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Gorillaz and album sequencing

Captain Spaulding's picture

Remember when artists, while sitting down to sequence their new album, would front-load it with the better tracks or the singles? It got ridiculous at times, and could occasionally unbalance a record, but the reasoning was sound.

And this was in the days when people would sit down and take in a record as a whole. Why, when the album-as-album idea is struggling, do so many of them let their record limp through the opening tracks?

Take the new Gorillaz one, Plastic Beach. Once you hit track 4, the gems come in a nearly unbroken string; but how many will get to track 4? I think some of the sniffy reviews it’s received have something to do with this.

Mind you, nothing else on it can match "On Melancholy Hill"; mind you, nothing much can. It's in the "This Is A Low" league.

Now, the Drive-By Truckers, there’s a band that knows how to kick a record off—Christ, their new one's good. (With the traditional flat patch two-thirds through, of course.)

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I've often found...

...a startling number of albums' best tracks are #7.

A quick glance through some of my favourite records and their track 7s:

Murmur: Perfect Circle.
Doolittle: Monkey Gone To Heaven.
The Bends: Just.
Funeral: Wake Up.
Ill Communication: Sabotage.
Daisies Of The Galaxy: It's A Motherfucker.
My Aim is True: The Angels Wanna Wear My Red Shoes
Teenager Of The Year: Headache
Boys And Girls In America: You Can Make Him Like You

Not infallible, but...

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Bob | 21 March 2010 - 11:52am

well...

I actually think the Gorillaz album splits in three parts - up to Stylo it is fine (with Stylo a highlight); then a big fall off for the next few tracks - so much so I've stopped playing them; and then as you say a run of gems to close with Melancholy Hill and Sweepstake as stand outs.

What does that say about sequencing, well maybe it is all in the ears of the listener.

On Track 7 - did Robert Forster not have the opposite view in his 10 Rules?

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grahamt | 21 March 2010 - 12:48pm
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