Great Tracks Left Off Albums For No Apparent Reason

Why Do Artists have such a lack of quality control that they leave great tracks off albums but include others obviously inferior.

Case Study Number 1

R E M Album Out Of Time

Great Track Left Off Album Fretless anyone who has listened to REMs Fretless will no doubt conclude it is one of their greatest tracks a beautiful haunting song and yet they left this off the album that included Shiny Happy People.

I have other examples of this but what are your examples.

Surely the winner here is...

...Dylan's Blind Willie McTell, better than anything on Infidels.

Seamus | 27 November 2008 - 10:01am

Up To Me

I think Blood On Tracks would have been better with Up To Me on the album instead of Buckets Of Rain

Fuzzyface | 27 November 2008 - 10:17am

I don't mind

One of my favourite bands is The Jam; plenty of fantastic tracks floating around that weren't on albums, enough to make a great album of their own pretty much.

SimonL | 27 November 2008 - 10:27am

Case Study No2

Morrissey

Album Viva Hate

Great Track Left Off Album I've Changed My Plea To Guilty again a great song memorably performed on Jonathan Ross see below


Left off the album that included the horrendous Bengali In Platforms

Fuzzyface | 27 November 2008 - 10:41am

As that song...

...was a 1991 b-side, it wasn't ever in the running for Viva Hate, surely?

The Fabs' version of Leave My Kitten Alone would have greatly improved Beatles For Sale, wouldn't it?

Paolo Meccano | 27 November 2008 - 12:25pm

Sorry yes you are right

but surely it should not have been left off Kill Uncle

Fuzzyface | 27 November 2008 - 12:36pm

Case Study 2a

Mozzer also chose to exclude the sublime Nobody Loves Us from inclusion on 1995's Southpaw Grammar, when it's far better than anything on that album.


It's release as a b-side to Dagenham Dave, of all songs, really was adding insult to injury.

He also left the similarly lovely Lost off of Maladjusted, over most of which it towers from a great height.

Cadabra | 27 November 2008 - 9:34pm

Why does everyone hate

"Shiny Happy People" by REM?

I love that song. Why does everyone hate it? Was it just overplayed? Or was it just too simple and immediate without enough mumbling to be taken seriously? One of the highlights of their remarkable career in my opinion.

LOUDspeaker | 27 November 2008 - 11:13am

Agreed

Lee Rimmer | 27 November 2008 - 12:08pm

I Don't Hate Shiny Happy People

I just prefer Fretless

When Out Of Time came out I got a bootleg of the REM demos and on that there was a version of SHP which was more downbeat and more folky I actually preferred that version.

Blender did put it their worst 50 songs ever though

http://www.blender.com/guide/articles.aspx?id=786

Fuzzyface | 27 November 2008 - 12:26pm

That's because...

the Out of Time masters were speeded up before release, about a semitone in fact.
So everything sounds er, shinier and happier.

Don't let me down could easily have appeared on "Let it be" and they could have kicked Maggie Mae into touch...no?

Richie B | 27 November 2008 - 1:00pm

Shiny Happy People

I think its because Stipe said he hated it, so all the devotees have to agree so as not to upset the great shiny domed one (I like it as well as the "serious" REM stuff - so stick that up yer jumper Mr Stipe)

Brianr | 27 November 2008 - 12:58pm

I quite like Shiny Happy People...

but Radio Song is crap. Replace that instead!

Badgerous | 27 November 2008 - 9:28pm

My vote

You've got it on that one!

Carl Parker | 28 November 2008 - 1:04pm

Thea Gilmore

I went to see the wonderful Thea Gilmore at the Luminaire last night, and this reminds me that one of my favourite 'albums' of hers is the one I burned by collecting together all the b-sides and cover versions from magazine cds which haven't made official albums.
Lightning, Hooligansville, It All Gets Buried in the End, etc., etc. Not neccessarily better than her album tracks (though the budget, pared-down acoustic settings often give more space to her glorious voice, which can only be a good thing) but far too good to be so obscure and hard to find.

Gatz | 27 November 2008 - 11:15am

American Music Club - All YourJeans Were Too Tight

All Your Jeans Were Too Tight appeared on the excellent No Alternative compilation, put out by the Red Hot Organisation, which raises funds and awareness in the battle against AIDS and HIV. Although many of songs on the CD were exclusives, the quality bar was so high that some did eventually make it onto albums by the bands who had donated them.

It’s a shame that Mark Eitzel’s tragic-comic elegy for a dead friend isn’t more readily available, as the song contains some of his most affecting and personal lyrics. “Trying to make you feel better is like trying to trick St. Peter,” he observes, as he moves back and forth between past and present, before concluding:

“All you and I had to throw away
was a cowardly pile of sheets
and a heartbeat that couldn’t carry you
to want something better.”

The song ends in grief-fuelled, self recrimination with Eitzel sorting through his friend's personal effects, pondering the relative merits of owning a Barbara Streisand album (understandable) and the Soundtrack from Diva (not so sure) and ruefully admitting “I’m sorry I said anything about the tattoo.”

backwards7 | 27 November 2008 - 11:59am

Go-Betweens

Rock'n'Roll Friend by the Go-Betweens would have been a great addition to 16 Lovers Lane... it was the b-side to Was There Anything I Could Do, but in my book it would have been better if those songs swapped places... though I guess this would have broken the "5 songs each" rule.

Doing a bit of research on Wikipedia, I see that the song ended up on Robert Forster's Warm Nights album, so maybe it doesn't count.

I don't think I was alone in my love for this song - having been surprised to hear them do it live when the band reformed, as well as by the enthusiastic recognition from the audience when the band started it.

theListener | 27 November 2008 - 1:57pm

Rock N Roll Friend

The version on Warm Nights is very much in a Dylan "Like A Rolling Stone" kind of vibe. Excellent track, both versions.

Steve Hill | 27 November 2008 - 2:21pm

The Promise

shoulda have been on 'Darkness At The Edge Of Town' but if it meant we got 'Racing In the Street' instead then its a fair swap. Stupid that it was left off the 'Tracks' box set thou and then added to a later 1 CD comp.

DogFacedBoy | 27 November 2008 - 3:37pm

Springsteen in general, perhaps?

Having been listening to the Tracks-box set one could argue that a lot of Bruce´s best songs where/are left of his albums due to not fitting whatever story or concept he was/is trying to tell on a given album. Especially the years 78 to 84 suffered from this. He could have released at least twice the amount of songs during those years without having to lower his standards. Give The Girl A Kiss, Bring On The Night, So Young And In Love, Hearts Of Stone, Dollhouse, Where The Bands Are, Loose Ends, I Wanna Be With You, My Love Will Not Let You Down, Brothers Under The Bridge, Janey Don´t You Lose Heart and, well, this could go on. This is not touching the ones left off the Tracks´ project.

And now we´re (at least I am) waiting for Neil Young to possibly hit us with the long awaited Archieves-project which he has been talking about almost since before I was born.

Ola Claesson | 27 November 2008 - 9:14pm

Dear God

Left Off the original version of Skylarking in favour of Mermaid Smiled, subsequently Skylarking repressed with Dear God replacing Mermaid Smile after Dear God became a big college hit.

Fuzzyface | 27 November 2008 - 4:04pm

'Wearing And Tearing' by Led Zeppelin...

left off 'In Through The Out Door'. A taught, zero fat rocker, it eventually surfaced on 'Coda'. But in their defence, it sounds so different from the songs that did make the album that I struggle to imagine how it could have been included.

Patrick Crowther | 27 November 2008 - 9:58pm

Never Stop

I always thought that Never Stop (Discotheque) would have been a fine addition to the Bunnymen's underwhelming Porcupine. It could replace any of the tracks after The Cutter and The Back of Love.

David Ellcock | 28 November 2008 - 2:13pm