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Best sounding record?

niallb's picture

This is over 25 years old but still sounds fresh. Yes, one hit wonder. Yes, hair-cuts. Yes, odd voice. But this still has one of the best drum sounds of the era, an era when producers compressed the chuff out of the drums. The little break at 0.18 fills the mix and makes you pay attention. So, any other records, good or otherwise, that SOUND great?

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Here's a few

Steely Dan - Aja esp the piano on the title track
HJH - Abbey Road
Little Feat - whatever album has "All That You Dream" on it
David Bowie - Station to Station

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Mousey | 2 July 2010 - 5:55am

from the same era

anything by Scritti Politti - produced by Arif Mardin at this time

for a hi-fi buff, the best sounding CD in my collection is probably 'Crossings' by jazz guitarist Steve Khan.

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Nick Duvet | 2 July 2010 - 6:14am

Too many to list but opening of this

was a pleasant surprise recently (hadn't heard it before)-very atmospheric "even" off Spotify.

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SpaceBoy | 2 July 2010 - 7:18am

'First Take' by Roberta Flack...

Pianos have never sounded more piano-like
Drums have never sounded more drum-like
Basses have never sounded more bass-like

A masterpiece of cool restraint.

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Patrick Crowther | 2 July 2010 - 8:23am

Good call

Patrick. Just thought of another one. Sara by Fleetwood Mac, off Tusk. If there is a better recording of brushes in the modern era I've not heard it. Triumphantly touted as the first proper digital recording I remember being very sniffy about it beforehand. Yet,when I played my vinyl copy through my Dad's big speakers I actually turned round to see if Mick Fleetwood had snuck in the back door.

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niallb | 2 July 2010 - 8:46am

Great cover too...

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Patrick Crowther | 2 July 2010 - 8:48am

Who Loves You? by The Four Seasons

Hi-hat as dominant instrument. Weird middle section. Don Ciccone ably filling in for an ailing Franki. Best played loud and often.

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Richard Lowe | 2 July 2010 - 8:46am

Possibly my favourite hi-hats

This production is so bold and bare, but then when you've got a voice like the Reverend's to work with, why cover it up?

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Joe Muggs | 2 July 2010 - 8:55am

An INSANE sounding record

And an utterly beautiful one

Even the tape hiss is beautiful on this (although I don't think it's that bad on the CD)!

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Joe Muggs | 2 July 2010 - 8:52am

Forgotten gem

I dug this out the other day, to demonstrate a point I was trying to make to someone about Janelle Monae,* and was blown away by how tight and fresh and bounce-around-the-kitchen-when-it's-on this record still sounds today.

The lead vocal is perfectly mixed with the backing vocals, and manages to sound bright and cutting without doing so in a strip-the-paint-off-your-walls Duffy-type way.

And, as with the OP, the sound isn't at all what automatically comes to mind when we think "Eighties" - no snare going THWACKAWACKA on two and four! No syn toms going BINGABING! BANGABANG! BOING! And, best of all, all the tooting comes courtesy of a Leslie-whirring B3 and rather than a DX7, with no more than the odd horn stab in just the right place.

Hmm. Why did CMcC's flame flicker so briefly? She was a Rather Good Thing.

(*She needs to have a serious word with her arranger, that was basically the point.)

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Archie Valparaiso | 2 July 2010 - 9:03am

Forgotten gem

I dug this out the other day, to demonstrate a point I was trying to make to someone about Janelle Monae,* and was blown away by how tight and fresh and bounce-around-the-kitchen-when-it's-on this record still sounds today.

The lead vocal is perfectly mixed with the backing vocals, and manages to sound bright and cutting without doing so in a strip-the-paint-off-your-walls Duffy-type way.

And, as with the OP, the sound isn't at all what automatically comes to mind when we think "Eighties". There's no snare going THWACKAWACKA! on two and four. No syn toms going BINGABING! BANGABANG! BOING! And, best of all, all the tooting comes courtesy of a Leslie-whirring B3 rather than a DX7, while no more than the odd parsimonious horn stab punctuates all the right moments until they finally let rip in the middle-eight, two minutes in.

Hmm. Why did CMcC's flame flicker so briefly? She was a Rather Good Thing.

(*She needs to have a serious word with her arranger, that was basically the point.)

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Archie Valparaiso | 2 July 2010 - 9:08am

Another couple...

Fever by Peggy Lee.

and Smoke Gets In Your Eyes by The Platters.

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Patrick Crowther | 2 July 2010 - 9:11am

Patrick, sir. Once again,

the nail is firmly put in its place! How about this, as well. Benny Benjamin at his best.

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niallb | 2 July 2010 - 10:03am
Nick Duvet | 2 July 2010 - 9:56am

I think the best sounding

rock record is 'Who's Next'. It has a fantastic sense of space and dimension.

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Podicle | 2 July 2010 - 10:03am

My vote goes to..,

Louie Louie The Kingsmen
It's the way they recorded the drums, it sounds like it was recorded at a party.

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Cookieboy | 2 July 2010 - 10:41am
Larry Bee | 3 July 2010 - 12:28am

Great sound?

Well, there's

but then again there's

both great records, and both doing exactly what they say on the tin - the one ethereal and sophisticated, the other scratchy and, er, unsophisticated...

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DougieJ | 3 July 2010 - 12:51am

Julie London - Cry Me A River

That basic arrangement. THAT voice! The word "plebian" in a song!

What more could you want. Sometimes simple is the best.


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badger_king | 3 July 2010 - 8:41pm
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