Entertainment For Lively Minds
Death Sells But Why?
Posted by Riccardo Gargiulo on 28 June 2009 - 6:56pm.
Proving the old adage that death can be a great career move, I note with little suprise that 15 of the 20 current top selling CDs are by the newly departed Mr Jackson. What entirely I fail to understand is why this happens. I mean, if you were a fan, surely you would already own these records [we're not talking about any "new" or hastily cobbled together tribute package here] and if you weren't a fan, surely his death isn't suddenly make you go want to fill a large MJ shaped hole in your record collection. Or is that just me?
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I haven't got a clue about why this phenomenon occurs either. It is most strange.
My sentiments exactly
Unfortunately I got shot down in flames for saying so. It is almost like people saying 'oh, I liked him when he was alive but not enough to buy an album' - I find it quite disgusting that so many people are buying into something that they didn't subscribe to last week.
What really gets my goat...
is the near total absence of criticism with regards the quality of Michael Jackson's recorded work. For every pearl like 'Rock with You' or 'Show You the Way to Go' there is a steaming pile of dung like 'Heal the World'. But across the television networks there is a blanket acceptance that just about everything he did was fabulous, which is quite obviously bollocks.
Why is it not permissible for someone to be honest about his music? Does it really do him justice if all we hear are sheep-like bleats of 'He was BRILLIANT!"?
Thankfully there is diversity of opinion here on The Word site...
Amen Brother ... :)
.
Agreed
I was thinking the very same thing when I saw a news article about his album being No 1. Very odd. The only thing I can think of is that as a result of hearing a lot of his stuff over the past few days people have thought "yes! I like that, I'll get some".
Perhaps
we have fallen into the trap of judging the 'average' person by the standards of the Massive. The people who read The Word, and perhaps more so those who contribute on this blog, are more interested in music than most - and own far more music in one form or another than the man on the street. There are plenty of people who will be very familiar with Michael Jackson's work, especially the Jackson 5 stuff and 80s hits which are both still on regular rotation on TV and radio, but may have owned none of it.
Just as I (and others on this blog) have been inspired to buy music this weekend through the exposure given by Glastonbury, so the masses are buying Michael Jackson - having suddenly realised the gap in their collection.
I take it all back...
I'm going to buy a copy of 'Complete Madness' tomorrow!
Not...
the 'Ultimate Collection' then?!
Not that Madness are dead - they most certainly are not -
but having been exposed to their music this evening I've decided I must buy a CD.
Well buy The
Liberty of Norton Folgate then. I need to double check my recorded footage but I'm not sure that much of it was on the Glasto coverage. It is terrific.
Is it really that great?
So often I'm disappointed when I hear that a band's new CD is the best thing they've done. But lots of people are really saying good things about it, so maybe I will...
Hang on...
I had presumed you were mocking me, but perhaps you were in fact supporting my argument. Oops!
No mocking from me...
I've always liked Madness but I've never owned one of their records. Seeing them onstage today has made me want to plug that gap in my record collection.
Then please accept my humble apology
and sincere thanks for illustrating my point...
I've got all the Madness
I've got all the Madness albums but I don't really think they're an albums band. If I play an album it'll inevitably be a compilation however the new one is very good and at least as good as any of the others. If you've never tried Emusic, now may be the time as "Norton Folgate" & "Complete Madness" are in the UK catalogue so you should be able to pick up both of them and quite a bit more with the introductory offer for a snip.
Buy both.
They're both great. New one is as good as anything they have done - the family played NW5 4 times in a row in the car yesterday - great stuff.
I presume..
..it was an acapella version - as you'd never have been able to get all the instruments in the vehicle?
Plenty of room in the Galaxy.
Its a 7 seater - one for each Maddie.
Yes.
But I said the Glasvegas album was great so maybe a second opinion is needed...they did NW5 & Dust Devil from the album at Glasto. Every song on there is a single.
Whilst it's undoubtedly good.......
It doesn't come close to "Absolutely" or "The Rise and Fall".
Seek and you shall be rewareded!
Maybe we will finally get a MJ compilation
Oh wait, there's already been about 70.
My prediction is that a repackage will be called "This is It" and will feature just about everything he has done and sell for over GBP 200. It will come with a certificate with a number on it, lapel badges and other tosh.
Maybe they do already own them,
just not on CD/MP3.You have to remember that Jacko's most popular albums came out when the choice was between vinyl and cassette and now his death has probably created a sudden urge to listen to them again among people who no longer own record players.
Hopefully not too insensitive
I heard the inevitable stream of Jacko Jokes most of which were in extremely bad taste or just puerile. I did hear one that made me chuckle though:-
As Jacko was fighting for his life in the ambulance the doctor said 'I think we should start cpr'.The paramedics said 'no we should start the heart massage" The driver said "no we should an adrenaline drip" then Jacko gasping for breath said 'fuck me, you wanna be starting something,you gotta be startin something'.
Dead artists generally
are much easier to manage and, at least in the aftermath of a death and then on anniversaries, are pretty easy to garner decent levels of media coverage.
Unearthed some stuff that wasn't good enough to be released? Well the artist isn't around to stop you from releasing it now. And the family members are often complicit in the gravy train approach.
And completest fans are never going to ignore any recording with an unreleased track on it in memorial packaging are they?
But I still don't get why 5 albums get in the top 20 in the space of 2 days? Nowt queer as folk.
Does this mean then....
....that all those unsold copies of Invincible, his clunker of a last studio album, are now going to find a home?
It must be the most remaindered album of all time. A few months after its release I saw copies on sale for £2, and they still weren't shifting.
The average person on the street
don't buy CDs for the most part. Two or three purchases a year at most, and then usually only a new much hyped, radio played to death monster act such as Coldplay or Lady Gaga.
I would imagine most people have got by for the last 15 or so years with a copy of Dangerous and have no more of his music. Now they have had their curiosity pricked and are buying a Best Of to cover wider ground.
I think you make..
.an interesting point...it's like the Beatles...some artists just enter the collective consciousness...you hear the music everywhere...radio, Parties, Weddings, Tv that you just "know" the songs intimately so therefore never feel the need to actually buy it.
My mother saw the Beatles in 1963 ... we were passing time one a car journey recently trying to run through the alphabet naming Beatles songs...she didn't know any of the songs I chose from Abbey Road or White Album etc.
One reason for post-mortem success is that
theoretically the dead artist is no longer going to produce any new material, which creates a kind of 'scarcity' mentality. Probably not so scarce in MJ's case.
I say theoretically, since as we all know, the Mountains of the Moon and all points south will no doubt be scoured for 'unreleased' tracks, outtakes and anything remotely releasable for the next, who-knows how long.
Nigel Pauley, in the Daily Star, Monday 29 June, writes:
"Last night it emerged Jacko has left his children a £60m legacy of 200 original unpublished songs to save them from financial ruin. The songs cannot be touched by the many creditors lining up to reclaim their debts from his estate."
I imagine that a lot of people who haven't bought any music for years have felt compelled to get something by Michael Jackson. They probably had "Thriller" once but lost it in the divorce, or threw their record player out ten years ago, or some such. They might have gone off Jackson when his skin started changing colour and it's taken his death to remind them that, everything else aside, some of his songs made them happy once upon a time.
I think we should give the public some credit. Steven Wells died last week and that meant far more to me. I met him in 1991. One day I will look up his final articles and pay my own private tribute. I'll probably think about my own youth too. I expect that thousands of lapsed Michael Jackson fans are going through a similar process right now. If you once had an affinity with someone, their premature death focusses the mind.
I can understand "Off The Wall", "Thriller" and three compilations shooting into the Album Chart Top Twenty. "Man In The Mirror" reached Number Eleven in the Singles Chart Top Twenty, the only Jackson single there. Why that one?