Entertainment For Lively Minds
Harry Potter
Over Christmas, spent at my sister in law's, with her two girls spending plenty of time looking after mine, I had more free time to read than usual. I was getting stuck into We Need To Talk About Kevin. Now I think this is a truly brilliant novel; it's also, um, kinda bleak, and about as far as it's possible to be from easy, festive reading. So on Christmas day I opted for some light relief and picked Harry Potter & The Chamber of Secrets off my niece-in-law's shelf. I'd read them before, catching up with the series and then buying the last one the day it came out - and wolfing it down in a couple of days. I'd re-read the first one some time last year, and enjoyed it again.
Well I don't know exactly why, but this time round I was really hooked. I read HP2 on Christmas Day, HP3 on Boxing Day, HP4 over the next 2 or three days, and eventually got through books 2-7 in a fortnight. I'd always thought they were terrific stories, grippingly told, with memorable characters. The writing may not have qualified as Great Literature, but it was always solid and sturdy, with very few infelicities.
Reading them a second time, I was even more impressed than before at what JK Rowling has achieved. She's created a world that is completely thought through, with its own history and traditions, where its own rules are consistently adhered to, and where the questions of how one world co-exists alongside the other are all answered.
Then there's the plotting. I think in this respect Rowling is touched with genius. Reading the final book (Deathly Hallows) the first time round I was mightily impressed at how she tied up all the different strands of the story. Reading through them again, and noticing how trails are laid right from the start that will be rediscovered throughout the series, I was positively dazzled at both the prodigious imagination and the sheer bloody work she put in right at the start. The blurb on the last book states that she spent five years planning out the story arcs and writing the first book, and boy does it pay off - I just wish the makers of Lost had been that diligent!
As for the prose itself, it was less clunky second time around than I'd been expecting. It's never worse than functional, mostly a good deal better, and at times has a very elegant flow. I also think she has a very good ear for dialogue; and there is some sly humour in there, more in the early books - and even a bit of satire.
The huge cast of characters are beautifully delineated and sustained, although one major weakness is that the Slytherin pupils are rather too uniformly boo-hiss nasty. Elsewhere, though, there is light and shade in most of the characters, and some brilliant switches and twists.
One other thing: I don't feel in any way defensive about enjoying Harry Potter. Maybe I was particularly susceptible this Christmas because I needed some escapism, what with some unsavoury stuff happening in my family - but I'd have enjoyed them regardless, and would be just as enthusiastic in my admiration of JK Rowling. So can we take it as read that these books are primarily aimed at kids and move on from there? I'd like to hear from others who enjoy that immersion in another world, as well as your likes and dislikes about the books.
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I've never read them
but I 'm a huge fan of the films (except the second to last one). Such imagination - truly a 'I wish I'd thought of that' feeling always comes over me. I think she's touched with genius too, and I never use that word lightly.
I'm not sure I will ever read the books though.
I had a high old time on my recent visit to Harry Potter World in Florida. I couldn't be in the state and not visit, and it was well worth it.
The characters and stories will live forever. A true classic.
Hmm, the films
I enjoyed the first one, as it felt fresh, and of course because of the extraordinary cast (I much preferred Richard Harris's Dumbledore to Michael Gambon's). I wasn't so keen after that, although they were all watchable. A big part of the problem for me was the three main characters. They all looked the part, but they were learning to act as we watched, and I thought at times they simply weren't up to snuff. That said, they did all improve eventually. My favourite was Deathly Hallows Part 1, which I enjoyed because of the "boring bits" (ie Harry, Ron and Hermione wandering around Britain bickering and despairing) and for some truly unforgettable set pieces, especially the section at Malfoy Manor, with Helena Bonham Carter absolutely storming as the deranged and dangerous Bellatrix Lestrange.
I genuinely can't wait until my daughter's a bit older, so I can read the books with her, then watch the films. Oh, and on that subject, at what age do you folks reckon a child is likely to be ready to be introduced to HP?
About 9 or 10
I'd say - that seemed to be the age that our children and their friends got the bug.
I read one of
the early books to my daughter at bedtimes when she was about 2 or 3 just because there is only so many times I could read Cat in the Hat and hadn't bought any Roald Dahl at that point.
She then watched the films with me when she was about 4 and has always loved them, never had a problem with the scary bits perhaps because dad was with her. It was her that persuaded me to take her to see the last three films at the cinema rather than waiting for the dvd.
She's now coming up to the age to read the books for herself ( 9 next month ) but right now seems to prefer to watch the movies.
Wow!
Your daughter is one plucky little girl! Mine is 6, and still finds Chicken Run a bit too much, so it'll be some little while before she's ready for Bellatrix Lestrange et al. As someone mentioned below, I hope and intend to read the books to her before she sees any of the films. We've got an adaptation of Treasure Island for younger children, about 40 pages, and she enjoys that, despite some violent scenes and a few characters getting offed, so the first HP might not be such a stretch.
Christ, agreed.
My elder daughter, in particular, is a complete wuss about "peril" in stories and films and TV. She hates it, to the point of running away, if someone is mean to someone else in "Charlie and Lola" or if a large foot presents a challenge to the titular pensioner in "Grandpa In My Pocket". Just before Christmas, she had to absent herself from the classroom while they watched "Happy Feet" because she was so upset about the mummy and daddy penguin losing the baby penguin. She's five.
I sometimes think I ought to be toughening her up, it being a mean old world, but then the flipside of that is that she's really empathic and has a nurturing streak a mile wide, so I don't really want her changing yet. (I think she thinks she's Boblet 2's mum, sometimes.)
So I think it's going to be a good few years before she'll stand for the ghoulish husk of a half-dead dark wizard killing a unicorn and draining its blood in the Forbidden Forest.
The rules to Quiditch
don't make a lick of sense though.
Huh. Broomtard remark.
You've never done Mach 1 on a Firemaster 2000 GTXi, obviously.
Which is a problem because?
The Laws of rugby do not, in any way shape or form make sense at all.
I speak as a referee.
Of course they make no sense
Thats because we're muggles!
Don't worry about it;
take up Mornington Crescent instead.
They are great childrens books
And if you can imagine a generation of young children now prepared to pick up 600-700 page real actual BOOKs without misgivings then thats a measure of her success.
Some of it is really good - she is very good at the evocation of children actually being in genuine danger, from real evil not just the sort of Halloween slasher panto favoured by Hollywood.
I have quibbles - there are often digressions that could have done with editing. Some of the plotting - while always imaginative - is just too creaky. Some of it isn't that original (some reworking thee public school story of the early 20th century)but nothing leaps out at out you. But I really think my daughters and I were so lucky to have these books - and the anticipation of the next one - while they were growing up with reading.
PS I was genuinely thrilled to discover through these boards that Hogwarts was the name of one of the rival schools to St Custards.
Spot on.
They're not perfect, but the number of things that don't quite add up are remarkably few. 5 and 6 are way, way too long. But how can we quibble? What an achievement, in so many ways.
Yeah, I'm a fan.
I've read all the books several times: I'm a big re-reader anyway and HP are comfort food in a big way. Unlike 5C I don't like the films all that much, because like any film-of-the-book far too many things just aren't what's in my head (Dumbledore being the biggest example: perfect when Richard Harris, jarringly off when it's Gambon). Also, so much of the books' action takes place in Harry's head, examining his thoughts, seeing it all from his perspective. She really inhabits him, despite not writing in the first person. That's totally absent from the films and Harry has no depth as a result.
It's great kids' literature, and like all great kids' literature is brilliant for adults too. I take great pleasure in ignoring the snobs on this one.
This Generation's Beatles
I have a nephew and niece who grew up with the books and films and I'm surprised at how much Harry Potter still means to them as adults. My guess is that Harry Potter will continue to mean a lot to that generation as it gets older.
I'm old enough to remember a lot of talk in the 90s about how children were never going to read books again because of video games. Expert after expert would tell us that children were never going to develop a love for reading because there were so many things competing for their attention. Then Philip Pullman's Northern Lights book was a success, followed by the Harry Potter phenomenon.
I hear she's richer than Croesus. I reckon she deserves it.
Yep
Darn tootin'
I've read them multiple times
I first read these books aloud to my son as they were published. He cried when Sirius died, and he completely fell apart when Dumbledore died. They are very much a part of his childhood and he's reread them probably 3 or 4 times. Same goes with his friends. One of his friends was so attached to these books that he was actually crushed when he turned 11 and didn't get a letter from Hogwarts. The poor kid actually said, "That's when I knew there was no magic in this world." Awww. (He's 17 now and has turned into a cool young man.)
So I'll always be attached to these books for those memories. But I've also read them all on my own again and completely enjoyed them every time. "Comfort food," as Bob calls them above, is a great description. They've got some literary heft to them but they're not a chore to read; they're a pleasure.
Dumbledore dies??!?!?
D'oh!
Oops
His hair. Dumbledore dyes his hair. Just a typo on my part.
It's ok though....
He comes back as Dumbledore the White. Or something.
But was she "inspired" by someone else completely?
http://www.travelswithlipo.com/
You'd have to agree, the similarities are pretty striking.
Okaaaay.
Classic hysterical internet conspiracy fare. If you give that sort of thing credence I've got some timeshares I'd like to sell you. ;-)
Don't listen to Bob, he's a crook.
Look, I have this legacy that's been left to me. $35 million. All I need is a UK Bank Account to transfer the money into and it's party time. Send me your account details, password and so on and I'll split the dosh with you 50/50. Deal?
Plenty books are similar to Harry Potter.
Give Jim Dodge's Stone Junction a read. It's about an orphaned boy with a scar on his forehead learning how to be a magician. Published 1992 I believe. Ideas can resemble one another, it's all in the treatment.
Personally I think the world owes JK Rowling a huge debt of gratitude for saving the whole idea of reading for pleasure. Everyone thought youngsters would be tied to their computers, instead they were reading. I think this was brilliant.
wow
actually I don't agree. The similarities on that site seem all to me to be fairly standard tropes, and to my mind what HP does is bring together very effectively a lot of standard elements with a few innovative ideas rather than being totally original. Meanwhile, the site you link to is a classic case of a rambling paranoid conspiracy theory. The Rowling discovery story has obviously been subject to spin but that website makes wild assumptions on the flimsiest of evidence. I should point out though that I had my wedding lunch in Nicholson's in 1996, so the people on the site will assume that I am clearly part of the conspiracy against them (to the best of my knowledge JKRowling was not there at the time).
serious question.....
.... how old are you ?
Why is that relevant?
Are you saying adults aren't allowed to read and enjoy kids' books? If not, why not?
Molesworth
Some people criticise adults reading Harry Potter, but give a people a free pass to reading old childhood favourites such as Molesworth. I say read what you want - it't not a competition. Or an exam.
Zackly.
"Serious question"?
I'm not sure it is actually.
well......
.... it is !
Why do you want to know?
I should say...
... my wife works in children's publishing. It kind of means that we are a pair of adults who find ourselves reading more children's books than other adults.
And you know what? I couldn't give a fuck what anyone thinks. Charlie Higson's zombie books are miles better than anything Stephen King has written in years. Does anyone really think that there are many adult writers better than Philip Pullman? And again, do we not owe JK Rowling our thanks, as a species, for making sure that a new generation reads for pleasure?
And hell, Alice In Wonderland still blows my mind, it's madder than anything William Burroughs wrote...
I loved every minute of the time I spent reading them.
Well, maybe not every minute of the big fat one that goes on too long, but pretty much all of it. The thing that really impressed me was the way the characters, the plot, and the writing all age together; the first book is plotted and written for a bright 11 year old (or younger) to enjoy, with a dramatis personae to match, and by the time we get to the Horcrux capers and the battlefield climax, it's all got a bit A level in comparison. Brilliant piece of sustained writing, just superb fun.
I read 1—6
Now I wouldn't normally read kids' books but, in my defence, I read them all in German, as they have become the de facto books to read when you're learning a language.
(Of course I have now picked up a completely useless pile of vocabulary that includes Zauberstab (magic wand) and Unsichtbarumhang (invisibility cloak).)
But, yes, I agree they're very well written, the characters are well developed and the plots are well thought out. But I do have a few gripes:
1. As has been pointed out, the rules of Quidditch make no sense at all. Rowling has obviously no understanding of sport; the team is playing one game, while the seeker (i.e. Harry) is playing another game entirely. The whole structure of the game exists to give Harry heroic things to do and win games single-handed
2. Harry saves the day at the end of every book, but at the start of the next one he's back with the Dursley's, only to go back to Hogwarts where he's treated with suspicion and all his heroics from the previous term forgotten
3. Draco Malfoy is a rubbish school bully.
Yup
and I was very disappointed that Hermionie's early attempts to free the elves from eternal slavery came to nothing.
And they never saw the double-standard -
"Don't call her a mudblood that's like racist man, now let's go and laugh at muggles and beat the crap out of the slave elfs."
or
"the ministry of magic are like fascists man and they want some kind of big brother oppressive slave society"
"wow that's way bad. Let's go and laugh at the muggles and beat the crap out of the slave elfs"
Now there's a challenge
My German was pretty good once upon a long time ago; I quite fancy the idea of having a go at reading these books auf Deutsch.
In answer to your points: I mostly agree about quidditch, in that there's very little interaction between the seeker and the rest of the team, although I suppose one way of looking at it is that the other team members' main job is to protect the seeker from the bludgers, while racking up a few points themselves.
I don't entirely agree with your second point. While it's true he has to go back to the Dursleys' every summer, it turns out that there's a very good reason for his spending some time there, apart from the fact that it simply wouldn't be possible to stay at Hogwarts. As for being treated with suspicion, I like the fact that his heroic deeds aren't universally recognised, and that he's misconstrued and/or resented by some of the staff and children.
Draco Malfoy? He is a bit of a rubbish school bully in some ways, although there is a smack of truth about his snobbery, name-dropping and hatred of "Mudbloods". And of course his character is one of the many that becomes both darker and more nuanced as the series progresses.
If the game goes on for long enough
And the seekers can't shut it down by grabbing the Snitch, then the activities of the rest of the team become crucial. If they score more than 150 then the Snitch is only part of the score. But most of the games she describes are over in minutes so its all about the Snitch and that's obviously more dramatic - less of a drawn out battle of attrition in the front row if I may use a sporting metaphor (and I think I may).
I remember having discussions with my kids involving them drawing me diagrams on this very subject
I really need to get out more
Anything that gets children reading
That has enough in it to stimulate their imaginations is alright by me. I read them first time around as a grown up after mrs c picked one up. By the end I remember being like a kid again fishing for clues about what might happen next and hassling her to finish so I could read it. It's a pity in some respects that the films have been made because a lot of younger children who have seen them but who aren't old enough to read the books yet will never have the joy of "seeing" the books in their heads. When my girls are old enough to enjoy hearing them I will make sure they haven't seen them first and I will enjoy reading the stories to them. It's a good story, maybe not the greatest literature but that's not a bad thing in my mind.
Never mind that
Did you really like We Need to Talk About Kevin? Because, really, it is just a pot boiler, isn't it? A Mum's Net version of The Omen.
I mean it is an entertaining read, but I can't understand why it is so lauded by the literary critics.
A pot-boiler? No.
It is, in fact, the most shite book ever written.
Most things that I don't enjoy, I'm just indifferent to. But I utterly loathe 'we need to talk about Kevin'. It's basically a snuff novel written by someone who really doesn't like children. And boy does it show.
The writing itself is clunky and the narrative predictable. Did anyone take more than 1 chapter to figure out that the husband she was writing to is dead?
And last but not least, it is yet another example of media Kevinism.
Hurray for Lando
someone else with the same viewpoint on it. I agree with just about all you say. I mean it is supposed to be shocking because the woman doesn't like Kevin. But the problem is that Kevin isn't a disturbed adolescence but a horror story demon. The only thing missing were horns and shining red eyes.
Couldn't agree more.
It's a mean-spirited, shoddy piece of crap. The characterisation is laughable and the "twist"? Do me a favour. Although the twist is the least of its problems: the central premise essentially boils down to the most horrible tabloid dreck - bad mothers raise psychos. I'm sure Shriver would love to sell it as more psychologically complex than that, but she can't, because the book is literally that shallow. It just has delusions of grandeur.
And as JimBob says, Kevin's about as believable as Freddy Krueger. A pulp horror without enough courage to actually be a genre novel.
I was rather gripped...
...but really don't know why it is lauded as wonderful literature. It really ain't. And I was shocked when I discovered the premise was meant to be a "twist".
However, the author annoys me beyond endurance. The fact that she changed her name TO Lionel is the least irritating thing about her, which says a lot.
Christ yeah
She irritates me immensely, too. She was on Radio 4 recently and 30 seconds of her dronings had me wishing, pleading, begging for it to end. I'd rather listen to Mark Lawson, which is saying something.
As it was, I turned the radio off.
I'm no fan
But I tell you what I hate, the term "kids books"
As far as I'm concerned they're books, books, books!
Read them or don't but don't feel embarrassed or the need to justify reading them. If they're well written and they move you then that's that.
Then again I had 8 library tickets by the age of 11 and was the only child allowed to take books out of the adult library at my local.
Amen to that
Same applies to music: I don't believe the Beatles wrote most of their stuff with the middle aged as their primary target audience, but you'd never dream of age-capping their tunes, or questioning the maturity of older listeners on the grounds that it's "teenagers' music".
I adored them
But my greatest regret was that I was reading them as an adult. Not for any spurious 'kids books' reasons, just because I know that had they been around when I was a kid I would have been obsessed with them beyond any reason. And that would have been brilliant.
I love them
Partly because of the routine of reading them to my kids, which was a pleasure and a positive association. Mainly because I was sucked into the whole wizarding world. I love the little details - the puns like Knock-turn Alley. It helps too that JK Rowling would appear to be a genuinely good egg.
By the way the Forbidden Journey ride in The Wizarding World of Harry Potter in Orlando is an astonishing leap forward from all other theme park ride.
I liked them...
...but like Susie, would have LOVED THEM BEYOND ALL REASON if I'd read them as a child.
I do think the last few books needed a prune and an edit, but who was going to argue with Jo Rowling by then?
Films: First one was shocking, second one not so good. Third one best of all. The others are all good (apart from 7a, but it's difficult to see how a great film could have been made from the half of the book where nothing much happens).
EDIT: When I read the first book, I was reminded of Jill Murphy's The Worst Witch but after the initial premise of a special school for wizards, there is no similarity.
Definitely enjoyed them first time round
read for my own amusement pretty much on release from HP3 onwards, although I claimed they were for my oldest, he didn't read any of them until late last year in a mad burst of interest. So now I'm reading them again to my youngest and still enjoying them, to the point of plowing ahead even when I know he's asleep.
Haven't seen the last 3 or 4 movies yet, but no burning desire to even with the good reviews. They're too abridged for my liking given the sprawl of the books, but I can appreciate 7 hour films are a bit tricky to get made.
All the above pros (and some of the cons) I'd agree with. Felt a bit predictable at times, and when the pre-release hysteria of 'a main character is going to die' it started going a bit Home And Away, but thankfully that didn't last long.
Warning - Stephen Fry alert!
In the mid noughties I had a huge commute to work twice a week, 130 miles or so each way, being in rural Norfolk means that public transport was impossible (it would have been taxi, 3 trains and a 2 mile walk,estimated time 4-5 hours each way depending on connection), so that meant a two and a half hour drive 4 times a week. For a hell of a lot of that time I listened to Stephen Fry reading the Potter books to me. Now I know he's the current sneer target but he made a brilliant job of them and saved me from a Nicky Campbell overdose. The mixture of Fry/Potter for an hour followed by some music was a true sanity saver. I agree that it gets clunky in parts and often resorts to what Terry Pratchett calls the "Your father, the King" style of narrative, but it entertains, it amuses and as many have already pointed out, it got many kids back into reading.
Victims of snobbery
When you consider that they are both kids' books and fantasy tales, it's hardly surprising that some people are a little sniffy about them.
I have to say that when I read the first book I was most unimpressed - it struck me as derivative and very simplistic. The only reason I continued was that I had been given the first 4 as a present, and I didn't feel I could just give up. I'm very glad I did as I thought the subsequent stories were rich, inventive and highly entertaining. It also gave me something I've not really experienced before - genuine excitement at the publication of a new book in a series I'm reading. My only major criticism is the tendency for characters to occasionally turn into Basil Exposition, but it didn't ruin things.
I know they get criticised for being too long, but I can remember as a kid that I didn't want my favourite books to end. Really long new editions of my favourites would have been an amazing thing. I look forward to reading them - and watching the films - with my kids when they're old enough. I think the films are probably this generation's Star Wars.
Plenty of love on here for JK, it seems.
Sorry.
I didn't realise JK Rowling saved an entire generation (maybe 2) from a life of illiteracy and book hating.
Apologies all round.
FWIW, anything that turns kids on to reading and books is good, yes.
Anyway, this Dan Brown fellow. His books books are a ripping read too, aren't they?
Well
he did save a generation of adults from illiteracy and provided oxfam shops with a layer of insulation.
It is interesting reading them as an adult
since I think they get progressively worse as they go on - the first two are very good children's books, but as the series moves on they become very derivative and take bits from Star Wars/LOTR etc (the Pensieve is Galadriel's mirror, the Horcruxes play the same role as the Ring)
That said, "His Dark Materials" suffers in the same way as Northern Lights is a fantastic kids book, but by the last one I got very bored as the didactic message (Religion is bad) takes over the story.
And don't get me started on Narnia - loved them as a child but now? Smug, right-wing, middle-class islampohobia.
But I'll still be happy for little Ms Plugg to read all of them!
I'll get you started
How is it islamophobic? I'm intrigued.
Until all the fuss when the film came out, I had no idea it was a Christian book, so I'm clearly hopelessly naive. I'd remembered it fondly as a wonderful tale about a magical world full of talking animals inside a wardrobe. But then, I read Animal Farm when I was 7 or 8 and thought it a great book about talking pigs. It wasn't until I re-read it in my late teens that I understood what it was really about.
He's got a point.
The Last Battle (and to a lesser extent The Horse And His Boy) depict an Arab-like race - the Calormenes - who worship the god Tash. Tash is represented as purely evil and it is implied that the Calormenes practice human sacrifice to him. Tash is depicted as Aslan's antithesis, effectively positioning him as the Antichrist or devil.
There's no doubt that the Calormenes are a thinly disguised - hell, undisguised - caricatures of Arabic people. So the corollary to that is that Tash is intended to be Allah. It's pretty islamophobic.
The Lion, The Witch and the Wardrobe is wonderful. But the books get a little sinister, later on. For example, it's strongly implied that Susan - who has abandoned Narnia in favour of clothes and boys (or grown up, in other words) - is denied entrance to heaven after the train crash which kills all the Pevensies in The Last Battle (she's the only survivor).
The whole "Tash"
thing is clearly meant to be Islam.
The Silver Chair is based on the premise that Eustace and Jill are unhappy in a "progressive, modern" school. (Puddleglum, is like Dobby in HP, another LOTR rip-off)
And isn't there a suggestion that the train crash only happened because (horror of horrors!) the trains had been nationalised?
Yep,
all seems present and correct to me.
I loved the Narnia books when I was a kid, but went back to The Lion, The Witch and The Wardrobe a few years ago and was dismayed not just by the whole "johnny foreigner" tone of the books, but of the crashing prose, which is very much of its time.
I think of them now as interesting period pieces, but mostly so in terms of how Lewis and how Britain saw the rest of the world at the end of empire.
I have to admit that I saw the Calormene rather more as Ottoman Turks than as Arabs though I suppose the distinction is actually not huge.
Thankgs Bob and HP
I never really got on with the later books - Magicians Nephew and Lion, Witch... were great, but I struggled through Caspian and Silver Chair and I don't recall reading Dawn Treader or Last Battle. Feel like I should now.
Out of interest, does all that count as islamophobia or simple, old fashioned xenophobia?
Pick one!
I think Lewis was a funny old boy, and very much of his time in terms of his attitudes to other faiths and cultures. To be honest, I'm less disturbed by that than by his seeming terror of sexual maturity and weird veneration of childhood. (Of course, that's just how I read it. Other interpretations are available.)
Lewis
falls a bit flat for adults but as a kid I loved them. I can't remember ever thinking the Calormenes were anything other than a nod to the Arabian Nights, I never picked up on the religious stuff and I wasn't looking for signs of sexual maturity - I was eight. Even now I defend them for kids and as a bookseller I often recommend them. The Narnia series may well have had intentions on me but if so they failed since I thought they were exciting adventure stories and still do, whatever the subtext. I am always shocked to see parents in the bookstore banning their children from reading them. Children are a lot brighter than adults give them credit for and they can cope with Narnia and enjoy it without turning into religious fundamentalists or racists. If Narnia is grooming children for anything it's about how to use their imagination.
I also grew up with the Arthur Ransome series and although I longed to sleep in a tent for two weeks away from parental supervision I knew it was only possible in books.
For me, a far more disturbing pattern in kid's reading today is the sadistic torture porn that dominates the current Children's bookshelves (I have to sell it and read it) which is not regulated and is actively encouraged by parents who think it's okay since it sells in bucketloads and nobody is telling them any different.
Completely agree re: Lewis and Ransome.
Fantastic stuff for kids, full of brilliant imaginings. Of their time, yes, but so are the Brothers Grimm.
Time will tell
just how much the Harry Potter books are of their time too. I like them and think they will last but there are aspects, particularly the very modern dialogue, which will probably grate on our Grandchildren in the same way as the 'By Jove!' etc of Lewis grates on us. Great books all, though.
Yes to Arthur Ransome
That entire canon of Swallows and Amazons, Great Northern et al gave me hours of pleasure.
Very of their time, as you say - but a portrayal of a time that many would hanker after.
Oh sure.
I don't think the Narnia stories are bad for kids, but at the same time I wouldn't ever want to endorse their implied values. I loved them as a kid too, and I want my daughters to read them. They're really good stories.
The maturity thing does bother me a bit, though, because I want my kids to want to grow up. I don't want them forever looking back at childhood as some shining unattainable Eden: I want them to be mature and happy women who understand that - to quote Pullman - "we have to build the republic of Heaven where we are". And I'm not particularly saying that the Narnia books are more likely to make them feel that way, but it's just one of the values espoused by the books that I don't like. It's my job as a parent to discuss stuff like this with my girls as they grow, but just because I don't think Narnia will turn them into soppy fatalistic child-adults doesn't mean I have to like that aspect of the books!
That's me 'upping' you, Bob.
Talking to our children about this stuff is what we must do. Wish you could talk to some of the parents I have to deal with about that.
I don't disagree with you about Lewis
I read them happily as a kid and didn't get any of the negative vibes about them, and my daughter has a set ready for when she is old enough. My point was that re-reading them as an adult I found them full of stuff that I really didn't like
Absolutely
On revisiting them with my own kids I also found them lacking in jokes (or even basic humanity at times e.g. Tash and racism/Islamophobia - clearly the case to my mind) and too prosaic. It definitely spoiled my enjoyment - but there is still a real strange magic there. Must admit that I read them all except the Last Battle when young and I still can't quite face reading it. Even at that age I sort of guessed what it might be like.
The last book of the Philip Pullman trilogy actually spoiled the rest (for me) by drifting into didactic metaphysics - though I know thats exactly what some people enjoyed. I couldn't get past the elephants on roller skates.
Not just me then
Yeah, that whole roller skates thing was just too much. The Northern Lights was superb, the Subtle Knife not quite as good though still excellent, and the final part was a disappointment, although still with plenty of virtues - and the very ending of the story was most touching, I thought.
The mulefa!
I loved them. I thought it was really audacious stuff, and beautiful too. I got to the end of the Amber Spyglass and just heaved a massive sigh of awe.
Then I went right back to page 1 of Northern Lights and started again.
You and me both
Wonderful stuff.
Last Battle / Death / Heaven / Susan / Lipstick
It's a biarre morality.
The Dwarves in the last battle become unionised and sit on the side of the battle, but killing all the talking horses when it appears they may swing the battle. However whilst most reject heaven some are admitted because they say sorry.
Susan is barred because she likes to go to parties and may have thought about sex. Perhaps not even done it, but thought about it. That's a total bar, no question, no possibility of forgiveness.
That's bad enough but the other Pevensies having got their in decide they'll never think about Susan again because it'll just be too sad. Nasty smug little gits.
I loved the books as a child - read and reread and read again - but as an adult they often jar.
Sure
The descriptions of the Calormenes would not get past the editor today, it clearly suffers from a very colonial worldview.
And I agree that reading it today as an adult, there are a few things that will leave a bad taste in your mouth if you let them.
But what Aslan says in the last chapter of the last book is that if you do bad things in the name of Aslan (God) you belong to Tash (the devil), and if you do good things in the name of Tash, you belong to Aslan.
But to me, not being religious/christian, the concept of "evil" is not the same as Allah, even if it might have been for C S Lewis.
So racist, yes. Christian, absolutely. Islamophobic, not necessarily.
The issues with Susan - isn't she supposed to be another Judas-figure ? It can't just be growing up, being frivolous and maybe having sex; their parents obviously had sex and they get to come to heaven, and enjoying lovely clothes is not the biggest sin you can commit.
Isn't it more that she once knew that Aslan was the real deal, she was a believer, but later she denies him ?
Sorry, I don't want to come across as a champion of Lewis, the books are rather clumsy in many respects and the very transparent objective of getting kids on the Jesus train can indeed put you off as an adult.
But it was transparent to me as a kid as well, and I generously overlooked that because they were a lot of fun to read in other respects.
As a rule, you just can't go too terribly wrong with talking animals...
Excellent, excellent books
The films were fine, but unsurprisingly not a patch on the books.
I wonder if they'd be better served by a really long and faithful TV adaptation, maybe forty plus episodes. Couldn't be done in the near future, as it would be impossible to compete with the best of the film characterisations, most particularly Snape and Hagrid.
Yes yes yes!
I'd love this to be done, and maybe it will some day. As someone mentioned below, there are a lot of brilliant scenes and whole story strands that had to be excised from the films for reasons of space. One thing that the producers could have done (and it's not to late, if footage is available) is incorporate such excised scenes into the body of the films for DVD release, as Peter Jackson did with the LOTR films. I think this worked brilliantly; and anyone who liked the films enough to buy them on DVD but didn't want the longer versions (do such people actually exist??) had the option of buying the ordinary DVD versions.
Books 1 to 3
are some of the best children's literature ever written.
Derivative yes (complete rip-off of all 'nice oik gets into public school and defeats the bullies' literature from Thomas Hughes onwards)
Quite conservative (Christmas, families, pleasing your teachers, good vs evil, etc, etc)
Plodding passages of description
Some really clunky dialogue
but great characterisation, wonderful subverting of adults' reality and as complete a universe of the imagination as I've encountered since 'Satr Wars'
A pity no one dared edit books 4-7 after the smash hit of the first three. Dreary, over-written, under-plotted and dull, dull, dull!
Excellent
You could have put bullet points by those and I would have ticked each one, though I think you're being too harsh on the later books, whose main flaw to me is that JKR had become too powerful to accept the editing she so clearly needed.
I actually blame the editors, rather than her.
JKR always strikes me as a humble, nailed-on good egg. I suspect that as the books became more and more successful, her editor stopped asking the difficult questions, because what's the point? She could've written anything, within reason, and it would've flown off the shelves.
I think that after Order of the Phoenix, someone at Bloomsbury/Scholastic found their spine again and did some cutting, because even though Half Blood Prince is still too long, it's much more readable than OOTP (which has hundreds of pages that could've been cut: whole chapters and sequences of chapters). And Deathly Hallows still more so: shorter again and all the better for it.
I came to HP a bit late
but really couldn't put them down.
There is definitely a case that says that the books get a bit less good as time goes on. They are certainly less keenly edited. The final book in particular could have done with some serious work on the middle 100 or so pages, though perhaps that was deliberately there to give the reader the same sense of disorienting ennui and hopelessness as the characters at that point ;)
But that is another endearing thing. As the series starts, everything is black/white, good/bad and so it stays really, until book three when the water starts to become a bit murkier and the adult characters start to become more nuanced. If you've invested from the start, this is actually a very clever piece of storytelling and writing, as it builds all of this up in successive, delicate layers. The Dumbledore we see in book seven is certainly a more complex one than the wizard at the start of the series. and Snape is the most complex of them all, possibly
And yes, alright, her prose isn't always as elegant as, say, Pullman's best in HDM (which I also love), but Stephen King wrote about her obvious ability to tell a story, and to keep the reader interested. Pullman has said that he feels a bit uncomfortable writing humorous material in his books because he doesn't think he's that good at it. JK is, though. One of my favourite scenes in the entire series is from Order of The Phoenix, but didn't make it to the film (worse luck, as I though that movie played very fast and loose with its source). It's the scene where Umbridge is observing the careers interview between Harry and McGonagall, ending up in a blazing row between the two adults. It's a hoot.
Even the scene where Ginny first kisses Harry is done so much better in the book, but maybe that's because I'm not overly impressed by Bonnie Wright, who plays her in the movie.
See, I like it. And no guilty pleasure for me. A good story is just a good story; and we all like a rip-roaring story, don't we?
Even the scene where Ginny
Brave bit of casting, in the book she's supposed to be a stunner, whereas in the films she's quite plain (yes, I'm no oil painting myself). I'm never sure how they predict/guess which kids are going to end up looking great, the Aussie soaps seemed to always strike gold.
It's not the way she looks
for me. In the book Ginny is very feisty, strong-willed and passionate. I didn't get any feeling of that with Bonnie W, unfortunately.
Actually, thinking about that, that's a thing that I liked: there was a nice mix of interesting and strong male and female characters in the series, so both boys and girls had characters to admire and identify with.
The girls weren't just supine "girly": in fact, the whole thing about Umbridge being all pink and frilly was a really nice pop at all that.
But but but...
Where did James and Lily get their cash? Eh?
I was hoping soooo much that book seven would reveal that they were bank robbin' wrong 'uns - or something (Anything!), to explain where the heck Harry's incredible wealth came from...
Seriously, JKR has pretty much taken all the main themes of great kid's literature:
Kid with no parents
Who goes to a cool/interesting school
And has a cool gang of friends
And some rubbish enemies of the same age
And gets into comedy scrapes
And has serious, Good v Evil battles with Actually Dangerous Adults
Whilst best mate cracks jokes
And all come of age
Whilst being a bit like you
And she rolled them into a seven book behemoth.
Sure, her writing is clunky and her editors were clearly on holiday for Goblet of Fire and most of the rest of the series, Quidditch is nonsense (and quietly ignored in the final book) and the whole boarding school vibe is, like, well Elitist (man), but...
The basic morality is progressive and children (and adults) do seem to absolutely love it.
Still doesn't explain where the Potter Millions came from, mind. Which will always bug me.
Harry's father
is from an old wizarding family - his mother was from Muggle stock, so I suppose the Potter line (containing the Peverells too, remember) were doubtless Sickled to the max ;)