Nature's Way after Nothing To Hide (Spirit '12 Dreams of Dr. Sardonicus)
Eibhli Ghai Chiuin Ni Cherbhail after Fine Lines (John Martyn 'Inside out')
The Angels Took My Racehorse Away after Shaky Nancy ( RT 'Henry The Human Fly')
Franklin's Tower after Help On The Way (Grateful Dead 'Blues for Allah)
Carolyn's fingers after Athol-Brose (Cocteau Twins 'Blue Bell Knoll')
Country Girl after 4+20 (CSN&Y 'Deja Vu').

The "law" says that I Am The Resurrection MUST follow This Is The One

I Still Haven't Found What I'm Looking for must follow Where The Streets Have No Name

Ifwhiteamericatoldthetruthforonedayitsworldwouldfallapart after Yes...(with the ridiculous "You're invited to Rising Tide's tribute dinner to Margaret Thatcher..." clip)

unless "Thank You" follows "The Lemon Song"

Page is an Adept y'know.

The perfect example: all those songs on side 2 following one another in the correct order.

As long as you stop before Her Majesty starts.

And, personally, it's the appearance (not non-appearance) of Maxwell's Silver Hammer which spoils Something for me.

Goodnight after Revolution 9. Just try actually listening to Rev 9 for once, then Goodnight. What blessed relief and peace - it's brilliant!

Every song must follow the one before it on Exile ON Main St. If Rocks Off pops up on the Ipod then that's me gone for the following hour.

Rock n Roll must follow Black Dog, as sure as night follows day, tick follows tock etc

Soul Love after Five Years
Moonage Daydream after Soul Love

etc
etc

Very good. Indeed.

where "Fitter Happier" follows on from "Karma Police" - the hazy noise fades into creepy computer spoken word = the RIGHT way

..the clip-clop start of The Gnome cuts in after Interstellar Overdrive runs down on Piper at the Gates of Dawn

I'd have to also nominate the magnificent three in a row from Notorious Byrds Brothers...Draft Morning into Wasn't Born to Follow then Get to You is a sublime sequence that has to heard in order.

it's just how it is.

At albums I love on vinyl being on CD. They should have a decent pause after the end of side 1. It's disrespectful otherwise.

Freedom Rider must follow Glad - or else!!!

Side two of 'The Hounds of Love'. A bit of a cheat I guess, there are hundreds of examples, but that one jumped out at me right away.
Ooh, the whole of Steve McQueen, but especially 'Bonny' into 'Appetite'

‘Meeting Across The River’ into ‘Jungleland’ - it's something about the horns/violin interface.

Conversely, my first recording of ‘Born To Run’ (the song) was taped off the radio - Noel Edmonds’ Sunday morning Radio 1 show, in fact – and was immediately followed by a Janis Ian song called something like ‘Run Too Fast (Fly Too High)’. To this day, as Bruce’s final 'whoa -oh’ fades away, I still find myself expecting to hear Janis.

All the tracks on Side 1 of the album in particular have to follow each other. Singing Winds leads into Black Magic Woman then into Oye Como Va and finally into Incident at Neshabur. Then, and I agree with Lenny, there must be a break before Side 2 starts.

Long Distance Love simply HAS to follow All That You Dream. There is no other option.

The first time I heard songs from Revolver was on the 1999 version of the Yellow Submarine Soundtrack, so for ages I expected "Love You To" to follow "Eleanor Rigby" on Revolver.

...those two famous compilations are a cause of similar confusion. I bought them in 1974 and only had two other Beatles albums on vinyl – Abbey Road and Sgt Pepper – until I started buying them on CD around 15 years later.

This still catches me out on Revolver and Magical Mystery Tour. Thanks to long-ago memory triggers I expect to hear Yellow Submarine after Eleanor Rigby instead of I'm Only Sleeping, and Magical Mystery tour after Fool On The Hill instead of Flying (even though MMT has already been on by that point).

Sorry Sheev, couldn't resist: the whole of Ziggy is a masterclass in sequencing: the drum fade of Five Years segues into the drum intro to Soul Love; whose serene fade out is interrupted by the crunching power chord intro of Moonage Daydream, and so on. Perhaps my favourite is Ziggy Stardust into Suffragette City.

The Damned - Smash It Up, one seconds silence, Doors - Light My Fire.

As mentioned previously somewhere on this 'ere site, the burnt-in memory from listening to the same vinyl LP for long periods of time - one track must lead to another. Anything else is just wrong!