get the honour.
But as I have clumsily tried
to propose in the Led Zepp post (above), don't the Beatles transcend the entire pop/rock debate altogether?
I'd contend that they were pushing the boundaries so far that they were virtually inventing a new type of music every time they went into the studio. We can call it pop and/or rock retrospectively if you like, but at the time it was really neither of those things.
After the first couple of albums the Fabs were tearing up the rule book three or four times a year with every new release. They really were making music the like of which had never been heard before.
Indeed
and one of the signs of this is that people who usually had little interest in pop (e.g. my Stravinsky-loving dad) found the Beatles interesting, and indeed that whole artistic moment.
This isn't because it/they was/were pretentious, imo, it is because it was so *vital*, in the same way as Paris at the time of the Rite, or [insert your favourite artistic explosion here].
It's funny, though, to think back to a friend of mine at school in the 70s who told me in all seriousness, that Abbey Road was the only "rock" album that the Beatles made, and that he could listen to alongside... well ... Floyd, ELP, Yes, Genesis, Zep, Free, Bad Co etc etc. I am sure I chin-strokingly agreed, while inwardly wondering if he was right. Jonathan Coe is so accurate ...
People a tad older than him, e.g. our youngest/trendiest teachers were recommending this (rather pricey) White Album, that I never got round to hearing properly until I could get a cheapo Portugese copy.
Fortunately my dad liked Pepper, bought us 62-66, and we had a battered Memorex tape of 67-70.
Rock=Heavy Pop=Light
Led Zeppelin Vs Abba
don't lilke Light
suggests insubstatial and ABBA lyrics (some of them) are filled with depth and real emotion unlike zeps more epic and abstract songs
Varterloo
how vood it be if ve vun der var?
Deep man.
.
thanks JR
"day before you came" would be the example I'd reach for. And even "Waterloo" it could be argued shows a degee of whit and style. B&B are equating falling in love with the Napolonic wars, when him out decemberist does something similar he gets a seven page article and called a visionary ; )
I remember
Abba winning the Eurovision contest and we all fell about laughing at how naff they were, and no amount of revisionist thinking will convince me otherwise. Which makes me a goat(ref D. Hepworth).
I remember being about 7
and loving it as much as I loved Good Vibrations by the Beach Boys. No preconceptions in those innocent days meant you could do that.
Nope
I hated that too. Oooh waaah ooo wahhh. Cringe. Horses/courses etc. My Mum was a big Scott Walker fan so I was into "Jackie", Scott 4 etc by then.
I will cheerfully admit that I can't abide bright breezy (cheesy?) jolly pop music in the main. I like dark.
Exhibit A
The resigned
the wistful
and the defiant (and to me superb) [*]:
not too shabby, surely ???
[* obviously works best if "tracks" rhymes with "sex".]
Not shabby at all.
A great admirer of Benny and Bjorn as grown-up pop writers. Masters of their craft. Not many lyricists can get to this standard in their first language, let alone another one. Remarkable.
I'll be honest
they're both a bit too cheerful for me now as well. But I loved them both then.
You want dark?
Battles and conflict? Check.
Relationship breakdown? Check.
Existential ennui? Check.
Social and emotional isolation? Check.
That'll be ABBA then...
When referring to Abba As Light
I was referring to their music as opposed to their lyrical content and certain songs which could be seen as pop such as Mamma Mia,Dancing Queen,I do I do I do I do I do, Take A Chance On Me, Angel Eyes
Fair enough
I recall my Dad used to dismissively call it Swedish mission hall revival stomp (or som such phrase), and in some ways it does rather undercut the lyrics--but I haven't really heard them covered in other styles really well, with the odd famous exception. Are there good rethinkings of ABBA out there ?
Marshall Crenshaw
I like this version, because:
- i like MC, a lot, just generally, and...
- I like his voice
- I like his guitar playing
- i like his guitar's tone
anyway, it's a nice wee live rendition, eh?
Thanks for that
was intrigued by what is on YouTube, e.g. (in approximate order of increasing metallicness) Evan Dando
U2
The Police [no, not them]
Yngwie Malmsteen
Alexi Laho [no I hadn't either]
Not sure what this tells us but ABBA do seem to be an effective musical Rorschach test ...
Though now I think back
*this* was my favourite ABBA cover moment:
Does that make ABBA the SMHRSH then?
Sounds like the sort of organisation James Bond would be sent to destroy.
Do you expect me to answer, stimpy
etc etc.
Perhaps I missed my cue---had I answered "the wolves are running tonight" or something, I would have been inducted into MI6 ...
Nothing more to say to you Spaceboy, sorry to disturb you...
(Stimpy turns up overcoat collar, pulls down trilby and walks off into the darkness whistling innocently)
I'm surprised that
this version of Angel Eyes haven't been mentioned yet.
The Czars; John Grants lovely voice give me tears in my eyes when I hear this.
Not a big ABBA fan otherwise, not even when it was treason for a Swede not to be; in my childhood. But a few songs, especially The Winner Takes It All, are truly stunning.
Though I see from Wikipedia that the recording
of The Visitors in 32 track digital was too cold, so engineers had to find ways to put the warmth back in ;-)
gets fur coat hurriedly.
Apropos of nothing...
About eight years ago, the company I was working for had their Christmas party at a restaurant called Hasselbacken here in Stockholm.
I arrived a bit early and was hanging about outside in the freezing cold. A man came to join me on the steps of the restaurant. He was bearded and wearing a greatcoat. I saw with a sudden thrill of recognition that it was Benny Andersson. I suppose I should've gone up to him and said something like "You, sir, are a great songwriter whose music will live forever." But I didn't. I just hung around, stomping my feet in the freezing cold, pretending not to have recognised him.
And then he went off.
What did you do
the day before he came?
There was an interview with one of the Abba blokes - Bjorn?
.. in Mojo a few years ago. In it, the interviewer described someone coming up to them in the street as they wandered off for a coffee and crying 'Genius' at said Scandanavian.
What was nice about the story was that the bloke responsible read the interview and excitedly wrote in to the next issue to claim the credit.
And I think it was Bjorn but I am not sure because when he grew his beard he looked alarmingly like Benny. They must surely be right up there with Baccarach/David & the HJH as popular music geniuses
ABBA looked' naff' in the seventies next to the New Wave bands but everyone knew all the songs anyway - at least, the singles. They've always suffered from hen-party/wedding disco associations (not that they mind by the sound of it). I think that it was Blancmange with 'The Day Before You Came' that sort of forced the issue on the NME chin stokers 're-evaluating' them. I just thought they were great although it was only when Summer Night City came out that I could 'admit' that to myself - being a proposterous self conscious git (which is to say - a teenaged music fan..)
NME and ABBA
The NME reevaluation occurred years before Blancmange.
As I recall it was the most unlikely of their staffers, Mick Farren, who first spoke up on their behalf. The ex Deviants lead singer had a whole article about them and their musical genius, probably around the late 70's.
Sometimes the two can be mixed
e g Franz Ferdinand
Probably easier to say what 'pop' isn't
Long solos, 'serious' lyrics, instrumentation, blokes with beards...
Blokes with beards..
erm..Abba?
Tidy beards
are allowed in pop.
Shaggy beards are rock.
Although - Wizzard??
'Tidy beards are allowed in pop'?
You are Noel Edmonds and I claim my five grams of cake.
PS: Shaggy had a beard and he definitely wasn't rock...
Not rock!
I would contend that there was definitely a hint of stoner about Shaggy

I was thinking of...
...the It Wasn't Me-(s)hitmaker.
I'm not sure that there is
I recall it was a distinction that came in at the end of the 60s to distinguish "serious" music that was confined to albums (and as with bands like Les Zeppelin totally disdained singles) from those fizzy confections that made the singles chart. Remember how tenybopper music was suddenly looked down upon?
But in so many ways it's an artificial construct.
Does anyone else recall how Deep Purple seemed almost embarrassed at the success of Black Night, because it didn't "represent their music" and they claimed they didn't know what the lyrics meant? Child In Time of course had so much meaning. They weren't so proud that they refused the royalties though.
Black Sabbath, who had a more or less contemporaneous hit with Paranoid seemed to exhibit a similar attitude.
go on then...
Pop = female
rock = male
No static at all
Seemples.
Testosterone.
What a good question!
Pop dresses up (or down) to sell itself, stands in doorways whatever the weather and makes itself available to anyone, for cash.
Rock advertises itself on cards in phone booths and in specialist catalogues, just a phone call away, credit cards accepted.
Or in plain English, one's a tart and the other's a call girl.
Now Venn....
Sometimes they are the same thing sometimes they're not. I'm sure that the only definitive answer should include a venn diagram.
So whats this?
Bought this Weezer album a few weeks back and only got around to listening to it in the car yesterday. This is track one and its brilliant.
Always thought of Weezer as a rock band but I believe this is the return of Powerpop.
PS Great video too.
One's blue and stops in 1970.
The other's red and stops in 1966.
I like rock
You like pop
They like recycled covers by X-factor hopefuls.
Well
There's also "rawk" which I always equate with American bands, playing in stadiums shouting "Hello Cleveland", playing horrible WWF riffs that never swing, tight spandex pants with a carrot shoved down the front, big hair, appearing on stage after shagging 14 year old groupies backstage (hello David Lee Roth), just frigging awful..Rock is Pop that takes itself a bit too seriously. Pop was golden age Beatles..now it's Lady Gaga, The Brits, X-Factor, Modern Country most of it CRAP of the highest order.
RIGHT IT'S BACK TO THE ROCKING CHAIR!
Nothing
just different clothes........
I know this
Twang Junior aged 5 told me the difference between pop and rock is that rock has drums.
so why do all great pop bands have 2 drummers?!
Hmmm
I have protected his young ears from Adam Ant but I fear he would love it.
problem is this
At the time
I was in my mid teens when gary glitter seemed to be number one every other week.
at the time, I loved his music, & TBPH, I still do.
Before the rants come in, I am referring ONLY to his music, which was / is fun, glam rock at its best.
Don't think you'll get ranted at for that
I think most on here can separate the art from the artist, surely?
In my humble opinion, Glitter was responsible for some of the best, stomping great hit singles of all time.
There aren't enough star-shaped guitars being played these days
Mmm
Pop is fuck me and forget me
Rock is fuck me and marry me.
either way
they're still leavin' on a jet plane
Hard one
Rock: Creedence Clearwater Revival
Pop: The Dooleys
But pop/rock: Suzi Quatro
Beatles again
Pop = Rubber Soul
Rock = Revolver
Rock...
is your record collection. Pop is your sister's.
There is a school of thought...
...that says that 'rock' was born in 1965 with the release of Like A Rolling Stone. I've never been 100% sure as to why; but clearly there's something, I don't know, harder edged from about 1964 onwards with the release of singles like the aforementioned vomitific outburst; and 'heavier' (guitar-wise) singles like You Really Got Me, Keep On Running and Satisfaction.
Rock is...
...pretentious pop music.
The main difference between pop and rock is...
... they're spelled differently.
Distinction without difference
I think "pop music" and "rock music" are different ways of describing the same thing. Any rules we make to distinguish them have so many exceptions and exemptions that they're meaningless. When I was younger and even more foolish, "rock" was good and "pop" was bad. It's just music. I'm reminded of David Gilmour's appearance on Desert Island Discs. Pink Floyd are probably regarded by most who care as more rock than pop - but when Gilmour was talking about the future of the band, he said "after all, it's just a pop group". Amen to that.
The Dame swings both ways
Up to 1966=rock (Konrads, King Bees)
1966-1968=pop(Bowie goes "cabaret")
1969-1974=rock (Space Oddity, TMWSTW, Hunky Dory, Ziggy, Aladdin Sane, Diamond Dogs, Pinups)
1975=pop (Young Americans)
1976-1979=rock (Station to Station, Low, Heroes, Lodger, Scary Monsters)
1981-1986=pop (Under Pressure, Cat People, Let's Dance, Dancing in the Street, Absolute Beginners, Labyrinth)
1987-1991=rock-but-shite(Never Let Me Down, Tin Machine)
1992-1993=pop (Freddie Mercury Tribute Concert, Black Tie White Noise)
1995-present=rock (Outside, Earthling, Heathen, Reality)
1975
"Plastic soul man, plastic soul" :-)
This summer
I highlighted my entire iTunes music library and changed the genre to 'music'. I've had enough of these ridiculous categories: music quite often has Soul, is played by Folk, is Popular, Rocks a bit and is recorded in a Country. And that's the Gospel truth.
I think it was the great Willie Rushton who pointed out...
...that "there are only two types of wine, the ones you want to spit out and the ones you want to swallow", which could just as easily be applied to music, rock, pop or any other damn thing. I hate country with a passion, but will quite happily listen to Chris Isaak, John Hiatt and a number of others, just like I usually can't stand pop but will quite happily listen to whole swathes of it. I would usually prefer rock and particularly metal but I know there's plenty I can't stand..... my point, and I do have one (tm Ellen De Generes) is clearly completely off the topic.
I'd go with the heavier guitar theory above being the rock angle, and anything that made it into the charts was just an accident where enough rock fans happened to outnumber the pop-heads.
Also, the Beatles/Bowie pop vs rock thing is interesting theme. How about the Cure - serial producers of bubble gum side by side with gothic overtures.
Pop VS Rock
When I was growing up we saw rock as supposedly credible and pop as not. Weller was rock, despite the string of top ten hits and Duran Duran were pop. These days I'd argue that pop is more credible than rock because it quite often is what it is. It doesn't need to place itself in history with a string of 'cool' influences.
(If you asked my dad he would have said the Stones were rock and The Beatles were pop. He would never accept that the Beatles were a rock group. They were always the band that did She Loves You. His view was they wanted to be rock so badly it was like the kid at school who want's to be cool. Trying too hard was his view.)
Smash Hits
DH, when I was a young teenager Smash Hits was Pop to us. Didn't you have some sort of editorial policy that defined the two sides? Some sort of Berlin Wall of music?
Math-rock
Rock is always a subset of pop
I general I call everything pop
If they're is a distinction it's all to do with the seriousness with which people approach it.
The test of pop is it has to entertaining.
The test of rock is it has to convince people it's substantial.
Me too
Basement jaxx and fairport convention and black sabbath and epic45 (and everyone else) are all pop groups as far as I'm concerned. If you release records and play gigs and do interviews and have your picture taken you're a pop group.
maybe they are pop groups,
but they aren't making pop music though, are they?
Is that like
Black & white photos vs colour photos?
POP
Pop is shorthand for popular music. Therefore you could have popular rock music or unpopular rock music. Popular dance music, or unpopular dance music. And so on and so forth.
too broad
You're right, but that definition is too broad. It's like just having "meat" or "veg". Perfectly workable but not very granular if you actually are interested in the subject of cooking.
Rock
is what men in Gortex jackets believe everyone should listen to.
Pop is what everyone listens to.
Tomsk Loaf(4) likes Rock because it's for boys. He thinks dance music is for girls. Was it just a year ago that he was dancing to I Like To Move It Move It by Reel to Reel Featuring The Mad Stuntman....how time flies.
Generalisations
Pop: frothy, fleeting, female, dressed-up, gay, joyful.
Rock: sturdy, monumental, male, dressed-down, straight, serious.
Neither is better than the other and the best of either can be truly great. A very few genius artists can do both. (Prince, Bowie, Abba, Dexys, Beatles).
Its all Pop isn't it
And the stuff that isn't is just bollocks pretending to be Art. IMHO!
Pop is popular
Rock is rockular
Grow up!
Pop is 13
Rock is 16
Maturity is not caring anymore, other than whether it's a good tune.
According to my Encyclopedia of Rock, rock is the seminal and those who are influenced by the seminal. Pop on the other hand just wants hits.
...
Pop is for discos.
Rock is for discussion.
I'm buggered if I know...
what I can say with certainty is that I love them both.
Has
there ever been a Pop Opera? Or a Pop concept album?
The latter...
possibly The Visitors by ABBA?
Yes
Sinatra was considered to be pop, and several of his albums are concept albums (in The Wee Small Hours for example).
Rather less credibly, ELO's Time. And the inspiration for it, the Buggles Plastic Age.
Where in this debate do you put...
...Pet Sounds?
In the bin, where it belongs..
apart from Sloop John B the finest single ever made
The Bees Gees
had at least a couple of attempts at that most slippery of projects, the concept album, with mixed results.
As for lightweight pop operas - Tim Rice and Andrew Lloyd Webber have that particular genre pretty much sewn up, I think.
Rice even had a go at one with the blokes from Abba I believe. Chess, I think it was called.
Rock is...
written and performed by rock bands (generally). Pop is written by jobbing songwriters and performed by session musicians (generally). That's why X-factor is all pop and Glastonbury is (mostly) rock.
That doesn't make one better than the other.
Meanings -
pop is coca-cola
rock is cocaine
think aboot it.
Was delighted to see
that on LP sleeve of Rock Stage Fright (Capitol EA-SW 425) it says "File under POPULAR: Pop Groups". I'd forgotten about this helpful touch that you used to get in them days ....
Rock music is pop music for
Rock music is pop music for people who are juvenile enough to worry about whether their listening habits are juvenile or not.
Rock: chung chung chung
Pop: la la la
Alexa Chung...
...isn't rock!
is this the right place to mention
Alexa use to/is stepping out with an Arctic Monkey and so must have a little bit of rockstar .....
Pop:CK1 Rock:Old Spice
This is a coincidence, I suppose
But in the Australian X Factor this week, Natalie Imbruglia and Ronan Keating argued that Crocodile Rock is not a rock song - sparking a similar "what is rock?" debate. I'm with Nat and Ro on that one, but it doesn't matter - Shane *so* owned that song. Like, O...M...G...
Im a lumberjack
About ten years ago, could anyone in their wildest dreams have predicted that such a ridiculous interchange could have taken place., and be taken seriously as entertainment. Pure Monty Python.
Indeed
rather put me in mind of two or three "who'd a thought it" moments of my own
http://www.wordmagazine.co.uk/content/scream-if-you-know-answer
http://www.wordmagazine.co.uk/content/and-other-news
and the Beacon story here
http://www.wordmagazine.co.uk/content/the-free-web-privacy-and-facebooks...
Funny place the future is turning out to be ...
Pop is fizzy and wet
Rock is hard (and a little phallic).