Entertainment For Lively Minds
Formats we have forgotten
Posted by David Hepworth on 21 June 2010 - 12:45pm.
Just reading something about the "maxi single". That briefly flourished in the 70s and featured three tracks which played back at 33 RPM. Obviously the cassette and the eight-track are similarly consigned to posterity but what were the other sound carriers that briefly looked as though they might take off and then, er, didn't?
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well the obvious ones
are the minidisc and DAT...
Although, to be fair, DAT had a long and illustrious career
in pro-audio applications. Until the advent of Pro-Tools, iPods and the rest of the digital malarkey, DAT was widely used for making working copies of master tapes as well as for recording studio demos.
I still use minidisc!
You can still buy the discs (had to google to check there). I have a little portable player I bought about a decade ago. I still find it the best way to make a quick portable copy of something from an analogue source (ie: vinyl or rough mixes of my band's recordings) and it's also great as a portable dictaphone/recorder (you can buy tiny condenser mics that are great quality).
Not dead yet!
Formats
- Mini-Disc (still got a Mini-Disc Player, but rarely use it)
- DAT (Only ever saw New Orders Substance on this format)
- Flexi-Single (never a true format, often had to weight down both the disc and arm to prevent slippage. Often contained unreleased tracks & interviews - usually free with magazines)
Minidisc, Mini CD, Digital Compact Cassette
All failed roughly the same time.
Mind you, did they ever really look like they were going to take off?
Much of the great British Record Buying Public had recently been persuaded to replace their vinyl with CD, and were unimpressed with invitations to do the same again.
Unexpected use of obsolete audio technology
From Wikipedia:
"A derivative technology developed originally for DCC is now being used for filtering beer. Silicon wafers with micrometer scale holes are ideal for separating yeast particles from beer. The beer flows through the silicon wafer leaving the yeast particles behind, which results in a very clear beer. The manufacturing process for the filters was originally developed for the read/write heads of DCC players."
Are you sure that's not one of Archie's?
.
Mat Damon
Mat Lucas
Mat Munroe
Mat Bianco
Boom
and, indeed, ksssh
I discovered...
an eight-track copy of Rick Wakeman's Journey to the Centre of the Earth the other day in an Oxford flea market. It looked decidedly unloved and I nearly bought it out of sympathy.
The memory stick
seems to be a bit of a novelty. I suppose if you want MP3, you download it, not buy a physical item.
Our old record player
Had a selector for 16 RPM. Has anyone ever seen a 16 RPM record?
16 RPM
I have seen and heard a 16 RPM record. Around the age of 6 or 7 my friend had one of these records, which was a story telling record. I can't for the life of me remember what the story was. Possibly because we had more fun listening to it at 33 or 45.
16rpm was used for BBC transcription discs and the like
where quality was more important than length (fnarr fnarr)
Half speed masters
Some albums were available to buy in that format too, DSOTM was I believe. Another similar format was direct cuts.
Sort of...
They were mastered at half speed but the finished LP still ran at 33 1/3rd
It's the other way around
The more rpms, the higher the quality and shorter the length. Thus the same song on a 45 will sound better than on a 33 because there is more groove length over the same time period to encode the information. I'd say that 16 was only used for voice because it didn't have the fidelity to reproduce music and each side would last longer.
Hence...
... the introduction of the 45 rpm 12" single.
Do you remember what the first UK 45 rpm 12" was? 1976, I think it was. A re-release of a 60s hit.
It was
Substitute by the Who, I think?
Yes...
... it was. Have a gold star.
Shakes head in disbelief...
Not sure where my head was at when I wrote that last post. Of COURSE 16rpm gives you length and not fidelity. Can I try and pretend it was a typo?
I'm surprised at you, Stimpy...
I would have thought that an owner of 109 Grateful Dead albums would know all about length. Fidelity perhaps not. ;-)
Thrrrrrp :-)
It was a typo at the end of a long day
Good for decoding Pinky and Perky records
Playing at 16rpm revealed lugubrious session musicians mournfully entoning 'Bridget the Midget' (sic) - they sounded like Dr Who monsters at that speed actually - that particular song having a speeded up voice section on the original, the P&P version was several octaves higher and caused enamel to fall off the budgie's beak when played at volume
We had a Dansette and a radiogram (ah, dusty valve amps for goalposts) each with an autochanger that actually moved the house when dropping the next 'disc' - and both had 16 rpm (also 33,45,78). Endless fun as small children except when running the risk of accidentally getting tetanus-related disorders pricking fingers when attempting to remove mounds of fluff from needle. Other risks of damage included severing parts of oneself Omen-style when a very solid shellac record would come shooting out of its cardboard sleeve. Also bruising from parental wallopings (because of adding incautious scratches usually) - the records were long lived and treasured possessions of theirs and THEIR parents, people really didn't have very much music. Beatles mono mixes through a radiogram LOUD did sound good too
Remember taking a shoebox of singles with your name on to parties and stressing about getting the wrong ones back?
Several uses for 16 rpm.
The intended use of the format was for spoken word recordings. A few labels put out plays or educational releases on 12" records at this speed, and were able to get around an hour or so per side.
Jazz label Prestige put out a series of 16 rpm releases in the late 1960s. These just comprised of two previously issued LPs, one per side. Likewise I gather that some other labels tried the same format for compilation albums with little success.
Around the same time a US based electronics company developed an in-car player that played custom 7" records that ran at this speed. It failed, mainly due to the fact that there was only supplier of suitable records.
Juke box company Seeburg produced as system for playing background music that ran at this speed, using records of a custom size with really large centre holes.
Yes indeedy..
RCA were very keen on the 16rpm LPs and issued just about the entire Jim Reeves catalogue in that form in South Africa. Other RCA artists got the same treatment too, presumably.
It's rumoured they also did a few Elvis LPs on 16rpm, but I've never seen any.
But as someone said above, 16rpm was mainly used for lo-fi spoken word recordings (up to 60 mins a side!) and seems to have fizzled out in the mid-60s.
Ooops
Duplicate, sorry
postcard records anyone?
Found this in my granddad's postcard collection. It's a normal size postcard with a single tune on it in this case "god bless the prince of wales" (with a title like that it's bound to be on the next Fall lp). Never played it, as I was worried it was a bit fragile. I think it's 1930's era. I think Grandad just bought them as curios as they've never been sent.
Could see a modern promotional version with a snap out miniSD card on it!
Postcard records
I just got the joke here (blush)
Blue Ray
Video I know, but surely this will be overtaken by the download/on demand revolution before too long.
As did
Super Audio CD and DVD-Audio before it.
Not exactly a format
but the cassingle seemed like a non starter from the off. You had to carry around a dozen or so as soundtrack to a short stroll to the local shops
Who remembers pre-recorded reel to reels?
Not sure if memory is playing tricks but I think I can remember seeing My Fair Lady soundtracks and Beatles albums in tape-sized boxes. Can anyone confirm?
My mate has a couple
of Fabs albums on reel to reel. Recently seen a couple of bootlegs sourced from them as a purer\ closer to the master thing.
More info here http://www.rarebeatles.com/reel/reel.htm
Fities and Sixties
classical reel to reels are highly collectible these days. Whilst a lot of the classical audiophile analogue collectors concentrate on vinyl there is a flourishing sub sector that values reel to reels above all. Because of the comparatively huge amount of signal on a ¼" tape they are regarded as the best source.
And yes, a lot of the bigger selling pop recordings were released on reel to reel. The format was finally killed off by the arrival of that blighted creature the casette in the early Seventies.
There is another reason
according to a colleague in our music department here who has an interest in such things, those reel to reels are also collectable because of the way they were recorded.
Generally, because of the way they were miked, there could be several different versions of the same performance, depending upon which microphone was recorded from.
Early stereo.
The first stereo releases had to be issued on reel-to-reel tape as a practical system for stereo records had yet to be perfected. I've a CD set of the complete Beethoven symphonies conducted by Otto Klemperer and recorded by EMI in the mid to late 1950s. Several of these first saw the light of day as reel-to-reel tapes.
Reel to reel
It was all we had when I were a pup
I have CSN&Y on reel to reel - bought from eBay for £1
being a bit of an NY superfan. Nothing to play it on, but it looks good on my desk
Deja Vu
Deja Vu
Yes, I can confirm.
My dad still has Please Please Me on pre-recorded open reel tape.
My dad has
With The Beatles on reel to reel.
Any advance on With The Beatles? Anyone got A Hard Day's Night?
So is your dad bigger than his dad?
What's his waist size?
.
Yes
I have Let It Be on Reel To Reel. Plus the machine to play it back on. Used to belong to my uncle. The cover was around but I've unforgivably lost it at some point. The machine also let you choose between playing track 1,2 or 1 + 2, so you could play around with that 'Beatles Stereo' thing of Drums/Bass in one side and Guitar/Vocals in the other. It's a long time since I've listened to it but I would swear it has different bits of chatter in it than the stereo CD master.
Right ...
We just need the other ten on reel to reel and it's all round to yours for an old fashioned Sixties party ... I'll bring the lava lamp and some inflatable chairs.
Fab...
... and gear. Possibly even groovy.
I'll bring the Mars bars...
I have a few
They are the soundtracks to "La Dolce Vita", "Fellini's Roma" and "Juliet of The Spirits".
Not that I'm an obsessive collector of Nino Rota's Fellini soundtracks or anything...
I haven't got around to finding a machine to play them on - hmm, might make that an excuse for an eBay search.
The Island "one on one" cassette
You got your Kid Creole album on on side and the other side was for you to record your own stuff on.
The 1+1 I remember was The Plastics' "Welcome Back"...
... onto the flip of which I taped The B-52's "Mesopotamia."
'A' for effort to Island, I guess, for trying something vaguely different...
1+1 Island Tapes
Coincidentally I bought a 1+1 "Party Mix" by the B-52s. I don't think I ever used the blank side. It felt wrong somehow. Yeah, I know, I'm weird.
U2's War was the same.
I had "Tonight" by David Bowie on the flip side. I appear to have lost that cassette. Strangely.
I had that one
My uncle recorded Never Mind The Bollocks for me on the "spare" side. I could hear Cook's drums and Matlock's bass coming through on the other side of the tape. Can't listen to "40" now with expecting the dim thump of the drum intro to Holidays in the Sun.
OK I fully expect to be told I'm beig a muppet
here, but I'm assuming that any crossover coming from the other side of the tape would be backwards? I had a few old C90's that did this but I could never really make out the noise clearly enough- I just assumed it would be playing backwards.
Yep - backwards
A hissy thump, thump. Quality of the tape was very poor.
I always knew home taping
would kill music. What were they thinking....
1 plus 1
I had two U2 albums and a Steve Winwood album in that format.
1982-3 I recall
Laser Disc
anyone? (http://en.wikipedia.org/wiki/Laser_disc for them as have forgotten it already. You fickle lot...)
Picture Discs?? ANyone want
Picture Discs??
ANyone want to buy my pic disc of Parallel Lines? Bit scratchy mind.
Those dinky little
3" CD's in a card sleeve in a jewel box.
Anyone recall that ad campaign for minidiscs in Q c. 1992
(edition with Suede on the front)? Must have cost a fortune. It was easily the worst advertising campaign i've ever seen for anything to do with music. Some guy called Frank in a tracksuit and a woman talking about wallpaper. It covered about 6 A4 sides! What a phenomenal waste.
No wonder it didn't catch on.
I really thought...
...that Tooth Tunes were going to save the record industry - turns out I was mistaken...
Betamax!
We had one for a while. It was so much more compact. I can't believe it never took off.
I'm still ruing the day I bought a mini-disc Walkman.
Shaped picture discs: I've got one in the shape of an aeroplane, square ones, band logo ones, all unwieldy.
Or Philips 2000
as an even bigger video flop!
I've still got several picture discs: a Eurythmics LP, a couple of Cars singles... they were all the rage for a while.
Video 2000!
Not even mentioned as the loser of the format war! I haven't thought about that in years. Pretty sure you used to be able to turn the tapes over? We also had a strange square video format in school - the tapes were about 5 inches square and about 2 inches deep.
V2000
The square VCR format was a Philips invention from the mid-70s and was I think the first (semi) successful domestic VCR format. A schoolfriend's family had one of these machines at the time, about 1976, and I remember being really wowed by the idea of recording TV shows on a tape, aged about oh ten or eleven. And the V2000 was a double-sided video cassette from the early 80s and yes you flipped the cassette over like an audio equivalent. Also developed by Philips, who later went on to bring us DCC. Boy did they ever lose out over and over.
Then again they were prime movers
(along with Sony) in the deveopment of the CD.
Yes
This is the one I remember from school :
http://en.wikipedia.org/wiki/Video_Cassette_Recording
Cost as much as a car, the equivalent of £6000 today!
"The big square ones..."
Were called "U-Matic".
Format used mainly within the industry for tapes that were extensively hired or used. Seemed to cover off many business/motivational films.
I did my work experience as a 15 year old at Rank in Brentford and the place was piled high with U-Matic video tapes. John Cleese's video company of the time was the speciality. It was my job to rewind the buggers when they were returned. Had a special machine to do it too that rewound tapes at light speed!
there was Hi-band Umatic too
Machines were even bigger and heavier. I think there was no NTSC Hi-band
which confused everyone, especially Americans. It was all a long time ago.........
Shaped picture discs
this may have been urban legend from my 20s, but didnt the police once realease a single that was shaped like, (Fnarr,Fnarr),
a bobbys helmet ??
"So-so silver"
Behold,our Sony Betamax C20 (Date of purchase: 1983 or 1984). To own such a thing was to inhabit a lonely technological cul-de-sac. Few video rental stores bothered to stock more than one copy of a given film on Betamax. As VHS took off, many movies ceased to be released on the second place format.
To give some idea of how doggedly my family sticks by its bad choices, the cassette lodged inside the player contains a copy of Crouching Tiger Hidden Dragon(cinema release: 2000) that my brother recorded when it was first shown on TV.
Betamax became
Betacam SP and then Digibeta. Very successful broadcast format until the more compact but inferior DVCam took over for a while. Its all going on hard drives and flash cards now.........
Shaped discs
...such as the below:
Jessie Rae - Over The Sea!
Great record...
... and Jesse Rae also wrote Odyssey's majestic "Inside Out", fact fans!
Jesse Rae
I adore this. I can remember Jools Holland raving about the Video on The Tube 1985 ish.
IIRC, it was a sort of Highlander// Braveheart crossover.
I think I can hold my hand up and admit to
buying the Ugliest picture disc ever made. Still not sure why I didn't hold out for the lp (which like everybody else I bought a month or so later) But this ugly brute nestles with my other vinyl a lesson from history of the follies of youth. It's got a live version of "love over gold" on the b-side.

I beg to differ
I owned this until I eBayed it a few years ago

Jester with cucumber?
Badly airbrushed? "Garden Party" by Marillion?
Or there's the, how can I put this...
...ten inch.
Ahem
Mr Richard Hawley's recent nautical EP was released on 10"
Early LPs.
The earliest LPs were generally 12", running to around 12 minutes per side. By about 1957 or so the 12" format became the common one.
Proof that size doesn't matter...
... Chiswick Records released a limited edition of the Radio Stars "From A Rabbit" on a 6 inch disc.
Alien Sex Fiend did EST
Alien Sex Fiend did EST (Trip to the Moon) as a 11"
Nine Nails did March of the Pigs as 9"
Stiff did the Jona Lewie's Big Shot as a 6"
and have we forgotten The Clash?
Blackmarket Clash 10" with Don Letts and a bunch of coppers on't cover
I still have mine and it's mint, any offers?
Motorhead & Girlschool
St Valentines Day Massacre EP - also available on 10"
aka
HeadGirl
Tin Box by PiL?
In cine film cans?
The VHS "video single"
Bowie's Blue Jean came out like this...
http://en.wikipedia.org/wiki/File:Bowie_JazzinForBlueJeanVHS.jpg
Big and ugly (the format, not the Dame, obviously)
Also Numb by U2...any others released like this?
One of the only musical items that ever made me money...
... was a video single of Sigue Sigue Sputnik's "21st Century Boy" (IIRC) which I Ebay-ed for about £30 five or six years ago.
Bohemain Rhapsody
by Bad News
also contained 5 minutes of talking/shouting/insulting entitled "Every Mistake Imaginable" (EMI, geddit?)
And yes I bought it, and indeed still have it
Anyone else remember the Elcasette?
BIG cassettes containing 1/4-inch tape running at 3.75ips - basically a reel-to-reel in a cassette case. Huge improvements in fidelity over standard cassettes but came onto the market just as Nakamichi revolutionised what you could do with ordinary cassette tapes.
I saw an Elcasette once, at (I think) Olympic in Barnes
I sold 'em...
... when I worked at TV & Hi Fi Centre in Cirencester in 1976! Yes, I'm that old!
They never really took off though. I still remember a review in a hi fi magazine at that time that summed up the Elcaset as "an inelegant solution for a non-existent problem."
Elcaset
I believe they were a Sony invention. Coveted one but never got close to affording one. I saw some still-cellophane wrapped tapes for sale recently.
Damn and blast!
I was sure I was the only person who would remember Elcassettes (always thought it was L cassette) The company I worked at had a couple which were converted to be 3 or 4 track to carry AVL clock and positrack for running multiimage slide shows. Now there's a forgotten format! Add Dataton to the list too.
Looks like they're STILL expensive...
A TEAC Elcaset machine is on ebay at £595 BIN
http://cgi.ebay.co.uk/Teac-Elcaset-Deck-AL-700-/140413147733?cmd=ViewIte...
wax cylinders
are still in production - http://www.phonographcylinders.com/
The funniest wax cylinder in the world....ever!
CD with graphics, CD-ROM
There was an odd type of CD that had graphics that could be "displayed by compatible players". I recall a 10,000 Maniacs one (the one with Dust Bowl on it?) I never heard of a "compatible player" and have no idea what the content might have been.
Edit: details here - http://en.wikipedia.org/wiki/CD%2BG
There was also supposed to be a CD-ROM revolution that never happened.
CD-ROM
Aren't all 'computer-readable' compact discs with data on them CD-ROMs?
When I started work in book publishing more than 20 years ago,
They were all over CD-Roms. This was law textbooks, I might add. There would be no need for books in 20 years' time, we were constantly told...
We're still being told that
and it's still 20 years :-)
Until this came up, I'd completely forgotten about...
... Pete Shelley's "XL-1" album, the cassette version of which came with a ZX Spectrum programme on the B-side. You loaded this into your computer (took about 20 minutes if memory serves), then set it going as soon as track 1 of the audio started, setting off a rudimentary computerised music video affair, like this below, absolutely state of the art in 1983!
A quick google brought up this nice article by the programmer himself, Joey Headon: http://www.headen.com/XL1.htm
Chris Seivey
At around the same time as XL-1, Chris Seivey (Frank Sidebottom/The Freshies) did a video game called The Biz. I believe that the tape it came on had some of his music on the other side. I also think this is where Sidebottom first appeared. Can anyone corroborate?
edit: when I wrote this I had no idea Chris had just died.
I have played the biz many times -
i managed to get signed by Factory records and made the lower reaches of the top 40 before my single stiffed. However, a friend of mine recently made it to number one and wrote to Chris/Frank, who was amazed as even he had never achieved this.
At one point in the game, a groupie offers you some drugs to help you write some far out songs. If you accept, the screen goes all psychedelic and the biz becomes near impossible to play for about half an hour.
Sievey's first entry into
Sievey's first entry into computer games was the single Camouflage, released in 83/84, the b-side had the game Flying Train and another programme (which escapes me and all my vinyl is down at me Mothers!) and it came on a cassette, ideal for the ZX Spectrum and on 7".
Frank first appeared on a Freshies video, were he was portrayed as their NO1 fan and if memory serves the 'plot' was Frank trying to go and see a Freshies gig. Again this was around 82/83 the video was Being Frank (again subject to memory, this time due to the fact that I sent Chris my Freshies videos a while back so he could transfer them to DVD, which the last I heard from him he had done, but I never did get the videos back!) And the first time I saw Frank in 'public' was running around Rotters in Manchester causing havoc before a Freshies concert!
Lou Reed - "New York"
is a CD+G disc. I used to have an Amiga 500 with a cd drive that would show the graphics while playing the cd.
More recently, I've found that it's possible to use Winamp with a CDG plugin to do the same, if the mp3 of the track has a .cdg file in the same folder. I can also be used for Karaoke, sing-along-a-Lou!
The graphics are pretty underwhelming, though. You can read more about it here - http://www.winamp.com/plugin/cdg-plug-in/100775
CD-G
The CD-G format survived as a format for karaoke CDs. The graphics are encoded into a spare part of the CD's data stream. As there's very little spare data available, only low resolution images can be encoded, but it's ideal for storing karaoke lyrics.
Karaoke Natalie
I like the idea of someone doing "Eat For Two" at a Karaoke bar.
CD graphics
Were, I think, just track listings scrolling across the player display. I have a Michael Penn disc which does this. Its quicker to pick up the case and look at the track listing.
CD-Text.
That's more likely to be CD-Text, which some CDs use. Like CD-Graphics it uses spare capacity in the datastream to store its content. Some CD players will display CD-Text on the front panel, whilst some DVD players will display the same text on screen when playing an encoded CD.
It's possible to write CD-Text encoded CDs with most popular CD burning programs, including iTunes.
DCC
Digital Compact Cassette. Very short lived in the 90s but I recall them being sold in HMV. My mate spent part of his student grant on a player, you could play back normal cassette tapes in it too.
CD-V
CD video. These were gold coloured Cd singles which would play back on a regular machine but also played the video if you happened to own a compatible laser disc player. This was circa 1987 pre internet and PCs with multimedia.
New Order did one for 'Touched by the Hand of God' which is v collectable although mainly for the rare tracks that were not included on any other format.
Has anyone mentioned...
...DVD singles, yet?
They were a great development for those of us fed up with the old 2xCD single trick, but unfortunately they seem to have been quietly abandoned a year or so back.
Gold CDs, HDCD
There was a craze for Gold audiophile CDs. I have one of Thrak by King Crimson. Pretty sure a CD being gold makes no difference, but maybe someone can give the details?
For a while there were plenty of HDCDs around. These seemed to have a 16-bit layer and a 20-bit extended layer that could be read by compatible players. My copy of Car Wheels on a Gravel Road is one.
Postage stamps?
Bhutan issued a stamp you could play on a record player, and appear to have tried a CD version.
http://www.bhutanpostagestamps.com/cd.htm
They seem to have wisely missed out the eight track format.
Hybrid releases
Both Jeff Mills and The Mars Volta have released singles which have vinyl on one side and a CD on the other. I can't imagine it taking off.
Neil Young will surely adopt this exciting new idea...
as his fans can simply flip the 'recordisc' over to prove conclusively that vinyl is brilliant and CDs are rubbish.
Record sleeves
You can play the sleeve of my version of Dumb Waiters by The Psychedelic Furs... some may suggest trying that with all their singles.
UMATIC
not an home format but most concerts, tv shows etc, were recorded onto it and I believe even early CDs were mastered from this Sony device
all secondhand knowledge I may add
U-matic was a pro Sony VCR
U-matic was a pro Sony VCR format from the very early 70s; it was an early attempt to replace small-format open reel video with a cassette system. It was taken up by film student/pro users rather than the domestic market. There were both portable and studio-based machines. 3/4" tape and high speed resulted in pretty good quality, for the analogue days. I shot a video on U-Matic in about 1990 and it was still popular at that time. The portables were back-breaking machines to lug around tho.
so who has the most "defunkt" AV formats then
here's my list:
7 inch vinyl
7 inch coloured vinyl
picture discs (see above)
flexi singles
10 inch vinyl
12 inch single (45 rpm) think i have one that plays at different speeds on each side
12 inch albums
I have a copy of that magazine that came with lp somewhere name escapes me
postcard records (see above)
also found a tiny 3 inch card record with the postcards
music cassette pre-recorded and home comps
cassette singles
mini disc including a pre recorded best of Bob Dylan
cd's
various digital formats
Oh and I have a wind up gramophone and a Phonograph wax disc (at my Dad's! but I bagsied them!)
films
dvd, vhs cassette
super 8 films including 4 reel version of Dirty Dozen!
Oh and have the kit to play them all too!
CED
Bet nobody owned one of those..?
Capacitance Electronic Disc, to give it's full name, was a short-lived video player of the 1980's. Bloody useless really because the player used a stylus, not a laser, and you had to turn the disc over halfway through the fillum.
http://en.wikipedia.org/wiki/Capacitance_Electronic_Disc
I only owned one because I won it in a local newspaper competition, complete with several discs. One was a Beatles release, sold to a collector when the player went the way of other obsolete devices.
I didn't own one.
I didn't own one, but one of the local electrical stores managed to a acquire one plus around 20 to 30 discs. They must have had it sat in their window for several years, before reducing it to something very silly. It ended up being bought by a video rental shop across town who thought that they could try renting out the films.
Quadrophonic ?
I had a Psychic TV single that was released in this format. I also remember Frank Bough banging on this sonic revolution on Nationwide.
I also bought an unlabelled metal 7" single. On playing it, a man had recorded a message for his wife. Apparently (according to the man) there was a booth that allowed you to do this on the street. He had a very BBC accent and I would date it back to the 1940s.
Not Quadrophonic, but...
... Holophonic, "Zuccarelli Holophonic" to be exact. From what I read at the time, it was an alleged "3D" stereo effect, which zany funster Genesis P. Orridge utilised on the "Force The Hand Of Chance" album to capture the sounds of the spirits invoked in the studio during recording... more at Wikipedia here: http://en.wikipedia.org/wiki/Holophonics.
As for DIY record booths, I saw Barry Manilow play live last year (leave it), and he actually played one of these records he made with his grandfather in New York when he was a child.
Here's Dicky Attenborough
recording a touching message for his beau in one of the aforesaid booths!
Quite right
Holophonic it was. I think the single was called "Just Drifting" - and I don't remember it being particularly mind-blowing. Having said that it was probably intended for something better than the dansette thing I had in my room.
Wasn't Holophonics a 'dummy head stereo' system
where the mics were set up in the ears of (quide liderally) a dummy head? This allegedly meant that the stereo spread captured was exactly as the human head would hear it.
I only ever heard it used on The Final Cut and Hitchiking albums where, to be honest, I couldn't really hear any difference to regular stereo.
I used to have a 45 rpm single...
... that came free with a hi fi magazine circa 1976 which featured a demonstration of dummy head stereo. If you wore headphones and listened with all the lights turned off it was actually very creepy.
A voice appeared to be coming from the back of the room over your left shoulder and it said "now I'm walking along the wall towards the front of the room. Now I'm walking towards the center of the room. I'm walking towards you. I'm getting closer. And closer. And now I'm talking right into your ear" and it really did sound as though there was someone only a few inches away from your ear.
Combined with some strong drink and perhaps the occasional jazz cigarette late at night, it really had the ability to freak people out.
I wish I still had that single.
Psychic TV
The Holophonic process was also used on the Dreams Less Sweet album, which seems to have a few gratuitous sound effects on it, notably one track that sounds as if you are in a box or coffin with earth being shovelled on top of you. Brilliant. You wouldn't find that on your average landfill indie release these days. Oh no.
Recording booths.
There was a recording booth in one of the arcades of the Butlins holiday camp I stayed at when a few years old back in the early 1970s. You put your money into a slot, spoke into a microphone for a few minutes, and out popped a single sided 6" 45 rpm record made out of some form of plastic. I recorded a few of nursery rhymes for my grandparents, one of them still exists somewhere.
Recording booth
There was one on Waterloo Station in the 70's.
I seem to remember that there was one
at Liverpool Exchange station in the 1960s, along with one of those machines that allowed you to stamp out a 'dogtag' ID disc.
Have we talked about the Flexidisc yet?
Really hard to play unless you weighted down your stylus arm. I've got an XTC one from Smash Hits, and a Melanie one from somewhere.
I used to
have the XTC one - Ten Feet Tall, if memory serves. Didn't it also have a Human League song on it? I want to say it was Empire State Human...
Another format gone by the wayside - laser-etched records, anyone? I used to have a Split Enz single that was laser-etched on one side. A quick google tells me it was 'History Never Repeats'
Coloured Vinyl
I had John & Yoko's merry christmas (war is over) on bright green vinyl.
Still have
Don't think I can retire on it though. Nor on the so-called limited edition 12" of Miss You on pink vinyl. Bah!
Several other formats you probably won't have seen.
Here's a few other formats you probably won't have seen, as they were probably US only and died out about 40 years ago. The Beatles had their recordings issued on all three formats.
4-Track Tape: The precursor of the 8-track. They were the same shape and size, but with some internal mechanical differences, in particular they lacked the integrated pitch roller of the later cartridge. It was possible to adapt 4-track tapes to play on 8-track hardware.
The Playtape: Like an 8-track, but significantly smaller, with a playing time of up to around 20 minutes. They were launched in the late 1960s and died out a few years later.
The Hip Pocket-Disc: These were tiny flexi-discs with a diameter lower than that of a CD. They could be played on some standard record players, but there were also dedicated players that were designed to play them (as well as standard records). The intention was to sell them via vending machines.
Not sure whether these are" Hip pocket discs"
but when I was fishing out the postcard records above I found this tiny disc in a paper sleeve . Seems to have been given away by "Force cereal" not sure how old it is could be 1930/40's. Seems to be plastic on cardboard.
for any super interested types here's the reverse.
http://farm2.static.flickr.com/1436/4724036663_0b8410f89b_b.jpg
DVD recorder
I used to have a DVD recorder that could record TV programs. It seems almost quaint now. I replaced it after a couple of years with a hard disk recorder that could also record Freeview. That's now seeming very obsolete since these days it's pretty easy to stream video...
Streaming video
I have (seriously) never heard of that, but I struggle to download podcasts, so its not really surprising is it?
The mighty Sound Burger
Portable vinyl. Ideal for jogging.
Ah, but
what happened to the View Master?
Minutes of fun watching stills from Disney's animated movies...listening to the story on a cassette recorder at the same time! Now how come that didn't last ?
( Even more fun when your parents bring back one for you that they've bought at a fleamarket, without the cassettes, just one disc... )
When my mother remarried just after the war
her wedding photos were put on View Master discs. I still have them today together with the viewer.
Amazing
I always assumed it was just a crappy 70's toy!
Just looked for a date on them
but I think it was more like the very late 40s (I was born in '52). I suspect it was the 'thing' for the aspirational young couple :-)
Well, if we're going hardcore, how about...
... Flashy Flickers, a mid-60's toy, basically a slide projector shaped like a gun, through which you fed reels of film one frame at a time. This was without any doubt whatsoever, my favourite toy when I was a boy, lying in bed at night, projecting cartoons onto my bedroom ceiling (Proustain rush alert...)

An amazing, but essentially stillborn, format was Fisher-Price's Pixelvision, a toy video camera that shot lo-fi black & white moving images onto normal audio cassettes. Meant to be cheap & cheerful and robust enough for kids to use, it sold poorly and they're now collector's items.

Still going
Someone got my daughter a Disney one for Christmas.
Polavision instant home movies
Polaroid developed an motion picture variant of their instant cameras, called Polarvision. The media consisted of a small cartridge of film which also contained development chemicals. To view the films you had to play them back in a dedicated viewer, which also acted as a unit for developing the films.
Unfortunately Poloaroid launched it too late, as VHS and Beta were just taking off. Polavision film cartridges were expensive, had a playback time of just a few minutes, and didn't look that great when played back. Hence the system was an abject failure.
BSB Squariel
This was dreamt up by the marketing people and the boffins had to find a way to make it work with superior but underdeveloped satellite system that BSB bid for unlike Sky who used the existing PAL system. My brother had one of these along with most of the other also ran systems listed here.
Balham
Saw one of these on a chimmey Balham way on the way home on the Train, Tuesday.
Ian
Super 8 movies
Camp heterosexual songstrels - THE most futureproof format?
No mention of the Scopitone yet. These 16mm "video" jukeboxes were particularly big in France in the 1960's. Most of them featured pouty lolitas gasping out ye-ye frogpop hits of the day, but the odd Anglophone act made scopitone clips. There was one for "A Whiter Shade Of Pale", but I thought I'd go with Neil Sedaka because "Calendar Girl" doesn't make me want to punch an old hippie every time I hear it.
There's also a scopitone on youtube called "Pussycat A Go-Go" by someone called Stacy Adams, and it (almost) does exactly what it says on the tin.
Other spent formats include:
The Audio Magazine (Flexipop, Volume, and the one on cassette).
The Christmas fanclub flexidisc.
The Man With The Cart That Used To Yell "Bring Out Your Dead".
The format I would love to see is those talking spinning rings which featured in "Planet Of The Apes".
Wire Recording
I had a machine from the late '40s or early '50s that actually used a steel wire to record sound. The wire was magnetized in proportion to the sound input. The wire was stored on 3- or 4-inch metal reels and wound onto a much larger drum, about 8- or 10-inches in diameter. There was a synchronized up/down cam to ensure the wire wound evenly on the reels. The fix for a broken wire was to simply tie a knot around the break. I can't imagine the read/record head lasting all that long with a steel wire running across it!
My machine came in handy when my brother came across some old college speeches archived on wire but no one had the hardware to replay it.
http://en.wikipedia.org/wiki/Wire_recording
...To get my two cents in ,
...To get my two cents in , here where I'm at in San Francisco , a local " Advertiser " newspaper , every week , sound as a dollar ( Well...Anyway , that ought to make for enough " I'm American " disclaimers !!!!!!!!!!! ) , runs an advertisment for someone wanting:
" FLEXO Records Wtd....made...around the 30s , came in diff colors , sizes ( 3"'-16' ) . MUST SAY FLEXO . "
medusashaircut@erols.com , if you're interested .
I tended to come across flexi-discs as advertising items .
There were even flexis printed not on vinyl/plastic , but on stiff paper cardboard !
I remember a Dick CVlark 2-LP compilation set on Buddah Records that had a bonus " picture disc " cardboard...
...To get my two cents in ,
...To get my two cents in , here where I'm at in San Francisco , a local " Advertiser " newspaper , every week , sound as a dollar ( Well...Anyway , that ought to make for enough " I'm American " disclaimers !!!!!!!!!!! ) , runs an advertisment for someone wanting:
" FLEXO Records Wtd....made...around the 30s , came in diff colors , sizes ( 3"'-16' ) . MUST SAY FLEXO . "
medusashaircut@erols.com , if you're interested .
I tended to come across flexi-discs as advertising items .
I remember a flexi advertising this " The Swing Era " mail-order Time-Life LP of stereo re-recordings of Big Band-era hits , and a stand-up comedian named Chris Rush whose LP ( titled " FIRST RUSH " ) had an excerpts flexi as an adverisment in in NATIONAL LAMPOON !
There were even flexis printed not on vinyl/plastic , but on stiff paper cardboard !
{ People other than I had real encounters with back-of-Post Cereals boxes round cardboard records of Archies and Jackson Five songs , you were supposed to cut them off of the box . ]
I remember a Dick Clark 2-LP compilation set on Buddah Records that had a bonus " picture disc " square cardboard...A highly 70s-finery*- dressed D.C. was on the front of it , and when you played it , he spoke of such new stars of the 70s as Donny Osmond and Alice Cooper !
*-Always good for an easy laugh , that sort of reference is...
Hit Of The Week / Durium
I'm not aware of Flexo records, but there was a far more well known label called Hit Of The Week who pressed flex-discs in the US circa 1930. Their records were made out of a custom resin-derived material called Durium, the name also serving as the name of the company's associate label in the UK. The records were single sided.
Hit Of The Week records sold via newsstands and similar outlets for considerably less than standard records, with a new title issued each week. Several major artists recorded for the label under pseudonyms, most notably Duke Ellington.
...My parents had such a "
...My parents had such a " Woolworth's booth " record of them and some old friends singing Woody Guthrie's " So Long , It's Been Good To Know Yuh " . I lost it long ago!:-(:-(:-(-As with the other things I've mentioned here:-(:-(!
An early video disc format in America was known as the " RCA format " in the late 70s , I presume that it was simply the American name for the vd format mentioned above .
'...BUT did you know"
In 1989 there was a micro trend for issuing and reissuing old hits on a "mini disc" format, this was before it was known as mini disc. I still have a few by Starship,Madonna and The Human League. I don't even no if I dare play them anymore,more of a novelty.
Intrigued...
Tell us more! What does it say on the label/case? What do they play on?
Not MiniDisc
Those weren't MiniDiscs, but just 3" CDs.
you sometimes get
start up discs with drivers etc for IT kit on cds that size they are usually a bit dodgy for spindle less cd drives
ADAT & S-Video
Before protools you could get 8 track digital cheap.
Both using the same tape - looks like vhs only with an s.
http://en.wikipedia.org/wiki/ADAT
SVHS was better than VHS
the S stood for super I think. The tapes were more expensive though and by todays standards it was nothing to get excited about. Of course, you needed an SVHS player to get the improved quality.
The dreaded S-Video plug
The plastic thingy at the bottom always broke off, and at the slightest provocation the plug would be bent out of shape.
Can't say I miss the PS/2, either