I thought Big Top was the absolute nadir of BBC sit com being, as it was, an almost Beckettian mirthless farrago of stilted jokes, strange silences, a doomed sense of ennui and the inclusion of her off Hi-De-Hi.
And Amanda Holden's forehead.
I was wrong.
I can barely believe this program was created by sentient beings. Its like a member of a hitherto undiscovered tribe had been asked to write a sitcom having been exposed only to Mind Your Language, Jim Davidson's Elephant and Castle and, weirdly, The IT Crowd.
And the previously blameless Adam Buxton is possibly the worst thing in it. How did this happen?
It's truly gruesome. When Ian Lee is the best thing in a sitcom, you know things have gone very wrong.
So this gets a series, straight onto BBC2, not even skulking around BBC3 to begin with, whilst Buxton's MeeBox, rough around the edges as it was, didn't even get beyond the pilot stage. Wrong wrong wrongity wrong.
remember The Creatives? It was a mid 90s Edinburgh based sitcom written and starring Jack Doherty (of the Channel Five five times a week chat show). Every episode was about creating and filming a TV advert. It only lasted one series and has never been released on VHS or DVD as far as I'm aware. It was probably roasted by the critics but I quite liked it. Well this is basically the London media tosser version of The Creatives.
Yes, it's bad. It's obviously, stunningly bad. I can't imagine anyone not recognising its terribleness, and I'm sure it will be buried in obscurity the minute the last episode has been screened. Having said that, I sort of enjoyed it to some extent. I will be watching it to the end. Maybe sometimes I'm just too perverse.
It is unbelievably bad, I recorded it to watch next day and couldn't get past the first 10 minutes. Puerile was the word that came to mind, how does anyone in BBC responsible for programme making or control allow such unwatchable rubbish to be broadcast? Not a single redeeming feature, laugh, or modicum of interest. Are the word massive not the target audience for this type of comedy? I'd have thought so. In which case, they missed by a mile.......
... in a kind of 'not as bad as I thought it was going to be' way. It's not very good, but it made me chuckle once or twice, which is more than can be said for some, highly acclaimed, comedies...
I just had to go check this out on iPlayer to see if it's as bad as you all say.
And you're all correct. It stinks.
I used to work in advertising, for what it's worth... and I didn't even get a vicarious "oooh it's my industry, I'm in on the joke", thrill of watching it. It's just dreadful.
How is it possible that the fabulous Adam Buxton could be so horrendously unfunny?
and think Adam has a great natural wit, I just don't think he's a very good actor. He seems to have the same problem as most people who go into acting after years spent performing "as themselves", namely being unable to perform as someone else.
Peter Cook, Paul Merton, Frank Skinner, Catherine Tate in Doctor Who - all fine and capable with their own material*, but just can't get the hang of acting a different character.
The Persuasionists (Buxton's 'drunk' act was excruciating)
Big Top. Jesus H Christ. Decent cast but who the hell 'wrote' it?
Two Pints... sometimes fnny when Ralf Little was around, but just getting embarrassing now. What a waste of Sheldon Smith.
Coming of Age (roundly panned as abysmal, though I'm strange and actually quite like it - but only because of the guy who plays DK, the girl who plays Chloe and the fact this probably closer to what most 18 year olds are like than some would like to admit. I was probably about as priapic.)
On the other hand, Not Going Out, while not being earth shattering, only got a temporary reprive due to public grumblings. Other than that, I'm trying to think of a single decent sitcom the beeb do now.
Even worse, ITV managed Benidorm, which was actually pretty funny at times.
The BBC have great comedy. Only the other day I was laughing my socks off at one of their programmes. It was called 'Allo 'Allo I think. Marvellous! I shall be doubling my licence fee payment, etc...
because Early Doors is something I adored when it was on.
I'm less taken with Pulling, which lots of people loved but, all in all, BBC sitcom is, in the words of Danny Baker (talking of other things, it must be said) pretty thin gruel.
was almost great. More like the anti Early Doors, but I still enjoyed it.
Another good Beeb comedy [IMO] is Saxondale.
Slowly, they are coming back to me.
Any more?
from the last episode where is sortof lost it completely.
But it was still worth it for how great it was till then.
That Mitchell and Webb Look tho, for all I love them in Peep Show, and as performers, and I enjoy David Mitchell in print, on panel games, on radio four and on his vlog, just isn't very good.
It has a moment here and there and that is it, generally it is a real let down. That said it is sooo much better than the awful Horne and Cordan.
In their defense, the first series was really great. One of the few sketch shows which was frequently laugh out loud funny. Unfortunately, the following series were all pretty dire.
I was looking forward to this too. I'll probably still watch the first one just to confirm, but I imagine I too will groan from this write-up.
Speaking of awful BBC Sitcoms, did anyone see Off The Hook last year? University-based sitcom with Jay from The Inbetweeners in a small role. Dreadful.
I watched ten minutes before switching off. I wanted to like it because of Buxton, Daisy Haggard and the highly underrated Simon Farnaby. But, Lordy, it so wanted to be the advertising IT Crowd it hurt.
I also had to take a gander and have to agree it is rankness of the highest order. I can't decide if it's the acting or the jokes which are worse.
Re the quality of recent BBC comedy, am I alone in thinking that We Need Answers is the worst pile of garbage ever shown on (the usually wonderful) BBC4.
It's apparently adapted from an 'award winning Edinburgh show' - I can only think that it worked in a theatre, and should of stayed there.
BBC4 has been edging in the direction of rubbish comedy shows for a while now... anything to try to bring in viewers, I suppose. The guy that hosts that programme makes me feel like putting my boot through the TV screen, thankfully I don't know his name.
We Need Answers is a really good show, it's a nice antidote to all those sorts of panel, quiz shows, and all three (but especially Tim Key and the one with a beard that does the powerpoint) presenters are good, and essentially, they are different. They are doing something new.
It has proper audience responses, it has a nice edge to it, it has absurdism and is good silly fun.
The BBC needs to cater for all senses of humour, because all sorts of people pay their license fee. I hate 90% of its comedy and 10% of it (maybe less) I love.
I genuinely can't understand why people like stuff from that 90% just as people won't understand why I like what I do. That's the problem with humour.
That said I couldn't even watch the entire episode of The Persuasionists it was that awful. The canned laughed was even worse because none of it was funny. And I was completely upset that Adam Buxton was in it (and that bloke from The Mighty Boosh... actually even Iain Lee has managed to go down in my estimation and he wasn't high in it anyway.)
I find it hard to believe that this show will be in anyones 10%, although it probably will be.
All I try and remember is that people have bills to pay. Adam is always going for acting roles in stuff. He has a family to support and adam and jo may be cult but they aren't very well paid. They have been slogging it out in the business for years. Contrary to some remarks about Adam Buxton he is in fact someone who has been auditioning and sometimes getting comic acting roles for years and who also regularly does voice over work. That this doesn't work is down to him being miscast, the piece having bad writing and bad direction. Actors are only ever as good as the material.
I am not saying he has a wide range. But Schwarzenegger doesn't have a wide range but he rocked in the Terminator movies (and a few others as well). Some acting is about acting, other acting is about whatever kind of charisma the performer brings to the table. In this case Buxtons charisma hasn't been harnessed.
I hope he realises in hindsight how awful this series is and gets out as soon as he can. His previous comedy work and his excellent radio show are what he should be judged on. Let's hope he can get some limitation on this damage.
I love We Need Answers too (Alex Horne is the man with the beard BTW). The "Let's Meet The Contestants" song has drilled into my brain and refuses to leave.
I'm getting very disenchanted with panel shows and can't stand QI ("Do you know the answer to this impossibe question, no? Then listen to me teling you the answer") or 8 Out of 10 Cats anymore, although Buzzcocks and Have I Got News For You are still watchable on occassion. WNA is definately the future for comedy game shows.
I would be pretty appalled to discover people in the future quoting my unwitty and throwaway opinion about a comedy show that I happen to like. I won't however be surprised.
You see in the wake of the massive global crisises, when we are piecing together a new culture from the tiny fragments we have left of the old one, many seemingly mundane things will become part of the holy scripture of the goose fat 101. The few remaining humans will gather round their fires and chant:
"Work is the curse of the drinking classes" - Oscar Wilde
"Golf is a good walk spoiled" - Mark Twain
"We Need Answers is a really good show" - goosefat101
What we all REALLY want is for Armando and Steve to send Graham Linehan an invite, book a 5 star hotel in the Highlands for a month and emerge with another Partridge. What I'd give!
We want three people we've never heard of in Fishguard/Clones/Elgin/West Bromwich to come up with something that embodies the, er, whatever the hell this decade is actually called (the Teenies?) ... meanwhile Linehan should write a sci-fi movie as a vehicle for Dylan Moran ("Don't talk to me about fucking light cones") and Iannucci/Coogan should move into serious documentaries for a bit...
True, I was (and am) harking back to a past that can never be recaptured - I think I was the first person in London to buy Let's Change the World with Music. However, much as I'd like to disagree with you for having disagreed with me, I actually think your suggestions about Linehan and Coogan are intriguing and could make for some great tv. From Ianucci though, I must have more Malcolm Tucker - on that one I won't budge!
but people like Not going out (and he co writes that) though I've never seen it. Collins and Herring is a good podcast but some of the shows he mentions liking like that awful Outnumbered are awful so I dunno how much I trust his comedy judgement.
Although again I'd suggest that comedy is such a specific taste thing that someone can write an awful comedy and a great one. In fact I'm always finding out comedies I hate are written by someone I like or visa versa.
And everyone is trying to make a living, I guess.
It is definitely the commissioning editors who are the most to blame.
And I thought I was going to like it. The whole family in it just... made me shudder and the jokes were so... obvious. And the kids, who everyone raves about, were just typical TV kids... ugg.
(There is probably no point in trying to explain it, explaining why things are good is often difficult but comedy is the hardest... Why is it funny? Because it makes me laugh.)
that this is some sort of "guerilla programming" - the producers had a bet to see if anyone would actually commission and broadcast this series, knowing full well that it was in reality a parody of the worst sitcom ever written. Surely that's the case isn't it...?!
I have just watched it via the iplayer and I have to say, if it isn't a wind-up, then it has to go down as a complete disaster - I was going to say a complete joke or farce but it should be so lucky!
Is it me, am I missing something...?
Here are the opening lines.
Girl walks into office: "Hey Billy written any good slogans?
I was just showing the programme to my significant other and she reckons that the biggest problem is the canned laughed. Not only is some of it placed in baffling places where no one would laugh, but also that it is so over the top that every statement is supposed to have been hilarious, rather than letting you find smiles and laughs where they would really come.
She reckons the characters would look more pathetic and thus be funnier if there comments fell into silence.
She also said it seemed really really dated like something from the early 90's.
It's got Iain Lee in it for God's sake - once brilliantly described by Word magazine in their list of Worst TV Presenters as being "scientifically unfunny" .
I caught this the other night - it makes the Persuasionists look subtle, sophisticated and intricately plotted. I'm clearly not the target audience, but this was seriously poor.
At one point one of the characters promises to 'rim' another character if she gets the part she wants in the play; a minute later he takes down his trousers and spreads his legs. That's not humour - it's an attempt to be rude for the sake of it. Not even a cheap laugh, just cheap.
Does anyone know who they are aiming this pile of crap at? Some humour I can see is aimed at the kids - like Mighty Boosh, I can see the attraction and the inventiveness of that - but it just goes over my head probably because I am an old duffer. But I can't even see that The Persuasionists is necessarily aimed at the youth market - who would find it funny?
This programme is just so poor that I am really starting to question my own sanity and my humour here, it's touched a nerve!
I am also surprised that Adam Buxton is involved as I really love the Adam & Joe show - I subscribe to their Podcasts and think they are excellent.
Please could someone interview the creators and actors in this and just ask them "WHY...!?"
Its got the touch of Andrew Collins hasn't it? - need i say more on how 'scientifically unfunny' his writing has actually got in the past few years - sorry fella, I do love and subscribe to the Collins and Herring podcast, and I understand having to make a living and all that - but please stay away from TV sit-com scenarios - leave it to people who know and understand what it is to write lame-assed jokes and lame-assed characters (see 'Big Top' etc etc) ad-nauseum for the BBC until the canned laughter cows come home.
By the way, hwre is the new series of Alan Partidge, and where the hell is Chris Morris to save our TV asses?
I didn't realize he was involved but then I noticed your comment and one above that says an Andrew Collins is a "script editor" - surely it must be a different Andrew Collins? It's not an uncommon name.
Please Andrew, I know you read the blog - it's not is it? Say it ain't so! I've got all your books too...
Andrew Collins name mentioned - he's usually very quick to pop onto the Blog to discuss relevant matters (which is great) but if it is "our" Andrew, then he has been keeping a very low profile on this thread!
after my d/l of the first episode, it felt like a script an Australian 'creative' gallah had written c.1980 that was unearthed in the move to Manc.
Crass, stupid, pointless and not funny.
the most amusing about it is that the writer doesn't merely have a Written by credit. Instead he has a pompous Written and Created by credit. Unless someone else writes some episodes later on, then that is a really self-aggrandising title.
I quite like the programme. It's terrible but enjoyably naff. I laughed a few times, and not necessarily at it but with it. The thing probably wouldn't be half as dated looking if it didn't have the strangely coloured inter-scene shots. They just scream out Britpop era.
Thought not. Me neither (I deleted it off Sky+ after Episode 2). The weird thing is, some of the lines aren't that bad - it's the over-acting of everyone involved that sends it into the unforgiveably awful (with a special prize to whoever plays the Dutch character.)
If it was directed totally differently in a more naturalistic style and ditched the canned laughter it'd be... well, not great, but probably average.
It's a malformed clone of 'The IT Crowd', (which I find unwatchable), and I agree with everything written above, but despite all that, I'm starting to quite like it.
I like the way that it's so third hand in its influences. It doesn't seem to rip off 20 year old classic sitcoms like Blackadder, but instead it seems more interested in ripping off forgotten mediocre shows like Game On. It's very much the work of someone who's seen too many sitcoms. Everything seems so derivative of older shows.
I'm deriving a lot of enjoyment from it. I will definitely be buying the DVD as soon as I see it for £3. This show must not be forgotten and lost to obscurity. It's too important.
Episode four wasn't shown last night at 10 on BBC2. It must be too embarrassing to screen it on primetime so it's been moved to 12.20 today (or technically tomorrow). In its place they screened Grumpy Old Women.
Oh, did it get screened? I sat down to watch it, having had a long and tedious day at work and looking forward to something that'd be even more miserably wretched than I felt, and was wrong-footed by the whinging women appearing.
I wondered if it had been stealth-cancelled.
I kind of want to see the series out to the bitter end to see if, oh, Bobby's been in the shower the whole time, or something, and it's all been a cunning post-modern prank...or something.
Or something...
on holiday? I'm still waiting for an explanation ha ha...I don't think I have ever been so deeply wounded to see someone who's work I admire have their name connected with such a crock of shite since Johnny Rotten started selling us butter!
Perversely
that makes me want to watch it to see how bad it is. Not even car crash TV then?
Its unbeleivable
I thought Big Top was the absolute nadir of BBC sit com being, as it was, an almost Beckettian mirthless farrago of stilted jokes, strange silences, a doomed sense of ennui and the inclusion of her off Hi-De-Hi.
And Amanda Holden's forehead.
I was wrong.
I can barely believe this program was created by sentient beings. Its like a member of a hitherto undiscovered tribe had been asked to write a sitcom having been exposed only to Mind Your Language, Jim Davidson's Elephant and Castle and, weirdly, The IT Crowd.
And the previously blameless Adam Buxton is possibly the worst thing in it. How did this happen?
Worst thing in it?
Surely not.
The most OTT cockney stereotype imaginable is surely worse than that? It makes Boycie from Only Fools And Horses look understated by comparison.
Or the barking mad Oz boss - that is worse as well.
I liked the bit with the bread bin though. I know it was not subtle or intellectual but I actually laughed at that.
I really wanted to like this as well - turned the TV on specially for it.
Oh Dr. Buckles, what have you done?
It's truly gruesome. When Ian Lee is the best thing in a sitcom, you know things have gone very wrong.
So this gets a series, straight onto BBC2, not even skulking around BBC3 to begin with, whilst Buxton's MeeBox, rough around the edges as it was, didn't even get beyond the pilot stage. Wrong wrong wrongity wrong.
It is very bad
and my love for the Adam and Joe show really made me want to like it. I think it has to be one of the worst things the BBC has ever broadcast.
I caught about half of it...
and I can honestly say that it is the worst comedy programme I have ever seen. It is utterly pathetic. How it ever got made is beyond me.
Well here then
Watch the other half
http://www.bbc.co.uk/iplayer/episode/b00pzlz6/The_Persuasionists_Cockney...
Canned laughter in place of the laughter they failed to get from a live audience? I should think so (Ha ha ha ha ha clunk)
Does anyone
remember The Creatives? It was a mid 90s Edinburgh based sitcom written and starring Jack Doherty (of the Channel Five five times a week chat show). Every episode was about creating and filming a TV advert. It only lasted one series and has never been released on VHS or DVD as far as I'm aware. It was probably roasted by the critics but I quite liked it. Well this is basically the London media tosser version of The Creatives.
Yes, it's bad. It's obviously, stunningly bad. I can't imagine anyone not recognising its terribleness, and I'm sure it will be buried in obscurity the minute the last episode has been screened. Having said that, I sort of enjoyed it to some extent. I will be watching it to the end. Maybe sometimes I'm just too perverse.
Couldn't agree more
It is unbelievably bad, I recorded it to watch next day and couldn't get past the first 10 minutes. Puerile was the word that came to mind, how does anyone in BBC responsible for programme making or control allow such unwatchable rubbish to be broadcast? Not a single redeeming feature, laugh, or modicum of interest. Are the word massive not the target audience for this type of comedy? I'd have thought so. In which case, they missed by a mile.......
I quite liked it...
... in a kind of 'not as bad as I thought it was going to be' way. It's not very good, but it made me chuckle once or twice, which is more than can be said for some, highly acclaimed, comedies...
I recorded this
Can't help but feel I need to give it a go to experience the sheer 'my eyes! my eyes!'-iness of it.
Peversely....
I just had to go check this out on iPlayer to see if it's as bad as you all say.
And you're all correct. It stinks.
I used to work in advertising, for what it's worth... and I didn't even get a vicarious "oooh it's my industry, I'm in on the joke", thrill of watching it. It's just dreadful.
How is it possible that the fabulous Adam Buxton could be so horrendously unfunny?
This may explain why it scores so highly on the turdometer...
'The Persuasionists is written by former advertising executive and debut screenwriter Jonathan Thake.' From the programme's website.
I'd start looking for a new career if I were you, Jonathan...
Much as I love Adam & Joe
and think Adam has a great natural wit, I just don't think he's a very good actor. He seems to have the same problem as most people who go into acting after years spent performing "as themselves", namely being unable to perform as someone else.
Peter Cook, Paul Merton, Frank Skinner, Catherine Tate in Doctor Who - all fine and capable with their own material*, but just can't get the hang of acting a different character.
*your mileage may vary.
Something's gone wrong with BBC comedy
Just look at the evidence:
Horne and Corden (pole vaulting the shark indeed)
The Persuasionists (Buxton's 'drunk' act was excruciating)
Big Top. Jesus H Christ. Decent cast but who the hell 'wrote' it?
Two Pints... sometimes fnny when Ralf Little was around, but just getting embarrassing now. What a waste of Sheldon Smith.
Coming of Age (roundly panned as abysmal, though I'm strange and actually quite like it - but only because of the guy who plays DK, the girl who plays Chloe and the fact this probably closer to what most 18 year olds are like than some would like to admit. I was probably about as priapic.)
On the other hand, Not Going Out, while not being earth shattering, only got a temporary reprive due to public grumblings. Other than that, I'm trying to think of a single decent sitcom the beeb do now.
Even worse, ITV managed Benidorm, which was actually pretty funny at times.
What's going on?
Disagree
The BBC have great comedy. Only the other day I was laughing my socks off at one of their programmes. It was called 'Allo 'Allo I think. Marvellous! I shall be doubling my licence fee payment, etc...
Sorry, I should have qualified that....
with anything made in the last 5 years or so, so I suppose that could include Gavin and Stacy and The Thick Of It. Still struggling though.
Allo Allo: so good that even the Germans love it. Must admit I do too, but mostly before Sam Kelly left.
Early Doors
Just makes it under 5 years old.
Lovely.
I think Early Doors might be my favourite ever sitcom
although 'sitcom' seems a totally inappropriate word to describe it.
Beautifully written, wonderfully rounded characters, faultlessly performed. An absolute gem.
I still hope a third series will arrive one day. I know it won't, not after all this time, but I carry on hoping all the same.
How could I have forgotten that?
because Early Doors is something I adored when it was on.
I'm less taken with Pulling, which lots of people loved but, all in all, BBC sitcom is, in the words of Danny Baker (talking of other things, it must be said) pretty thin gruel.
Pulling
was almost great. More like the anti Early Doors, but I still enjoyed it.
Another good Beeb comedy [IMO] is Saxondale.
Slowly, they are coming back to me.
Any more?
Psychoville
was great.
And going back a few years, it seems we've all forgotten the quiet marvel that was The Smoking Room.
Also, though we're primarily discussing sitcoms here, I feel That Mitchell And Webb Look deserves to be included in the round-up of Good Stuff.
Psychoville was great apart
from the last episode where is sortof lost it completely.
But it was still worth it for how great it was till then.
That Mitchell and Webb Look tho, for all I love them in Peep Show, and as performers, and I enjoy David Mitchell in print, on panel games, on radio four and on his vlog, just isn't very good.
It has a moment here and there and that is it, generally it is a real let down. That said it is sooo much better than the awful Horne and Cordan.
Mitchell and Webb
In their defense, the first series was really great. One of the few sketch shows which was frequently laugh out loud funny. Unfortunately, the following series were all pretty dire.
Damn!
I was looking forward to this too. I'll probably still watch the first one just to confirm, but I imagine I too will groan from this write-up.
Speaking of awful BBC Sitcoms, did anyone see Off The Hook last year? University-based sitcom with Jay from The Inbetweeners in a small role. Dreadful.
iPlayer Grabber
is in effect, I gotta see this
Terrible
I watched ten minutes before switching off. I wanted to like it because of Buxton, Daisy Haggard and the highly underrated Simon Farnaby. But, Lordy, it so wanted to be the advertising IT Crowd it hurt.
I'm going in...
I may be some time
Phew!
I also had to take a gander and have to agree it is rankness of the highest order. I can't decide if it's the acting or the jokes which are worse.
Re the quality of recent BBC comedy, am I alone in thinking that We Need Answers is the worst pile of garbage ever shown on (the usually wonderful) BBC4.
It's apparently adapted from an 'award winning Edinburgh show' - I can only think that it worked in a theatre, and should of stayed there.
You are not alone...
BBC4 has been edging in the direction of rubbish comedy shows for a while now... anything to try to bring in viewers, I suppose. The guy that hosts that programme makes me feel like putting my boot through the TV screen, thankfully I don't know his name.
sorry but
We Need Answers is a really good show, it's a nice antidote to all those sorts of panel, quiz shows, and all three (but especially Tim Key and the one with a beard that does the powerpoint) presenters are good, and essentially, they are different. They are doing something new.
It has proper audience responses, it has a nice edge to it, it has absurdism and is good silly fun.
The BBC needs to cater for all senses of humour, because all sorts of people pay their license fee. I hate 90% of its comedy and 10% of it (maybe less) I love.
I genuinely can't understand why people like stuff from that 90% just as people won't understand why I like what I do. That's the problem with humour.
That said I couldn't even watch the entire episode of The Persuasionists it was that awful. The canned laughed was even worse because none of it was funny. And I was completely upset that Adam Buxton was in it (and that bloke from The Mighty Boosh... actually even Iain Lee has managed to go down in my estimation and he wasn't high in it anyway.)
I find it hard to believe that this show will be in anyones 10%, although it probably will be.
All I try and remember is that people have bills to pay. Adam is always going for acting roles in stuff. He has a family to support and adam and jo may be cult but they aren't very well paid. They have been slogging it out in the business for years. Contrary to some remarks about Adam Buxton he is in fact someone who has been auditioning and sometimes getting comic acting roles for years and who also regularly does voice over work. That this doesn't work is down to him being miscast, the piece having bad writing and bad direction. Actors are only ever as good as the material.
I am not saying he has a wide range. But Schwarzenegger doesn't have a wide range but he rocked in the Terminator movies (and a few others as well). Some acting is about acting, other acting is about whatever kind of charisma the performer brings to the table. In this case Buxtons charisma hasn't been harnessed.
I hope he realises in hindsight how awful this series is and gets out as soon as he can. His previous comedy work and his excellent radio show are what he should be judged on. Let's hope he can get some limitation on this damage.
I love We Need Answers too
I love We Need Answers too (Alex Horne is the man with the beard BTW). The "Let's Meet The Contestants" song has drilled into my brain and refuses to leave.
I'm getting very disenchanted with panel shows and can't stand QI ("Do you know the answer to this impossibe question, no? Then listen to me teling you the answer") or 8 Out of 10 Cats anymore, although Buzzcocks and Have I Got News For You are still watchable on occassion. WNA is definately the future for comedy game shows.
well,
lossfawurds...
this is when smilies are required
History
"I Have A Dream" - Martin Luther King Jr.
"Work is the curse of the drinking classes" - Oscar Wilde
"Golf is a good walk spoiled" - Mark Twain
"We Need Answers is a really good show" - goosefat101
Spot the deliberate mistake :)
is it that you capitalised
all the words in the Martin Luther King quote?
I would be pretty appalled to discover people in the future quoting my unwitty and throwaway opinion about a comedy show that I happen to like. I won't however be surprised.
You see in the wake of the massive global crisises, when we are piecing together a new culture from the tiny fragments we have left of the old one, many seemingly mundane things will become part of the holy scripture of the goose fat 101. The few remaining humans will gather round their fires and chant:
"Work is the curse of the drinking classes" - Oscar Wilde
"Golf is a good walk spoiled" - Mark Twain
"We Need Answers is a really good show" - goosefat101
Spot the deliberate mistake SMILEY!
Sounds good to me
At least they won't be watching the box.
let's stop dancing around the obvious here
What we all REALLY want is for Armando and Steve to send Graham Linehan an invite, book a 5 star hotel in the Highlands for a month and emerge with another Partridge. What I'd give!
Noooo
We want three people we've never heard of in Fishguard/Clones/Elgin/West Bromwich to come up with something that embodies the, er, whatever the hell this decade is actually called (the Teenies?) ... meanwhile Linehan should write a sci-fi movie as a vehicle for Dylan Moran ("Don't talk to me about fucking light cones") and Iannucci/Coogan should move into serious documentaries for a bit...
That's me proper spanked!
True, I was (and am) harking back to a past that can never be recaptured - I think I was the first person in London to buy Let's Change the World with Music. However, much as I'd like to disagree with you for having disagreed with me, I actually think your suggestions about Linehan and Coogan are intriguing and could make for some great tv. From Ianucci though, I must have more Malcolm Tucker - on that one I won't budge!
Did anyone else make it to
Did anyone else make it to the credits and notice that one Andrew Collins is the show's script editor?
Another shame
but people like Not going out (and he co writes that) though I've never seen it. Collins and Herring is a good podcast but some of the shows he mentions liking like that awful Outnumbered are awful so I dunno how much I trust his comedy judgement.
Although again I'd suggest that comedy is such a specific taste thing that someone can write an awful comedy and a great one. In fact I'm always finding out comedies I hate are written by someone I like or visa versa.
And everyone is trying to make a living, I guess.
It is definitely the commissioning editors who are the most to blame.
I think Outnumbered
is very funny. As do all right thinking people. So there.
But how is it funny. I find it... very unfunny.
And I thought I was going to like it. The whole family in it just... made me shudder and the jokes were so... obvious. And the kids, who everyone raves about, were just typical TV kids... ugg.
(There is probably no point in trying to explain it, explaining why things are good is often difficult but comedy is the hardest... Why is it funny? Because it makes me laugh.)
That was the biggest
That was the biggest disappointment after a whole half hour of disappointment.
This show go commissioned because the media love to talk about??? The Media.
Please tell me...
that this is some sort of "guerilla programming" - the producers had a bet to see if anyone would actually commission and broadcast this series, knowing full well that it was in reality a parody of the worst sitcom ever written. Surely that's the case isn't it...?!
I have just watched it via the iplayer and I have to say, if it isn't a wind-up, then it has to go down as a complete disaster - I was going to say a complete joke or farce but it should be so lucky!
Is it me, am I missing something...?
Here are the opening lines.
Girl walks into office: "Hey Billy written any good slogans?
Billy: "Hey Emma you filthy slag"
canned laughter
believe me that is the high point!
canned laughter?
I was just showing the programme to my significant other and she reckons that the biggest problem is the canned laughed. Not only is some of it placed in baffling places where no one would laugh, but also that it is so over the top that every statement is supposed to have been hilarious, rather than letting you find smiles and laughs where they would really come.
She reckons the characters would look more pathetic and thus be funnier if there comments fell into silence.
She also said it seemed really really dated like something from the early 90's.
Note to middle-aged self
Reassess notion of "really really dated"
20 years
is reasonable as a dated feeling in the modern age when last year tends to seem old hat, surely?
This show was always going to be crap
It's got Iain Lee in it for God's sake - once brilliantly described by Word magazine in their list of Worst TV Presenters as being "scientifically unfunny" .
Well...
I tried again tonight, just in case last week was a bad dream.
I lasted a total of eight minutes before I lost the will to live.
Never, ever again.
I too saw a little bit of tonight's episode...
approximately two minutes. It's not as good as it was last week.
Spot
on!
Dear God!
Can this really be true?!
Is it on iPlayer? In fact, whens it out on DVD?
Anyone seen Coming of Age
I caught this the other night - it makes the Persuasionists look subtle, sophisticated and intricately plotted. I'm clearly not the target audience, but this was seriously poor.
At one point one of the characters promises to 'rim' another character if she gets the part she wants in the play; a minute later he takes down his trousers and spreads his legs. That's not humour - it's an attempt to be rude for the sake of it. Not even a cheap laugh, just cheap.
Yeah
And it is awful
EXCEPT
that I have a soft spot for DK and his crap raps and Chloe, just because she's sweet and a total space cadet. The others? Meh.
Balamory.
Persuasionists Target Audience?
Does anyone know who they are aiming this pile of crap at? Some humour I can see is aimed at the kids - like Mighty Boosh, I can see the attraction and the inventiveness of that - but it just goes over my head probably because I am an old duffer. But I can't even see that The Persuasionists is necessarily aimed at the youth market - who would find it funny?
This programme is just so poor that I am really starting to question my own sanity and my humour here, it's touched a nerve!
I am also surprised that Adam Buxton is involved as I really love the Adam & Joe show - I subscribe to their Podcasts and think they are excellent.
Please could someone interview the creators and actors in this and just ask them "WHY...!?"
Persuasionists
Its got the touch of Andrew Collins hasn't it? - need i say more on how 'scientifically unfunny' his writing has actually got in the past few years - sorry fella, I do love and subscribe to the Collins and Herring podcast, and I understand having to make a living and all that - but please stay away from TV sit-com scenarios - leave it to people who know and understand what it is to write lame-assed jokes and lame-assed characters (see 'Big Top' etc etc) ad-nauseum for the BBC until the canned laughter cows come home.
By the way, hwre is the new series of Alan Partidge, and where the hell is Chris Morris to save our TV asses?
Chris Morris has been working on a film project for years
http://www.guardian.co.uk/media/2007/mar/19/broadcasting.channel4
and it would appear that at last it's almost ready:
http://www.thefirstpost.co.uk/57013,news-comment,entertainment,chris-mor...
Andrew Collins
I didn't realize he was involved but then I noticed your comment and one above that says an Andrew Collins is a "script editor" - surely it must be a different Andrew Collins? It's not an uncommon name.
Please Andrew, I know you read the blog - it's not is it? Say it ain't so! I've got all your books too...
What do you do
when you have been involved in something as tragically bad as The Persuasionists?
Do you pretend it never happened, wipe it off your cv and write a kind and pleading email to imdb asking them to remove any trace of your involvement?
Or do you talk about it and try and put on a brave face? What's the best option?
It's why I was surprised to see
Andrew Collins name mentioned - he's usually very quick to pop onto the Blog to discuss relevant matters (which is great) but if it is "our" Andrew, then he has been keeping a very low profile on this thread!
I'm 99.9% sure
it's "our" Andrew. Shame... I love Not Going Out!
I too watched the second episode
and found myself just starting to think it was just about OK. On this trajectory I reckon that the 28th series will be a blinder.
I saw the first one, couldn't believe how bad it was
but can't get the phrase 'Cockney cheese' out my head... I've dropped it into conversations with my wife at least twice now.
I can't bear anymore
after my d/l of the first episode, it felt like a script an Australian 'creative' gallah had written c.1980 that was unearthed in the move to Manc.
Crass, stupid, pointless and not funny.
The thing I find
the most amusing about it is that the writer doesn't merely have a Written by credit. Instead he has a pompous Written and Created by credit. Unless someone else writes some episodes later on, then that is a really self-aggrandising title.
I quite like the programme. It's terrible but enjoyably naff. I laughed a few times, and not necessarily at it but with it. The thing probably wouldn't be half as dated looking if it didn't have the strangely coloured inter-scene shots. They just scream out Britpop era.
So did anyone make it to Episode 3?
Thought not. Me neither (I deleted it off Sky+ after Episode 2). The weird thing is, some of the lines aren't that bad - it's the over-acting of everyone involved that sends it into the unforgiveably awful (with a special prize to whoever plays the Dutch character.)
If it was directed totally differently in a more naturalistic style and ditched the canned laughter it'd be... well, not great, but probably average.
Bloody Nora...
haven't they cancelled it yet?
I did.
It's a malformed clone of 'The IT Crowd', (which I find unwatchable), and I agree with everything written above, but despite all that, I'm starting to quite like it.
I watched it and I'm now really liking it.
Just how brown is this shit?
I like the way that it's so third hand in its influences. It doesn't seem to rip off 20 year old classic sitcoms like Blackadder, but instead it seems more interested in ripping off forgotten mediocre shows like Game On. It's very much the work of someone who's seen too many sitcoms. Everything seems so derivative of older shows.
I'm deriving a lot of enjoyment from it. I will definitely be buying the DVD as soon as I see it for £3. This show must not be forgotten and lost to obscurity. It's too important.
I think I laughed about three times.
Interesting development
Episode four wasn't shown last night at 10 on BBC2. It must be too embarrassing to screen it on primetime so it's been moved to 12.20 today (or technically tomorrow). In its place they screened Grumpy Old Women.
did the episode get shown?
Oh, did it get screened? I sat down to watch it, having had a long and tedious day at work and looking forward to something that'd be even more miserably wretched than I felt, and was wrong-footed by the whinging women appearing.
I wondered if it had been stealth-cancelled.
I kind of want to see the series out to the bitter end to see if, oh, Bobby's been in the shower the whole time, or something, and it's all been a cunning post-modern prank...or something.
Or something...
Not quite
it's on at 1120 after Newsnight, but it's still something of an embarrassment for it to be so bad that it's been booted out of primetime.
Is Andrew Collins
on holiday? I'm still waiting for an explanation ha ha...I don't think I have ever been so deeply wounded to see someone who's work I admire have their name connected with such a crock of shite since Johnny Rotten started selling us butter!
More slating here
If you do only one thing today, click this link and watch the clip of 'Curry & Chips' - Your chin will hit the floor.
http://thequietus.com/articles/03687-box-fresh-emma-johnston-on-the-worl...